Mid-Autumn 2016 Anime Ranking

yuri-on-ice-07
01. Yuri!!! on ICE (ep. 1-10) – For much of its runtime, Yuri!!! on ICE exists as a sports anime about competitive figure skating. As such, it stands just fine, more than fine actually. The narrative and detailed animation is as good, or almost as good, as a top-tier production such as Haikyuu!!. The professionally-choreographed skating is brilliant and gorgeous to look at. There’s plenty of humour throughout. And it’s easy to cry and to celebrate right along with the well-written characters.

The best sports shows can be really excellent at handling sports drama, but, and I’ve said this before, I often want to know more about the athletes’ personal lives. This is where Yuri!!! on ICE goes above and beyond. I wasn’t originally rooting for the characters to get together (apparently I’m not much of a shipper in general), but I really like the casual way in which the romance has developed, interwoven with the skating plot. Having a love story tie everything together adds so much depth to the overall picture.

Plus, the fact that it happens to be an unconventional romance, taking place in a widely popular anime, is very unexpected and makes for a momentous social statement.

Sadly, the positive and tolerant environment of this anime is not the real world that we live in, but Yuri!!! on ICE shows us how the world could be if we just live and let love. And that’s beautifully inspiring.
(streaming at Crunchyroll)

ajin-14
02. AJIN (ep. 14-23, or Season 2 ep. 1-10) – If anything, I think the CG animation and the facial expressions have improved this season. The theme songs are kind of crap, though, especially compared to the first season’s offerings.

As an intellectual action story, it doesn’t break any new ground; however, everything AJIN does, it does exceptionally well. So in terms of sheer excellence in pacing and logical yet thrilling story progression, AJIN 2 probably surpasses Yuri!!! on ICE. However, Yuri!!! is my number one, because it is well rounded and truly groundbreaking.
(to stream on NETFLIX)

bungo-stray-dogs-2-dazai
03. BUNGO STRAY DOGS (ep. 13-23, or Season 2 ep. 1-11) – The first 4 episodes were amazing. No offense to Atsushi, he’s fine, but I greatly preferred Oda as the main character. The flashback storyline was darker and more serious than anything in the show beforehand. Plus, there were 2 jaw-droppingly cool temporary versions of the OP (which were both superior to the actual version of the OP, by the way). And, it was the only time I can recall hearing my 3 favourite seiyuu, namely Miyano Mamoru, Suwabe Junichi, and Miki Shinichiro, all in the same show, in significant roles, and in the same episodes together. That was some incredible ear candy!

The rest of the season covers the 3-way war between the Armed Detective Agency, the Port Mafia, and The Guild. Honestly, the Guild members haven’t really captured my interest. Dazai, however, continues to be a fascinatingly nasty yet loveable character.

Incidentally, Mamo is starring in all 3 of my top favourite anime this season. Since Dazai and Nagai Kei are both pictured above, I was almost tempted to put a picture of JJ at the start of the post, instead of Yuuri. How wrong would that have been?
(streaming at Crunchyroll)

haikyuu-s3
04. Haikyuu!! 3rd Season: Karasuno Koukou VS Shiratorizawa Gakuen Koukou (ep. 1-10 complete) – Yes, this whole season is about Karasuno’s one match-up against Shiratorizawa.

It’s also very good. The plays are riveting, the animation continues to be top-notch, and there’s character development too. It’s really satisfying how Tsukishima has become a major force for Karasuno.
(streaming at Crunchyroll)

05. The Disastrous Life of Saiki K. (Saiki Kusuo no Psi-nan) (special ep. 66-100, or ep. 14-20) – Still highly enjoyable week after week, even if this cour has so far not been quite as crazy imaginative as the first one. Of course, a certain plot twist that I have been expecting (due to a spoilerific casting announcement back in early October) is still to come.
(streaming at FUNimation and DAISUKI)

06. JoJo’s Bizarre Adventure: DIAMOND IS UNBREAKABLE (ep. 27-37) – For a long time, I had my doubts about Rohan; I thought it was creepy the way he would try to buddy up to Koichi. But what do you know, I genuinely like the guy now! He’s smart and analytical, definitely a good asset when the rest of the team consists mostly of idiots and the villain you’re up against is an over-powered genius psychopath. The best part is his awkward and antagonistic relationship with Josuke; it’s so real, and so funny.

We’re finally nearing the climax of the Yoshikage Kira story arc which was being built up all season long. I’m kind of lukewarm about what’s happening right now, since I’m not sure all that time travel stuff actually makes sense.
(streaming at Crunchyroll)

07. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 26-34) – This is shaping up to be one super-complicated war/politics story. There are so many different factions in play that it’s hard to keep track of everything. Tekkadan, which now has ties to a number of these groups, including Turbines/Teiwaz, McGillis/Gjallarhorn, and Arbrau, is caught in the middle of it all. If they play their cards right, the potential rewards could be great, but there’s no telling if their “allies” can be trusted or how great the costs might be.
(streaming at DAISUKI and Crunchyroll)

izetta
08. Izetta, The Last Witch (Shuumatsu no Izetta) (ep. 1-11) – Pseudo-WWII-themed Izetta, the Last Witch is pretty impressive most of the time. The episodes focused on the war battles, the tactical strategy, and politics are well done; and the narrative is presented in a way that’s reasonably easy to follow. Finé is a great depiction of a strong and proactive leader who happens to be female.

Unfortunately, the occasional down-time episodes have been consistently cringe-worthy at worst, yawn-inducing at best. In those interludes, we get to see the female characters grab each other’s boobs, feel insecure about their bodies, and have tea-time with cake, because that’s what girls do!
(streaming at Crunchyroll)

dream-fes-kurofune
09. DREAM FESTIVAL! (ep. 1-10) – At first, I was not very impressed with DREAM FES; it looked like it would be just another second-rate idol anime. Mostly, I hated the Dorika (Dream Card) time stuff. The anime is pretty grounded otherwise, so the transformation sequences, in which the idols not only change clothes magical-girl style, but also transform into CG versions of themselves, are just weird.

But once I got past the Dorika Time and CG performances and unnecessary recaps, the characterizations and personal drama were actually pretty solid. The music is also nothing special, but it does come across as being slightly above average for an idol program.

I actually really liked the KUROFUNE rival duo introduced in ep. 7. I can see how their personalities would make them popular. I think I would totally be rooting for them if not for my awareness that Kanade is the main character and he and his group-mates are really hard-working!
(streaming at Crunchyroll)

10. DRIFTERS (ep. 1-9) – DRIFTERS is graphically violent and loaded with potentially offensive material. For example, one respected, competent female character is constantly referred to as “Boobs.” There are also significant hints that the hooded leader of the villains is none other than the Son of God. Nevertheless, it can be pretty entertaining.

What the show does an excellent job of is illustrating Nobunaga and Toyohisa’s battle strategy and goals. In particular, Toyohisa’s methods of building loyalty while amassing troops are very smart; it’s no wonder so many people will take his side and fight for him voluntarily.
(streaming at Crunchyroll)

utapri-4-tokiya-eiji
11. Uta no Prince-sama Magi LOVE Legend Star (ep. 1-10) – I was half-dreading this sequel after the terrible third season, but thankfully Legend Star has been way, way better than Revolutions. There is some purpose to the narrative and the dialogue is much improved. UtaPri is the granddaddy of idol shows, and it proves to be as much a pro at storytelling as at dishing out the tropes in this incarnation.

It’s nice to see some of the STARISH guys’ backgrounds expanded on finally, as they individually participate in duet projects with the members of their new rival HEAVENS, almost all of whom have a screw or two loose.

The theme of the season seems to be “kizuna” (bonds), so many of the stories, although varied, come back to the members having to re-evaluate whether or not they belong in their boy band; and that does get a little bit tiring.

One of the highlights for me was seeing 2 of QUARTET NIGHT’s meanies turn on each other in the second episode. It always annoyed me whenever Camus or Ranmaru bullied Nanami or Reiji, so getting to see the two of them rip into each other was really satisfying.
(streaming at Crunchyroll)

12. Kiss Him, Not Me (Watashi ga Motete Dousunda) (ep. 1-10) – You know? In this show, it doesn’t bother me much at all if the guys only like the main girl for her looks. Because what else is there to like really? She’s a diehard fujoshi who only cares about her BL. She isn’t personally interested in any of the guys except to ship them together. Other than that, Kae’s a reasonably nice, decent person, but not in any way that particularly stands out. If they want to be with her, they will constantly have to accommodate her otaku tendencies. So if she isn’t at least hot, what’s in it for them?

I do give the series credit for its honest, self-deprecating portrayal of the obsessive insanity of a raging otaku. Despite some occasional offensive content (such as Kae’s fat voice and sexual harassment-sensei), it is a very funny show.
(streaming at Crunchyroll)

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13. DAYS (ep. 13-22) – I still don’t care much for Tsukamoto, or Kazama for that matter. It’s Kimishita that keeps me coming back to DAYS; I love his angry personality and I enjoy his interactions with all the other cast members. Now that he has been playing a bigger role in the series, it’s no wonder my opinion of DAYS is also improving.
(streaming at Crunchyroll)

nanbaka-02
14. NANBAKA (ep. 1-10) – For no reason at all, this show has more sparkles than Magic-kyun (see below). It is ridiculously shiny and blindingly colourful, which is especially confounding as NANBAKA takes place in a prison.

There isn’t a lot of substance or depth here, but it is pretty fun to watch. You certainly don’t need to worry about tiring any brain cells in the process.
(streaming at Crunchyroll)

15. Bloodivores (ep. 1-10) – It is really hard to say if this Chinese-Japanese co-production is good or bad. A lot is going to ride on how well the ending ties the pieces of the mystery together. So far, all I can do is give it the benefit of the doubt and trust that this vampire/monsters/survival game series has a plan. We will see.

(End of season edit: The naysayers were correct after all; it is bad. Bloodivores continues to raise questions right to the final episode and ends with nothing resolved.)
(streaming at Crunchyroll)

16. Magic-Kyun! Renaissance (ep. 1-10) – While this anime is supposed to be about exceptionally gifted artistes, the actual art produced is decidedly lacklustre. Of course, talent in Magic-kyun! is not measured by aesthetics; rather, it is all about the obscene amounts of sparkles that each artiste can produce. It’s hard to just take that on faith as a viewer, though. One standout fail for me is Ichijouji’s music. I would have expected an elite singing prodigy such as himself to have a deeper, more classical-sounding voice. Somehow the lightweight pop songs don’t get across the depth of emotion the show seems to want to convey.

Most of the characters are likeable enough, I guess, but Magic-kyun! will likely prove to be just another forgettable confection.
(streaming at Crunchyroll)

17. ALL OUT!! (ep. 1-9) – I don’t really get rugby, and muscled guys in skin-tight uniforms are not my kind of fanservice.

As a sports anime, it has some similarities to DAYS, as they both feature a diminutive first-year main guy who is a newbie to his respective sport. By comparison, ALL OUT!! comes off as a more realistic portrayal and a more competent production overall, although it’s arguably a bit more boring from its lack of stand-out sympathetic characters. (Which is not the same as stand-out hairstyles – ALL OUT!! has those in spades.)

The soundtrack might be my favourite part of the show. They’re doing a good job with the frequent rock music as well as the lovely piano pieces.
(streaming at Crunchyroll)

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18. Nobunaga no Shinobi (Ninja Girl & Samurai Master) (ep. 1-10) – The first of 2 shorts on my list, Nobunaga no Shinobi is a cute, comedic take on the events of the Warring States Era starring a cute ninja girl named Chidori. Some of the episodes are pretty funny, but often they’re too short or quick to get that much out of. The more familiar you are with the events of the time period, the more likely you are to appreciate the gags presented. My knowledge of Japanese history is only so-so.
(streaming at Crunchyroll)

19. GAKUEN HANDSOME (ep. 1-10) – It seems kind of unfair, yet obvious, to put this one last, as its charm lies in the fact that it is intentionally bad. GAKUEN HANDSOME is a willfully low-budget, horrendously drawn BL anime full of supposedly hot guys who don’t actually look anything remotely like handsome and a main character who doesn’t even have eyes. It is a series of 3-minute shorts parodying probably every trope in BL/harem/highschool anime, and your enjoyment level may vary. I know mine does.
(streaming at Crunchyroll)

~ Well, I think I’ve pictured all the characters voiced by Mamo in the shows I’m watching. I can’t possibly forget about you, JJ. Representing Canada: Jean-Jacques Leroy!
yuri-on-ice-jj

Jacquie’s 2015 Year in Review – Anime

There were about 50 or so series that I watched in entirety which finished airing in 2015. Those are the titles being considered in this Best of 2015 section.

Looking back on the anime series that I really enjoyed during the past year, I realized that while they all had various strengths, most of them were considerably flawed in one way or another.

If I were to think about the shows I most looked forward to watching each week, there would be GARO THE ANIMATION or GANGSTA.. However, both of those had issues in the later parts and I wasn’t that happy with the way either of them ended. And good endings are important to me.

On the other hand, if we’re talking about great endings, Cute High Earth Defense Club LOVE! might have actually had the best one all year. But that’s a show that didn’t even crack my top 10 as it aired during the winter season.

Meanwhile, there were anime series that were thoroughly unique and well-written, such as SHIROBAKO and SCHOOL LIVE!. Unfortunately, the characters in those shows didn’t click with me personally, for whatever reason.

There was ultimately only one truly enjoyable series that did not have any problematic issues for me.

I think it was our last pick-up of the summer season and it might not be what you expect. Certainly I, myself, did not have very high expectations when I decided to start watching this fanservice-laden jailbreak comedy.

Anime of the Year:

Prison School
PRISON SCHOOL (12 episodes) – Five male students in an otherwise all-female high school are imprisoned on school grounds by the Underground Student Council for the crime of attempted peeping. They are forced to perform hard labour, endure indignities, and complete their studies in jail. They could just get themselves expelled and walk away, but somehow these guys view expulsion (and having to explain to their parents the reason) as a far worse outcome than their current situation.

PRISON SCHOOL is riotously funny, thrilling, and well-paced throughout. And it presents a satisfying conclusion even as it sets up a possible storyline for a sequel.

The main drawback is that I can’t exactly recommend it to polite company. PRISON SCHOOL is a gross-out comedy, after all, so there is implied nudity, sexual deviancy, uncontrolled bodily functions, forcible confinement; the list goes on. But in the show’s defence, almost all of it is plot-relevant! I’d also say the more gratuitous fanservice stuff is just totally over-the-top rather than titillating in nature.

In spite of all the absurd and uncomfortable situations that they find themselves in, the characters are generally viewed sympathetically. As I’ve said before, PRISON SCHOOL is not particularly mean-spirited, and that goes a long way in making the crude content tolerable and in helping the humour to really succeed.
(streaming: FUNimation)

And that’s it! No seriously, it’s too hard to do a proper anime ranking this year, so I give up. Instead, I’ll just highlight some of the shows that stood out for me and say a little bit about them. Maybe next year I’ll go back to the Top 10 format.

My Favourites, with Flaws:

Garo the animation
GARO THE ANIMATION (GARO: Honoo no Kokuin) (24 episodes) – This anime started its first episode with the burning-at-the-stake execution of the main character’s pregnant mother. Yup, that immediately set the stage for what kind of dark, mature-content production this was going to be.

Throughout most of its run, GARO excelled in its depiction of its complex, flawed characters. It was evident from the animation, story, and dialogue that the people who worked on this action-drama anime really loved and respected these characters. And because they gave a damn, that made me give a damn too. I particularly enjoyed the father-son dynamic between German and Leon and the refreshingly cooperative relationship between the two young Makai Knights.

Unfortunately, the final story arc proved to be rather nonsensical and disappointing. That ultimately had a negative effect on my overall enthusiasm for the show.
(streaming: FUNimation)

gangsta-anime
GANGSTA. (12 episodes) – Amazing series, except there’s one major problem.
When I think of previous anime that made no attempt to wrap up any plot threads, the first to come to mind is “Deadman Wonderland.” With that show though, I didn’t particularly like or care about the characters at all.

At least with GANGSTA., I was primarily invested in the characters. I was interested in how their relationships were informed by their past and present situations. Even relatively minor roles were fleshed out and sympathetic. Because of this, I think I really got something out of each episode, even the final one, in spite of the obvious fact that it failed spectacularly in delivering any kind of conclusion whatsoever.

I suppose if there really was no good way to end it, this kind of “advertisement for the manga” ending was still preferable to an anime-original one that didn’t make sense or that would be problematic in the off-chance that a sequel should ever happen.  However, as it stands, I could never recommend this show without also warning the potential viewer about the unsatisfying non-ending.
(streaming: FUNimation, DAISUKI)

Seraph of the end
Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (24 episodes) – Another show with an interesting storyline and characters who were full of personality. The facial movements and expressions were frequently exceptionally well-animated. The quality of the action sequences was inconsistent, but the show was enjoyable overall.

No concrete ending here, and likely won’t be for a long time, as the anime is apparently caught up with the source manga already.
(streaming: FUNimation)

PARASYTE the maxim
Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (24 episodes) – The smaller-scale story of Shinichi and Migi learning to live with each other and developing an understanding for the other’s perspective was thought-provoking and often humorous. For me, the show lost some of its momentum as the view expanded to the rest of the outside world.
(streaming: Crunchyroll)

Arslan Senki
THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (25 episodes) – The epic tale of Prince Arslan after the fall of his nation offered balanced viewpoints from all sides of the conflict. I really appreciated that aspect of the show. The second half was more about Arslan’s group working to assemble their allies in order to retake Pars and that was not quite as riveting for me. No real conclusion here either, as they don’t make it all the way back to Pars by series end.
(streaming: FUNimation)

Great Fun:

one-punch man
ONE PUNCH MAN (12 episodes) – The action scenes were often creative and really well done, however, what I loved best about the show were the characters and their interactions, especially the dynamic between Saitama and Genos. Sonic was great too; and I think Mumen Rider had me at hello!
(streaming: DAISUKI)

Assassination Classroom
ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (22 episodes) – This story of a class of misfits who must kill their tentacled teacher, Koro-sensei, before he destroys the planet turned out to be not only humorous, but also surprisingly heartwarming.
(streaming: FUNimation)

Starmyu
STARMYU High School Star Musical (12 episodes) – Let me just state that we were not impressed by the first episode of STARMYU. The many characters each got only brief appearances and we didn’t get a sense of who they were at all. But the real kicker was the abominable introductory song by the elite Kao Council, in which they basically told the student body, “We’re better than you.”

My sister, who is now a devoted fan, was so turned off, we almost didn’t continue with the show! For some reason, I insisted that we had to keep watching; maybe it was morbid curiosity.

We ended up loving STARMYU! It’s not about much, but the characters turned out to be really likeable and had good chemistry with each other. And I was actually moved by the flashback storyline which explained the difficult relationship between two of the Kao Council members.

It was weird when the guys broke out in song, and the pop tunes were generally not to my taste, but the music was competently produced and the songs sounded polished. One of them even found its way onto my best of 2015 list (see below).
(streaming: FUNimation, DAISUKI)

Cute high earth defense club love
Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (12 episodes) – There was a significant mid-cour slump, such that I lost a lot of enthusiasm for the show for a while. But then the final episodes came along, and they were so inspired and insanely funny! That incredibly strong finale made me really glad that I watched this crazy stupid magical-boy anime!
(streaming: Crunchyroll)

Ace-of-Diamond-anime
Ace of Diamond (Diamond no Ace) (75 episodes) – This baseball anime was consistently enjoyable and deserves a mention here as a technicality.  The stopping point was kind of arbitrary and SECOND SEASON started immediately after the first one ended, so it really doesn’t feel like it’s over at all.
(streaming: Crunchyroll)

Sequels Made with Love:

yowamushi pedal grande road
Yowamushi Pedal GRANDE ROAD (24 episodes) – The previous season ended right in the middle of the Inter- high. GRANDE ROAD brought the race to a proper conclusion with all of the show’s usual charm intact.
(streaming: Crunchyroll)

noragami aragoto
NORAGAMI ARAGOTO (13 episodes) – This sequel took the concepts from the first series and really ran with them. ARAGOTO played out in two main arcs, the first featuring Bishamon and the second focused on Ebisu, and in turn, Yato. Both arcs ended up being thought-provoking and touching, with self-sacrifice vs self-preservation being a major theme.
(streaming: FUNimation)

K RETURN OF KINGS
K: RETURN OF KINGS (13 episodes) – After the first season, I wasn’t that sold on K’s setting or colour-coded Kings mythology. So much so, that I was actually reluctant to watch the subsequent movie and this sequel.

It seemed like too much style over substance. The K franchise is nothing if not stylish. The visuals were colourful and vibrant, and the constantly moving camera made for some stunningly dynamic action sequences (and also some uncomfortable fanservice).

Impressively, this had an ending that actually made some sense. It seemed obvious to me that the creators really cared about the story they were telling and the roles of the players involved. The characters were consistently true to their motivations and personalities, and the outcome made sense based on the setting and events prior. Maybe it also helped that I was not particularly fond of the Silver Clan, who were the primary focus originally, and therefore totally didn’t mind that they had much less screen time this season.

The Worst Ones:

I suppose it’s a good thing that I had to actually think about this. These are the shows that had some potential, but managed to disappoint despite already meagre expectations.

Tokyo Ghoul √A (12 episodes) – This continuation of the conflict between humans and ghouls inexplicably introduced a ton of new characters and featured even more clumsy storytelling than its predecessor. In the end, lots of people died, yet nothing of consequence happened.

Uta no Prince-sama Magi LOVE Revolutions (13 episodes) – My introduction to UtaPri was in 2011, when the first season was streaming on Niconico. I had heard that it was hilarious to watch with the scrolling user comments on. Indeed, that was good advice. The second season came along 2 years later, and it was actually respectable. I counted myself a fan.

Magi LOVE Revolutions… would have been better with scrolling user comments. Most of the dialogue and story arcs were pretty lame. Not only that, this third season did something even the previous ones didn’t: it actually ended on a cliffhanger.

Subete ga F ni Naru: The Perfect Insider (11 episodes) – A murder mystery which cannot be comprehended by a normal human being.

Your lie in April (Shigatsu wa Kimi no Uso) (22 episodes) – Cloyingly manipulative tearjerker about middle school-aged musicians in love probably did right by its target audience. However, I was not that target audience, not by a long shot. We weren’t supposed to hate the girl at the end, were we?

________________________________________________________________

Here’s some more random retrospective stuff. This section includes anything that came out in 2015, not just the completed shows.

Memorable Quotes:

– We recently saw the GARO: CRIMSON MOON special episode. In one of the segments, the voice cast showcased their favourite lines from the show so far. That reminded me that there were not many notable lines in CRIMSON MOON of one quote that I did enjoy.

In many love stories, one partner has to make a great sacrifice for love and it’s beautiful and inspiring. It played out a little differently in ep.5. When Yasusuke told his ex-thief love interest Kosode that he intended to relinquish his name and status in order to be with her, she had this to say: “You want to step down from the good life you were born to? Who wants to be with a fool that doesn’t know the meaning of his actions!”

Well, the rest of the episode went to crap, but that one line was memorable for me.

– The quote that I think made me laugh the most last year came from ASSASSINATION CLASSROOM ep. 8. In response to his colleague apologizing for asking a prying question about his past, Koro-sensei said, “You’re a wise man, Karasuma-sensei. Even while traveling, it’s crude to ask after the number of one’s appendages.”

Favourite Seiyuu of 2015:
Akatsuki Jaeha 17 2015 Kuroko no Basuke 3 Suwabe 2015 Kamisamahjimemashita 2015 Fsn UBW Suwabe 2015 JoJo 2015 uta no prince sama revolutions Suwabe 2015 Food Wars 2015 Gangsta 2015 Gate 2015 Starmyu
That’s right: Suwabe Junichi. The above is a sampling of the roles performed by Suwabe-san last year. So many memorable characters. In at least two instances, his characters appeared mid-season and proceeded to steal the show; I’m thinking of Jae-ha, the Green Dragon in YONA OF THE DAWN, and Terence T. D’Arby in JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc.  He was also perfectly cast as Worick Arcangelo in GANGSTA. and as Ootori Itsuki, the charismatic mentor and muse in STARMYU.

Anime Songs Countdown:

And finally, in advance of the music retrospective post, which will go up next, I now present a list of the best anime songs of 2015 according to me. The songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs that are being considered – that’s especially relevant to my top 2 picks, both of which have so much more to offer than what can be heard in their TV-size versions. Here we go.

15. Lantana, by OLDCODEX (Kuroko’s Basketball S3 ED3)

14. One Light, by Kalafina (THE HEROIC LEGEND OF ARSLAN ED2)

13. Black Swallowtail, by UROBOROS (Rokka –Braves of the Six Flowers- OP2)

12. Feed A, by OLDCODEX (GOD EATER OP)

11. Aching Horns, OLDCODEX (High Speed! -Free! Starting Days- Main Theme)

10. Renegade, by STEREO DIVE FOUNDATION (GANGSTA. OP)

09. FOCUS, by Showtaro Morikubo (GARO THE ANIMATION ED2)

08. Yoru no Kuni, by Annabel (GANGSTA. ED)

07. Brave Shine, by Aimer (Fate/stay night [Unlimited Blade Works] S2 OP)

06. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)

05. Limited sky, by Tsukigami Kaito (CV: Lounsbery, Arthur) (STARMYU insert song)

04. X.U., by SawanoHiroyuki[nZk]:Gemie (Seraph of the End OP1)

03. scaPEGoat, by SawanoHiroyuki[nZk]:Yosh (Seraph of the End ED1)

02. Last Theater, by NoisyCell (Death Parade ED)

01. physical, by OLDCODEX (Q Transformers: Kaettekita Convoy no Nazo OP1)

That was really long! Thank you for reading.

Mid-Spring 2015 Anime Ranking


01. THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (ep. 1-10) – The Kingdom of Pars falls to Lusitania’s attack during Prince Arslan’s first sortie on the battlefield. Arslan is left to marshal his limited resources and find a way to save his nation and his people.

It’s not only about the good guys vs the bad guys, though. Time and again, I’m impressed at how well the show conveys the motivations of each of the players. We see the merits of their beliefs as well as the failings. Even people who are supposed to be allies might have differing opinions from each other.

There are a lot of little ongoing mysteries, including the cold way both the King and Queen seem to regard their son. It’s also not clear at this point who is really pulling the strings in this conflict.

To be honest, I’m not crazy about the character designs, but this is an action-adventure anime that I can appreciate cerebrally.
(streaming at FUNimation)


02. Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (ep. 1-11) – There’s a kind of shocking, practically systemic, outward lack of respect for comrades and superiors at all levels of this Japanese Imperial Demon Army organization. It almost takes me out of the show. Almost. It’s actually well-written enough that I’m firmly onboard still. Part of what makes the nastiness amusing, as opposed to annoying, is that the characters do manage to work together when it counts and there’s no question that they are all on the same side.

On the other hand, I really like Mika, too. You know I’m a sucker for these cool, silently suffering types. Not only does he inhabit a different world from these other goons, it’s practically like he’s from an entirely different show altogether.

I guess I should mention that there was a very noticeable drop in production quality in ep. 10. I’m usually pretty forgiving of animation shortcuts. As long as the storytelling flows well, they don’t really bother me. That first battle scene, though, was too egregious to ignore. It looked more like coloured storyboarding with voiceover than anything resembling finished animation. No music, even. It was a big fight, but there was no tension at all. Also, Yuu and Shinoa’s services were needed at two different battle grounds. They shouldn’t have been taking their sweet time!

All right, after having seen ep. 11 as well, I can confirm that it doesn’t look quite as bad as last week. However, it is pretty clear by now that action sequences are not Seraph of the End’s forte. Conversely, what is impressive is how even minor characters seem to have personality (and attitude) to spare. I totally wouldn’t mind if they dispensed with the physical fights going forward, and just have everyone wield their tongues instead of their swords!

Finally, a positive note about the music: Seraph’s OP “X.U.” and ED “scaPEGoat” by SawanoHiroyuki[nZk] are easily two of the best theme songs this season. They have recently been released together as a double A-side single, and it’s so good! The instrumental versions are included, and even without the vocal tracks, both of them sound like complete songs. It’s almost a shame to cover them up with singing. This is real music, folks, not the generic pop that’s commonly used for anime music or heard on mainstream radio. (I’m not biased at all no way.)
(streaming at FUNimation)


03. KNIGHTS OF SIDONIA: Battle for Planet Nine (Sidonia no Kishi: Daikyuu Wakusei Seneki) (ep. 1-9) – There were already a slew of mysteries remaining from season one. SIDONIA 2 hit the ground running with a number of shocking new developments and even more unanswered questions. This stuff works for me and I’m definitely intrigued to know what’s going on.

The reason SIDONIA 2 is not number one on my list is that I feel it is wasting too much time on harem antics and fanservice, and that has got to be my least favourite aspect of the series. During the first season, the fanservice was certainly there as well, but it accounted for very minimal screen time. The rest of the production was so exceptional that I could easily overlook such indiscretions.

After watching ep. 8, I have to say I’m unimpressed. I suppose a lot of viewers are amused at the way these otherwise intelligent girls are trying to get close to our harem lead, but to me, it’s just ugh. The first season was so much more subtle with the romance! Tanikaze and Hoshijiro never openly acknowledged the romantic nature of their relationship, but when he kept going to see “her”, it strongly implied how connected to her he felt. What passes for romance this season is so clumsy by comparison, partly because it is all about what the girls want, with not enough input from the main character, which is typical of harem setups. It’s just, I don’t come to SIDONIA expecting some cheap harem anime! Can we get back to the Gauna please?

Anyway, to clarify, my quarrel is only with the sexual fanservice in the show. I have no problem whatsoever with the rice ball fanservice.
(to stream on NETFLIX starting July)


04. Fate/stay night [Unlimited Blade Works] (ep. 13-22) – Ah, I was happy when Illya agreed to have a chat with Shirou and Rin. But alas.

It’s so hard to rank this one. When it’s good, it is really good. Take episodes 17 and 18, for instance, when our protagonists went to take on Caster. We found ourselves instinctively hitting replay for parts or all of those episodes.

But sometimes, it’s just not good. Like the subsequent showdown between Archer and Shirou. They have now spent several episodes talking and saying the same things over and over again; and both of them are stubbornly determined to follow the paths they’ve chosen. Um, there is an obvious middle ground here, isn’t there? Meanwhile, Rin is in danger and Saber is doing a whole lot of nothing!
(streaming at DAISUKI and Crunchyroll)


05. MY love STORY!! (ORE MONOGATARI!!) (ep. 1-9) – The shoujo romance with a male lead. But what really makes this refreshing is how likeable all the main characters are. Too many shoujo romances rely on mean people (or “good” people who behave in a mean way) to produce manufactured drama. When the setup and characters are interesting enough, as they are here, the show is naturally funny and entertaining without the usual gimmicks.

At this point, the relationship between the best friends is more compelling than the romance, though. Yamato is maybe a little too perfect.
(streaming at Crunchyroll)

06. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 12-21) – The 3-E class have worked hard for their accomplishments. Now it’s time for them to put their skills to the test as they stage an elaborate attempt on their teacher’s life and also work together to save their fellow classmates.

AssClass features a great ensemble cast and it’s easy to root for these kids’ success. At the same time, I wish Koro-sensei wouldn’t have to die! Is it just me, or does it seem like Karasuma-sensei isn’t really all that into the assassination either?
(streaming at FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 38-46) – The clock is ticking as the Joestar party approaches their goal. There’s still been plenty of stupidity and hilarity along the way. I especially loved the ending to the T. T. D’Arby arc.

Things are getting more serious now, though, as it’s time for the final showdown with DIO.
(streaming at Crunchyroll)

08. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 1-9) – This effectively got off to a late start due to the airing of 3 recap episodes at the beginning of the season. Since then, the anime has resumed its usual riveting gameplay, with a current emphasis on personal growth through competition for Sawamura and Furuya, and others.
(streaming at Crunchyroll)


09. Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo) (ep. 1-8) – This supernatural high school comedy features lots of equal-opportunity kissing and likeable characters. I really appreciate that it routinely manages to avoid the most obvious types of rom-com tropes and fanservice that are common for the genre.
(streaming at Crunchyroll)

10. BLOOD BLOCKADE BATTLEFRONT (Kekkai Sensen) (ep. 1-10) – BLOOD BLOCKADE is packed with over-the-top, larger than life characters. I’m particularly amused by Zapp and Klaus and I enjoy the dynamic they share with Leonardo. The overarching plot is harder for me to get a grasp on; though we’re probably not expected to understand a lot of the story yet.

It’s unfortunate I’m a busy girl, and I have lots of other anime to watch, so I can’t commit to multiple viewings of this one show. Because I do believe it warrants repeat viewings. There is A LOT going on visually in every scene, and especially since I also have to be preoccupied with reading subtitles, it’s very easy to miss a lot of details.

That is exactly what is so great and not so great about this series. If you have the inclination to give it your full attention and then some, I think it can be a really rich experience. The flip side is that it sometimes feels like work to watch it; it’s not something you can simply sit back and enjoy when you just want to relax.
(streaming at FUNimation)

11. My Teen Romantic Comedy SNAFU TOO! (Yahari Ore no Seishun Love Comedy wa Machigatteiru. Zoku) (ep. 1-9) – I was never in love with this pretentious series and even considered skipping this sequel. So I watch with a fair amount of cynicism. However, I’m actually enjoying it more than I expected to. Even though there is still that much-ado-about-nothing issue with the plot, I find I am able to appreciate some of the characters and the humour regardless.
(streaming at Crunchyroll)


12. Food Wars! Shokugeki no Souma (ep. 1-10) – Frequently amusing, although there is not that much plot. Souma and the other students don’t seem to do that much actual learning at this elite school that they go to. Shokugeki no Souma is always reliable for its food porn. Quite literally, in this case, foodgasms and all.

Totally didn’t expect that JoJo’s reference in ep. 10, complete with voice narration and onscreen sound effects! Awesome. It was especially perfect because the 2 programs air on the same day and we happened to watch JoJo’s immediately prior. “You thought you were getting a cooking anime, but it was me, Dio!”
(streaming at Crunchyroll)

13. Baby Steps 2 (ep. 1-9) – Eiichirou’s path to pro tennis continues in this second installment of the series. First is a 2-week session at a Florida academy. Then he returns home to train and play some more, with his future riding on his performance at the All-Japan Junior Tournament.

This is a well-written show, and very realistic. The reason I’m not more excited to watch it each week is that it’s maybe too realistic. Ei-chan has to work very hard for his successes, and we feel it – it’s not always fun to watch. Also, the slightly cross-eyed character designs have not gotten any more attractive since the first season, despite improvements in animation quality otherwise.
(streaming at Crunchyroll)

14. Kuroko’s Basketball S3 (ep. 63-72) – It’s Seiren vs Rakuzan for the Winter Cup. But first, there was a 3-week delay at the start of the cour while the show did a flashback to Kuroko and Akashi’s time with the Generation of Miracles. So this sports anime took a while to get going as well.

I’m still not fond of Akashi. The more screen time he has, the less I tend to enjoy the show. The best thing this cour has going for it right now is a strong pair of OP and ED themes by regular contributors GRANRODEO and OLDCODEX, respectively. Animation-wise, I also don’t recall any previous opening sequence looking quite as good as this one does. Granted, it could be that I didn’t really watch them all because the music wasn’t good…
(streaming at DAISUKI and Crunchyroll)

15. Ghost in the Shell: ARISE – ALTERNATIVE ARCHITECTURE (ep. 1-10, complete) – Mostly a cut-for-TV rebroadcast of the ARISE OVA movies. If you have already seen the OVAs, there’s apparently no need to watch the first 8 episodes of this series. I still think it’s curious that they decided to start with part 4, though, before going back to the beginning. It seems like a questionable choice since that was probably also the weakest part.

The remaining 2-episode arc is new content; and it’s okay, kind of more of the same. Predictably, loose ends are not tied up, since there’s still a movie sequel to follow.

The movement animation and camera-work look great in this series. I can’t say the same for the character designs. That’s one ugly pixie cut the Major’s sporting; and seriously, they couldn’t do something about Togusa’s mullet? The best characters were the Logicomas; they were adorable.
(EVS streaming at FUNimation)


16. Uta no Prince-sama Magi LOVE Revolutions (ep. 1-9) – Episode 7 put the spotlight on Kurosaki Ranmaru, who I think of as prick #2 of QUARTET NIGHT. He’s all angsty because he decided to give up his “love for rock” (even though no one asked him to) in order to concentrate on his current boy band career. I mean, that’s just wrong on so many levels.

Fortunately, none of this third season has been as lame as the episode that started it, but overall, it just hasn’t been as much fun as season two.
(streaming at Crunchyroll)

17. Sound! Euphonium (Hibike! Euphonium) (ep. 1-9) – KyoAni’s high school band anime. As expected, the art and animation are beautifully rendered, and okay, it’s a “better” show than UtaPri. But for me, Sound! Euphonium is too realistic and solemn most of the time. I even took music in high school, so I can relate to this stuff; but being more of a quitter than a band geek, I have little interest in it now. At least Baby Steps has some humour; this just bores me.
(streaming at Crunchyroll)

Mid-Spring 2013 Anime Ranking

“It hurts you don’t think of me as a friend.” The issue of trust is a common theme that has come up in several of the titles that I’m currently following. Without getting into too much detail, another frequent theme is: “I have seen the enemy, and he looks a lot like me.”

More than halfway through, this has been a season where a huge divide exists between the shows I’m keenly interested in (the top 5 or so) and most of the others, which I’m just watching anyway.


01. The DEVIL is a Part-timer! (Hataraku Maou-sama!) (ep. 1-9) – Yet another demon X human anime, this time the demon king is a guy and the human hero is a girl. Satan and his General Alsiel, as well as Heroine Emilia, must adapt to their new surroundings after being magically transported to modern-day Tokyo. It’s a simple premise, but the characters are immensely likeable, and it’s just been hugely funny in the small details.

Incidentally, I really like this hard-working demon lord, Maou, for the same reason that I conversely loathed lazy-ass Yamada from “Working!!.” Any employer would be lucky to have someone on staff with such excellent work ethic. Even I, myself, can only aspire to give as much to my company as he does to his!
(streaming at Funimation)


02. Attack on Titan (Shingeki no Kyojin) (ep. 1-9) – Mikasa the Giant Slayer! Now this is more like what I wanted from “JACK THE GIANT SLAYER”: terrifying, super-strong, man-eating giants!

The first 2 episodes of this intense and graphic anime were completely grim. Then suddenly, ep. 3 introduced some humour as well, which was a surprising and welcome addition to an already outstanding show.

It’s likely Attack on Titan intentionally took its time developing the characters; that way, we would get a sense that anyone is expendable. I’m glad to see now that Armin is not just a useless sidekick and Jean is evolving beyond the jealous rival role.

And now that we’ve seen some of Mikasa’s background, motivations and vulnerability, I’m admiring her more and more. It’s not often that we get to see such truly strong female characters in anime, and she’s just one of several in this show!
(streaming at Crunchyroll and Funimation)


03. Gargantia on the Verderous Planet (Suisei no Gargantia) (ep. 1-9) – It’s the far future, and humans are embroiled in an endless war with space aliens known as Hideauze. After one battle, Ledo and his A.I./mecha, Chamber, find themselves marooned on the legendary planet Earth, long thought to have been destroyed. He encounters the people of Gargantia, a community made up of ships which have been joined together. They know nothing of the war in space, while Ledo knows nothing about non-military life.

The first 4 episodes handled narrative and character development exceptionally well. The themes presented were understated and thought-provoking. Unfortunately, the following 4 episodes were mostly disappointing and used up the good will that I initially felt for the series.

Similarly, I had been trying not to be annoyed by the canker-sore-like blushes on the bodies of Amy and her friends, but after a while, I could no longer ignore that they serve as a mark of cheap fanservice in a show which should really have more dignity than that.

That said, Gargantia still features probably the sharpest and brightest animation of the season, and things appear to be heating up finally, with the major revelation in the latest episode, so I’m eager to see where it goes from here.
(streaming at Crunchyroll)


04. Chihayafuru 2 (ep. 14-21) – Continues to focus exclusively on the Karuta tournament rather than advancing the stories of the main cast. Remarkably continues to be riveting nonetheless.
(streaming at Crunchyroll)


05. Space Battleship Yamato 2199 (Uchuu Senkan Yamato 2199) (ep. 1-10) – An updated remake of the 1970s anime, which I have not seen. The crew of the Yamato is tasked with the responsibility of finding a way to save humanity as Earth sits on the brink of destruction by alien forces. So far, the story has been compelling and the characters sympathetic.

06. Uta no Prince-sama: Maji LOVE 2000% (ep. 1-9) – UtaPri 2 is just a light confection, but it’s been pretty consistently over-the-top fun, more so than its predecessor. I like how most episodes manage to incorporate some action scenes even though this isn’t an action anime. Overall, it exceeds one’s expectations of an idol/reverse harem series. Well, the music could be better, but the awfulness can be funny too.
(streaming at Crunchyroll)

07. Valvrave the Liberator (Kakumeiki Valvrave) (ep. 1-8) – With its huge cast of characters, the plot is sometimes hard to follow, and the motives of the various groups are unclear. Increasingly, it’s become fun to just enjoy the characters’ antics anyway. Valvrave is almost as convoluted and absurd as “GUILTY CROWN”, although this show is clearly more self-aware and intentionally ridiculous.
(streaming at Crunchyroll)

08. Space Brothers (Uchuu Kyoudai) (ep. 52-60) – Mutta and his team are training in Houston, currently working on their entry for the Comeback Competition. The narrative continues to be solid, though still a bit slow-paced. This is a really good show, and I would have ranked it higher if it wasn’t for the tedious 3-episode recap at the start of the season.
(streaming at Crunchyroll)


09. Ginga Kikoutai Majestic Prince (ep. 1-9) – About a team of promising mecha pilots (ridiculed by their peers as “Fail Five”) who are struggling to meet the demands of their new roles in the military during a conflict with, you guessed it, aliens. The show displays a curious blend of humour and irony and seriousness.
(streaming at Crunchyroll)


10. Yondemasu yo, Azazel-san. Z (ep. 1-9) – As vulgar, violent, subversive, ugly as the first series. The first 2 episodes were awesome, partly because I “get” the Moloch fanservice. While I wouldn’t say that subsequent offerings have been terrible, I did think they were less inspired and also occasionally crossed the line between irreverently funny and genuinely offensive.
Also, there hasn’t been enough of Akutabe – or Beelzebub, for that matter. The two of them finally made their return in ep. 9, along with the introduction of a super-pervert villain. It was sooo vulgar, and yet so hilariously over-the-top that I had a huge grin on my face throughout… now I’m actually looking forward to the next episode!

11. My Teen Romantic Comedy SNAFU (Yahari Ore no Seishun Rabucome wa Machigatteiru) (ep. 1-8) – This anime about social misfits in a high school service club retreads some ground previously covered by shows such as Hyouka, Chuu2byo, Toradora, SKET Dance, Medaka Box…
It does manage to provide some amusement most of the time, even though it pretty much has no plot. I had trouble accepting the misfit gimmick initially, but the characters are getting more fleshed out and I find I’ve been enjoying them better recently. How is it the recurring, random gag about Hachiman’s strange attraction to effeminate Totsuka is funny every time?
(streaming at Crunchyroll)


12. Karneval (ep. 1-9) – If only Yogi were the main character of this series. He’s fabulous, quirky and endearing and the scenes with him are always the best. The actual leads, Gareki and Nai, pale by comparison. Gareki has very little outward personality, and Nai, who seems to get by on cuteness alone, isn’t even that cute (to my eyes, anyway).
So what are Circus and the other factions after and what does it have to do with the players involved? Couldn’t tell ya.
(streaming at Funimation)

13. DEVIL SURVIVOR 2 The Animation (ep. 1-9) – Frequently unintentionally funny. For instance, the way the characters have to hold their cell phones toward the battles, so they can use their apps to fight monsters, is laughable. It probably doesn’t help that I have no familiarity with the game this is based on, but I have only a vague idea of what’s going on. And I feel nothing for the characters, even when they die.
(streaming at Crunchyroll)

14. Arata the Legend (Arata Kangatari) (ep. 1-8) – At first, I was cutting this show some slack since it’s based on a seemingly well-liked manga. I wonder if maybe this adaptation has pared down the original story significantly, thereby retaining the main plot, but losing much of its heart? Either way, the result has been mediocre, at best. Ah well, there’s not much on on Mondays, and the OLDCODEX ending song is pretty good.
(streaming at Crunchyroll)

15. RDG Red Data Girl (ep. 1-9) – I just don’t get this. RDG takes itself very seriously, but it meanders all over the place and I don’t understand what it’s about most of the time. And, I can’t fathom why other viewers recommend it so much. I can acknowledge that it’s a nice looking series, though; that’s about it.
(streaming at Funimation)