Mid-Autumn 2017 Anime Ranking


01. RECOVERY OF AN MMO JUNKIE (Netojuu no Susume) (ep. 1-10 complete) – 30-year-old Moriko reacquaints herself with the world of online gaming after leaving her job. She soon becomes very attached to Fruits de Mer and her in-game friends. Little does she know that real life and fantasy are about to collide in unexpected ways.

This is such a cute and sweet show. The characters are sympathetic, likeable, and funny. Moriko’s reactions are especially great.

On a personal level, I’ve never been much of a gamer myself, but I have recently developed an attachment to an online game for the first time in my entire life (note: see previous post). Even though it’s not an MMO, the experience nevertheless gives me an extra level of intimate familiarity with some of the themes of this anime. Yes, I can attest it is absolutely believable that a grown professional woman could carry on like a middle-school girl because of a game.

Unlike Moriko though, I did not quit my day job and become an Elite NEET. Not yet anyway!
(streaming at Crunchyroll)


02. INUYASHIKI LAST HERO (ep. 1-9) – Ichirou, a middle-aged man who appears older than his years, and Hiro, a high school boy, are both killed when a flying saucer crash-lands into them. The hit-and-run aliens proceed to hastily reconstruct the victims’ bodies using machinery in an effort to cover up the accident. Thus, our 2 main characters unwittingly become cyborgs at the start of this action/sci-fi drama.

INUYASHIKI examines how Ichirou and Hiro each handle their newfound bodies and super-human abilities in vastly different ways. The consequences that result are fascinating, often tragic, and thought-provoking.


03. JUNI TAISEN: ZODIAC WAR (ep. 1-10) – Warriors representing the 12 animals of the Zodiac are recruited to take part in an epic battle royale. It’s a fight to the death where the last survivor is the victor.

JUNI TAISEN spends a lot of time setting up elaborate back stories for the various participants. The stories are good, but it’s weird that the characters are often killed off quickly and unceremoniously afterward without really getting to demonstrate their skills in a proper fight.
(streaming at Crunchyroll)


04. DREAM FESTIVAL! R (ep. 7-12 complete) – Depending on how you count them, there are as many as 6 male-idol series this season. (Note that I am not even counting the female-idol shows!) TSUKIPRO, THE iDOLM@STER SideM, DYNAMIC CHORD, and Love Rice 2 are fully part of the Autumn cour. IDOLISH7 doesn’t officially start until January, however 2 advance episodes have been broadcast already. That brings me to DREAM FESTIVAL! R, which began airing mid-August and thus already had 6 episodes under its belt before the current season began.

Of the many idol franchises, DREAM FES is probably one of the least hyped of the bunch. It happens to also be one of the best of its genre. Well, STARMYU is probably more crazy-fun overall, but that show is also way cheesier and more fantastical, whereas DREAM FES is a little more grounded in depicting the hard work and challenges faced by the performers.

I still dislike the CG stage work and transformations, which can’t be helped, but the narrative parts are really good! The characterizations are detailed, and the expressions and interactions show that the creators put a lot of effort into making each of the guys seem like real people with their own goals and perspectives. It helps too, that there are only 2 main units, consisting of 7 guys total, a manageable number.

KUROFUNE received a bit more of the spotlight this time around, which suited me just fine. I thought Keigo and Yuto’s development in the first half was believable. I totally didn’t expect that we’d be seeing Keigo’s schoolyard bullies again too, but I loved that even that relationship got revisited.
(streaming at Crunchyroll)

05. Food Wars! The Third Plate (Shokugeki no Souma: San no Sara) (ep. 1-10) – The first 5 episodes covered Totsuki’s Moon Festival, in which Souma was cast as the underdog (again) against one of the Elite Ten. Then things took a sudden dark turn as Erina’s creepy father returned from exile to engineer a hostile takeover of the school, putting everyone and everything at the whim of his unbending beliefs of culinary right and wrong. Souma and company quickly find themselves at odds with this new dictatorship; but of course our hero has never been one to back down when it comes to taking on the establishment.

Souma’s cool confidence is always fun to watch; and as usual, the dishes featured in the show look scrumptious.
(streaming at Crunchyroll)


06. THE IDOLM@STER SideM (ep. 0-9) – The idols of 315 Productions number 19 in this guy-version of the iDOLM@STER franchise. I absolutely do have trouble recognizing all the characters and placing them in their respective groups.

It’s an interesting gimmick that the agency specifically recruits talent from outside the entertainment field, however some cases are not as convincing as others. It’s hard to buy a doctor and lawyer putting aside their hard-earned and expensive educations to become idols (when they haven’t even been barred from practising their professions), for instance.

I do appreciate that the performances are beautifully animated and not all CGI, truly a rarity nowadays for an idol show. I also love the realistic depictions of various locales, some of which are familiar to me in real life, including Haneda airport and some of the livehouses where the units perform.
(streaming at Crunchyroll)

07. GARO -VANISHING LINE- (ep. 1-10) – The latest GARO anime takes place in the fictional location of Russell City, USA, a dark and gritty urban jungle. Once again, there’s a whole new set of characters to accompany the new setting.

So what’s good about this GARO? Well the animation and fight scenes are intense and packed with motion. Frankly, it’s a bit much for my poor little computer to handle sometimes! Also, the show features a lot of racial diversity among the characters without making a big deal of it. And from Gina to Sister to Luke’s mom Adelaide, I can’t think of many series with such an impressive collection of seriously cool and kick-ass ladies.

How does it compare to the 2 previous GARO anime series so far? I think it’s not quite as good as GARO THE ANIMATION; I still liked that one more, and more consistently. However, VANISHING LINE is way, way, way better than CRIMSON MOON.
(streaming at Crunchyroll)


08. Children of the Whales (Kujira no Kora wa Sajou ni Utau) (ep. 1-9) – The first episode was intriguing and beautiful, probably the best premiere of the season. However, it didn’t really set the tone for the rest of the series, which went on to take several sudden left turns in the following weeks.

Cerebrally, I liked seeing the differing approaches taken by Suou and Ouni when their people were attacked. I personally agree with Suou’s high-minded tactics more, but I can appreciate that sometimes it’s only the person who’s willing to get his hands dirty (and bloody) who can get favourable results when your opponent is not so high-minded.

The more fantastical content, related to the Nous at the heart of the ship, is weird and not explained that well, so I don’t enjoy that stuff as much as the character drama.
(to stream at NETFLIX eventually)

09. TSUKIPRO THE ANIMATION (ep. 1-10) – Another slice-of-life idol anime where it’s a weekly challenge to identify the characters and match them with the units they each belong to. Just to complicate things, people from TSUKIUTA. also make cameo appearances occasionally.

The highlight of the series was ep. 5, which might have been one of the best things I’ve seen this season. Basically, the 4 guys of SolidS went on a drive around the city in a borrowed car. TSUKIPRO is not exactly a plot-driven show anyway, so this was the perfect way to get us familiar with these idols as they experienced something mundane, yet funny and very relatable.
(streaming at Crunchyroll)

10. Welcome to the Ballroom (Ballroom e Youkoso) (ep. 13-23) – Recent episodes have been more focused on the characters than the dancing, which is a welcome change, in my opinion. And when there is dancing, it’s often actually animated, not just still frames.

The sexism and occasional body-shaming still crop up, but I’ve gotten past that in this show. By now, I can just ignore that stuff and try to make the most of the positives.


11. King’s Game The Animation (Ou-sama Game The Animation) (ep. 1-9) – For the second time in his young life, high school student Nobuaki is targeted to participate in the King’s Game, in which he and his classmates receive mysterious text messages ordering them to do perverted and cruel things or else suffer a gruesome death. Nobuaki was the sole survivor of the earlier game.

The anime takes the unusual, and probably unwise, tactic of trying to cover the events of both King’s Games at once. In general, it is ridiculous and stupid and trashy. That said, it tends to not be boring either.

The main reason I came to this show was for coldrain’s OP “FEED THE FIRE”, a truly awesome song which really deserves to be in a better anime than this!
(streaming at Crunchyroll)

12. Just Because! (ep. 1-9) – Eita reunites with his middle school friends when he returns to his hometown during his final year of high school. It is a difficult time for them, as they prepare to make the transition to the next stage of their lives, education-wise and career-wise, and in terms of romance.

The show utilizes a subtle style of storytelling. It’s so understated that it look me quite a while to figure out who is crushing on whom and what the coordinates of the love triangles are. Honestly, the languid pacing bored me for most of the first half. I’m following it a bit better now, though obviously, this isn’t really my kind of show.

13. Osomatsu-san 2 (Mr. Osomatsu 2) (ep. 1-10) – The first episode felt like a great comeback effort, but subsequent offerings haven’t really measured up to the levels of fun of the first season. In particular, I really don’t get most of the Cave-matsu skits. I enjoy them even less than the Girly-matsu stuff. If only we could get the pretty boys back instead.
(streaming at Crunchyroll)


14. Code:Realize ~Guardian of Rebirth~ (~Sousei no Himegimi~) (ep. 1-9) – Protagonist Cardia is a walking weapon whose skin is poison to anything it touches. She ends up being taken in by Lupin and his colleagues. They are also investigating her father’s work, likely the cause of her affliction.

Code:Realize is based on an otome game, so I think we’re supposed to like at least some of the guys. Unfortunately, their personalities and the main romance (with Lupin?) are sorely underdeveloped. The story is also pretty weak, Finis’ motives especially (he’s evil).

The show looks reasonably good though. The character art and the steampunk Victorian London setting are nice.
(streaming at Crunchyroll)

15. BORUTO: NARUTO NEXT GENERATIONS (ep. 27-34) – Boruto and his classmates’ excursion to the Hidden Mist Village turned out to be pretty tedious and boring. I was so glad to see the kids back at home finally, only to discover that it means we have to sit through a bunch more filler episodes before they actually get around to the graduation exams.
(streaming at Crunchyroll)

16. SENGOKU NIGHT BLOOD (ep. 1-8) – Didn’t I say, only last season, that “Warring States Era time-slip stories are a dime a dozen”? Well, here’s another one already. Just like in Ikemen Sengoku (game version), a modern day girl is magically transported back in time to an alternate reality 1500s Japan. Only in this case, the Sengoku warlords happen to be vampires and werewolves.

It’s hard to get into the story when they’re trying to incorporate so many characters in a short time, and basically not doing a very good job of it. Therefore, the events seem to unfold without proper build-up. It also bothers me that Yuzuki constantly looks out of place in her modern dress. Is it supposed to be a joke that she can’t get a change of clothes?

Stupidly, the best parts of the show are the closing credits. Almost every episode features a new song sung by a different warlord, with new visuals. My sister dropped the anime long ago, but she continues to check out the EDs. This might as well have been another idol show rather than the low-rent otome fantasy that it is.
(streaming at Crunchyroll)

17. DYNAMIC CHORD (ep. 1-6) – “Dynamic” does not describe this anime at all. Not much of anything happens in it. All that the guys seem to do is brood and look up to the sky, accompanied by random sound effects and maybe a moody piano or clarinet piece. Sometimes though, they brood to rock music, and then it’s slightly better. I’m not even kidding.

There’s something to be said for plot subtlety, but this is ridiculous. These guys really need to learn to say what they think instead of cryptically running away and hiding every time. How many missing band/musician story arcs can one show have?

Some of the performance animation, if you can even call it that, is so cringingly bad, I think they would have been better off using still images. It’s perplexing that they bothered to air this in a season so overflowing with higher-budget boy-idol shows. But then again, I’m sort of still watching it. At least the music isn’t bad.

Also watching:

Love Rice 2 (Love Kome –We Love Rice- 2nd Season) (ep. 1-10) – It’s the rice idols vs. the bread idols once again, but oh no, this time ramen is also a contender. Disappointingly, the cooking feature did not make a return in this sequel.
(streaming at Crunchyroll)

Notable drop:

The Ancient Magus’ Bride (Mahoutsukai no Yome) (ep. 1-5) – The most hyped and probably highest-rated show of the season… didn’t really do anything for me! After the initial 2 episodes, I didn’t particularly like Elias, the mage of the title. I kind of expected that we would get some good interactions between him and Chise that would endear them both to the audience, but that hasn’t been the case at all. Instead, the following story arcs were more on the arty, philosophical, and dry side. The pacing was slow enough to rival the underachieving DYNAMIC CHORD and there was basically no humour.

It seems to be a high budget production, so the imagery is pretty, but this type of fantasy anime just doesn’t appeal to my plebeian tastes. I have a feeling that fans of Mushishi or Natsume’s Book of Friends (both of which I also eventually dropped) would have a better appreciation for this sort of show.
(streaming at Crunchyroll)

Mid-Autumn 2016 Anime Ranking

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01. Yuri!!! on ICE (ep. 1-10) – For much of its runtime, Yuri!!! on ICE exists as a sports anime about competitive figure skating. As such, it stands just fine, more than fine actually. The narrative and detailed animation is as good, or almost as good, as a top-tier production such as Haikyuu!!. The professionally-choreographed skating is brilliant and gorgeous to look at. There’s plenty of humour throughout. And it’s easy to cry and to celebrate right along with the well-written characters.

The best sports shows can be really excellent at handling sports drama, but, and I’ve said this before, I often want to know more about the athletes’ personal lives. This is where Yuri!!! on ICE goes above and beyond. I wasn’t originally rooting for the characters to get together (apparently I’m not much of a shipper in general), but I really like the casual way in which the romance has developed, interwoven with the skating plot. Having a love story tie everything together adds so much depth to the overall picture.

Plus, the fact that it happens to be an unconventional romance, taking place in a widely popular anime, is very unexpected and makes for a momentous social statement.

Sadly, the positive and tolerant environment of this anime is not the real world that we live in, but Yuri!!! on ICE shows us how the world could be if we just live and let love. And that’s beautifully inspiring.
(streaming at Crunchyroll)

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02. AJIN (ep. 14-23, or Season 2 ep. 1-10) – If anything, I think the CG animation and the facial expressions have improved this season. The theme songs are kind of crap, though, especially compared to the first season’s offerings.

As an intellectual action story, it doesn’t break any new ground; however, everything AJIN does, it does exceptionally well. So in terms of sheer excellence in pacing and logical yet thrilling story progression, AJIN 2 probably surpasses Yuri!!! on ICE. However, Yuri!!! is my number one, because it is well rounded and truly groundbreaking.
(to stream on NETFLIX)

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03. BUNGO STRAY DOGS (ep. 13-23, or Season 2 ep. 1-11) – The first 4 episodes were amazing. No offense to Atsushi, he’s fine, but I greatly preferred Oda as the main character. The flashback storyline was darker and more serious than anything in the show beforehand. Plus, there were 2 jaw-droppingly cool temporary versions of the OP (which were both superior to the actual version of the OP, by the way). And, it was the only time I can recall hearing my 3 favourite seiyuu, namely Miyano Mamoru, Suwabe Junichi, and Miki Shinichiro, all in the same show, in significant roles, and in the same episodes together. That was some incredible ear candy!

The rest of the season covers the 3-way war between the Armed Detective Agency, the Port Mafia, and The Guild. Honestly, the Guild members haven’t really captured my interest. Dazai, however, continues to be a fascinatingly nasty yet loveable character.

Incidentally, Mamo is starring in all 3 of my top favourite anime this season. Since Dazai and Nagai Kei are both pictured above, I was almost tempted to put a picture of JJ at the start of the post, instead of Yuuri. How wrong would that have been?
(streaming at Crunchyroll)

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04. Haikyuu!! 3rd Season: Karasuno Koukou VS Shiratorizawa Gakuen Koukou (ep. 1-10 complete) – Yes, this whole season is about Karasuno’s one match-up against Shiratorizawa.

It’s also very good. The plays are riveting, the animation continues to be top-notch, and there’s character development too. It’s really satisfying how Tsukishima has become a major force for Karasuno.
(streaming at Crunchyroll)

05. The Disastrous Life of Saiki K. (Saiki Kusuo no Psi-nan) (special ep. 66-100, or ep. 14-20) – Still highly enjoyable week after week, even if this cour has so far not been quite as crazy imaginative as the first one. Of course, a certain plot twist that I have been expecting (due to a spoilerific casting announcement back in early October) is still to come.
(streaming at FUNimation and DAISUKI)

06. JoJo’s Bizarre Adventure: DIAMOND IS UNBREAKABLE (ep. 27-37) – For a long time, I had my doubts about Rohan; I thought it was creepy the way he would try to buddy up to Koichi. But what do you know, I genuinely like the guy now! He’s smart and analytical, definitely a good asset when the rest of the team consists mostly of idiots and the villain you’re up against is an over-powered genius psychopath. The best part is his awkward and antagonistic relationship with Josuke; it’s so real, and so funny.

We’re finally nearing the climax of the Yoshikage Kira story arc which was being built up all season long. I’m kind of lukewarm about what’s happening right now, since I’m not sure all that time travel stuff actually makes sense.
(streaming at Crunchyroll)

07. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 26-34) – This is shaping up to be one super-complicated war/politics story. There are so many different factions in play that it’s hard to keep track of everything. Tekkadan, which now has ties to a number of these groups, including Turbines/Teiwaz, McGillis/Gjallarhorn, and Arbrau, is caught in the middle of it all. If they play their cards right, the potential rewards could be great, but there’s no telling if their “allies” can be trusted or how great the costs might be.
(streaming at DAISUKI and Crunchyroll)

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08. Izetta, The Last Witch (Shuumatsu no Izetta) (ep. 1-11) – Pseudo-WWII-themed Izetta, the Last Witch is pretty impressive most of the time. The episodes focused on the war battles, the tactical strategy, and politics are well done; and the narrative is presented in a way that’s reasonably easy to follow. Finé is a great depiction of a strong and proactive leader who happens to be female.

Unfortunately, the occasional down-time episodes have been consistently cringe-worthy at worst, yawn-inducing at best. In those interludes, we get to see the female characters grab each other’s boobs, feel insecure about their bodies, and have tea-time with cake, because that’s what girls do!
(streaming at Crunchyroll)

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09. DREAM FESTIVAL! (ep. 1-10) – At first, I was not very impressed with DREAM FES; it looked like it would be just another second-rate idol anime. Mostly, I hated the Dorika (Dream Card) time stuff. The anime is pretty grounded otherwise, so the transformation sequences, in which the idols not only change clothes magical-girl style, but also transform into CG versions of themselves, are just weird.

But once I got past the Dorika Time and CG performances and unnecessary recaps, the characterizations and personal drama were actually pretty solid. The music is also nothing special, but it does come across as being slightly above average for an idol program.

I actually really liked the KUROFUNE rival duo introduced in ep. 7. I can see how their personalities would make them popular. I think I would totally be rooting for them if not for my awareness that Kanade is the main character and he and his group-mates are really hard-working!
(streaming at Crunchyroll)

10. DRIFTERS (ep. 1-9) – DRIFTERS is graphically violent and loaded with potentially offensive material. For example, one respected, competent female character is constantly referred to as “Boobs.” There are also significant hints that the hooded leader of the villains is none other than the Son of God. Nevertheless, it can be pretty entertaining.

What the show does an excellent job of is illustrating Nobunaga and Toyohisa’s battle strategy and goals. In particular, Toyohisa’s methods of building loyalty while amassing troops are very smart; it’s no wonder so many people will take his side and fight for him voluntarily.
(streaming at Crunchyroll)

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11. Uta no Prince-sama Magi LOVE Legend Star (ep. 1-10) – I was half-dreading this sequel after the terrible third season, but thankfully Legend Star has been way, way better than Revolutions. There is some purpose to the narrative and the dialogue is much improved. UtaPri is the granddaddy of idol shows, and it proves to be as much a pro at storytelling as at dishing out the tropes in this incarnation.

It’s nice to see some of the STARISH guys’ backgrounds expanded on finally, as they individually participate in duet projects with the members of their new rival HEAVENS, almost all of whom have a screw or two loose.

The theme of the season seems to be “kizuna” (bonds), so many of the stories, although varied, come back to the members having to re-evaluate whether or not they belong in their boy band; and that does get a little bit tiring.

One of the highlights for me was seeing 2 of QUARTET NIGHT’s meanies turn on each other in the second episode. It always annoyed me whenever Camus or Ranmaru bullied Nanami or Reiji, so getting to see the two of them rip into each other was really satisfying.
(streaming at Crunchyroll)

12. Kiss Him, Not Me (Watashi ga Motete Dousunda) (ep. 1-10) – You know? In this show, it doesn’t bother me much at all if the guys only like the main girl for her looks. Because what else is there to like really? She’s a diehard fujoshi who only cares about her BL. She isn’t personally interested in any of the guys except to ship them together. Other than that, Kae’s a reasonably nice, decent person, but not in any way that particularly stands out. If they want to be with her, they will constantly have to accommodate her otaku tendencies. So if she isn’t at least hot, what’s in it for them?

I do give the series credit for its honest, self-deprecating portrayal of the obsessive insanity of a raging otaku. Despite some occasional offensive content (such as Kae’s fat voice and sexual harassment-sensei), it is a very funny show.
(streaming at Crunchyroll)

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13. DAYS (ep. 13-22) – I still don’t care much for Tsukamoto, or Kazama for that matter. It’s Kimishita that keeps me coming back to DAYS; I love his angry personality and I enjoy his interactions with all the other cast members. Now that he has been playing a bigger role in the series, it’s no wonder my opinion of DAYS is also improving.
(streaming at Crunchyroll)

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14. NANBAKA (ep. 1-10) – For no reason at all, this show has more sparkles than Magic-kyun (see below). It is ridiculously shiny and blindingly colourful, which is especially confounding as NANBAKA takes place in a prison.

There isn’t a lot of substance or depth here, but it is pretty fun to watch. You certainly don’t need to worry about tiring any brain cells in the process.
(streaming at Crunchyroll)

15. Bloodivores (ep. 1-10) – It is really hard to say if this Chinese-Japanese co-production is good or bad. A lot is going to ride on how well the ending ties the pieces of the mystery together. So far, all I can do is give it the benefit of the doubt and trust that this vampire/monsters/survival game series has a plan. We will see.

(End of season edit: The naysayers were correct after all; it is bad. Bloodivores continues to raise questions right to the final episode and ends with nothing resolved.)
(streaming at Crunchyroll)

16. Magic-Kyun! Renaissance (ep. 1-10) – While this anime is supposed to be about exceptionally gifted artistes, the actual art produced is decidedly lacklustre. Of course, talent in Magic-kyun! is not measured by aesthetics; rather, it is all about the obscene amounts of sparkles that each artiste can produce. It’s hard to just take that on faith as a viewer, though. One standout fail for me is Ichijouji’s music. I would have expected an elite singing prodigy such as himself to have a deeper, more classical-sounding voice. Somehow the lightweight pop songs don’t get across the depth of emotion the show seems to want to convey.

Most of the characters are likeable enough, I guess, but Magic-kyun! will likely prove to be just another forgettable confection.
(streaming at Crunchyroll)

17. ALL OUT!! (ep. 1-9) – I don’t really get rugby, and muscled guys in skin-tight uniforms are not my kind of fanservice.

As a sports anime, it has some similarities to DAYS, as they both feature a diminutive first-year main guy who is a newbie to his respective sport. By comparison, ALL OUT!! comes off as a more realistic portrayal and a more competent production overall, although it’s arguably a bit more boring from its lack of stand-out sympathetic characters. (Which is not the same as stand-out hairstyles – ALL OUT!! has those in spades.)

The soundtrack might be my favourite part of the show. They’re doing a good job with the frequent rock music as well as the lovely piano pieces.
(streaming at Crunchyroll)

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18. Nobunaga no Shinobi (Ninja Girl & Samurai Master) (ep. 1-10) – The first of 2 shorts on my list, Nobunaga no Shinobi is a cute, comedic take on the events of the Warring States Era starring a cute ninja girl named Chidori. Some of the episodes are pretty funny, but often they’re too short or quick to get that much out of. The more familiar you are with the events of the time period, the more likely you are to appreciate the gags presented. My knowledge of Japanese history is only so-so.
(streaming at Crunchyroll)

19. GAKUEN HANDSOME (ep. 1-10) – It seems kind of unfair, yet obvious, to put this one last, as its charm lies in the fact that it is intentionally bad. GAKUEN HANDSOME is a willfully low-budget, horrendously drawn BL anime full of supposedly hot guys who don’t actually look anything remotely like handsome and a main character who doesn’t even have eyes. It is a series of 3-minute shorts parodying probably every trope in BL/harem/highschool anime, and your enjoyment level may vary. I know mine does.
(streaming at Crunchyroll)

~ Well, I think I’ve pictured all the characters voiced by Mamo in the shows I’m watching. I can’t possibly forget about you, JJ. Representing Canada: Jean-Jacques Leroy!
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