THE EMPIRE OF CORPSES (Shisha no Teikoku)

Empire of corpses

2 stars (out of 4)

Released 2015

This animated adaptation of late author Project Itoh’s zombie novel takes place in a steampunk 19th century Europe in which “corpse reanimation technology” has been accepted by society as a way to provide laborers to serve the living. However, these undead never retain their souls.

Medical student John Watson secretly reanimates the body of his friend and research partner, but becomes obsessed with finding a method to return his soul as well. He gets the opportunity to search worldwide for the records of Dr. Victor Frankenstein’s work when he teams up with the British government, who also want the notes for different reasons.

First of all, the movie looked great; the art and animation were absolutely top-notch. That would be the one good reason to watch it.

The plot itself was all serious and philosophical, but it honestly didn’t make much sense to me. While it was simple to follow what was happening from scene to scene, understanding why was something else entirely. It’s kind of a failure if the audience can’t reasonably tell why the protagonists made the choices that they did, or how the villain was doing whatever he was doing (re-creating GUILTY CROWN’s Lost Christmas?…), or even what governed the behaviour of the zombies.

The name-drops of famous literary figures didn’t seem to add anything to the story either. And it was not that clear whether the ending had anything to do with Watson’s initial goal.

I confess I’ve never understood the romanticism of zombies; this film didn’t help to enlighten me.

Anyway, after watching The Empire of Corpses, my sister and I also went and re-watched the fourth episode of Space Dandy. It covered similar musings of achieving world (or universal) peace through mass zombification – except that it was conveyed much more succinctly and enjoyably.

Mid-Summer 2014 Anime Ranking

The trend this season seems to be… restrooms! Just kidding. But there have been a surprising number of shows that have had scenes set in a washroom or had one featured prominently in the background, which is weird, and funny.


01. Free! Eternal Summer (ep. 1-8) – If you didn’t enjoy the first season, there’s probably no reason to watch this sequel. However, if you connected with the characters as I did, Eternal Summer does not disappoint. So far it has delivered in spades to its established audience in terms of humour, character development, and thrilling swimming races.

Sousuke and Momotarou are welcome additions to the Samezuka swim team. Even though in some ways I can’t stand the guy, there’s no denying that Momotarou has been a great source of laughs for the show. Also, I love seeing how Makoto and Rin are developing as captains of their respective teams despite both of them having been reluctant to take on the leadership role initially.

It seems to me this season has been a bit more suggestive of BL compared to its predecessor. It’s never overt, though. More like the creators are aware of the fujoshi segment of the audience and are having fun with the material, but it’s all in line with the overall plot.

Maybe we’re a bit crazy, but we typically watch every episode two or three times in order to appreciate all the little details that make the series so much fun.
(streaming at Crunchyroll and FUNimation)


02. TERROR IN RESONANCE (Zankyou no Terror) (ep. 1-6) – Deliberate and intellectual. It’s like watching a chess match unfold between the terrorists and the disillusioned police detective.
(streaming at FUNimation)


03. ALDNOAH.ZERO (ep. 1-8) – Stunning start to this series about Martian humans waging war on Earth humans. Since the 5th episode, it’s tapered off a bit, but I’m still enjoying it a great deal.

My heart wasn’t really ready for the brutal interrogation scene in ep. 8, though. Poor Slaine must be the most hard-luck hero of the season. Despite his best efforts, the guy just can’t catch a break!

ALDNOAH.ZERO boasts another powerful soundtrack by the venerable Hiroyuki Sawano.
(streaming at Crunchyroll)


04. Ace of Diamond (ep. 38-45) – Great ensemble cast for this baseball anime. It’s often not obvious that Sawamura is the main character. But it’s all good.
(streaming at Crunchyroll)


05. NOBUNAGA CONCERTO (ep. 1-6) – The latest rendition of the modern-day kid finds himself time-slipped into the middle of the Warring States period storyline. Saburo encounters Oda Nobunaga upon arrival and when they realize that they are dead ringers for each other, Nobunaga asks him to take his place. Considering the premise, the show takes things a lot more seriously than I expected. Obviously, there’s going to be some culture shock humour. But mostly Saburo does his best to fulfill Nobunaga’s role in unifying Japan, while trying to preserve history, which proves to be a bit challenging since he sucked at History class. And wow, that plot twist in episode 6!

Biggest challenge for the viewer is the CGI. It is definitely not at the level of Sidonia no Kishi. The character movements and facial expressions are stiff and video-gamey. On the plus side, some of the background art is absolutely gorgeous, though.
(streaming at Crunchyroll)

06. JoJo’s Bizarre Adventure: Stardust Crusaders (ep. 14-21) – Squalid toilets, a recurring source of torment for poor Polnareff as the Joestar group treks through Southeast Asia on their way to Egypt.

This show is a terrible offender when it comes to cruelty to animals – to the point where it’s pretty safe to fear for the life of any animal that has the misfortune to show up. They seem to draw the line at killing babies at least…

That aside, the characters continue to be amusing and the situations they end up in are frequently laugh-out-loud funny.
(streaming at Crunchyroll)


07. Tokyo Ghoul (ep. 1-7) – In the conflict between humans and ghouls, it’s sometimes hard to tell which side is more inhuman. The most fascinating characters so far have been mild-mannered but scary-looking mask-maker Uta and flamboyantly creepy gourmet Tsukiyama.

Love the great atmospheric ED theme: “Seijatachi” by People In The Box.
(streaming at FUNimation)

08. Baby Steps (ep. 14-20) – Ei-chan’s hard work is starting to pay off as he racks up some wins on the tennis court. He considers taking things to the next level. Solidly entertaining, as always.
(streaming at Crunchyroll)

09. Haikyuu!! (ep. 14-20) – Still enjoying the volleyball anime. At times the sport melodrama is laid on pretty thick…
(streaming at Crunchyroll)

10. LOVE STAGE!! (ep. 1-7) – Usually I can’t tolerate yaoi anime because I can’t stand the non-consensual sexual stuff. LOVE STAGE!! does have some non-con content, but it helps that the offender is aware of how his actions are inappropriate and shameful. I also like that Izumi is warming up to Ryouma because he appreciates how thoughtful the other boy can be, and not because he’s secretly turned on by the unwanted advances.

Most importantly, the show is actually very funny.
(streaming at Crunchyroll)


11. Sengoku BASARA Judge End (ep. 1-7) – I have seen the previous releases in this franchise and this installment provides more of the same goodness. It’s a nicely balanced mix of serious historical material and ridiculous stuff.
(streaming at FUNimation)

12. SPACE DANDY 2 (ep. 14-19) – The continuing charismatic adventures of Dandy and his crew. Much of the content this season has been so random, and yet somehow smart at the same time. I actually suspect many of the references go right over my head. But it’s funny anyway, for the most part. There have been some duds; the Ghibli-influenced fishing episode #18, for example; but maybe that’s just a problem with me and my lack of interest in fishing stories.
(streaming at FUNimation)

13. Shirogane no Ishi ARGEVOLLEN (ep. 1-8) – This show is best when it’s focused on the war story plot. And I am interested in the characters, what their motives are, and how they might be connected in the past. Otherwise, the pacing is a bit slow, but the major strike against ARGEVOLLEN is the sexual fanservice. Fortunately, it is only sporadic, but it’s really out of place when it occurs and serves only to cheapen the show. They should really stick to the military/mecha stuff.
(streaming at Crunchyroll)


14. Monthly Girls’ Nozaki-kun (GEKKAN SHOJO NOZAKI KUN) (ep. 1-7) – Somehow, I don’t feel I connect with the characters in this comedy series as much as I should. Episodes 1 and 6 were lots of fun; the rest I found just mildly amusing.
(streaming at Crunchyroll)

15. Captain Earth (ep. 14-21) – I’m grateful that the designer-child of the week episodes are over and that we don’t have to sit through that damn expansion sequence every time Daichi and/or Teppei deploy anymore. However, after 20-odd episodes of this, I still don’t feel I truly understand what each of the three main factions is trying to achieve. Planetary Gears’ attacks are increasing in frequency and the Midsummer’s Knights always manage to hold them off, but what is everyone’s endgame and what does it really mean if they fail? Lots of people will die, I suppose. I don’t know. The show just doesn’t make me feel the gravity of the possible outcomes.
(streaming at Crunchyroll)

16. Samurai Jam – Bakumatsu Rock (ep. 1-8) – Nonsensical, but fun to watch as something that won’t tax your brain cells. Strangely, the government-sanctioned Heaven’s Songs are almost indistinguishable stylistically from the rebels’ rock music. At least they all had the right reaction to that girl group’s autotuned atrocity in ep. 8!
(streaming at Crunchyroll)

17. AO HARU RIDE (Blue Spring Ride) (ep. 1-7) – Well, I don’t dislike male lead Ko as much as I hated Yamato from Say “I Love You”, but that’s not saying much. Ko isn’t all bad; he’s nice to people sometimes. When it suits him. The way he treats his brother is what ticks me off the most. I don’t think I can be satisfied with this show if he doesn’t eventually get his comeuppance or at least a good whack to the head. Yeah, he’s supposed to have his issues, but seriously, any guy who would show so little respect to such a thoughtful and patient brother cannot be a good catch romantically.
(streaming at Crunchyroll)

18. The irregular at magic high school (Mahouka Koukou no Rettousei) (ep. 14-20) – The boring-ass Nine Schools Competition is over at long last. Now Tatsuya is enlisted to help with the Thesis Competition. Fortunately, the topic is something he’s really interested in: the technical feasibility of a Gravity Control-type Magic thermonuclear fusion reactor. This show.
(streaming at Crunchyroll)


19. GLASSLIP (ep. 1-8) – Pretty much nothing happens in this. The visions of the future conceit is barely touched upon and poorly explained. The animation looks very sharp mostly; however, every episode includes random still scenes which are ostensibly for artistic effect but come off looking like cost-cutting. The characters often engage in inane dialogue. Why am I watching this?
(streaming at Crunchyroll)

Also watching, as part of our Grimdark Funimation Thursdays lineup (along with TERROR IN RESONANCE and Tokyo Ghoul): PSYCHO-PASS new edit, a re-broadcast of last year’s series, cut into double-length episodes with a bit of new footage incorporated. Honestly, I wasn’t that keen on re-experiencing PSYCHO-PASS, as I really did find some of the material to be disturbing and even traumatizing. If perhaps I don’t feel as shocked the second time around, that’s balanced out by the dread I now feel at knowing what’s going to happen.

The new scenes do add a bit to the story, I think. Or maybe I just have a better grasp of what’s going on now. Regardless, the series really is well-written and this new edit is good preparation for PSYCHO-PASS season 2 this fall, especially for those who missed the original broadcast.
(streaming at FUNimation)

I’ll just leave you with this:

ALDNOAH.ZERO’s main character, Inaho, planning some strategy in his “office”.

Mid-Winter 2014 Anime Ranking

Can I just make a list of my favourite theme songs this season? Because that would be so much easier:

1. AXIS, by STEREO DIVE FOUNDATION (NOBUNAGA The Fool ED)
2. Respect for the dead man, by Pay money To my Pain (NOBUNAGUN OP)
3. With You / With Me, by 9nine (MAGI: The Kingdom of Magic ED2)
4. Goya no Machiawase, by Hello Sleepwalkers (NORAGAMI OP)
5. FANTASTIC TUNE, by Ono Kensho (Kuroko’s Basketball 2 ED2)

Guess not, eh? The thing is, fully half the shows I’m following currently were middling carryovers from last season. The other half debuted in January; and it seems like practically every one of these new shows is taking forever to get moving plot-wise. So I find myself in a position where I’m not particularly enthusiastic about anything on my watch list. Anyway, here goes.


01. MAGI: The Kingdom of Magic (ep. 13-21) – After a seriously underwhelming first cour, MAGI has gotten back on track in a big way. We’re now familiar with the 3 main nations (the Kou Empire, the Leam Empire, Magnoshutatt) that have begun to clash. While the main focus has been on Aladdin’s experiences in Magnoshutatt, we’ve seen that all 3 of the factions have grand and worthy ideals. And true to MAGI fashion, we’ve also seen that each side can be criticized for transgressions they are willing to make in the name of those ideals. To top it off, there exists some discontent within each group as well. These kinds of complex and balanced portrayals are what impress me the most about this franchise.
(streaming at Crunchyroll)


02. YowaPeda (Yowamushi Pedal) (ep. 13-21)
03. Ace of Diamond (ep. 14-22)
04. Kuroko’s Basketball 2 (ep. 38-47) – In a stronger season, these 3 sports anime probably wouldn’t rank so highly. None of these shows really explore the characters’ personal lives or their interests/relations outside of the sport, which is something I’d like to see. For what they are though, with the focus on training and competing/playing games, the stories are competently told and each episode is consistently enjoyable to watch.
(all 3 streaming at Crunchyroll)


05. NORAGAMI (ep. 1-9) – NORAGAMI is generally well put-together; the 3 leads are interesting characters, especially Yukine. However, I can’t help but feel the show is being excessively cryptic about Yato’s past. It’s hard to feel the intended impact of current events when we know so little of why they are significant relative to the character’s history and present situation.
(streaming at FUNimation)

06. TOKYO RAVENS (ep. 13-21) – This second cour has the story moving out from the core group to expand on the greater story. Unfortunately, it’s pretty convoluted. And it isn’t easy to keep track of the growing cast, especially as some of them are reincarnations of other characters.
(streaming at FUNimation)

07. SPACE DANDY (ep. 1-9) – Completely episodic. So far it doesn’t matter what order you watch the episodes in since the show doesn’t even pretend to have any continuity concerns. Of course, that allows for a lot of creativity and it is frequently pretty fun and amusing to watch. My favourite episode of what I’ve seen is the ingenious fourth one, with the zombies. They really went all out with that one; every time it seemed like it had to be all over, they found a way to take it further!
(streaming at FUNimation)


08. NOBUNAGUN (ep. 1-10) – I’m enjoying the primary characters, including lead girl Sio/Nobunagun, who is quirky in an appealing way. That makes the series fun to watch. However, the main Pacific Rim-like plot line is not very inspiring. The Evolutionary Invasion Objects seem so powerful that I don’t see how DOGOO has any reasonable chance of defeating them, even with their E-Gene Holder forces.

One of the giggle-inducing highlights for me was the random swimsuit dream sequence from ep. 8, in which Jack (Suzuki Tatsuhisa) threw his arm around Gandhi (Shimazaki Nobunaga) after declaring their relationship as lovers. Too funny! (edit: Sorry, it might not be obvious that I interpreted this as a MakotoXHaru Free! reference.)
(streaming at Crunchyroll and FUNimation)

09. KILL la KILL (ep. 13-21) – Thankfully the various battles and power-ups are done and we are finally into the meat of the story starting with episode 16. The revelations since then have been meaningful and the fights have felt consequential. I’m pretty impressed with the novel theory of evolution that KILL la KILL is adhering to – I’ve definitely never heard anything like that before. More and more, it’s becoming evident how smart the series is and how it’s been consistent with its internal logic from the start.
(streaming at Crunchyroll)


10. Witch Craft Works (ep. 1-9) – The best thing about Witch Craft Works is how crazy funny it frequently is, right down to the irreverent ED sequence which moe-fies the historical persecution of witches for laughs. The atypical roles (the guy is the “princess”, while the girl is the strong protector) are also refreshing. Unfortunately, both the main characters are pretty bland otherwise, and that keeps me from really getting into the series. That, and they’re constantly throwing in too many new players, and I can’t keep them all straight.
(streaming at Crunchyroll)

11. Space Brothers (Uchuu Kyoudai) (ep. 88-97) – I haven’t been all that interested in Mutta’s experiences with his grating new team members. The touching episode about Eddie Jay, hit the mark, though. Now, Hibito is finding himself being stigmatized for having suffered a psychological disorder; I give the show credit for how realistic that is.
(streaming at Crunchyroll)

12. PHI BRAIN – Kami no Puzzle Season 3 (ep. 14-23) – After two and a half seasons of Kaito and company tackling killer puzzles and emerging largely unscathed, it came as a surprise that there has now been a fatality – a welcome surprise, because come on!

If Kaito’s friends end up dying one after another now, and he obtains the ultimate power and turns back time to bring everyone back to life, I’m going to be really, really disappointed. Dead people should stay dead or it’s cheap storytelling.
(streaming at Crunchyroll)


13. NAGI NO ASUKARA (Nagi-Asu: A Lull in the Sea) (ep. 14-22) – So the sea kids are waking from their slumber after 5 years. There is still a threat of global catastrophe somewhere in the future. And the mildly melodramatic polygonal romantic angst continues.
(streaming at Crunchyroll)

14. The Pilot’s Love Song (ep. 1-10) – The darker, more serious flashback sequences are pretty good, but the lighter present story… leaves something to be desired. This is another show that’s not forthcoming enough with its basic setup. What is Isla’s goal? Where are they going exactly? Why are they even at war?
(streaming at Crunchyroll)

15. BUDDY COMPLEX (ep. 1-9) – I can understand that there’s going to be some mystery about how and why Aoba got transported to the future, but I would think that by now there’d be some explanation of the conflict that’s currently going on. Who are the Free Treaty Alliance and the Great Zogilia Republic and what are they fighting for? Never mind the audience, why doesn’t Aoba ask?
(streaming at FUNimation)


16. NOBUNAGA THE FOOL (ep. 1-9) – What I don’t like: Tarot cards. It’s fine if they’re just used for artistic effect. But when a character actually pulls out the cards and that’s what regularly passes for plot advancement, forgive me if I’m a little skeptical of the narrative integrity.

The two-worlds plot is so nonsensical, or at least so insufficiently explained, that even though da Vinci delivered that lengthy infodump in ep. 8, I still feel we didn’t learn anything!

It also bothers me that all the women are useless. Especially Nobunaga’s sister. She just stands there like a non-player character in a game, singing, until approached, at which point she’ll divulge a little information and then go back to singing.

What I like: Mitsuhide’s hair, which is almost a character on its own. It’s great the way the animators lovingly render every strand that falls across his eyes, and every lock that’s casually brushed away from his face. It’s so absurd, it’s awesome.
(streaming at Crunchyroll)

17. Samurai Flamenco (ep. 12-19) – Episode 18 was surprisingly, hilariously crack and actually offered an explanation of the events so far. It may not have been the best episode to date (probably ep. 2 would take that honour), but it was certainly the funniest. That said, it still doesn’t make up for all the time-wasting, plot-twisting dreck I was suckered into watching for the preceding 11 episodes! Well, it’s not over yet; let’s see what they have in store for us in this final stretch.
(streaming at Crunchyroll)

18. Wizard Barristers (ep. 1-7) – This show is about lawyers who try to protect the rights of magic users in a society where the use of magic is against the law. The unintended irony is that these lawyers can’t seem to get anything done without resorting to magic themselves! What are they trying to say exactly?

Also, I can’t relate to Cecil at all. Even her character design is annoying. It should be a really cool thing that an anime protagonist is Canadian, but instead, it’s disappointing at best, mortifying at worst. I was only following Wizard Barristers because my sister was still watching it; now that she’s sufficiently exasperated and also ready to drop, I doubt I will stick around see if this incompetent narrative actually goes anywhere.
(streaming at Crunchyroll)

Also watching:

Tonari no Seki-kun: The Master of Killing Time (ep. 1-10) – A 6-minute (without credits) short about a schoolboy who continually goofs off in elaborate ways during class. The girl who sits beside him struggles with feelings of disapproval and fascination at witnessing his antics.

Every once in a while, they change things up a bit by involving another student, which is good.
(streaming at Crunchyroll)


Pupa (ep.1-9) – Since it’s a 3-minute short, you’d expect things to move at a brisk pace. Not so with Pupa. It just takes its time unraveling its horror story as if it were a full-length show, only to end abruptly. One episode consists solely of the brother being slowly devoured by his sister; another is all him howling in pain off-screen as he is undergoing surgical evaluation.

We initially put Pupa on hold after 2 episodes, then returned to marathon up to ep. 9 all at once, which is definitely a better way to approach this. We will finish watching – it’s a very small time commitment after all – once it is complete.
(streaming at Crunchyroll)