It’s more of an end-of-season ranking this time, partly because many of the series ended earlier than usual, and partly because I’m compiling it later than usual.
01. Ōoku: The Inner Chambers (Ep. 1-10) – Ōoku re-imagines what Japanese history might have been like if a virulent plague had wiped out the majority of the male population. Ironically, the story is still mostly about men, specifically the kept men who serve the female Shogun.
Even though Ōoku was already available in its entirety immediately at the start of the season, we made a conscious decision to watch week by week (along with My Happy Marriage, a weekly-release Netflix show.) I’m glad I experienced it this way, because it allowed me to really give thought to the story, and the characters, and especially to Arikoto’s plight.
(Streaming at Netflix)
02. Rurouni Kenshin: Meiji Kenkaku Romantan (2023) (Ep. 1-13) – Unfortunately, having previously watched the 1990s anime series, watched the live action movies, and read the manga, this new anime doesn’t quite deliver the wow factor for me that a new experience might have. That said, I definitely did have some complaints about the old series, and especially about the films, so I do love that this new iteration hews very closely to the best version of the story, the original manga.
Well of course, we wouldn’t miss anything that stars Saito Sōma, and I stand by my initial opinion upon learning of the casting, that he really is perfect for the role of Kenshin.
(Streaming at Crunchyroll)
03. AYAKA: A STORY OF BONDS AND WOUNDS (Ep. 1-12) – We went into this expecting it to be generic fantasy fluff, but right off, it was clear that AYAKA was a cut above. Something about the characters and the way they got along with each other, and the world-building, grabbed our attention.
The show left me contemplating how all of Yanagi’s disciples had internalized his ideals of self-sacrifice, whether he had expressly intended to teach them to be like that or not. The unfortunate corollary of bearing such a martyr mindset was that they didn’t know how to handle being the one who got protected, and that messed up their psyche.
True, parts of the story were predictable – I know some viewers anticipated Yukito’s true nature from the start – but the reveal played out really nicely in the final stretch, which was funny and heart-breaking and heartwarming.
(Streaming at Crunchyroll)
04. UNDEAD MURDER FARCE (Undead Girl Murder Farce) (Ep. 1-13)
(Streaming at Crunchyroll)
05. JUJUTSU KAISEN -SEASON 2- (Ep. 25-34) – The sudden flashback story line was a bit disorienting at first, but once things got going, this cour served as a powerful explanation of how Getou became so disillusioned.
I did learn something very important though. Apparently, “revealing information about your ability increases its fundamental strength.” That one nugget of wisdom did so much to enhance my appreciation/tolerance for shows such as BLEACH, for example, in which the characters are constantly explaining their abilities out loud. Naruhodo!
(Streaming at Crunchyroll)
06. Sugar Apple Fairy Tale (Ep. 13-24)
(Streaming at Crunchyroll)
07. My Happy Marriage (Watashi no Shiawase na Kekkon) (Ep. 1-12) – The setting and scenery are totally gorgeous, and sure, it’s effortless to root for Miyo against the abuse she’s had to put up with. But in my opinion, the characters lack nuance. Miyo is just a blob of soft-spoken, innocent goodness; Kudou is a protective hero she happens to get matched up with; while her evil stepmother and evil sister are evil. It’s kind of like Cinderella in a lush, historical Japanese setting, with supernatural abilities. The only character that makes me feel anything is Miyo’s friend Kouji; he’s a decent guy who definitely gets the short end of the stick.
(Streaming at Netflix)
08. The Most Heretical Last Boss Queen: From Villainess to Savior (Higeki no Genkyou to Naru Saikyou Gedou Last Boss Joou wa Tami no Tame ni Tsukushimasu.) (Ep. 1-12) – It’s another entry in the villainess isekai genre, and by now I have completely lost track of how many there have been. Anyway, I had a good early impression of this series. I was impressed with the way Princess Pride handled the ambush crisis, and especially the subsequent meeting with the knights. But it lost its momentum after that.
(Streaming at Crunchyroll)
09. Horimiya -the missing pieces- (Horimya -piece-) (Ep. 1-13) – I get how Horimiya fans would be thrilled to see previously cut content fully animated like this, and some of it is suitably amusing. But let’s face it, many of the clips are basically filler, and it seems obvious why those scenes were passed over in the first place.
(Streaming at Crunchyroll)
10. BLEACH: Thousand-Year Blood War – The Separation (Sennen Kessen-hen – Ketsubetsu-tan) (S2 Ep. 1-11) – This was kind of interesting at the start, with the reveal of the internal workings of the Quincy group and their second assault on Seireitei. But then it all devolved into fight-of-the-week shenanigans between random opponents that didn’t add much to their character development or the overall plot development. In fact, I think the part I liked best was the quiet showdown of Shunsui and Nanao against Jugram as the three of them seemingly just stood and watched the invasion at Seireitei headquarters.
