Mid-Autumn 2015 Anime Ranking

One Punch Man 05
01. ONE PUNCH MAN (ep. 1-10) – Well, I don’t know where to start. This super hero anime is simply really good. The humour is great, the action is great. I love Saitama and Genos and their interactions with each other. There are lots of great characters with distinct and amusing personalities.

If you want, it’s possible to read into the material some social commentary about work culture, the way institutions evaluate individuals, and what it means to be a hero. But you don’t have to think about any of that stuff. Above all else, OPM is just super fun to watch.
(streaming at DAISUKI)

Gundam Iron blooded orphans 04
02. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 1-10) – As expected from GUNDAM, the newest series features a complex narrative which develops on multiple levels. The pacing is good and there is some nice mecha action, of course. Beyond that, what I really appreciate is how well the characters are written. Even minor supporting players have clearly defined personalities and the antagonists are not simple villain types, either.

Recently, we’ve started to see some of Orga’s insecurities and vulnerabilities, whereas previously, he seemed so smart and confident in his role as leader of Tekkadan. It really brings home just how young he and his gang all are.
(streaming at DAISUKI, Crunchyroll, and FUNimation!)

Seraph 2 Guren Shinya
03. Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (ep. 13-21, or BATTLE IN NAGOYA ep. 1-9) – This second season started off a bit slow, but the momentum is definitely building up now. Things are getting complicated; it’s still a mystery how Guren, Kureto, Ferid, and Krul figure into the plot and what their motives are.

Previously, I criticized the poor action animation of the first season. Let me just say I have no complaints this time around. Episode 21 in particular was stunning! I do think it would have been easier for Mika (and Seraph’s animators) if he had decided to attack the Demon Army group from behind; but if he had done that, we would have missed out on a spectacular fight sequence!
(streaming at FUNimation)

Noragami aragoto 06
04. NORAGAMI (ep. 13-22, or ARAGOTO ep. 1-10) – I am one of those people who wasn’t really a huge fan of NORAGAMI when it first aired in 2014. But, I’ve been pretty impressed with this sequel.

The principles that were laid down in the first season explaining the complicated relationship between Yato, a god, and his human regalia, Yukine come to fruition here. In this installment, those same ideas are applied to a very different god, Bishamon, in a way that thoughtfully explores the complexity of her situation and the consequences of her actions. Along the way, we also learn the source of her conflict with Yato. Bishamon’s arc is terrific.

The second half of the cour is taking another dark turn, with Yato regressing to his toxic roots with Nora. It’s still good, but ultimately, I think I was more interested in Bishamon than in the Yato/Ebisu story and Yato/Hiyori’s relationship.
(streaming at FUNimation)

STARMYU 06
05. STARMYU High School Star Musical (ep. 1-10) – Well, there’s no shortage of otome trash titles this season, and God help us, we’re watching all of them! The best of the bunch is STARMYU, about a group of cute boys enrolled in a musical academy. It has been likened to Uta-Pri, except with fewer (haha) female characters.

At first the cast seemed pretty unlikeable, but gradually their personalities have gotten fleshed out and their rapport with each other is good. And yes, this is actually a musical, so there are performances and the guys will regularly just break out in song, which is awesome.
(streaming at FUNimation and DAISUKI)

06. Mr. Osomatsu (Osomatsu-san) (ep. 1-9) – A new gag anime based on the Osomatsu-kun manga from the 60s, which last had an anime adaptation more than 25 years ago. The identical sextuplets are under-employed adults in this iteration, with A-list seiyuu providing their voices. Honestly, I still have trouble telling the brothers apart, but that doesn’t keep me from enjoying the random, subversive humour of the show.

You might expect Osomatsu-san to be old-school and innocent, but it has turned out to be the most scandalous show of the year. The first episode has been removed and will be completely remade for the home video release as a result of making unauthorized references to various other anime. Episode 3 also caused a stir (and necessitated revision) over a particularly vulgar parody of Anpanman. Who knows what trouble they’ll get into next? Watch it while you can!
(streaming at Crunchyroll)

07. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 26-35) – Not much new to say at this point. If you’ve been enjoying Ace of Diamond so far, as I have, you won’t be disappointed by the current offering.

Seido is facing Seiko in the current arc. Their strange but talented relief pitcher, who sometimes sings the Anpanman song while on the mound, is putting the brakes on Seido’s offence. Meanwhile, Furuya and Sawamura are feeling the heat from Seiko’s powerful batters.
(streaming at Crunchyroll)

K RETURN OF KINGS 09
08. K: RETURN OF KINGS (ep. 1-11) – It’s rewarding the way RETURN OF KINGS has built upon the ideas presented in the first season and in the “MISSING KINGS” movie. Because of that, I’m enjoying this sequel even though I was not a big fan of the original series.

My biggest complaint overall is that there are really only 3 female characters among the rather large cast; and the 2 of them who aren’t children seem to exist almost solely for fanservice, with boobs and butts randomly plastered in front of the camera at every opportunity. Fortunately, this isn’t all the time, since they are so vastly outnumbered by the guys.

For me, the highlight so far was ep. 9. I loved seeing Awashima and Kusanagi all dressed up. Okay, so I like this kind of fanservice; it’s nice to see regular characters wearing clothes and hairstyles so different from their usual. Plus, there was plot development, foreshadowing, and get this: a break dance/gunfight in an elevator! Colour me impressed.

09. Haikyuu!! Second Season (ep. 1-9) – The Karasuno guys are finding that they can learn new things by practising with other teams.

The production quality remains high with this sequel. Manager trainee Yachi is a great addition to the cast. I only wish Asahi would stop wearing his hairband like that; it’s weird and doesn’t look comfortable at all. He should take a hint from his coach – there’s a guy right in front of him who knows how to rock a hairband!
(streaming at Crunchyroll)

Dance with Devils
10. Dance with Devils (ep. 1-10) – The second of 3 shows in our Otome Trash lineup, Dance with Devils is yet another musical. Ritsuka, who is surprisingly smart and strong-willed for a protagonist in this type of anime, finds herself targeted by vampires and devils (in the Student Council) because of her family’s connection to the coveted Grimoire.

While the first episode greatly exceeded my expectations, the characters’ songs since then have been laughable for the most part. Not to be missed: the Pomeranian gets his turn to sing in ep. 7; and in the latest episode, the Student Council members collaborate to accuse their President of being an “Emo Liar”!

Just so we’re clear, I’m not saying the show isn’t good. On the contrary, I think it’s pretty fabulous.
(streaming at FUNimation and DAISUKI)

AoT Jr High
11. Attack on Titan: Junior High (Shingeki! Kyojin Chuugakkou) (ep. 1-8) – If you go into this expecting new insight on the Attack on Titan story, you will be disappointed. This half-length spin-off is basically a self-parody of the series. The setting is completely changed, but the jokes are all just exaggerated takes on the original material, and they’re not even that funny. The main thing that sells this? Cuteness. The characters appear in chibi form and they are ridiculously cute.

Unfortunately, I will be putting this on hold as of now since the content seems to have veered into possible spoiler territory for the main series.
(streaming at FUNimation)

12. Subete ga F ni Naru: The Perfect Insider (ep. 1-9) – A murder takes place in a research facility on a remote island. Nishinosono and her mentor Saikawa happen to be visiting when it occurs.

This is a dark, locked-door mystery, but sometimes I have trouble taking it seriously. Everyone seems to just take things in stride and come and go as they please even though there’s been murder! And the killer is almost certainly on the premises! No one’s suspicious of our protagonists, either, despite the fact that they just happened to show up on the night of the crime.

It’s kind of unfortunate that other shows this season have inadvertently served as parodies of this particular story; Osomatsu-san especially (the “Calming Detective” segment of ep. 8 was hilarious), and also some parts of Beautiful Bones (the uncanny parallels between the 6th episodes of each series).
(streaming at Crunchyroll)

13. Chivalry of a Failed Knight (Rakudai Kishi no Cavalry) (ep. 1-10) – The basic premise of this anime sounds like any number of other magic school shows where the hero is branded as weak but in actuality is very strong, and all the girls desire him. Think: Mahouka (The irregular at magic high school). Fortunately, this show seems to be a bit more self-aware and operates with a modicum of restraint.

It helps that even though there is obviously a harem set-up, the romance is mainly with just one girl. And that girl isn’t the protagonist’s sister! Of course, that doesn’t mean Ikki’s sister isn’t in love with him; naturally a show like this has to have an incestuously-inclined little sister. Naturally. Even I have to admit that it is somewhat amusing as satire. Nevertheless, the brocon stuff is still not actually very funny.

There are times when I’ll be rolling my eyes at the fanservice and contrivances, but then the anime will just as often turn things around and show its good sense. For instance, I had started to feel apprehensive of the misunderstanding between Ikki and Stella in ep. 5, but to my surprise, the two of them actually hashed things out honestly and resolved the issue by episode’s end! That’s pretty unprecedented!
(streaming at Viewster)

GARO CRIMSON MOON Seimei 07
14. GARO: CRIMSON MOON (Guren no Tsuki) (ep. 1-9) – This is the second anime of the GARO franchise and it has virtually nothing in common with the first series. Here we have a whole new set of characters and a new Heian-era Japanese setting, which I thought was a unique idea. Unfortunately, CRIMSON MOON is also a whole new beast in terms of depth of character, narrative flow, and maturity in subject matter; those elements do not measure up to GARO THE ANIMATION at all.

The storytelling is rather slow and strangely episodic; it’s taken a long time to reveal the overall plot. I can appreciate what they were trying to do in re-imagining classic tales from the Heian period and tying them in to the Garo world. Unfortunately, the way these stories get connected to the main characters is kind of amateurish and contrived.

Seimei is actually an interesting and eccentric person and I’m relieved that we are finally getting to see some of her story. I’m glad that both of her companions will call her out on her questionable behaviour at times as well.

One thing I still like about this production is the eclectic musical choices, which I also mentioned in my (unrelated) review of “Miss Hokusai” earlier. The artwork is often quite pretty too.
(streaming at FUNimation)

15. Beautiful Bones –Sakurako’s Investigation- (Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru) (ep. 1-9) – Another show featuring a beautiful and eccentric leading lady with a taste for bizarre collectibles. This one has a young male sidekick too. The topic here is modern day mysteries, with a leaning toward forensics.

It bothers me how much this series relies on contrived coincidences to connect the main characters to the cases and often to solve the mysteries too. Sakurako is somehow more knowledgeable than police detectives, microbiologists, and physicians. I can be convinced that she might be well-studied and have an amazing memory, but there’s no way she can know absolutely everything – even what people she doesn’t know were thinking!

Objectively, Beautiful Bones looks great and it’s not a terrible show, not worse than GARO: CRIMSON MOON, anyway. But more and more I’m feeling bored and cynical toward it, while at the same time GARO has been trending up a bit at last.
(streaming at Crunchyroll)

16. Utawarerumono: The False Faces (Itsuwari no Kamen) (ep. 1-9) – The show got off to a decent start by introducing the 2 main characters and having their community face the truly terrifying threat of giant centipedes and super-giant centipedes (shudder). As the cast expanded, though, I found myself losing interest fast. Episodes 5-7 felt like a slog. It’s true I have not seen the first series, but I suspect that wouldn’t have made much difference aside from recognizing a few recurring characters who appear in ep. 6.

All the females in this anime look the same to me! And there are so many of them now. I’m sitting here staring at the screen thinking, “Who are these girls again? Please let there not be a test!”
(streaming at Crunchyroll)

DIABOLIK LOVERS MORE BLOOD 07
17. DIABOLIK LOVERS II: MORE,BLOOD (ep. 1-9) – I’ll never understand what’s so good about this rapey piece of trash anime, the final and definitive title in our Otome Trash lineup. But somehow, the franchise has been successful enough to warrant a second anime season, and furthermore, I’m watching it! What the heck.

There is another family, consisting of 4 brothers, that takes Yui captive this time around. They have been added to the cast in order to further torment our brainless heroine. I think I harboured a tiny shred of hope that at least one of them would turn out to not be another abusive asshole. Ah, what was I smoking?
(streaming at Crunchyroll)

Attack on Titan: Part 1

attack-on-titan-part-1-movie

3 stars (out of 4)

Released 2015

This live-action version of Attack on Titan is only very loosely based on the original manga. Truckloads of liberties have been taken with the plot as well as the characters. You can pretty much think of it as a whole new story, except with some familiar character names.

The visual and sound effects were really good and definitely emphasized the horror of the Titan invasion. Those who are weak of stomach should be forewarned that the violence is quite bone-crushingly, flesh-tearingly graphic.

In my opinion, the actors were reasonably well-cast for their parts. I had seen Haruma Miura and Kiko Mizuhara in other movies before and didn’t like them that much; however they were fine here. Because there were not many quiet, emotional scenes, the opportunities for bad acting were relatively few anyway.

Being a huge fan of the anime, I was well-aware of the need to check my baggage, all of it, at the door before watching this film. In doing so, I think I was able to enjoy the movie for what it is, an action-filled blockbuster which uses romance as an easy emotional anchor to engage (or enrage, as the case may be) its audience.

Miss Hokusai

3 stars (out of 4)

Released 2015

Going by the trailer, I was somewhat wary that this biographical film about a famous painter’s daughter might not have much of a plot. I expected that there would be a lot of fantastic eye candy in the form of gorgeous Edo-era scenery, though. And that was pretty much what I got.

The film followed O-Ei’s various experiences, showing her encounters with her fragmented family and with acquaintances in her and her father’s line of work. These anecdotes successfully portrayed our lead character’s charming personality.

Miss Hokusai was very much a slice of life story. While certainly the events were affecting and enjoyable to watch, I didn’t feel that they came together in any unifying theme in the end.

I attended the Miss Hokusai screening with family and we had mixed feelings about the film’s soundtrack. I kind of liked the unexpected use of blues and rock music along with classical piano pieces (not unlike the eclectic soundtrack of another period-setting anime, GARO: Crimson Moon), but my sister would have preferred more traditional instrumentation to accompany the seemingly faithful historical images.

BORUTO -NARUTO THE MOVIE-

3.5 stars (out of 4)

Released 2015

The focus of the latest NARUTO movie is on the next generation; it’s something of an epilogue that explores what growing up would be like for Naruto’s son, Boruto. Whereas Naruto lost his parents at infancy, Boruto has a loving family. However, Naruto’s heavy responsibilities as Hokage frequently keep him away from home, even on special occasions, which frustrates and angers his son. Not to mention, Naruto understandably has no idea how to be a good dad.

Boruto, Sasuke’s daughter Sarada, and the other kids are really cute here. The families are all cute, actually, providing for a great ending credits montage.

“BORUTO” has all the elements that are central to the franchise, such as teamwork and family issues. Familiar characters are true to their personalities without becoming caricatures of themselves. There’s some humour and an action-packed fight to protect the village, with just the right amount of nostalgia mixed in. And it’s all nicely encapsulated in the length of a feature film.

Of the NARUTO films that I’ve seen, this one is by far the best. In fact, it might be the best NARUTO anything that I’ve seen or read, period.

Mid-Summer 2015 Anime Ranking


01. GANGSTA. (ep. 1-9) – Expert storytelling and exposition; GANGSTA. shows us how it’s done. It reveals just enough information to pique your interest and keep you on the hook for more. Every once in a while, there’s a touch of humour – sufficient to endear you to the characters and to keep the story from being completely bleak.

Worick and Nicolas are not your typical anime leads. Not only are they in their 30s, but one of them is blind in one eye and the other is deaf. The show features gangs and violence and prostitution. Distastefully, Worick and Nic do murder, among other things, for money. And yet, I was invested in them from the very first episode.

It seldom happens that the show I’m most hyped about before the season starts actually ends up being my favourite. That’s definitely been the case for GANGSTA. this summer, and by a wide margin too. Episode 8 marked the first time that I felt even a little disappointed and really noticed the animation shortcomings. Otherwise, week after week, I have been absolutely floored by just how good this show is!
(streaming at FUNimation and DAISUKI)


02. PRISON SCHOOL (ep. 1-9) – GANGSTA. may have its share of objectionable content, but it’s got nothing on PRISON SCHOOL!

Here’s what you can expect: ridiculously crude, gross-out humour, gratuitous boob and crotch shots (censored), absurd situations which may variously involve things like incontinence, hemorrhoids, and bleeding canker sores.

I’m not usually into bathroom gags or fanservice, but this shit is funny as hell. Perhaps surprisingly, there actually is a smart, substantial plot; and it helps that the humour is not particularly mean-spirited either.
(streaming at FUNimation)


03. THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (ep. 14-21) – Most of this cour has been about Arslan’s group getting involved in the royal power struggle of nearby nation Sindhura. While this arc may not be directly relevant to the main plot, it has been fairly enjoyable anyway. The Sindhurian princes and their father, the king, were compelling, flawed characters.

I was really affected by ep. 17, which had Daryun in a death match against a monstrously strong opponent. As a viewer, of course I am aware that Daryun is protected by all kinds of plot armour. But this episode was successful in getting me to see things from Arslan’s point of view. I was worrying right along with him. What if Daryun should fall? And for such a reason, which had nothing to do with their cause, even!

Also worth watching: ep. 16’s war elephants!
(streaming at FUNimation)

04. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 14-21) – Other than some conflict between Miyuki and Zono, this has been more of what we know and love. Seido has to face increasingly tough teams and, sometimes, tough crowds too.

It’s nothing earth shaking, but all said, Ace of Diamond remains one of the shows we look forward to and enjoy the most each week.
(streaming at Crunchyroll)


05. Aoharu X Machinegun (Aoharu x Kikanjuu) (ep. 1-9) – A girl who is often mistaken for a boy gets involved in the world of survival games. Ultimately, the plot is pretty thin, but the show is consistently fun to watch anyway.

I like how the main character just happens to be androgynous and comfortably wears boys’ clothes. I fervently hope she doesn’t end up having to dress like a girl to try and get the guy, or for any other reason!
(streaming at Crunchyroll)

06. Food Wars! Shokugeki no Souma (ep. 14-21) – Somehow, this culinary battle anime is getting better and better.

Can you believe we’ve actually planned our meals around this show? After having to sit through the first karaage episode fried-chickenless, we made sure to have some karaage dinner at the ready the following week.
(streaming at Crunchyroll)


07. Snow White with the Red Hair (Akagami no Shirayuki-hime) (ep. 1-9) – This anime shares a name with and makes some casual references to a much-reviled (according to yours truly) fairy tale. Fortunately, this Snow White (Shirayuki) is nothing like that other one. Shirayuki is a hard-working herbalist who is dedicated to her craft and her studies. One of the main reasons Prince Zen seems to be attracted to her is because she is determined to make a useful contribution to society and has no interest in pandering to royalty.

The show has had its ups and downs for me; but a definite highlight was ep. 4, which covered Shirayuki’s court herbalist exam and featured some great interaction between her and Zen.
(streaming at FUNimation)


08. Rokka –Braves of the Six Flowers- (Rokka no Yuusha) (ep. 1-9) – Every few hundred years, six powerful braves are chosen to prevent the rise of the Demon God. When seven braves show up at the meeting this time around, all bearing the mark, something is obviously amiss. Since the fourth episode, when all of the braves had assembled and found themselves trapped within a barrier, it’s pretty much been a whodunit to discover the identity of the fake.

The mystery aspect works well for Rokka. It’s also a good-looking anime, most of the time. And despite his tiresome habit of constantly declaring himself “the strongest man in the world,” our main guy Adlet comes across as an earnest and likeable hero.
(streaming at Crunchyroll)

09. DURARARA!! X2 Ten (The Second Arc) (ep. 13-21) – This is the middle cour of DURARARA!!’s planned 3-part sequel. The final cour will air in January next year. There are still way too many characters (and more being introduced all the time!), but so far, I’m enjoying Ten a lot more than the first arc, Shou.

My favourite episode has been #14, which awesomely dispelled the notion that Mika and Seiji were nothing but a couple of single-minded, love-struck idiots.
(streaming at DAISUKI and Crunchyroll)


10. Baby Steps 2 (ep. 14-21) – Eiichirou’s been getting a taste of the types of players he might have to handle if he goes pro, including a really likeable opponent who is strongly favoured by the crowd, as well as a sneaky player who utilizes dishonourable tactics.

Yukichi, the guy from STC who calls Ei-chan “Aniki”, has been really cute lately. He’s usually sweet and easygoing, so it’s great seeing him all riled up and pouring the hate on Ei-chan’s recent opponent.

Unexpectedly, there’s actually been some development on the romance front too, though it hasn’t had any huge impact so far on Ei-chan’s goals or performance.
(streaming at Crunchyroll)

11. MY love STORY!! (ORE MONOGATARI!!) (ep. 13-21) – Takeo and Rinko’s wholesome romance continues. Some of their friends are getting infected by the love bug too.

The current arc covers the new addition to the Gouda family. I have intimate knowledge of what that’s like, as my family also welcomed a new baby when the older kids were almost grown. However, I don’t recall my baby sister being even half as well-behaved as the new little Gouda!
(streaming at Crunchyroll)


12. SCHOOL-LIVE! (Gakkou Gurashi!) (ep. 1-8) – Novel concept of cute schoolgirls plopped into a zombie apocalypse thriller. It is actually very effective and genuinely frightening. Well, horror and moe are not really my thing, which is the reason for my personal lack of adoration for the show; but for anyone who goes for this stuff, I give SCHOOL-LIVE! a very high recommendation.
(streaming at Crunchyroll)

13. CLASSROOM CRISIS (ep. 1-9) – The first 5 or so episodes were pretty underwhelming. It’s only recently that the characters have started to grow on me and I’ve developed some interest in their personal dynamics and back stories.

If you’re going to watch this, it’s necessary to not think too much about the pseudo-science it presents. Don’t question the space travel and the colonized-every-planet stuff. Just let it go.
(streaming at DAISUKI and Crunchyroll)


14. GOD EATER (ep. 1-6) – Because of its sporadic release schedule, apparently due to frequent production delays, there have been fewer episodes of GOD EATER compared to the other summer shows. It’s still hard to tell if it’s good or not. The main premise of a gifted kid fighting monsters for the sake of saving humanity is nothing special.

On the plus side, the action scenes have been spectacular and the oil-paint-like visuals are nice to look at.

I do question the feasibility of that Aegis project they’re working on. Unless they figure out a way to safely and efficiently farm for cores, it seems very likely all humans might be extinct before they are even half done building the thing.
(streaming at DAISUKI and Crunchyroll)

15. WORKING!!! (WAGNARIA!!3) (ep. 1-9) – This series has always been mildly amusing and it’s easy to watch when you’re busy with other things, like eating dinner, so I’m back onboard with season 3. This is supposedly going to be the last installment and we can expect things of import to really happen this time around.

How much one enjoys WORKING!!! probably hinges a lot on how much one likes or tolerates Yamada. I think I’ve made no secret of the fact that I just don’t. I have to admit I was amused when, in ep. 5, she showed surprising self-awareness by actually stating that her presence could feel like a punishment to others.
(streaming at DAISUKI and Crunchyroll)

16. GATE: Jieitai Kanochi nite, Kaku Tatakaeri (ep. 1-8) – For whatever reason, most anime seem to feature teenaged protagonists. It’s a novelty when we get a show about college students or young adults entering the workforce. This season, however, we are fortunate enough to have not one, but two, series with 30-something main characters: GANGSTA., of course, and this one, GATE.

When a portal to an alternate world opens up and monsters attack Tokyo, the Japanese Defense Force fights back by sending a team through the gate. On the other side, they encounter humans as well as fantastical beings.

GATE’s not bad when it focuses on the politics and military strategy taking place in both worlds. I also like that Itami takes his job seriously, though he works primarily to support his otaku habits. I am notably less interested in the fantasy girls that the team has picked up.
(streaming at Crunchyroll)


17. Seiyu’s Life! (Sore ga Seiyuu!) (ep. 1-8) – The sort-of sister show to SHIROBAKO, this slice of life anime follows the exploits of 3 young voice actors trying to make it in the entertainment industry.

While the girls have a number of positive experiences, where they get a chance to learn and grow, a lot of what they go through is quite unglamorous. They sometimes don’t know when or if they’ll be offered another gig; they work second jobs to make ends meet; even when they get the opportunity to form a musical unit, they basically have zero say in the direction of the project.

Seiyu’s Life! provides an informative inside glimpse of what goes on behind the scenes, but unfortunately, I just don’t care that much about these characters.
(streaming at FUNimation)

Notable Drops:

Ushio and Tora (ep. 1-4) – I’d heard some good things about Ushio and Tora, so I gave it a try for 4 episodes. I found it to be a competent production, but felt pretty meh about it overall. I think I was hoping for a little more depth or some adult humour; instead, it was largely predictable.

If you happen to be a fan of old-school shounen, you can certainly do a lot worse than this show. But outside of that, I don’t think there’s much crossover appeal.
(streaming at Crunchyroll)

AQUARION LOGOS (ep. 1-2) – If the first episode had not been prefaced by an Aquarion EVOL special, I don’t know if I would have tuned in at all to this show.

The many characters are poorly introduced and I just found it impossible to connect with them. Especially when the premise is stupid, it’s important to have likeable characters to carry the proceedings. Although, it’s uncertain whether any amount of quality characters or interactions could actually make up for something this stupid.

The word-monster of the week concept actually manages to be more lame than the intentionally lame adversaries in Cute High! With that show, and EVOL, what both had in spades was a self-aware and over the top sense of humour, something LOGOS sorely seems to lack. Wish I hadn’t wasted my time on this.
(streaming at FUNimation)

Ranpo Kitan: Game of Laplace (ep. 1-2) – Based on the first arc, mystery anime Ranpo Kitan seems to want to be edgy and provocative, but to me, the story was just so completely out there that it strained all credulity. Sure, it’s not uncommon for people to want to be immortalized as furniture after they die, even if they have to die prematurely. Yeah, happens all the time.
(streaming at FUNimation)

Mad Max: Fury Road

3.25 stars (out of 4)

Released 2015

Very little dialogue was required in this film because the almost non-stop action spoke for itself. The plot was simple and easy to follow, and it did not bore me for a second. It also didn’t take long to start feeling sympathy for the characters, even though they were pretty much thrown into the mix without prior introduction.

Since the settings and resources were clearly established early on, when they came into play later, it was logical and satisfying.

Not a complicated story, by any means, but Fury Road was thoroughly fun and thrilling. And it was great to see plenty of girl power balancing out all the testosterone too.

As far as potentially objectionable content goes, I didn’t really find much. Of course there was violence, but the camera did not linger on gory parts or glorify the bloodshed. The most disturbing elements were probably the body deformities and what was considered to be food in the post-apocalyptic environment of the story. Also, no unnecessary profanity, I believe, and no unnecessary romantic subplot either!

The warlord leader of The Citadel was a nasty piece of work, to be sure, but you gotta give credit where it’s due. He certainly knew how to put together a proper war party. Ceremony and a motivational soundtrack are absolutely vital when heading into combat. If you’ve seen it, you know what I’m talking about!

THE VANCOUVER ASAHI

2.5 stars (out of 4)

Released 2014

Based on the true story of the legendary Japanese-Canadian Asahi baseball team, which achieved success against brawnier Caucasian opponents through its members’ “brain-ball” style of playing.

The acting was better and more restrained than in many Japanese films I’ve seen. English lines were delivered competently by both Japanese and non-Japanese actors for the most part, as well. We were warned ahead of time that the film’s pacing would be on the slow and deliberate side, especially for a sports movie.

This was a Japanese-made film, but the subject matter was not truly a Japanese story at all. Its focus was on the challenges faced by Canadians of Japanese descent in the years leading up to WWII, with racial discrimination as the primary root cause of the struggles.

As borne out by historical events, baseball obviously did not change the world in this instance; the war continued and the internment occurred. But it was a baby step toward mutual understanding and The Asahi served as a symbol of hope.

To this day, some discrimination against visible minorities still exists in Canada, but I’d like to think that we’ve come a long way in these past 75 years.

Mid-Spring 2015 Anime Ranking


01. THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (ep. 1-10) – The Kingdom of Pars falls to Lusitania’s attack during Prince Arslan’s first sortie on the battlefield. Arslan is left to marshal his limited resources and find a way to save his nation and his people.

It’s not only about the good guys vs the bad guys, though. Time and again, I’m impressed at how well the show conveys the motivations of each of the players. We see the merits of their beliefs as well as the failings. Even people who are supposed to be allies might have differing opinions from each other.

There are a lot of little ongoing mysteries, including the cold way both the King and Queen seem to regard their son. It’s also not clear at this point who is really pulling the strings in this conflict.

To be honest, I’m not crazy about the character designs, but this is an action-adventure anime that I can appreciate cerebrally.
(streaming at FUNimation)


02. Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (ep. 1-11) – There’s a kind of shocking, practically systemic, outward lack of respect for comrades and superiors at all levels of this Japanese Imperial Demon Army organization. It almost takes me out of the show. Almost. It’s actually well-written enough that I’m firmly onboard still. Part of what makes the nastiness amusing, as opposed to annoying, is that the characters do manage to work together when it counts and there’s no question that they are all on the same side.

On the other hand, I really like Mika, too. You know I’m a sucker for these cool, silently suffering types. Not only does he inhabit a different world from these other goons, it’s practically like he’s from an entirely different show altogether.

I guess I should mention that there was a very noticeable drop in production quality in ep. 10. I’m usually pretty forgiving of animation shortcuts. As long as the storytelling flows well, they don’t really bother me. That first battle scene, though, was too egregious to ignore. It looked more like coloured storyboarding with voiceover than anything resembling finished animation. No music, even. It was a big fight, but there was no tension at all. Also, Yuu and Shinoa’s services were needed at two different battle grounds. They shouldn’t have been taking their sweet time!

All right, after having seen ep. 11 as well, I can confirm that it doesn’t look quite as bad as last week. However, it is pretty clear by now that action sequences are not Seraph of the End’s forte. Conversely, what is impressive is how even minor characters seem to have personality (and attitude) to spare. I totally wouldn’t mind if they dispensed with the physical fights going forward, and just have everyone wield their tongues instead of their swords!

Finally, a positive note about the music: Seraph’s OP “X.U.” and ED “scaPEGoat” by SawanoHiroyuki[nZk] are easily two of the best theme songs this season. They have recently been released together as a double A-side single, and it’s so good! The instrumental versions are included, and even without the vocal tracks, both of them sound like complete songs. It’s almost a shame to cover them up with singing. This is real music, folks, not the generic pop that’s commonly used for anime music or heard on mainstream radio. (I’m not biased at all no way.)
(streaming at FUNimation)


03. KNIGHTS OF SIDONIA: Battle for Planet Nine (Sidonia no Kishi: Daikyuu Wakusei Seneki) (ep. 1-9) – There were already a slew of mysteries remaining from season one. SIDONIA 2 hit the ground running with a number of shocking new developments and even more unanswered questions. This stuff works for me and I’m definitely intrigued to know what’s going on.

The reason SIDONIA 2 is not number one on my list is that I feel it is wasting too much time on harem antics and fanservice, and that has got to be my least favourite aspect of the series. During the first season, the fanservice was certainly there as well, but it accounted for very minimal screen time. The rest of the production was so exceptional that I could easily overlook such indiscretions.

After watching ep. 8, I have to say I’m unimpressed. I suppose a lot of viewers are amused at the way these otherwise intelligent girls are trying to get close to our harem lead, but to me, it’s just ugh. The first season was so much more subtle with the romance! Tanikaze and Hoshijiro never openly acknowledged the romantic nature of their relationship, but when he kept going to see “her”, it strongly implied how connected to her he felt. What passes for romance this season is so clumsy by comparison, partly because it is all about what the girls want, with not enough input from the main character, which is typical of harem setups. It’s just, I don’t come to SIDONIA expecting some cheap harem anime! Can we get back to the Gauna please?

Anyway, to clarify, my quarrel is only with the sexual fanservice in the show. I have no problem whatsoever with the rice ball fanservice.
(to stream on NETFLIX starting July)


04. Fate/stay night [Unlimited Blade Works] (ep. 13-22) – Ah, I was happy when Illya agreed to have a chat with Shirou and Rin. But alas.

It’s so hard to rank this one. When it’s good, it is really good. Take episodes 17 and 18, for instance, when our protagonists went to take on Caster. We found ourselves instinctively hitting replay for parts or all of those episodes.

But sometimes, it’s just not good. Like the subsequent showdown between Archer and Shirou. They have now spent several episodes talking and saying the same things over and over again; and both of them are stubbornly determined to follow the paths they’ve chosen. Um, there is an obvious middle ground here, isn’t there? Meanwhile, Rin is in danger and Saber is doing a whole lot of nothing!
(streaming at DAISUKI and Crunchyroll)


05. MY love STORY!! (ORE MONOGATARI!!) (ep. 1-9) – The shoujo romance with a male lead. But what really makes this refreshing is how likeable all the main characters are. Too many shoujo romances rely on mean people (or “good” people who behave in a mean way) to produce manufactured drama. When the setup and characters are interesting enough, as they are here, the show is naturally funny and entertaining without the usual gimmicks.

At this point, the relationship between the best friends is more compelling than the romance, though. Yamato is maybe a little too perfect.
(streaming at Crunchyroll)

06. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 12-21) – The 3-E class have worked hard for their accomplishments. Now it’s time for them to put their skills to the test as they stage an elaborate attempt on their teacher’s life and also work together to save their fellow classmates.

AssClass features a great ensemble cast and it’s easy to root for these kids’ success. At the same time, I wish Koro-sensei wouldn’t have to die! Is it just me, or does it seem like Karasuma-sensei isn’t really all that into the assassination either?
(streaming at FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 38-46) – The clock is ticking as the Joestar party approaches their goal. There’s still been plenty of stupidity and hilarity along the way. I especially loved the ending to the T. T. D’Arby arc.

Things are getting more serious now, though, as it’s time for the final showdown with DIO.
(streaming at Crunchyroll)

08. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 1-9) – This effectively got off to a late start due to the airing of 3 recap episodes at the beginning of the season. Since then, the anime has resumed its usual riveting gameplay, with a current emphasis on personal growth through competition for Sawamura and Furuya, and others.
(streaming at Crunchyroll)


09. Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo) (ep. 1-8) – This supernatural high school comedy features lots of equal-opportunity kissing and likeable characters. I really appreciate that it routinely manages to avoid the most obvious types of rom-com tropes and fanservice that are common for the genre.
(streaming at Crunchyroll)

10. BLOOD BLOCKADE BATTLEFRONT (Kekkai Sensen) (ep. 1-10) – BLOOD BLOCKADE is packed with over-the-top, larger than life characters. I’m particularly amused by Zapp and Klaus and I enjoy the dynamic they share with Leonardo. The overarching plot is harder for me to get a grasp on; though we’re probably not expected to understand a lot of the story yet.

It’s unfortunate I’m a busy girl, and I have lots of other anime to watch, so I can’t commit to multiple viewings of this one show. Because I do believe it warrants repeat viewings. There is A LOT going on visually in every scene, and especially since I also have to be preoccupied with reading subtitles, it’s very easy to miss a lot of details.

That is exactly what is so great and not so great about this series. If you have the inclination to give it your full attention and then some, I think it can be a really rich experience. The flip side is that it sometimes feels like work to watch it; it’s not something you can simply sit back and enjoy when you just want to relax.
(streaming at FUNimation)

11. My Teen Romantic Comedy SNAFU TOO! (Yahari Ore no Seishun Love Comedy wa Machigatteiru. Zoku) (ep. 1-9) – I was never in love with this pretentious series and even considered skipping this sequel. So I watch with a fair amount of cynicism. However, I’m actually enjoying it more than I expected to. Even though there is still that much-ado-about-nothing issue with the plot, I find I am able to appreciate some of the characters and the humour regardless.
(streaming at Crunchyroll)


12. Food Wars! Shokugeki no Souma (ep. 1-10) – Frequently amusing, although there is not that much plot. Souma and the other students don’t seem to do that much actual learning at this elite school that they go to. Shokugeki no Souma is always reliable for its food porn. Quite literally, in this case, foodgasms and all.

Totally didn’t expect that JoJo’s reference in ep. 10, complete with voice narration and onscreen sound effects! Awesome. It was especially perfect because the 2 programs air on the same day and we happened to watch JoJo’s immediately prior. “You thought you were getting a cooking anime, but it was me, Dio!”
(streaming at Crunchyroll)

13. Baby Steps 2 (ep. 1-9) – Eiichirou’s path to pro tennis continues in this second installment of the series. First is a 2-week session at a Florida academy. Then he returns home to train and play some more, with his future riding on his performance at the All-Japan Junior Tournament.

This is a well-written show, and very realistic. The reason I’m not more excited to watch it each week is that it’s maybe too realistic. Ei-chan has to work very hard for his successes, and we feel it – it’s not always fun to watch. Also, the slightly cross-eyed character designs have not gotten any more attractive since the first season, despite improvements in animation quality otherwise.
(streaming at Crunchyroll)

14. Kuroko’s Basketball S3 (ep. 63-72) – It’s Seiren vs Rakuzan for the Winter Cup. But first, there was a 3-week delay at the start of the cour while the show did a flashback to Kuroko and Akashi’s time with the Generation of Miracles. So this sports anime took a while to get going as well.

I’m still not fond of Akashi. The more screen time he has, the less I tend to enjoy the show. The best thing this cour has going for it right now is a strong pair of OP and ED themes by regular contributors GRANRODEO and OLDCODEX, respectively. Animation-wise, I also don’t recall any previous opening sequence looking quite as good as this one does. Granted, it could be that I didn’t really watch them all because the music wasn’t good…
(streaming at DAISUKI and Crunchyroll)

15. Ghost in the Shell: ARISE – ALTERNATIVE ARCHITECTURE (ep. 1-10, complete) – Mostly a cut-for-TV rebroadcast of the ARISE OVA movies. If you have already seen the OVAs, there’s apparently no need to watch the first 8 episodes of this series. I still think it’s curious that they decided to start with part 4, though, before going back to the beginning. It seems like a questionable choice since that was probably also the weakest part.

The remaining 2-episode arc is new content; and it’s okay, kind of more of the same. Predictably, loose ends are not tied up, since there’s still a movie sequel to follow.

The movement animation and camera-work look great in this series. I can’t say the same for the character designs. That’s one ugly pixie cut the Major’s sporting; and seriously, they couldn’t do something about Togusa’s mullet? The best characters were the Logicomas; they were adorable.
(EVS streaming at FUNimation)


16. Uta no Prince-sama Magi LOVE Revolutions (ep. 1-9) – Episode 7 put the spotlight on Kurosaki Ranmaru, who I think of as prick #2 of QUARTET NIGHT. He’s all angsty because he decided to give up his “love for rock” (even though no one asked him to) in order to concentrate on his current boy band career. I mean, that’s just wrong on so many levels.

Fortunately, none of this third season has been as lame as the episode that started it, but overall, it just hasn’t been as much fun as season two.
(streaming at Crunchyroll)

17. Sound! Euphonium (Hibike! Euphonium) (ep. 1-9) – KyoAni’s high school band anime. As expected, the art and animation are beautifully rendered, and okay, it’s a “better” show than UtaPri. But for me, Sound! Euphonium is too realistic and solemn most of the time. I even took music in high school, so I can relate to this stuff; but being more of a quitter than a band geek, I have little interest in it now. At least Baby Steps has some humour; this just bores me.
(streaming at Crunchyroll)

KAKEKOMI

2.5 stars (out of 4)

Released 2015

Divorce in mid-1800s Edo, Japan was the topic of the opening night film at this year’s Toronto Japanese Film Festival on Thursday. Apparently there was a formal process for women of the time to exit an unhappy marriage, although it basically involved renouncing all possessions and living in as if in a nunnery for 2 years.

The movie featured many female roles, and the women were generally portrayed as being stronger, braver, and smarter than the men.

And yet, the tales were still mostly told through the eyes of the medic, a male. Because the narrative was fragmented into several storylines, we didn’t get an in-depth look at what each of the women went through first-hand at the temple. In particular, I would have liked to have seen more of the friendship that developed between Jogo and O-Gin.

When Marnie Was There

3.5 stars (out of 4)

Released 2014 in North America (2013 in Japan)

I read a review of this movie before seeing it and the review confirmed what I usually expect from a Studio Ghibli film (sumptious visuals, meh storyline), so I wasn’t expecting much going in.

Imagine my surprise when, right from the first line, I was drawn into this story of a quietly self-loathing girl. Why does Anna feel this way about herself? When she is sent to the countryside on her doctor’s advice, why does she take this as evidence that she is not wanted? Even without understanding her history, I was immediately invested in her.

The story itself is not completely original, but the way that answers are revealed to the audience is beautifully paced, and the emotions subtle yet heart-wrenching. And, as expected of Studio Ghibli, the visuals and sound effects are a love letter to the Japanese countryside. Little details brought this world to life for me. For example, when Anna is shown to her room in the house where she is to stay, she muses to herself, “Hm, smells like a stranger’s house.” I know exactly what that feels like: uncomfortably aware that you are not home, even though you know you are welcome. Like From Up on Poppy Hill, this film felt like it had a direct grip on my heart. Suffice to say, I ran out of tissues and left emotionally spent, yet gratified.

Playing at TIFF Lightbox until July 2, 2015 – catch it while you can; it’s definitely worth seeing in a theatre! (Note: I saw the subtitled version.)