GALAXY EXPRESS 999

2 stars (out of 4)

Released 1979

It is a classic, so I feel bad about giving it a low rating, but this is how I honestly feel about this Leiji Matsumoto film, watching it now in 2013, for the first time. I saw it as a Toronto Animation Arts Festival International screening at the TIFF Bell Lightbox, and I have to say, that was the best way to see the film: for free, and on the big screen. I doubt I would have ever watched it otherwise.

In the future setting of GALAXY EXPRESS “three-nine”, many humans have turned themselves into cyborgs. Ophan Tetsuro sets out on a journey to get mechanical parts for his own body and to exact revenge on the man who killed his mother. He is accompanied on the journey by Maetel, a woman who bears a noted resemblance to the mother.

Along the way, he meets new people who widen his perspective. There is some resolution to his goals, and yet, the film still ends with some arthouse ambiguity and an indulgent train scene.

Considering its age, the animation looked pretty good. Character designs were limited, which is typical for Leiji-verse works. For instance, most of the women looked the same except for different hair colour; one also had a scar on her face, another held a guitar.

During an early flashback, I wondered how someone as purportedly beautiful as Tetsuro’s mom could have possibly given birth to such an ugly child. It did seem, however, that all the children in the film were equally ugly. Maybe in this future, all kids are born neck-less with their eyes closely-spaced in the middle of their foreheads, and as they grow up, the eyes gradually separate and migrate down their faces until they look relatively human by adulthood. Am I over-thinking this?

PACIFIC RIM

3 stars (out of 4)

Released 2013

It’s the future and Earth has been under attack by mysterious giant monsters for years. Humanity builds walls to keep the monsters out, but walls can be breached. Our main character and his Asian female sidekick are soldiers who have lost their families. They continue to fight even though there is little hope for survival and their colleagues are falling in battle. Could be Attack on Titan, but it’s not; it’s PACIFIC RIM!

The creatures in this film, called Kaiju, emerge from a dimensional rift in the ocean. To counter the threat, humans built giant robots, called Jaegers, which must be operated by 2 pilots synchronized in a neural bridge. However, the program is failing, and the few remaining Jaegers have a chance to mount one last stand. Raleigh, the hero, is one of the pilots.

As someone who is admittedly rather mecha-challenged, that is, I’m not usually good at telling one machine from another and at following mecha fights, I didn’t have too much trouble with the action scenes in this movie. Generally, they were clearly presented; it was perhaps actually easier to distinguish the robots than the generically good-looking young actors in the cast. There were the occasional scenes, however, that were dark enough that it took me a moment to determine if I was looking at a Jaeger or a Kaiju.

Raleigh’s eventual partner, Mako, didn’t come off quite as tough as I’d hoped she would have. It seemed like Raleigh was always protecting her instead of the other way around. At the same time, I’m grateful she was no damsel in distress either. And some of her “weakness” may have made her a more sympathetic character for the audience to relate to. Also, how cute was the younger version of Mako?

I liked that there was plenty of human action and character development too, away from the robots. The movie was fun and frequently thrilling to watch. And there’s even a mild environmental message to boot.

This is the End

2 stars (out of 4)

Released 2013

After being unimpressed with the trailer, I wasn’t planning on seeing this film, but rave reviews from critics and a stellar rating on imdb changed my mind.

The concept is that a group of comedic actors, playing themselves (or parodying themselves), are gathered for a party when some kind of apocalypse strikes the world.  Sounds funny, right?  Unfortunately, a lot of the script feels like uninspired improv, with each joke going on a little too long and just not being funny enough to make you laugh.

I kept waiting for this film to get funnier or more clever, based on the reviews I had read, but, no, this film is what its trailer promised and nothing more.

Tinker Tailor Soldier Spy

Tinker, Tailor, Soldier, Spy Poster.jpg

2 stars (out of 4)

Released 2011

Based on the John LeCarre novel about British spies during the Cold War, this film adaptation is virtually impossible to follow unless you are familiar with the world of Cold War era espionage.

I watched this with sub-titles on, so at least I had some help learning the names of the numerous characters (eg. “Control” is the name of one of the spies).  Despite the fact that the casting director wisely chose actors with very distinctive faces, I still couldn’t keep track of which name belonged to which face, and, since off-screen characters are frequently referred to only by their names, this is a problem.

The story is told in a non-linear fashion, and there were several scenes in which I was so lost as to what was going on that, when the film finally reveals the significance of the earlier mysterious scene, I had completely forgotten it.

Add the above problems to the fact that there is very little movement in the film (I mean, literally, people move around slowly, if at all, and, being British, emote very little) and you have a strangely inert movie.  If the viewer could understand all the calculating that is presumably going on inside the characters’ implacable exteriors, I guess it could have been suspenseful.

I only know that there was a coherent story under this mess because I watched it with someone who had read one of LeCarre’s novels as well as other spy novels that deal with similar themes and he was able to explain many of the plot points that I had missed.

Still, a movie that cannot stand alone and requires extensive background knowledge for basic comprehension of its plot, is a failure.

Key of Life

3 stars (out of 4)

Released 2012

Sakurai’s got it rough: friendless, hopeless, unemployed… even his suicide is a failure. While visiting a public bathhouse, he witnesses an accident in which a fellow bather is knocked unconscious. Having nothing to lose, he impulsively switches locker keys with the man and steals his belongings as well as his identity.

Sakurai soon discovers that he is impersonating an underworld assassin, while the victim, Kondo, suffers amnesia from his fall and has no choice but to believe he is a failed actor with no family and no money.

This is another one of those films that I missed out on when I had to skip TIFF last year. Key of Life is both funny and smart and I’m really glad I got another chance to catch it on the big screen.

In addition to Sakurai’s story and Kondo’s story, there is also a sub-plot involving a business woman named Kanae who is looking for a man to marry, preferably in time for her wedding.  The various plot threads get a little complicated, but they come together satisfyingly by the end.

I have seen Kagawa Teruyuki, who plays the part of Kondo, in many other movies in the past (including RUROUNI KENSHIN most recently). From what I’ve experienced, he tends to often play one-note characters. This is the first time I’ve seen him in such a varied and sympathetic role. Kondo seemed to be the true lead in this production, so I was actually a little surprised that Kagawa did not get top billing. Well, maybe they didn’t think his “thug face” would sell the film…

RUROUNI KENSHIN

3.5 stars (out of 4)

Released 2012 (in Japan)

Himura Kenshin was once a feared assassin during the Meiji restoration period of the 1860s. A decade later, he now carries a reversed-edge sword to prevent himself from killing again. In Edo, he meets Kamiya Kaoru, the impassioned head of a kenjutsu school which teaches swordsmanship for saving lives, rather than for taking them. The school’s idealistic philosophy appeals to Kenshin, who has vowed to atone for his previous sins by protecting others. However, it won’t be easy for Kenshin to just live a peaceful life. He has many enemies from his violent past, and they all want a piece of him!

Thanks to the Toronto Japanese Film Festival, I was finally able to see this live action adaptation of my all-time favourite manga series. Going in, I tried to keep my expectations low; 2-hour film adaptations of long-running series necessarily have to cut a ton of material, and often, the end result is an empty shell of the original story. Also, the trailers we had seen left us questioning whether Takei Emi had the acting ability to portray Kaoru properly.

Happily, I found the film to be very enjoyable; the many action sequences were spectacular and the important themes were left intact. In the end, I was fairly satisfied with Takei Emi’s performance as well, considering the material that she was given to work with, Kaoru’s role having been significantly underwritten for this adaptation.

There was never any doubt, on the other hand, that Sato Takeru was perfectly cast. True to expectation, he turned in a flawless performance in the lead role, capturing Kenshin’s strength, when forced to fight, and more restrained gentleness at other times.

The movie deconstructs about 4 of the early story arcs and combines parts of them back together into a mostly coherent plot. It worked well for me since I was already very familiar with the original manga and seeing the story told this way felt fresh.

Of course there are casualties: lots of good stuff was cut, not the least of which was that Kaoru and Yahiko didn’t get any chance to show their talents and both of them came off looking rather weak. And as a result of the narrative cutting and pasting, some parts of the movie don’t completely make sense if you stop to think about it. Fortunately, there’s so much going on and the action scenes are so intense, that you’re not really given an opportunity to dwell on the minor details.

Another quibble: I found the scenes with Kanryu and his gang to be a bit jarring compared to the rest of the film. They tended to be more goofball and play-like and the accompanying music was too exaggerated.

I think the director and screenwriter made the correct choices in what must have been a daunting task to create this film. I might sound like I’m unhappy with the ruthless edits that have been made, but that’s what the manga is for! All told, the movie succeeds at being entertaining the way it is and I would love to see it again. I believe it is a worthy addition to the franchise. So yes, despite my complaints, I am giving it 3.5 stars!

Tenchi Meisatsu (TENCHI: The Samurai Astronomer)

2.5 stars (out of 4)

Released 2012 (in Japan)

This biopic is based on the true story of Yasui Santetsu, a professional go player and recreational mathematician/astronomer, who was appointed by the Shogun to reform the calendar in 17th century Japan. It was becoming evident during that time that the Chinese calendar which had been in use for 800 years was inaccurate.

The film chronicles the various obstacles that Yasui faced in his decades-long quest; scientific challenges, to be sure, but also political opposition to change.

The story was pretty straightforward, nothing earthshaking, but I enjoyed it. I enjoyed seeing the costumes of the period and being immersed in the historical setting. There was also enough levity to keep the movie from being just a dry retelling of what is essentially a tale of math and politics.

Star Trek Into Darkness

The poster shows a flaming starship falling towards Earth, with smoke coming out. At the middle of the poster shows the title "Star Trek Into Darkness" in dark grey letters, while the production credits and the release date being at the bottom of the poster.

4 stars (out of 4)

Released 2013

I was never a fan of the original Star Trek TV show and I don’t think I ever watched a single episode of The Next Generation or its many offshoots.  But I LOVE these J.J. Abrams reboots.

Having watched some of the classic Trek shows in my childhood, I do remember the characters in a basic sense, but these reboots have built upon these characters in such a creative and engaging way.  And I also love what the lead actors have done with their characters, an even more daunting task considering the responsibility they had to respect the original material.

I think the story in this outing is not as creative as in the first reboot movie, and I think they could have spent a little more time showing us the villain’s supposed dazzling intellect.  But the filmmaker understandably chose to allocate more time to developing the other crew members and mining their relationships for emotional and comedic gold.

Can’t wait to see it again.

Ted

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2.5 stars (out of 4)

Released 2012

There were some very funny parts in the first half of this movie and I liked the unexpected way that they handled the magical elements of this story, but the script ran out of gas in the second half.

IRON MAN 3

3 stars (out of 4)

Released 2013

I went into this without seeing IRON MAN 2.  Fortunately, I had seen THE AVENGERS last year.  Viewing the THE AVENGERS should be considered a prerequisite for this film, as there are many references to a traumatic event that happened in New York in the past that the audience is assumed to have knowledge of.

What I liked especially about this current installment of IRON MAN was the really creative use of the mechanical suits.  Let’s face it, watching a super hero fighting in a faceless power suit can get old after a while.  Therefore, I enjoyed seeing that the suit could be used fully or partially, defensively or offensively; pretty much every imaginable permutation was on display.

My only half-joking complaint is that this movie may be offensive to US presidents and vice presidents.  I could understand if Mr. President was not physically strong or athletic, but he should have seemed a little bright, at least.  Here, he was depicted as nothing more than a damsel in distress; he was not afforded even one smart line of dialogue.  For other reasons, I also found the actions of the vice president to be unbelievable…