Mid-Spring 2015 Anime Ranking


01. THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (ep. 1-10) – The Kingdom of Pars falls to Lusitania’s attack during Prince Arslan’s first sortie on the battlefield. Arslan is left to marshal his limited resources and find a way to save his nation and his people.

It’s not only about the good guys vs the bad guys, though. Time and again, I’m impressed at how well the show conveys the motivations of each of the players. We see the merits of their beliefs as well as the failings. Even people who are supposed to be allies might have differing opinions from each other.

There are a lot of little ongoing mysteries, including the cold way both the King and Queen seem to regard their son. It’s also not clear at this point who is really pulling the strings in this conflict.

To be honest, I’m not crazy about the character designs, but this is an action-adventure anime that I can appreciate cerebrally.
(streaming at FUNimation)


02. Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (ep. 1-11) – There’s a kind of shocking, practically systemic, outward lack of respect for comrades and superiors at all levels of this Japanese Imperial Demon Army organization. It almost takes me out of the show. Almost. It’s actually well-written enough that I’m firmly onboard still. Part of what makes the nastiness amusing, as opposed to annoying, is that the characters do manage to work together when it counts and there’s no question that they are all on the same side.

On the other hand, I really like Mika, too. You know I’m a sucker for these cool, silently suffering types. Not only does he inhabit a different world from these other goons, it’s practically like he’s from an entirely different show altogether.

I guess I should mention that there was a very noticeable drop in production quality in ep. 10. I’m usually pretty forgiving of animation shortcuts. As long as the storytelling flows well, they don’t really bother me. That first battle scene, though, was too egregious to ignore. It looked more like coloured storyboarding with voiceover than anything resembling finished animation. No music, even. It was a big fight, but there was no tension at all. Also, Yuu and Shinoa’s services were needed at two different battle grounds. They shouldn’t have been taking their sweet time!

All right, after having seen ep. 11 as well, I can confirm that it doesn’t look quite as bad as last week. However, it is pretty clear by now that action sequences are not Seraph of the End’s forte. Conversely, what is impressive is how even minor characters seem to have personality (and attitude) to spare. I totally wouldn’t mind if they dispensed with the physical fights going forward, and just have everyone wield their tongues instead of their swords!

Finally, a positive note about the music: Seraph’s OP “X.U.” and ED “scaPEGoat” by SawanoHiroyuki[nZk] are easily two of the best theme songs this season. They have recently been released together as a double A-side single, and it’s so good! The instrumental versions are included, and even without the vocal tracks, both of them sound like complete songs. It’s almost a shame to cover them up with singing. This is real music, folks, not the generic pop that’s commonly used for anime music or heard on mainstream radio. (I’m not biased at all no way.)
(streaming at FUNimation)


03. KNIGHTS OF SIDONIA: Battle for Planet Nine (Sidonia no Kishi: Daikyuu Wakusei Seneki) (ep. 1-9) – There were already a slew of mysteries remaining from season one. SIDONIA 2 hit the ground running with a number of shocking new developments and even more unanswered questions. This stuff works for me and I’m definitely intrigued to know what’s going on.

The reason SIDONIA 2 is not number one on my list is that I feel it is wasting too much time on harem antics and fanservice, and that has got to be my least favourite aspect of the series. During the first season, the fanservice was certainly there as well, but it accounted for very minimal screen time. The rest of the production was so exceptional that I could easily overlook such indiscretions.

After watching ep. 8, I have to say I’m unimpressed. I suppose a lot of viewers are amused at the way these otherwise intelligent girls are trying to get close to our harem lead, but to me, it’s just ugh. The first season was so much more subtle with the romance! Tanikaze and Hoshijiro never openly acknowledged the romantic nature of their relationship, but when he kept going to see “her”, it strongly implied how connected to her he felt. What passes for romance this season is so clumsy by comparison, partly because it is all about what the girls want, with not enough input from the main character, which is typical of harem setups. It’s just, I don’t come to SIDONIA expecting some cheap harem anime! Can we get back to the Gauna please?

Anyway, to clarify, my quarrel is only with the sexual fanservice in the show. I have no problem whatsoever with the rice ball fanservice.
(to stream on NETFLIX starting July)


04. Fate/stay night [Unlimited Blade Works] (ep. 13-22) – Ah, I was happy when Illya agreed to have a chat with Shirou and Rin. But alas.

It’s so hard to rank this one. When it’s good, it is really good. Take episodes 17 and 18, for instance, when our protagonists went to take on Caster. We found ourselves instinctively hitting replay for parts or all of those episodes.

But sometimes, it’s just not good. Like the subsequent showdown between Archer and Shirou. They have now spent several episodes talking and saying the same things over and over again; and both of them are stubbornly determined to follow the paths they’ve chosen. Um, there is an obvious middle ground here, isn’t there? Meanwhile, Rin is in danger and Saber is doing a whole lot of nothing!
(streaming at DAISUKI and Crunchyroll)


05. MY love STORY!! (ORE MONOGATARI!!) (ep. 1-9) – The shoujo romance with a male lead. But what really makes this refreshing is how likeable all the main characters are. Too many shoujo romances rely on mean people (or “good” people who behave in a mean way) to produce manufactured drama. When the setup and characters are interesting enough, as they are here, the show is naturally funny and entertaining without the usual gimmicks.

At this point, the relationship between the best friends is more compelling than the romance, though. Yamato is maybe a little too perfect.
(streaming at Crunchyroll)

06. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 12-21) – The 3-E class have worked hard for their accomplishments. Now it’s time for them to put their skills to the test as they stage an elaborate attempt on their teacher’s life and also work together to save their fellow classmates.

AssClass features a great ensemble cast and it’s easy to root for these kids’ success. At the same time, I wish Koro-sensei wouldn’t have to die! Is it just me, or does it seem like Karasuma-sensei isn’t really all that into the assassination either?
(streaming at FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 38-46) – The clock is ticking as the Joestar party approaches their goal. There’s still been plenty of stupidity and hilarity along the way. I especially loved the ending to the T. T. D’Arby arc.

Things are getting more serious now, though, as it’s time for the final showdown with DIO.
(streaming at Crunchyroll)

08. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 1-9) – This effectively got off to a late start due to the airing of 3 recap episodes at the beginning of the season. Since then, the anime has resumed its usual riveting gameplay, with a current emphasis on personal growth through competition for Sawamura and Furuya, and others.
(streaming at Crunchyroll)


09. Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo) (ep. 1-8) – This supernatural high school comedy features lots of equal-opportunity kissing and likeable characters. I really appreciate that it routinely manages to avoid the most obvious types of rom-com tropes and fanservice that are common for the genre.
(streaming at Crunchyroll)

10. BLOOD BLOCKADE BATTLEFRONT (Kekkai Sensen) (ep. 1-10) – BLOOD BLOCKADE is packed with over-the-top, larger than life characters. I’m particularly amused by Zapp and Klaus and I enjoy the dynamic they share with Leonardo. The overarching plot is harder for me to get a grasp on; though we’re probably not expected to understand a lot of the story yet.

It’s unfortunate I’m a busy girl, and I have lots of other anime to watch, so I can’t commit to multiple viewings of this one show. Because I do believe it warrants repeat viewings. There is A LOT going on visually in every scene, and especially since I also have to be preoccupied with reading subtitles, it’s very easy to miss a lot of details.

That is exactly what is so great and not so great about this series. If you have the inclination to give it your full attention and then some, I think it can be a really rich experience. The flip side is that it sometimes feels like work to watch it; it’s not something you can simply sit back and enjoy when you just want to relax.
(streaming at FUNimation)

11. My Teen Romantic Comedy SNAFU TOO! (Yahari Ore no Seishun Love Comedy wa Machigatteiru. Zoku) (ep. 1-9) – I was never in love with this pretentious series and even considered skipping this sequel. So I watch with a fair amount of cynicism. However, I’m actually enjoying it more than I expected to. Even though there is still that much-ado-about-nothing issue with the plot, I find I am able to appreciate some of the characters and the humour regardless.
(streaming at Crunchyroll)


12. Food Wars! Shokugeki no Souma (ep. 1-10) – Frequently amusing, although there is not that much plot. Souma and the other students don’t seem to do that much actual learning at this elite school that they go to. Shokugeki no Souma is always reliable for its food porn. Quite literally, in this case, foodgasms and all.

Totally didn’t expect that JoJo’s reference in ep. 10, complete with voice narration and onscreen sound effects! Awesome. It was especially perfect because the 2 programs air on the same day and we happened to watch JoJo’s immediately prior. “You thought you were getting a cooking anime, but it was me, Dio!”
(streaming at Crunchyroll)

13. Baby Steps 2 (ep. 1-9) – Eiichirou’s path to pro tennis continues in this second installment of the series. First is a 2-week session at a Florida academy. Then he returns home to train and play some more, with his future riding on his performance at the All-Japan Junior Tournament.

This is a well-written show, and very realistic. The reason I’m not more excited to watch it each week is that it’s maybe too realistic. Ei-chan has to work very hard for his successes, and we feel it – it’s not always fun to watch. Also, the slightly cross-eyed character designs have not gotten any more attractive since the first season, despite improvements in animation quality otherwise.
(streaming at Crunchyroll)

14. Kuroko’s Basketball S3 (ep. 63-72) – It’s Seiren vs Rakuzan for the Winter Cup. But first, there was a 3-week delay at the start of the cour while the show did a flashback to Kuroko and Akashi’s time with the Generation of Miracles. So this sports anime took a while to get going as well.

I’m still not fond of Akashi. The more screen time he has, the less I tend to enjoy the show. The best thing this cour has going for it right now is a strong pair of OP and ED themes by regular contributors GRANRODEO and OLDCODEX, respectively. Animation-wise, I also don’t recall any previous opening sequence looking quite as good as this one does. Granted, it could be that I didn’t really watch them all because the music wasn’t good…
(streaming at DAISUKI and Crunchyroll)

15. Ghost in the Shell: ARISE – ALTERNATIVE ARCHITECTURE (ep. 1-10, complete) – Mostly a cut-for-TV rebroadcast of the ARISE OVA movies. If you have already seen the OVAs, there’s apparently no need to watch the first 8 episodes of this series. I still think it’s curious that they decided to start with part 4, though, before going back to the beginning. It seems like a questionable choice since that was probably also the weakest part.

The remaining 2-episode arc is new content; and it’s okay, kind of more of the same. Predictably, loose ends are not tied up, since there’s still a movie sequel to follow.

The movement animation and camera-work look great in this series. I can’t say the same for the character designs. That’s one ugly pixie cut the Major’s sporting; and seriously, they couldn’t do something about Togusa’s mullet? The best characters were the Logicomas; they were adorable.
(EVS streaming at FUNimation)


16. Uta no Prince-sama Magi LOVE Revolutions (ep. 1-9) – Episode 7 put the spotlight on Kurosaki Ranmaru, who I think of as prick #2 of QUARTET NIGHT. He’s all angsty because he decided to give up his “love for rock” (even though no one asked him to) in order to concentrate on his current boy band career. I mean, that’s just wrong on so many levels.

Fortunately, none of this third season has been as lame as the episode that started it, but overall, it just hasn’t been as much fun as season two.
(streaming at Crunchyroll)

17. Sound! Euphonium (Hibike! Euphonium) (ep. 1-9) – KyoAni’s high school band anime. As expected, the art and animation are beautifully rendered, and okay, it’s a “better” show than UtaPri. But for me, Sound! Euphonium is too realistic and solemn most of the time. I even took music in high school, so I can relate to this stuff; but being more of a quitter than a band geek, I have little interest in it now. At least Baby Steps has some humour; this just bores me.
(streaming at Crunchyroll)

Mid-Autumn 2014 Anime Ranking

It’s more like a late-season review again. I took a break from work and anime for a couple of weeks early on, and it’s taken a while to get caught up, more or less. There are still a few shows on my watch list that I will not be covering here, since I have not seen enough of them to rank them.

It has been an exceptionally strong season, in my opinion. I’m really happy with just about everything in the top 10.


01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 1-10) – I’m new to the GARO franchise, so I didn’t really know what to expect going in. I started watching because it seemed like it was an adult-oriented, medieval-setting anime, which is right up my alley. Fortunately, they seem to be presenting a stand-alone story which doesn’t demand much prior knowledge of previous works.

The interactions between sullen Leon and his libido-charged dad, German, have been amusing to watch. It’s a believable relationship. I can see how teenaged Leon would constantly feel annoyed at his father’s behaviour, and also how German would be frustrated at his withdrawn and uptight son.

Even though he hasn’t had much screen time until recently, I’ve been impressed with how Prince Alfonso is depicted as being a lot more capable and worldly than your average runaway royal. It’s obvious the King’s money bought him a good education, as one would expect, and it’s clear he paid attention in class, too. Of course he’s going to be a bit uncomfortable as he attempts to navigate his new surroundings, and he is physically weak compared to all the other guys in the show, but he is never useless or completely defenceless, either. I’ll bet Princess Yona (from currently airing Akatsuki no Yona) wishes her overprotective father had had as much foresight as Alfonso’s parents did!

This show proves that it’s possible to have mature content, including sex and violence, without being cheap and exploitative.

My one real complaint is that the super-shiny CG battle suits are a bit jarring compared to the restrained colour scheme of the 2D animation. I definitely prefer the fight scenes when they are not suited up. The only plus is that the CG suits are easier to see in the dark.
(streaming at FUNimation)


02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 1-10) – A thriller in which alien beings take over human bodies and turn them into shape-shifting cannibals. Our hero, Shinichi, fortuitously prevents his parasite from reaching his brain when it attacks him in the middle of the night. However, it permanently ends up in his right arm and they are forced to work together in order to survive.

I almost gave Parasyte the number one spot, as it has been the most consistent in effective storytelling, but the musical score is sometimes incongruous to the events on-screen, and GARO is just closer to my heart at the moment.

The narrative unfolds at a well-measured pace. It kind of reminds me of Death Note, with how it starts with the focus on the personal dynamic between Shinichi and Migi, then gradually expands the view to more and more of the outside world as the story progresses.

Even though it’s understated, we get a good sense of Shinichi’s feelings of discomfort at what is happening to his body. It’s fascinating to see Migi’s development too.
(streaming at Crunchyroll)


03. Fate/stay night [Unlimited Blade Works] (ep. 0-9) – Easily the best-looking series of the season, Fate/stay night offers top-notch action animation and detailed characterization.

Because this is being re-made as a direct sequel to Fate/Zero, it comes with a layer of context that elevates the material possibly above what it actually is. As such, I was invested in many of these characters before the show even began. Really subtle things, such as the way Saber stared at Illya, when they first encountered her, just for a moment, before casting down her gaze, can make me wonder at their meaning. Was Saber remembering the young child Illya used to be? Did seeing her standing there remind her of Illya’s mother Irisveil? Did she possibly feel regret that Illya was now to be her enemy?

I’m hoping they will eventually delve into the past events which many of the current Grail War participants have limited knowledge of. Rin seems to remember Sakura. But it’s hard to read her actions. Sakura doesn’t seem to be aware of their previous relationship at all. I also think it’s interesting that Illya, Shirou, and Saber each seem to have vastly different impressions about the kind of person that Kiritsugu was.

Rin is a great character. I love her interactions with her Servant Archer and with Shirou.

This version of Fate/stay night has done an extraordinary job of making Shirou out to be a likeable guy. He’s naïve and idealistic, but it’s clear he has a lot of potential for becoming a stronger Master. So far, he has not displayed any of the chauvinistic behaviour toward Saber that really irked me in the original Fate/stay night. Fingers crossed that there will be no mid-war “date” episode this time around.
(streaming at Crunchyroll)


04. LAUGHING UNDER THE CLOUDS (Donten ni Warau) (ep. 1-10) – This one got off to a rocky start; it didn’t bode well for things when the main characters were running around in drag for no reason in the very first episode. Fortunately, the show took a more serious direction fairly quickly.

Tenka, the eldest Kumoh brother, reminds me of Headmaster Cross (from Vampire Knight) with the way he constantly puts on a goofball façade, while keeping his burdens to himself. I thought he took the act too far with his little brother, though, especially as it seemed obvious that Sora was mature enough to handle some reality. Gotta say, I was surprised and impressed by the gutsy yet logical conclusion to episode 6.

And then, the shocking twists in episode 9 left me reeling! I’m really enjoying Shirasu’s very nuanced portrayal. There’s a difficult scene between Soramaru and Shirasu in the latest episode, and I was blown away by the heartbreaking and compelling way in which it was handled.
(streaming at FUNimation)


05. Shirogane no Ishi: ARGEVOLLEN (ep. 13-22) – The story’s gotten really good. It’s now less a question of who is winning this war between Arandas and Ingelmia, and more about the disagreement within Arandas ranks on whether or not to stop fighting. The characters have become fleshed out and believable. The animation has been impressive as well, including the mecha fights. I’ll choose to forget the mostly off-model season opener episode 13; if anything positive came out of that, it’s that it made me appreciate how good the show usually looks!

And they really did stop with the random fanservice which marred the first half. Fanservice is now limited to the ED credits, and I, for one, am grateful the creators were able to use that to get it out of their systems so they can treat the actual show seriously.
(streaming at Crunchyroll)

06. Ace of Diamond (Diamond no Ace) (ep. 51-59) – It’s the final game leading to Nationals and our main character Sawamura finally gets the spotlight as he takes the mound for Seido in the last few innings.
(streaming at Crunchyroll)


07. Gugure! Kokkuri-san (ep. 1-10) – Emotionally-stunted Kohina inadvertently gets herself haunted by 3 spirits. It’s not as if she can easily get rid of them, so they sort of become her family. Long-suffering, vain fox spirit Kokkuri is remarkably endearing. And our cup-noodle-obsessed lead girl Kohina is no angel, but she is totally adorable.

I like how the show doesn’t feel obligated to produce a gag every minute. Some of the best episodes are the ones where the comedy takes a back seat for a while and allows the show to explore a more thoughtful storyline. The music used in these segments tends to be really pretty, too. Of course, the jokes and punchlines are never far behind.

Gugure! Kokkuri-san is silly and absurd and charming. It also has no qualms about making light of potentially touchy subjects such as suicide, stalking, or pedophilia, so sensitive viewers may wish to steer clear; but also know that you’ll be missing out if you do, because this is funny stuff.
(streaming at Crunchyroll)

08. Yowamushi Pedal: GRANDE ROAD (ep. 1-10) – Continues right where we left off before the break, in the middle of the Inter-high race. Yes, it is more of the same of what we’ve come to expect from YowaPeda, and it’s just as fun and exciting as ever.
(streaming at Crunchyroll)


09. Akatsuki no Yona (YONA OF THE DAWN) (ep. 1-10) – This was one of the series I was most looking forward to before the season began. For the most part, I’m pretty satisfied with the way it’s turned out. Many of the characters exhibit some depth, including the antagonists, and that’s a big draw for me. In fact, I’m eager to know more about traitor and pretender to the throne Soo-won; he’s a conflicted villain if I ever saw one.

I’m actually less excited about the current Dragon quest that Yona and Hak are on, but at least Yona is learning to be stronger and more independent in the process.
(streaming at Crunchyroll)


10. ORENCHI NO FURO JIJO (ep. 1-10) – A four-minute comedy short in which blond merman Wakasa takes up residence in the bathtub of a young man named Tatsumi. Wakasa’s friends get involved and hijinks ensue. Frequently, the characters appear in chibi form and it’s super-cute!

The ridiculously dark and angsty OP sequence featuring Matenrou Opera music serves as a perfect counterpoint to the lightweight content of the rest of the show.
(streaming at Crunchyroll)

11. PSYCHO-PASS 2 (ep. 1-9) – Maybe I had too-high expectations, but this sequel has proven to be a considerable disappointment to me thus far.

By the end of season one, we knew that Sibyl was flawed. I don’t recall Sibyl ever being so wilfully stupid or blatantly treacherous, though. Prisoners automatically get released the moment their crime coefficient goes down, no matter what they did to cause their incarceration? Is that even possible? A missing inspector, who is known to be acting suspiciously, is entitled to all her privileges as long as her psycho-pass is clear? I’m not saying they should fire her, but common sense says the MWPSB should have a way to prevent her from accessing police weapons until they can ascertain that she is safe and actually still on their side!

I’m not going to go so far as to call season 2 a train wreck, since they do seem to have a clear story in mind and they are telling it; and on its own, it’s probably fine. However, it’s difficult to ignore how the rules of the Sibyl System as established in the original series sometimes seem to be contradicted or changed to fit with the current production.
(streaming at FUNimation)

12. SHIROBAKO (ep. 1-9) – The overall story revolves around a group of friends beginning their careers in the animation industry. Most of the action (if you can call it that) is centered on Aoi’s experiences and the challenges she repeatedly faces in her role as production assistant for a company putting out a currently airing anime. Setbacks and deadlines abound and the fear of failure is sometimes palpable.

There is quite a bit of humour as well. I’m actually enjoying SHIROBAKO a lot; however, it’s just not the kind of show I find myself clamouring to watch each week.
(streaming at Crunchyroll)


13. Rage of Bahamut: GENESIS (Shingeki no Bahamut GENESIS) (ep. 1-9) – This had a really promising start: nice-looking animation, medieval fantasy adventure setting. The men are likeable if rather needlessly unattractive; and single-minded Amira is an interesting heroine. Okay, to be fair, she’s interested in 2 things: food, and getting to Helheim some way somehow.

Anyway, I wanted to like this show more than I do. I kind of wish it remained more grounded in the human world, as I find the parts about the angels’ and demons’ realms to be somehow overwhelming and boring at the same time.

The best part of the show remains the kick-ass opening credits, featuring “EXiSTENCE” by SiM. In case anyone’s wondering, there is no need to watch episode 6.5; it is 100% recap and doesn’t shed any new light on the proceedings.
(streaming at FUNimation)

14. Wolf Girl and Black Prince (Ookami Shoujo to Kuro Ouji) (ep. 1-10) – Erika gets caught in her lie about dating random hot guy Kyouya when he turns out to be a student at her school. To her surprise, he agrees to play her boyfriend; but only if she will be his dog. Yeah.

None of this is meant to be taken seriously, and honestly, the series is pretty fun and easy to watch. Still, I can’t help but have some reservations about the frankly abusive relationship at the core of this romance.
(streaming at Crunchyroll)


15. Lord Marksman and Vanadis (Madan no Ou to Vanadis) (ep. 1-10) – For something that bills itself as a fanservice show, the gratuitous content is actually pretty mild. Sure, the way all the girls’ bodies are covered in canker sores is a turnoff, and the gigantic breasts on some can get ridiculous at times, but importantly, characters of both sexes get to retain their self-respect here.

The initial arc started things off well, but as the series continued, the execution has taken a tumble. After the fourth episode or so, things started happening at breakneck speed: characters were introduced and killed off before we learned their significance, Tigre wandered off and made a pact with some mysterious being, battles were fought and won with little regard for the human side of the story. It just seems a lot less focused now and I’m losing interest because of that.

tl;dr: Way better than expected; still not that good.
(streaming at FUNimation)

16. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 1-9) – Former piano prodigy finds inspiration to take up his instrument again, and possibly romance, when a pretty and gifted violinist joins his group of friends. I find this stuff a tad melodramatic and, well, boring, but that’s just me. I would heartily recommend this anime to fans of Nodame Cantabile.
(streaming at Crunchyroll)

Notable Drop:

TERRA FORMARS (ep. 1-3) – The basic premise, with humanity possibly engineering its own demise when it attempts to terraform Mars by using cockroaches, sounds like a fascinating idea.

Problem is, the show is too obsessed with sensationalist violence. It’s just so hellbent on graphically depicting every beheading or dismemberment. Except you can’t show that stuff on TV, so at times up to 50% of the screen might be covered in black censor bars, making the show quite literally unwatchable.

It could have been so much better if they chose to suggest the gore artfully and if at least some clues as to what is going on on Mars were revealed earlier. If you’re looking for art or competent storytelling in a horror-thriller, best look elsewhere. Parasyte would be a good place to start.
(streaming at Crunchyroll)