Jacquie’s 2016 Year in Review – Anime

As I sat down to contemplate the series that I felt were the best of 2016, at first I thought I might be looking at a 3-way tie, maybe even 5-way. Only after checking my scoring on MyAnimeList did it become apparent that one series received a higher grade than everything else. The other shows settled in behind it then. The top shows were really close, though; and it doesn’t help that they were all so different in terms of setting, genre, tone, and subject matter.

In the end, the top 4 were basically my highest ranking picks from each season. I’m not actually going to rave about these series again right now; please follow the links if you wish to see the previous write-ups.

☆ Top 10 Anime:

#1. 91 Days (12 episodes)
91-days-wallpaper
Aired Summer 2016
(streaming: Crunchyroll)

#2. Yuri!!! on ICE (12 episodes)
yuri-on-ice-06
Aired Autumn 2016
(streaming: Crunchyroll)

#3. Shouwa Genroku Rakugo Shinjuu (13 episodes)
shouwa-genroku-rakugo-shinjuu
Aired Winter 2016
(streaming: Crunchyroll)

#4. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) SECOND/FINAL SEASON (25 episodes)
Assassination Classroom
Aired Winter 2016 and Spring 2016
(First season of 22 episodes aired Winter 2015 and Spring 2015)
(streaming: FUNimation)

#5. AJIN (26 episodes)
ajin-season-2
Aired Winter 2016 and Autumn 2016
(streaming: NETFLIX)

#6. The Disastrous Life of Saiki K. (Saiki Kusuo no Psi-nan) (24 full-length episodes)
saiki-k
Aired Summer 2016 and Autumn 2016
(streaming: FUNimation and DAISUKI)

#7. KABANERI OF THE IRON FORTRESS (Koutetsujou no Kabaneri) (12 episodes)
Kabaneri - Mumei
Aired Spring 2016

#8. Thunderbolt Fantasy (13 episodes)
Thunderbolt Fantasy - Lin Xue Ya
Aired Summer 2016
(streaming: Crunchyroll)

#9. ERASED (Boku dake ga Inai Machi) (12 episodes)
ERASED
Aired Winter 2016
(streaming: Crunchyroll and DAISUKI)

#10. Cute High Earth Defense Club LOVE! LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE! LOVE!) (12 episodes)
cute-high-earth-defense-club-love-love
Aired Summer 2016
(streaming: Crunchyroll)

☆ Favourite Guilty Pleasure Anime:

Scar-red Rider XechS (12 episodes)
scared-rider-xechs
Aired Summer 2016

I watch most of my anime with my sister. Scar-red Rider XechS was bad or boring enough after 3 episodes that she dropped it. I persevered however; and before long, I found myself looking forward to each new episode with an enthusiasm that was out of proportion with my generally low opinion of the production’s quality.

One of the reasons was that I started to love the characters. Yosuke and Takt (more on him later) in particular were well-written and well-acted, but the rest of the cast were also entertaining and endearing in weird ways.

The other reason was my gradual belief that the absurd plot developments and dialogue were intended to be comedy, and weren’t just bad writing. Just as how The Lost Village didn’t make it clear to its audience if the plot was supposed to be funny or not, SRX sometimes presented a similar predicament. Well, I like my personal interpretation of these shows; after all, I seem to have found a lot more enjoyment from both of them than most viewers did!

Anyway, I will always remember the “western-style restaurant” conversation of ep. 5. It literally had me giggling for days, maybe weeks, afterward whenever it came to mind.
(streaming: FUNimation and DAISUKI)

☆ Sequels that significantly outperformed their predecessors:

Active Raid 2nd – With all the goofing around they did in the first cour, and much of the second too, who would have imagined that Active Raid was in actuality laying down the groundwork for a serious, even thought-provoking, storyline all along? But that was what we got! The payoff was a whole lot better than I expected, infinitely better, since I don’t think I ever considered that a show like this would arrive at such a coherent, meaningful outcome.
(streaming: Crunchyroll)

BUNGO STRAY DOGS 2 – Even those of us who were not won over by the meandering first cour of BUNGO STRAY DOGS had to sit up and take notice when this second season started. Suddenly we had a brand new protagonist and a mature, plot-heavy flashback tale. I, for one, was in no hurry to return to the present timeline. When we did, it was predictably a bit of a disappointment, but by then the show had secured my interest and my goodwill.
(streaming: Crunchyroll)

☆ Biggest Regrets:

Dimension W and KIZNAIVER. These shows had some potential, but managed to squander it completely and go in the opposite direction. I ended up hating them.

BATTERY the Animation similarly went completely off the rails and turned into a huge disappointment. However, it didn’t incite the contempt that those two shows did.

Other shows that were simply a waste of time: GARO: CRIMSON MOON, Bloodivores, Utawarerumono: The False Faces, OZMAFIA!!, and Sekkou Boys. It was my own damn fault for continuing to watch most of them, though.

☆ Favourite Characters:

srx-05-takt
#1. Kirisawa Takt (cv. Miyano Mamoru), Scar-red Rider XechS

Obviously, the leader of LAG’s 6th combat unit and frontman of Odd I’s is pretty and has a nice voice. And it’s easy to sympathize with him as the straight man in a show full of eccentrics.

Beyond that, I like him partially because I can relate to him on a personal level. That sort of thing doesn’t happen often for me, but as a fellow skinny, height-challenged, long-haired idealist with a discerning taste for rock music and a preference for black platform boots as everyday footwear, I guess this anime character and I have a few things in common! Naturally, I also share Takt’s opinion on the topic of shiitake mushrooms as an ingredient for food preparation.

bungo-stray-dogs-odasaku
#2. Oda Sakunosuke (cv. Suwabe Junichi), BUNGO STRAY DOGS 2

He was only in 4 episodes, but those 4 episodes, which told a dark, tragic prequel story, were so good! I loved Odasaku in the lead role; he was badass, principled, and extremely sympathetic.

As mentioned, that early segment of season 2 totally blew me away and changed my opinion of the whole series up till that point.

days-kimishita
#3. Kimishita Atsushi (cv. Ono Daisuke), DAYS

Abrasively bossy characters with a habit of pointing out other people’s faults because they themselves are so smart and/or skilled are certainly not everyone’s cup of tea. I seem to have a soft spot for these types, though. MACROSS DELTA’s Messer had this kind of personality as well, albeit with less anger than Kimishita, and I liked him a lot too.

There are the rare occasions where Kimishita reveals that he is actually a nice guy. However, those moments of kindness could also be interpreted as a backhanded way of expressing his impatience at others’ incompetence, whereas normally he is just way more upfront about it.

It is entirely thanks to Kimishita and the other senpai, especially Ooshiba and Mizuki (ie., not the main characters), that I made it through all of DAYS and ultimately gave the show a somewhat decent score. I even intend to return for the sequel.

☆ Best (Funniest) Single Episode:

Osomatsu-san 16 Osomatsu-san 16a
Osomatsu-san episode 16: “Matsuno Matsunan / The Ichimatsu Incident.” As if the “Mad Max” parody featuring F6 wasn’t gratuitously over-the-top enough, it was then followed up by an incest sketch!
(streaming: Crunchyroll)

☆ Best Finale:

TSUKIUTA. THE ANIMATION – I can’t actually recommend most of this idol anime. But if you’re inclined to watch, make sure you continue to the end, because the last part of that concert-themed final episode was the most stunning and feel-good finish of any series that I watched in 2016.
(streaming: FUNimation and DAISUKI)

As far as shows I do recommend go, I applaud ASSASSINATION CLASSROOM for its emotional yet heartwarming and hopeful ending.

I was also very satisfied with 91 Days’ ending, including the way it left some things open to interpretation.

☆ Best OP/ED Sequence (music & visuals):

BUNGO STRAY DOGS season 2 OP: “Reason Living” by SCREEN mode, version 2, which appeared in the middle of the third episode (or overall ep. 15). It occurred once only, but we may have watched it more times than we do most regularly occurring OPs. Unfortunately, I couldn’t find a link to share here; if you’re interested, you can find it at 11:52 to 13:22 of ep. 15.

Honourable mentions: Yuri!!! on ICE ED “You Only Live Once” by Hatano Wataru, and 91 Days OP “Signal” by TK from Ling Tosite Sigure.

☆ Anime Songs Top 20 Countdown:

As with last year, this is a list of the best anime songs of 2016 according to me. The songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs, not the TV-size versions, that are being considered.

20. old revelation, by Mutsuki Hijiri (cv.KENN) (Scar-red Rider XechS ED)

19. RUSH, by GALAXY STANDARD (cv: Miyano Mamoru, Toyonaga Toshiyuki, Hirakawa Daisuke, Eguchi Takuya, Suzuki Tatsuhisa, Ono Yuuki) (PRINCE OF STRIDE: ALTERNATIVE insert song)

18. Shounen no Hate, by GRANRODEO (Mobile Suit GUNDAM: IRON-BLOODED ORPHANS 2 ED)

17. The Experience, by OLDCODEX (Kuroko’s Basketball Winter Cup Soushuu-hen: Namida no Saki e Main Theme)

16. Kaze wa Yokoku Naku Fuku, by WALKURE (MACROSS Δ ED8)

15. Reason Living, by SCREEN mode (BUNGO STRAY DOGS 2 OP)

14. Be My Steady, by GALAXY STANDARD (PRINCE OF STRIDE: ALTERNATIVE ED)

13. Kokoro no Arika, by Heshikiri Hasebe(cv:Shingaki Tarusuke), Souza Samonji(cv:Tai Yuuki) & Yagen Toushirou(cv:Yamashita Seiichirou) (Touken Ranbu -Hanamaru- ED2)

12. ninelie, by Aimer with chelly(EGOIST) (KABANERI OF THE IRON FORTRESS ED)

11. You’re My Courage, by GALAXY STANDARD (PRINCE OF STRIDE: ALTERNATIVE insert song)

10. Through My Blood <AM>, by Aimer (KABANERI OF THE IRON FORTRESS insert song)

09. Scribble, and Beyond, by OLDCODEX (Kuroko’s Basketball Winter Cup Highlights -Shadow and Light- Main Theme)

08. Yoru Ha Nemurerukai?, by flumpool (AJIN OP1)

07. Ao to Aka no Forzato, by Komae Christoph Yosuke (cv.Suzuki Tatsuhisa), Kirisawa Takt (cv.Miyano Mamoru) (Scar-red Rider XechS OP)

06. HOW CLOSE YOU ARE, by Miyano Mamoru (AJIN ED1)

05. The Birth, by Miyano Mamoru (AJIN: Shougeki Main Theme)

04. Signal, by TK from Ling Tosite Sigure (91 Days OP)

03. Hikari aru Basho e, by May’n (Izetta, The Last Witch ED)

02. Warcry, by Sawano Hiroyuki feat. mpi (KABANERI OF THE IRON FORTRESS insert song)

01. Deal with, by OLDCODEX (SERVAMP OP)

☆ In closing, some Notable Quotes:

“If you look even half-decent, you’re considered hot.” – Choromatsu, considering the voice acting profession, in Osomatsu-san ep. 20.

“Your stupidity can’t be cured even by your death. So you might as well live.” – Julieta to suicidal Iok, in Mobile Suit GUNDAM: IRON-BLOODED ORPHANS ep. 37.

“Well don’t lose heart. Girls are as plentiful as stars in the night sky… and just as unreachable for you.”
– Saiki to freshly rejected Toritsuka, in The Disastrous Life of Saiki K. spec. ep. 50, or full ep. 10.

“There’s only one carbonara!” – Yosuke to dumbfounded Takt, in Scar-red Rider XechS ep. 5.

Mid-Autumn 2016 Anime Ranking

yuri-on-ice-07
01. Yuri!!! on ICE (ep. 1-10) – For much of its runtime, Yuri!!! on ICE exists as a sports anime about competitive figure skating. As such, it stands just fine, more than fine actually. The narrative and detailed animation is as good, or almost as good, as a top-tier production such as Haikyuu!!. The professionally-choreographed skating is brilliant and gorgeous to look at. There’s plenty of humour throughout. And it’s easy to cry and to celebrate right along with the well-written characters.

The best sports shows can be really excellent at handling sports drama, but, and I’ve said this before, I often want to know more about the athletes’ personal lives. This is where Yuri!!! on ICE goes above and beyond. I wasn’t originally rooting for the characters to get together (apparently I’m not much of a shipper in general), but I really like the casual way in which the romance has developed, interwoven with the skating plot. Having a love story tie everything together adds so much depth to the overall picture.

Plus, the fact that it happens to be an unconventional romance, taking place in a widely popular anime, is very unexpected and makes for a momentous social statement.

Sadly, the positive and tolerant environment of this anime is not the real world that we live in, but Yuri!!! on ICE shows us how the world could be if we just live and let love. And that’s beautifully inspiring.
(streaming at Crunchyroll)

ajin-14
02. AJIN (ep. 14-23, or Season 2 ep. 1-10) – If anything, I think the CG animation and the facial expressions have improved this season. The theme songs are kind of crap, though, especially compared to the first season’s offerings.

As an intellectual action story, it doesn’t break any new ground; however, everything AJIN does, it does exceptionally well. So in terms of sheer excellence in pacing and logical yet thrilling story progression, AJIN 2 probably surpasses Yuri!!! on ICE. However, Yuri!!! is my number one, because it is well rounded and truly groundbreaking.
(to stream on NETFLIX)

bungo-stray-dogs-2-dazai
03. BUNGO STRAY DOGS (ep. 13-23, or Season 2 ep. 1-11) – The first 4 episodes were amazing. No offense to Atsushi, he’s fine, but I greatly preferred Oda as the main character. The flashback storyline was darker and more serious than anything in the show beforehand. Plus, there were 2 jaw-droppingly cool temporary versions of the OP (which were both superior to the actual version of the OP, by the way). And, it was the only time I can recall hearing my 3 favourite seiyuu, namely Miyano Mamoru, Suwabe Junichi, and Miki Shinichiro, all in the same show, in significant roles, and in the same episodes together. That was some incredible ear candy!

The rest of the season covers the 3-way war between the Armed Detective Agency, the Port Mafia, and The Guild. Honestly, the Guild members haven’t really captured my interest. Dazai, however, continues to be a fascinatingly nasty yet loveable character.

Incidentally, Mamo is starring in all 3 of my top favourite anime this season. Since Dazai and Nagai Kei are both pictured above, I was almost tempted to put a picture of JJ at the start of the post, instead of Yuuri. How wrong would that have been?
(streaming at Crunchyroll)

haikyuu-s3
04. Haikyuu!! 3rd Season: Karasuno Koukou VS Shiratorizawa Gakuen Koukou (ep. 1-10 complete) – Yes, this whole season is about Karasuno’s one match-up against Shiratorizawa.

It’s also very good. The plays are riveting, the animation continues to be top-notch, and there’s character development too. It’s really satisfying how Tsukishima has become a major force for Karasuno.
(streaming at Crunchyroll)

05. The Disastrous Life of Saiki K. (Saiki Kusuo no Psi-nan) (special ep. 66-100, or ep. 14-20) – Still highly enjoyable week after week, even if this cour has so far not been quite as crazy imaginative as the first one. Of course, a certain plot twist that I have been expecting (due to a spoilerific casting announcement back in early October) is still to come.
(streaming at FUNimation and DAISUKI)

06. JoJo’s Bizarre Adventure: DIAMOND IS UNBREAKABLE (ep. 27-37) – For a long time, I had my doubts about Rohan; I thought it was creepy the way he would try to buddy up to Koichi. But what do you know, I genuinely like the guy now! He’s smart and analytical, definitely a good asset when the rest of the team consists mostly of idiots and the villain you’re up against is an over-powered genius psychopath. The best part is his awkward and antagonistic relationship with Josuke; it’s so real, and so funny.

We’re finally nearing the climax of the Yoshikage Kira story arc which was being built up all season long. I’m kind of lukewarm about what’s happening right now, since I’m not sure all that time travel stuff actually makes sense.
(streaming at Crunchyroll)

07. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 26-34) – This is shaping up to be one super-complicated war/politics story. There are so many different factions in play that it’s hard to keep track of everything. Tekkadan, which now has ties to a number of these groups, including Turbines/Teiwaz, McGillis/Gjallarhorn, and Arbrau, is caught in the middle of it all. If they play their cards right, the potential rewards could be great, but there’s no telling if their “allies” can be trusted or how great the costs might be.
(streaming at DAISUKI and Crunchyroll)

izetta
08. Izetta, The Last Witch (Shuumatsu no Izetta) (ep. 1-11) – Pseudo-WWII-themed Izetta, the Last Witch is pretty impressive most of the time. The episodes focused on the war battles, the tactical strategy, and politics are well done; and the narrative is presented in a way that’s reasonably easy to follow. Finé is a great depiction of a strong and proactive leader who happens to be female.

Unfortunately, the occasional down-time episodes have been consistently cringe-worthy at worst, yawn-inducing at best. In those interludes, we get to see the female characters grab each other’s boobs, feel insecure about their bodies, and have tea-time with cake, because that’s what girls do!
(streaming at Crunchyroll)

dream-fes-kurofune
09. DREAM FESTIVAL! (ep. 1-10) – At first, I was not very impressed with DREAM FES; it looked like it would be just another second-rate idol anime. Mostly, I hated the Dorika (Dream Card) time stuff. The anime is pretty grounded otherwise, so the transformation sequences, in which the idols not only change clothes magical-girl style, but also transform into CG versions of themselves, are just weird.

But once I got past the Dorika Time and CG performances and unnecessary recaps, the characterizations and personal drama were actually pretty solid. The music is also nothing special, but it does come across as being slightly above average for an idol program.

I actually really liked the KUROFUNE rival duo introduced in ep. 7. I can see how their personalities would make them popular. I think I would totally be rooting for them if not for my awareness that Kanade is the main character and he and his group-mates are really hard-working!
(streaming at Crunchyroll)

10. DRIFTERS (ep. 1-9) – DRIFTERS is graphically violent and loaded with potentially offensive material. For example, one respected, competent female character is constantly referred to as “Boobs.” There are also significant hints that the hooded leader of the villains is none other than the Son of God. Nevertheless, it can be pretty entertaining.

What the show does an excellent job of is illustrating Nobunaga and Toyohisa’s battle strategy and goals. In particular, Toyohisa’s methods of building loyalty while amassing troops are very smart; it’s no wonder so many people will take his side and fight for him voluntarily.
(streaming at Crunchyroll)

utapri-4-tokiya-eiji
11. Uta no Prince-sama Magi LOVE Legend Star (ep. 1-10) – I was half-dreading this sequel after the terrible third season, but thankfully Legend Star has been way, way better than Revolutions. There is some purpose to the narrative and the dialogue is much improved. UtaPri is the granddaddy of idol shows, and it proves to be as much a pro at storytelling as at dishing out the tropes in this incarnation.

It’s nice to see some of the STARISH guys’ backgrounds expanded on finally, as they individually participate in duet projects with the members of their new rival HEAVENS, almost all of whom have a screw or two loose.

The theme of the season seems to be “kizuna” (bonds), so many of the stories, although varied, come back to the members having to re-evaluate whether or not they belong in their boy band; and that does get a little bit tiring.

One of the highlights for me was seeing 2 of QUARTET NIGHT’s meanies turn on each other in the second episode. It always annoyed me whenever Camus or Ranmaru bullied Nanami or Reiji, so getting to see the two of them rip into each other was really satisfying.
(streaming at Crunchyroll)

12. Kiss Him, Not Me (Watashi ga Motete Dousunda) (ep. 1-10) – You know? In this show, it doesn’t bother me much at all if the guys only like the main girl for her looks. Because what else is there to like really? She’s a diehard fujoshi who only cares about her BL. She isn’t personally interested in any of the guys except to ship them together. Other than that, Kae’s a reasonably nice, decent person, but not in any way that particularly stands out. If they want to be with her, they will constantly have to accommodate her otaku tendencies. So if she isn’t at least hot, what’s in it for them?

I do give the series credit for its honest, self-deprecating portrayal of the obsessive insanity of a raging otaku. Despite some occasional offensive content (such as Kae’s fat voice and sexual harassment-sensei), it is a very funny show.
(streaming at Crunchyroll)

days-kimishita-ooshiba
13. DAYS (ep. 13-22) – I still don’t care much for Tsukamoto, or Kazama for that matter. It’s Kimishita that keeps me coming back to DAYS; I love his angry personality and I enjoy his interactions with all the other cast members. Now that he has been playing a bigger role in the series, it’s no wonder my opinion of DAYS is also improving.
(streaming at Crunchyroll)

nanbaka-02
14. NANBAKA (ep. 1-10) – For no reason at all, this show has more sparkles than Magic-kyun (see below). It is ridiculously shiny and blindingly colourful, which is especially confounding as NANBAKA takes place in a prison.

There isn’t a lot of substance or depth here, but it is pretty fun to watch. You certainly don’t need to worry about tiring any brain cells in the process.
(streaming at Crunchyroll)

15. Bloodivores (ep. 1-10) – It is really hard to say if this Chinese-Japanese co-production is good or bad. A lot is going to ride on how well the ending ties the pieces of the mystery together. So far, all I can do is give it the benefit of the doubt and trust that this vampire/monsters/survival game series has a plan. We will see.

(End of season edit: The naysayers were correct after all; it is bad. Bloodivores continues to raise questions right to the final episode and ends with nothing resolved.)
(streaming at Crunchyroll)

16. Magic-Kyun! Renaissance (ep. 1-10) – While this anime is supposed to be about exceptionally gifted artistes, the actual art produced is decidedly lacklustre. Of course, talent in Magic-kyun! is not measured by aesthetics; rather, it is all about the obscene amounts of sparkles that each artiste can produce. It’s hard to just take that on faith as a viewer, though. One standout fail for me is Ichijouji’s music. I would have expected an elite singing prodigy such as himself to have a deeper, more classical-sounding voice. Somehow the lightweight pop songs don’t get across the depth of emotion the show seems to want to convey.

Most of the characters are likeable enough, I guess, but Magic-kyun! will likely prove to be just another forgettable confection.
(streaming at Crunchyroll)

17. ALL OUT!! (ep. 1-9) – I don’t really get rugby, and muscled guys in skin-tight uniforms are not my kind of fanservice.

As a sports anime, it has some similarities to DAYS, as they both feature a diminutive first-year main guy who is a newbie to his respective sport. By comparison, ALL OUT!! comes off as a more realistic portrayal and a more competent production overall, although it’s arguably a bit more boring from its lack of stand-out sympathetic characters. (Which is not the same as stand-out hairstyles – ALL OUT!! has those in spades.)

The soundtrack might be my favourite part of the show. They’re doing a good job with the frequent rock music as well as the lovely piano pieces.
(streaming at Crunchyroll)

nobunaga-no-shinobi
18. Nobunaga no Shinobi (Ninja Girl & Samurai Master) (ep. 1-10) – The first of 2 shorts on my list, Nobunaga no Shinobi is a cute, comedic take on the events of the Warring States Era starring a cute ninja girl named Chidori. Some of the episodes are pretty funny, but often they’re too short or quick to get that much out of. The more familiar you are with the events of the time period, the more likely you are to appreciate the gags presented. My knowledge of Japanese history is only so-so.
(streaming at Crunchyroll)

19. GAKUEN HANDSOME (ep. 1-10) – It seems kind of unfair, yet obvious, to put this one last, as its charm lies in the fact that it is intentionally bad. GAKUEN HANDSOME is a willfully low-budget, horrendously drawn BL anime full of supposedly hot guys who don’t actually look anything remotely like handsome and a main character who doesn’t even have eyes. It is a series of 3-minute shorts parodying probably every trope in BL/harem/highschool anime, and your enjoyment level may vary. I know mine does.
(streaming at Crunchyroll)

~ Well, I think I’ve pictured all the characters voiced by Mamo in the shows I’m watching. I can’t possibly forget about you, JJ. Representing Canada: Jean-Jacques Leroy!
yuri-on-ice-jj

Mid-Spring 2016 Anime Ranking

In a season where there are some shows trying really hard to be smart (JOKER GAME, and arguably KIZNAIVER) and at the same time other shows trying hard to be really dumb (Sakamoto desu ga?, and arguably The Lost Village), it’s a challenge to rank them in any kind of order. Here’s my attempt at it anyway.

Assassination classroom 2nd Season - 22
01. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 36-44, or SECOND/FINAL SEASON ep. 14-22) – Things are really getting serious as AssClass heads towards its conclusion. Koro-sensei’s past is revealed in detail at last. Predictably, the increased awareness of their target’s backstory does nothing to enhance the murderous intent of Class 3E.

I like the direction they’re taking with the story. While the students have been specifically tasked with eliminating the threat which is their teacher, in the big picture, the overall goal is actually to save the Earth. But they’re not the only ones who want Koro-sensei dead.

Whether he lives or dies, either way, I’m definitely going to miss Koro-sensei and his assassination classroom when this is all over.
(streaming at FUNimation)

Kabaneri - 06
02. KABANERI OF THE IRON FORTRESS (Koutetsujou no Kabaneri) (ep. 1-9) – A lot has been made of KABANERI’s similarities to Attack on Titan. It’s clear that KABANERI owes some inspiration to its predecessor, but it’s easy enough to appreciate this series as its own entity.

Many of the characters have distinct personalities and it’s been nice to see their development as the story has progressed. In particular, Ayame has shown herself to be brave and forward-thinking. I think she has really risen to the challenge of leading her people, despite the fact that the role was thrust upon her unexpectedly. And Ikoma has displayed emotions ranging from joyfully ecstatic, to bitterly crushed, to everything in between. He’s a testament to nerd heroism: his inventions are not only protecting the survivors aboard the Koutetsujou from the Kabane attacks, but the selling/sharing of his technology is also helping to feed the train’s occupants!

Mumei started out as overly strong but unsophisticated; gradually she’s gaining some maturity through her experiences with Ikoma. I’m not sure about Biba, though; so far, he’s been too blatantly evil. I’m curious to see if they will do anything more interesting with his character. I hope so.

KABANERI has its flaws, but for the most part, it’s well-written, it looks great (especially the action scenes), and yes, we are also here for the musical soundtrack by none other than Sawano Hiroyuki.

Re Zero Kara Hajimeru Isekai Seikatsu - 06
03. Re:ZERO –Starting Life in Another World- (Re:Zero Kara Hajimeru Isekai Seikatsu) (ep. 1-10) – It’s an ongoing mystery why Subaru suddenly finds himself in an alternate fantasy world where his life is constantly in danger. The good thing is he has the ability to start over at a seeming “save point” whenever he dies. However, it is scary and painful to be killed, and it isn’t known how often he can restart before it’s game over for real. Re:ZERO is entertaining, well-written, and at times, genuinely suspenseful.

I’m impressed that Subaru is actually a decent, likeable guy, considering that he is the male lead in a fantasy show full of female supporting characters. I like Ram and Rem too; they’re cute and they seem to have a complicated bond as sisters.
(streaming at Crunchyroll)

My hero academia - 01
04. MY HERO ACADEMIA (Boku no Hero Academia) (ep. 1-10) – It’s kind of like X-Men, except mutations (called “quirks”) occur commonly and are valued by society. Poor Midoriya (Deku) grew up idolizing superheroes all of his young life and is devastated when his quirk never appears. Nevertheless, he is determined to attend The Hero Academy. He does receive some unexpected help, but still it won’t be easy. Deku is so enthusiastic and hard-working. You just can’t help but root for him!

It’s weird to me that the bad guys actually call themselves “villains” in this show. Does it have a different meaning in their world? Or do they not believe in the justness of their own cause?
(streaming at FUNimation)

05. Tanaka-kun is Always Listless (Tanaka-kun wa Itsumo Kedaruge) (ep. 1-10) – The show’s bright and clean aesthetic is very appealing, and that’s a major selling point, even if I’m not at all a fan of the main character’s slack-off, do-nothing personality. Those types always annoy me. He is, however, the whole reason this series exists. And there are other things I do like, such as Tanaka’s long-suffering and enabling best friend, Ohta. Ohta comes off as really sympathetic and his lines are frequently smart and dryly funny.
(streaming at Crunchyroll)

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06. JOKER GAME (ep. 1-10) – D-Agency, a paramilitary spy organization, is created in Japan and its operatives are stationed around the world in this WWII-era drama. Most of the series has been more episodic than I expected. The early parts would feature one of the spies at a time in short stand-alone stories. They are difficult to tell apart from one another and we don’t get to know them much at all; which is completely intentional, since they are spies after all, and they’re not supposed to stand out. However, that has the side-effect of leaving me less invested in the show as a whole.

It’s only recently that there’s been a greater semblance of an overarching narrative, as Lieutenant Colonel Yuuki’s enemies are trying to figure him out. Ironically, because we are seeing things from an outside perspective now, that actually removes us even further from D-Agency. Lt. Colonel Yuuki and his spies remain as much of an enigma as ever.
(streaming at Crunchyroll)

07. JoJo’s Bizarre Adventure: DIAMOND IS UNBREAKABLE (ep. 1-11) – Something in Morioh City seems to be attracting stand users. It’s the 90s now, and our main protagonist this time is Josuke Higashikata, the illegitimate son of elderly Joseph Joestar.

There’s just no denying how entertaining JoJo’s Bizarre Adventure consistently manages to be. I may not love the character designs or the show’s technicolour aesthetics, but when all I need is some good dumb fun, JoJo’s always comes through.
(streaming at Crunchyroll)

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08. Shounen Maid (ep. 1-9) – Chihiro goes to live with his young and carefree uncle after his mother passes away. He refuses to just accept Madoka’s charity, and plus Chihiro happens to have an unnatural love for housework, so they agree that he will do the household chores in exchange for room and board.

The tone is consistently light-hearted, funny and positive, but what’s unique is that there is an underlying sadness here that doesn’t get addressed directly. On the one hand, it’s really heartwarming that Madoka and Chihiro have found and connected with each other after the loss of their sister/mother, but there’s no way child-like Madoka could ever take the place of Chihiro’s mother, Chiyo. It’s also perplexing that Chiyo seemingly made no plans for her child’s welfare and never introduced her son to her family, even when her death was imminent.
(streaming at FUNimation)

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09. BUNGOU STRAY DOGS (ep. 1-10) – I admit many of the references are lost on me, as the characters are based on real-life historical writers and I’m not very familiar with their works or backgrounds. As an uninitiated viewer, it seems a lot of focus has been on showing how wacky the cast is instead of presenting a real story.

It’s been getting a bit better recently, now that our main character Atsushi is finally taking the lead. Ep. 10 featured some good action and it convinced me that Dazai and Atsushi have a close mentor-apprentice relationship, even though I didn’t really get that from the show previously!
(streaming at Crunchyroll)

10. The Lost Village (Mayoiga) (ep. 1-10) – A busload of one-note characters arrives at mysterious Nanaki Village to start their lives anew. A vast number of them are pretty annoying and stupid and nobody would have minded if they became fodder for getting killed off one by one as they faced the monsters in the woods.

The Lost Village can’t be considered good by any stretch of the imagination, but you’ve got to give it credit for not pretending to be anything more than the shallow schlock that it is. In fact, the jury is out on whether this show is intentionally ridiculous or if it’s just plain bad writing. Personally, I’ve been taking it as absurdist comedy because it makes me laugh.
(streaming at Crunchyroll)

11. Haven’t You Heard? I’m Sakamoto (Sakamoto desu ga?) (ep. 1-9) – This show is based on one single joke, and that’s that Sakamoto is absolutely, unbelievably perfect and cool in everything that he does. More often than not, it works and it’s funny! The best parts are when the bullies and tough guys find themselves becoming Sakamoto’s fans. I think those guys are more fun to watch than Sakamoto himself.
(streaming at Crunchyroll)

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12. Flying Witch (ep. 1-10) – This is a charming, slice-of-life series about a young witch-in-training who goes to the countryside to live with relatives. The characters are likeable, and more than a few of them are a bit quirky. Of particular note is Chinatsu, the little girl who is fascinated with witches now that she has gotten over her mild shock at the discovery that they exist. She is adorable and totally makes the show.

The reason Flying Witch is relatively low on my list? Well, nothing really happens in it. I hate to say it, but honestly, it’s a little too laid-back for my taste and I find it kind of boring. Also, I rather disliked the behaviour of our main characters during the café segment (eps. 7-8), in which they tricked their waitress and harassed the other customers (although they didn’t seem to mind too much). Fortunately, Makoto and company are not that boorish usually.
(streaming at Crunchyroll)

13. RAINBOW DAYS (Nijiiro Days) (ep. 13-21) – I was worried about my tolerance for this show since it is airing this cour without the accompanying Club RAINBOW live-action segments. I’m relieved that the developments have been just slightly more interesting than in the first half and the new characters (in eps. 17 & 18) have proven to be a welcome addition.
(streaming at FUNimation)

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14. KIZNAIVER (ep. 1-9) – Several high school kids are unwittingly enlisted to take part in an unethical human experiment in which they become linked to each other through feeling/sharing each other’s pain. It’s all for a lofty purpose, apparently.

From the special episodes which preceded the series, it seemed the people who were working on the project were pretty hyped about its concept and characters, which succeeded in piquing my interest. Unfortunately, after 9 episodes, I still find the whole thing to be underwhelming. The characters are not terribly sympathetic, the humour often misses its mark, and the romantic shipping seems forced and melodramatic.
(streaming at Crunchyroll)

Also watching:

MACROSS DELTA – but I’m not caught up enough to include it in the rankings or have much of an opinion about it. Word is, the songs are quite good; of course, it’s girl-idol pop music, so I’m not a reliable judge of that aspect.

BROTHERHOOD FINAL FANTASY XV – only 2 short episodes have aired so far. They’ve been low on substance but undeniably fun anyway.
(streaming at Crunchyroll and YouTube)