Chihayafuru Part I

Chihayafuru part 1

3.5 stars (out of 4)

Released 2016

I really love the Chihayafuru anime, so I went into this live action film with high expectations, but also some mild trepidation as to how successfully the content would transfer to a 2 hour movie format.

The screenplay writer made what must certainly have been difficult decisions, but the cuts and story rearrangements resulted in a streamlined production that hit all the right notes. In the places when it really mattered, no corners were cut. In particular, Taichi’s and Tsutomu’s conflicts had sufficient time to fully develop and the payoff was rewarding.

Some of the acting was a little unnatural, especially in the quieter moments, but the cast’s performance was effective in conveying humour and showing the characters’ personalities.

The good framing of the shots, use of slow motion, and the music further added to the excitement in this thrilling competitive karuta movie.

Jacquie’s 2013 Year in Review – Top 10 Anime

Better late than never, here are my favourite anime shows of the past year, selected from the 45 or so titles I watched in entirety which finished airing in 2013:


#1. Attack on Titan (Shingeki no Kyojin) – This was the anime that really did capture my imagination. I looked forward to it week after week and it rarely disappointed. I was inspired to think about the mystery of the titans and to understand the motivations of the characters long after watching each episode. It also provided an ideal vehicle to showcase soundtrack composer Hiroyuki Sawano’s epic score, which was a perfect complement to the show.

The downside was that there was no conclusive ending; all the big questions remained unanswered at series-end. Also, at times the pacing was rather slow as some plot segments dragged on a little longer than necessary.

No sequel has been confirmed yet, but Attack on Titan enjoyed enough popularity, even beyond the usual anime fanbase, that we’ll certainly see one someday.


#2. The DEVIL is a Part-timer! (Hataraku Maou-sama!) – The series that got my highest rating of the year over at MAL, for its sharp humour, well-paced storytelling and lovable characters. The premise was pretty simple: Satan (Maou) and his subordinate found themselves magically stranded in modern-day Tokyo. They had no resources left to get home, so they had to do their best to make a life for themselves in the big city, including getting a job at MgRonald’s. It was brilliantly funny stuff.

The comedy wasn’t based on crazy hijinks, either. Instead, it was found in the day-to-day details that anyone who’s had to get used to a new environment or who’s had to work hard to make ends meet could relate to, with the added absurd spin that our protagonist was the devil himself, of course.

The negatives: no conclusive ending here either; also, the humour might work better on an audience with some prior familiarity with modern working class Japanese culture, with its references to 100yen shops and UNIQLO, for instance.


#3. Free! – Iwatobi Swim Club – My choice for the most rewatchable anime of the year. My sisters are Free! fangirls, so I have seen each episode several times, and you know, it really does stand up to repeated viewings.

Free! didn’t have the epic storyline of Attack on Titan, or the clever humour of Maou-sama, but it was very nicely animated, it had extremely well-developed characters and great execution overall.

Season 2 has now been confirmed and I couldn’t be more pleased.


#4. Shin Sekai Yori (From the New World) – An intriguing story featuring a novel future setting, Shin Sekai Yori started strong in its first half. I felt it lost some focus during the second cour, but then the series came to a satisfying conclusion in its impressive final episode.

Along the way, the series’ faults were considerable: slow pacing in parts, inconsistent character art, weak main protagonist – I kept waiting for Saki to become the great, enlightened leader she was chosen to be, but it never happened.

Despite all that, the depiction of the darkness of human nature was a compelling theme. And this was a rare instance where an anime’s ending actually elevated my overall estimation of a show.


#5. PSYCHO-PASS – Some of the grotesquerie from the first cour was a bit of a turn-off for me. The show really picked up in the second half, though, offering interesting ideas and complex characters, including female lead Akane. All in all, the storytelling and pacing were good; and in spite of the dark theme, it was a fun series to watch.


#6. Chihayafuru 2 – I admit, I was not as enamored with this season as I was the first, but I found it solidly entertaining regardless. I loved the characters, and the series never bored me, even with the greater focus on Karuta gameplay.


#7. The Eccentric Family (uchouten-kazoku) – uchoten-kazoku featured a close-knit family of tanuki still coming to grips with things in the wake of losing the father, who died unceremoniously before the events of the series. Simultaneously magical, quirky, charming, and darkly humorous, the narrative was strongest and most heart-warming when the focus was on the very human characters (even though they weren’t human) of the main tanuki family.


#8. Valvrave the Liberator (Kakumeiki Valvrave) – Valvrave started out as an over-the-top action anime featuring a crazy mash up of mecha, high school, political intrigue, and vampire elements. It got away with a lot of ridiculousness by being clearly self-aware. But the story was never a joke. I think the show managed to achieve a good balance between the silliness and the seriousness.

In general, the large cast had impressively well-defined personalities. And L-elf was particularly entertaining, with his freakish smarts and unhesitating brutality, providing a good foil for main character Haruto’s earnest idealism.


#9. Kyousougiga – What made this series work were the great characters and their relationships with each other. Even though the setting and happenings were crazy and surreal, the show was grounded in the sympathetic members of the central family. The end result was a positive, life-affirming, feel-good experience.


#10. Ginga Kikoutai Majestic Prince – This anime had a fair amount of satire and goofiness, much of it at the expense of the main characters, the members of Team Rabbits, AKA Fail Five. In particular, lovably dorky leader Izuru and boy-crazy Tamaki led the way for much of the humour. The show also featured a very convincing portrayal of GERD, and I felt for Asagi whenever his stomach acted up.

Ultimately though, Majestic Prince functioned reasonably well as a serious story about the protecting of humanity from alien threat. And finally, I can’t not mention the frequently impressive mecha battle sequences this show had; even a mecha-ignorant viewer such as myself could appreciate how good they were.
____________________________________________________________________

Biggest Regrets: Series that, in retrospect, I probably shouldn’t have bothered watching from beginning to end. Listed in approximate broadcast order with brief comment.

  • MAOYU (groan)
  • Love Live! School idol project (yawn)
  • RDG Red Data Girl (incomprehensible)
  • DEVIL SURVIVOR 2 The Animation (groan)
  • Arata the Legend (Arata Kangatari) (yawn)
  • GATCHAMAN CROWDS (incomprehensible)
  • BEYOND THE BOUNDARY (Kyoukai no Kanata) (whatever)
  • Galilei Donna (groan)

Mid-Spring 2013 Anime Ranking

“It hurts you don’t think of me as a friend.” The issue of trust is a common theme that has come up in several of the titles that I’m currently following. Without getting into too much detail, another frequent theme is: “I have seen the enemy, and he looks a lot like me.”

More than halfway through, this has been a season where a huge divide exists between the shows I’m keenly interested in (the top 5 or so) and most of the others, which I’m just watching anyway.


01. The DEVIL is a Part-timer! (Hataraku Maou-sama!) (ep. 1-9) – Yet another demon X human anime, this time the demon king is a guy and the human hero is a girl. Satan and his General Alsiel, as well as Heroine Emilia, must adapt to their new surroundings after being magically transported to modern-day Tokyo. It’s a simple premise, but the characters are immensely likeable, and it’s just been hugely funny in the small details.

Incidentally, I really like this hard-working demon lord, Maou, for the same reason that I conversely loathed lazy-ass Yamada from “Working!!.” Any employer would be lucky to have someone on staff with such excellent work ethic. Even I, myself, can only aspire to give as much to my company as he does to his!
(streaming at Funimation)


02. Attack on Titan (Shingeki no Kyojin) (ep. 1-9) – Mikasa the Giant Slayer! Now this is more like what I wanted from “JACK THE GIANT SLAYER”: terrifying, super-strong, man-eating giants!

The first 2 episodes of this intense and graphic anime were completely grim. Then suddenly, ep. 3 introduced some humour as well, which was a surprising and welcome addition to an already outstanding show.

It’s likely Attack on Titan intentionally took its time developing the characters; that way, we would get a sense that anyone is expendable. I’m glad to see now that Armin is not just a useless sidekick and Jean is evolving beyond the jealous rival role.

And now that we’ve seen some of Mikasa’s background, motivations and vulnerability, I’m admiring her more and more. It’s not often that we get to see such truly strong female characters in anime, and she’s just one of several in this show!
(streaming at Crunchyroll and Funimation)


03. Gargantia on the Verderous Planet (Suisei no Gargantia) (ep. 1-9) – It’s the far future, and humans are embroiled in an endless war with space aliens known as Hideauze. After one battle, Ledo and his A.I./mecha, Chamber, find themselves marooned on the legendary planet Earth, long thought to have been destroyed. He encounters the people of Gargantia, a community made up of ships which have been joined together. They know nothing of the war in space, while Ledo knows nothing about non-military life.

The first 4 episodes handled narrative and character development exceptionally well. The themes presented were understated and thought-provoking. Unfortunately, the following 4 episodes were mostly disappointing and used up the good will that I initially felt for the series.

Similarly, I had been trying not to be annoyed by the canker-sore-like blushes on the bodies of Amy and her friends, but after a while, I could no longer ignore that they serve as a mark of cheap fanservice in a show which should really have more dignity than that.

That said, Gargantia still features probably the sharpest and brightest animation of the season, and things appear to be heating up finally, with the major revelation in the latest episode, so I’m eager to see where it goes from here.
(streaming at Crunchyroll)


04. Chihayafuru 2 (ep. 14-21) – Continues to focus exclusively on the Karuta tournament rather than advancing the stories of the main cast. Remarkably continues to be riveting nonetheless.
(streaming at Crunchyroll)


05. Space Battleship Yamato 2199 (Uchuu Senkan Yamato 2199) (ep. 1-10) – An updated remake of the 1970s anime, which I have not seen. The crew of the Yamato is tasked with the responsibility of finding a way to save humanity as Earth sits on the brink of destruction by alien forces. So far, the story has been compelling and the characters sympathetic.

06. Uta no Prince-sama: Maji LOVE 2000% (ep. 1-9) – UtaPri 2 is just a light confection, but it’s been pretty consistently over-the-top fun, more so than its predecessor. I like how most episodes manage to incorporate some action scenes even though this isn’t an action anime. Overall, it exceeds one’s expectations of an idol/reverse harem series. Well, the music could be better, but the awfulness can be funny too.
(streaming at Crunchyroll)

07. Valvrave the Liberator (Kakumeiki Valvrave) (ep. 1-8) – With its huge cast of characters, the plot is sometimes hard to follow, and the motives of the various groups are unclear. Increasingly, it’s become fun to just enjoy the characters’ antics anyway. Valvrave is almost as convoluted and absurd as “GUILTY CROWN”, although this show is clearly more self-aware and intentionally ridiculous.
(streaming at Crunchyroll)

08. Space Brothers (Uchuu Kyoudai) (ep. 52-60) – Mutta and his team are training in Houston, currently working on their entry for the Comeback Competition. The narrative continues to be solid, though still a bit slow-paced. This is a really good show, and I would have ranked it higher if it wasn’t for the tedious 3-episode recap at the start of the season.
(streaming at Crunchyroll)


09. Ginga Kikoutai Majestic Prince (ep. 1-9) – About a team of promising mecha pilots (ridiculed by their peers as “Fail Five”) who are struggling to meet the demands of their new roles in the military during a conflict with, you guessed it, aliens. The show displays a curious blend of humour and irony and seriousness.
(streaming at Crunchyroll)


10. Yondemasu yo, Azazel-san. Z (ep. 1-9) – As vulgar, violent, subversive, ugly as the first series. The first 2 episodes were awesome, partly because I “get” the Moloch fanservice. While I wouldn’t say that subsequent offerings have been terrible, I did think they were less inspired and also occasionally crossed the line between irreverently funny and genuinely offensive.
Also, there hasn’t been enough of Akutabe – or Beelzebub, for that matter. The two of them finally made their return in ep. 9, along with the introduction of a super-pervert villain. It was sooo vulgar, and yet so hilariously over-the-top that I had a huge grin on my face throughout… now I’m actually looking forward to the next episode!

11. My Teen Romantic Comedy SNAFU (Yahari Ore no Seishun Rabucome wa Machigatteiru) (ep. 1-8) – This anime about social misfits in a high school service club retreads some ground previously covered by shows such as Hyouka, Chuu2byo, Toradora, SKET Dance, Medaka Box…
It does manage to provide some amusement most of the time, even though it pretty much has no plot. I had trouble accepting the misfit gimmick initially, but the characters are getting more fleshed out and I find I’ve been enjoying them better recently. How is it the recurring, random gag about Hachiman’s strange attraction to effeminate Totsuka is funny every time?
(streaming at Crunchyroll)


12. Karneval (ep. 1-9) – If only Yogi were the main character of this series. He’s fabulous, quirky and endearing and the scenes with him are always the best. The actual leads, Gareki and Nai, pale by comparison. Gareki has very little outward personality, and Nai, who seems to get by on cuteness alone, isn’t even that cute (to my eyes, anyway).
So what are Circus and the other factions after and what does it have to do with the players involved? Couldn’t tell ya.
(streaming at Funimation)

13. DEVIL SURVIVOR 2 The Animation (ep. 1-9) – Frequently unintentionally funny. For instance, the way the characters have to hold their cell phones toward the battles, so they can use their apps to fight monsters, is laughable. It probably doesn’t help that I have no familiarity with the game this is based on, but I have only a vague idea of what’s going on. And I feel nothing for the characters, even when they die.
(streaming at Crunchyroll)

14. Arata the Legend (Arata Kangatari) (ep. 1-8) – At first, I was cutting this show some slack since it’s based on a seemingly well-liked manga. I wonder if maybe this adaptation has pared down the original story significantly, thereby retaining the main plot, but losing much of its heart? Either way, the result has been mediocre, at best. Ah well, there’s not much on on Mondays, and the OLDCODEX ending song is pretty good.
(streaming at Crunchyroll)

15. RDG Red Data Girl (ep. 1-9) – I just don’t get this. RDG takes itself very seriously, but it meanders all over the place and I don’t understand what it’s about most of the time. And, I can’t fathom why other viewers recommend it so much. I can acknowledge that it’s a nice looking series, though; that’s about it.
(streaming at Funimation)

Mid-Winter 2013 Anime Ranking

It’s late enough in the season that I considered doing a season-end post instead.  I decided against it, since unfortunately, endings are frequently disappointing and don’t necessarily reflect my feelings about the show during its run.  Also, a number of shows will be continuing and it’s a bit easier to compare impressions of ongoing programs.


01.  PSYCHO-PASS (ep. 12-20) – I’ve written about PSYCHO-PASS before, so obviously I’ve been enjoying it from the start.  However, even through the often shocking, disturbing events in the first half, I felt a certain disconnect with the show.  It wasn’t until the horrifying development in episode 11 that it really grabbed me in the gut.

I don’t think PSYCHO-PASS has budged from the top of my list since its return this season.  Although the ideas it presents may not be entirely original, the execution has been very effective.  Now, the true nature of the Sibyl System has been revealed; and Kougami is walking a path apart from the MWPSB, as foretold in the current OP.  Only 2 more episodes remain!

I have mixed feelings when it comes to Makishima.  On the one hand, I love how complex he is; on the other, it often happens in anime that when the villain becomes a sympathetic character, his previous crimes get swept under the rug, and I hope that doesn’t happen here.  A couple of recent examples of bad-guy-turns-good that come to mind are Aki in “Kamisama Dolls” and Hitomi in “CODE:BREAKER”.  I remember being bothered by those shows’ failure to address the issue; albeit both series were pretty shallow compared to PSYCHO-PASS.

I’ll admit I have been rooting for Makishima – in the fight against the chief, and also when his associates turned on him at the end of episode 14, but it always felt wrong.  I have not forgotten about the heinous crimes he’s committed, even if he’s now playing the hero against a corrupt system.  I do have reasonable hopes, though, that a show of this calibre might just be able to handle the situation with appropriate delicacy.
(streaming at Funimation)


02.  Chihayafuru 2 (ep. 1-9) – After the introduction of the new members, it’s mostly been about gameplay.  Otherwise, we’ve seen plenty of character development for the new kids, but less for the core cast so far.  Probably because of that, I don’t feel as hooked on the show now as I did the first series.  Regardless, Chihayafuru continues to be solid: funny, exciting, and endearing.  And now at long last, Arata is back!
(streaming at Crunchyroll)


03.  Shin Sekai Yori (From the New World) (ep. 14-22) – Although the actual settings and characters are very different, both Shin Sekai Yori and PSYCHO-PASS involve a future society that ostensibly achieves peace through the restriction or removal of individual freedom.  At this point in both series, the dystopian societies are coming under attack from outside.  That is, our protagonists are mostly on the side of status quo, while the villains are the challengers.  Increasingly, it’s hard to tell who’s in the right and who’s in the wrong.  Shin Sekai Yori has lost some of its lustre for me due to the current focus on the Monster Rat attacks.  I enjoyed it a bit more when the spotlight was on Saki and her group.
(streaming at Crunchyroll)


04.  Space Brothers (ep.39-48) – This was trending higher in my ranking in January during the Hibito-on-the-moon arc.  While those episodes didn’t have the usual amount of humour, the storytelling was gripping and it gave the feeling of watching a NASA-themed Hollywood movie.  Now that we’re back down to earth with Mutta and his training, Space Brothers continues to be entertaining, but at a less lofty level.
(streaming at Crunchyroll)

05.  MAGI (ep. 12-21) – I was impressed with Alibaba’s display of political wisdom during the Balbadd arc at the start of the season.  The fights that followed didn’t really hold my attention, though.  Recent episodes involving Sinbad have upped the humour content, and I am actually surprised at how funny the current Zagan-dungeon-capturing arc is proving to be, thanks in no small part to Hakuryuu, of all people!
(streaming at Crunchyroll)

06.  THE UNLIMITED (ep. 1-9) – I’m enjoying THE UNLIMITED, and I like the characters well enough, but somehow I don’t feel invested in it the way I do the returning programs.
(streaming at Crunchyroll)

07.  Blast of Tempest (ep. 13-21) – Now that the identity of Aika’s boyfriend has been revealed, and the mystery of her murder is seemingly solved, the main outstanding issues have been addressed.  All that’s left is to figure out how to save the world.  Theatre of the absurd at its finest!
(streaming at Crunchyroll)


08.  Tamako Market (ep, 1-9) – Cute and sweet and appropriately inoffensive, but there’s not much substance here.

09.  IXION SAGA DT (ep. 13-22) – This show.  Just when I think it’s getting tedious, it reveals that the feeling is completely intentional.  Anyway, I’m glad the marriage rituals are over, and that Kon didn’t really have to stand in for the princess on her wedding night!  Looking forward to Erec-sama playing a bigger role in the current arc.
(streaming at Crunchyroll)

10.  JoJo’s Bizarre Adventure (ep. 9-21) – It took a while for me to get caught up on JoJo, since I didn’t enjoy the first season all that much.  But then they went and killed off the main characters in episode 9, and it’s been so much better ever since!  Episode 20 featured some of the best fight sequences in the series so far.  The death scene was fairly moving too, although I don’t think it affected me as much as it did most viewers (yes, I’m really that cold.)

11.  Hakkenden (ep. 1-8) – I think I’m glad I made it past the first episode, since that was the lowest point so far.  Still, I’m not really sure what to make of the show as a whole.  Hakkenden does manage to be amusing in unexpected ways sometimes.
(streaming at Crunchyroll)


12.  AMNESIA (ep. 1-9) – Wow.  This heroine gives new meaning to “personality-less”.  Even if she appears blank to the other characters because of her memory loss, at least we, the audience, should see some wheels turning in her head as she tries to figure out what’s going on; but sadly, no.  This girl has so little energy, I wondered if the writers had confused “anemia” with “amnesia”.  (I laughed when the doctor actually suggested anemia as a diagnosis in episode 8!)  That said, the anime continues to provide entertainment value from the colourful outfits and vague mysteriousness.  Plus, we can make constant disparaging remarks while watching, which is fun.
(streaming at Crunchyroll)

13.  Senyu. (ep. 1-9) – Unfortunately, each episode is only about 3 minutes long.  If there were more content, this might have rated higher, because, of the 2 demonXhuman-relations anime that I’m following (see MAOYU at the bottom of the list), I’m liking this one a lot better!
(streaming at Crunchyroll)

14.  Love Live! School idol project (ep. 1-9) – Initially, Honoka’s sheer enthusiasm in forming an idol group to represent/save her school was fun to watch.  Now, the anime is just kind of boring.  It is neither as sweet nor as charming as Tamako Market, and I can’t even say it’s completely inoffensive.  What’s with that student council vice prez?  She seems like a wise and thoughtful person most of the time, but her boob-grabbing antics are certainly not being appreciated by her victim.  That looks like assault; and it’s not even remotely funny, so why…?
(streaming at Crunchyroll)

15.  MAOYU (ep. 1-9) – First of all, economics-themed anime and me are a bad combination.  I already knew this from my experience with “Spice and Wolf”.  Anyway, I think MAOYU dwells on economics and agriculture too much.  I would prefer to see more quality action scenes and more detailed explanations of their war strategies.  Also, the romance between demon-queen Mao and human-hero Yuusha is too cutesy and forced.  The way I see it, their relationship is more like a marriage of convenience than a whirlwind love affair, and that doesn’t have to be a bad thing.  I could have appreciated seeing their efforts at making the relationship work, at finding common ground despite different upbringings.  Instead, when they’re together, Mao behaves like an insecure schoolgirl and Yuusha is like a clueless milquetoast harem lead.  Disappointing.

Alright, I have to make an exception for the latest episode.  In episode 9, our main characters were relegated to the sidelines while the elder sister maid took center stage, and it was by far the best MAOYU offering to date.  No eyeroll-inducing romance, no fanservice.  If Meido Ane had followed the plan and waited for Yuusha to rescue her, she might have been beaten to death first, so she saved herself!  With words.
(streaming at Crunchyroll)

Jacquie’s 2012 Year in Review – Top 10 Anime

My favourite anime shows of the year, selected from the titles I watched which finished airing in 2012:


#1.  Fate/Zero – This dramatic telling of the events of the 4th Holy Grail War was a far-superior prequel to the awful Fate/stay night anime. The grand storyline, epic cast of characters, and impressive action scenes made for a thrilling watch.  I found myself being very engrossed in the characters and the story, even though the final outcome was already known.  It was always an agonizing wait between episodes, tempered by the dreaded anticipation that any episode could be the last for characters that I’d come to love.


#2.  Chihayafuru – Endearing characters, great storytelling.  I really cared about Chihaya and Taichi and their team.  The anime even managed to make the old-fashioned card game of Karuta seem exciting.  Needless to say, I’m looking forward to the new season in 2013.


#3.  BEELZEBUB – Consistently funny, creative, and good-natured.  There were some duds during its 60-episode run, but they were remarkably few and far in between.  It’s a real shame that this is no longer airing.


#4.  Chouyaku Hyakunin Isshu: Uta Koi – The sort-of companion piece to Chihayafuru, UtaKoi featured the stories of the 100 poems from the Karuta game told in a way that was reverent and irreverent in equal measure.  The mature, bittersweet love stories really resonated with me.  I didn’t even mind the cart-race/talk-show episode.  Although I did find a few of the stories at the beginning of the second half to be weaker than the rest, the series came to a strong finish at the end.


#5.  Aquarion EVOL – I didn’t have any intention to watch this anime at first, due to the fact that I hadn’t seen the preceding Aquarion works and because I had seen supporting character Zessica’s fanservice-y get-up.  However, I was already watching the other 2 space operas (Moretsu Pirates and Rinne no Lagrange) to varying degrees of enjoyment, or not, respectively; and EVOL was often mentioned alongside those two.  EVOL turned out to be a blast!  Very over-the–top, with humorous fanservice and sexual innuendo (see, I don’t always hate on fanservice; I enjoy it when it’s funny) and a lot of heart.  And Zessica?  She became my favourite character.


#6.  Hakuouki Reimeiroku – I watched this because I also enjoyed the two previous Hakuouki series, of which this is a prequel.  It was a treat to revisit the Shinsengumi members and learn of the events of their early days.  The story as a whole may not have been amazing, and the new insert character was as useless as Chizuru from the original series; but the art, the recurring characters, the setting, and the way the events were based on actual history made the show really appealing to me, and I looked forward to watching it every week.


#7.  Kuroko’s Basketball – Watching this semi-fantastical sports anime reminded me of how I felt when watching the early seasons of BLEACH.  New characters were constantly being introduced as potential rivals for the main team, but they were interesting people, each with distinct personalities, and not necessarily “enemies”.  A new season was recently announced for 2013.  Looking forward to that too.


#8.  My Little Monster (Tonari no Kaibutsu-kun) – Ostensibly a romance, but this show was really more about the interactions between a group of friends.  Every episode managed to be entertaining.  Although every character had definite flaws, they came across as likeable people that I wanted to root for.


#9.  Jormungand – A bloody, thought-provoking, action anime about a group led by Koko Hekmatyar, an arms dealer and visionary who dreams of world peace.  The mostly serious subject matter was balanced out by just the right amount of levity to make it an entertaining watch.


#10.  KIDS ON THE SLOPE (Sakamichi no Apollon) – If I never loved this show, I did respect it for the convincing portrayal of its 1960s setting, the jazz music, and the friendship of the lead characters.

Special Categories:

  • Best Comedy (intentional):  BEELZEBUB  (runner-up: Daily lives of high school boys (Danshi koukousei no nichijou))
  • Best Comedy (unintentional):  CODE:BREAKER  (runner-up: GUILTY CROWN)
  • Best OP or ED:  “Gekkou symphonia“, by AKINO & AIKI from bless4 (Aquarion EVOL ED1)

Notable Drops: Because I like to complain, listed below are the otherwise well-reviewed and popular anime series that were not considered for my year-end list because I couldn’t finish them.  Number of episodes watched is in brackets.

  • Rinne no Lagrange (12) – unnecessary fanservice detracted from the story; I just didn’t care about the characters enough to continue watching.
  • Tsuritama (5) – unlikeable characters; it was about fishing.
  • TARI TARI (5) – too sentimental, bad storytelling, bad music.
  • SWORD ART ONLINE (15) – so much wasted potential; wish-fulfillment pandering written with the mentality of a child.
  • Say “I Love You” (7) – irredeemably cliché-ridden; most of the characters were not the sort of people I would want to associate with; seemed to imply that sexual harassment/assault is okay, desirable even, as long as the offender is good-looking and popular.  (Maybe I’m overreacting and this is often sadly true, but I raged.)