Jacquie’s 2015 Year in Review – Anime

There were about 50 or so series that I watched in entirety which finished airing in 2015. Those are the titles being considered in this Best of 2015 section.

Looking back on the anime series that I really enjoyed during the past year, I realized that while they all had various strengths, most of them were considerably flawed in one way or another.

If I were to think about the shows I most looked forward to watching each week, there would be GARO THE ANIMATION or GANGSTA.. However, both of those had issues in the later parts and I wasn’t that happy with the way either of them ended. And good endings are important to me.

On the other hand, if we’re talking about great endings, Cute High Earth Defense Club LOVE! might have actually had the best one all year. But that’s a show that didn’t even crack my top 10 as it aired during the winter season.

Meanwhile, there were anime series that were thoroughly unique and well-written, such as SHIROBAKO and SCHOOL LIVE!. Unfortunately, the characters in those shows didn’t click with me personally, for whatever reason.

There was ultimately only one truly enjoyable series that did not have any problematic issues for me.

I think it was our last pick-up of the summer season and it might not be what you expect. Certainly I, myself, did not have very high expectations when I decided to start watching this fanservice-laden jailbreak comedy.

Anime of the Year:

Prison School
PRISON SCHOOL (12 episodes) – Five male students in an otherwise all-female high school are imprisoned on school grounds by the Underground Student Council for the crime of attempted peeping. They are forced to perform hard labour, endure indignities, and complete their studies in jail. They could just get themselves expelled and walk away, but somehow these guys view expulsion (and having to explain to their parents the reason) as a far worse outcome than their current situation.

PRISON SCHOOL is riotously funny, thrilling, and well-paced throughout. And it presents a satisfying conclusion even as it sets up a possible storyline for a sequel.

The main drawback is that I can’t exactly recommend it to polite company. PRISON SCHOOL is a gross-out comedy, after all, so there is implied nudity, sexual deviancy, uncontrolled bodily functions, forcible confinement; the list goes on. But in the show’s defence, almost all of it is plot-relevant! I’d also say the more gratuitous fanservice stuff is just totally over-the-top rather than titillating in nature.

In spite of all the absurd and uncomfortable situations that they find themselves in, the characters are generally viewed sympathetically. As I’ve said before, PRISON SCHOOL is not particularly mean-spirited, and that goes a long way in making the crude content tolerable and in helping the humour to really succeed.
(streaming: FUNimation)

And that’s it! No seriously, it’s too hard to do a proper anime ranking this year, so I give up. Instead, I’ll just highlight some of the shows that stood out for me and say a little bit about them. Maybe next year I’ll go back to the Top 10 format.

My Favourites, with Flaws:

Garo the animation
GARO THE ANIMATION (GARO: Honoo no Kokuin) (24 episodes) – This anime started its first episode with the burning-at-the-stake execution of the main character’s pregnant mother. Yup, that immediately set the stage for what kind of dark, mature-content production this was going to be.

Throughout most of its run, GARO excelled in its depiction of its complex, flawed characters. It was evident from the animation, story, and dialogue that the people who worked on this action-drama anime really loved and respected these characters. And because they gave a damn, that made me give a damn too. I particularly enjoyed the father-son dynamic between German and Leon and the refreshingly cooperative relationship between the two young Makai Knights.

Unfortunately, the final story arc proved to be rather nonsensical and disappointing. That ultimately had a negative effect on my overall enthusiasm for the show.
(streaming: FUNimation)

gangsta-anime
GANGSTA. (12 episodes) – Amazing series, except there’s one major problem.
When I think of previous anime that made no attempt to wrap up any plot threads, the first to come to mind is “Deadman Wonderland.” With that show though, I didn’t particularly like or care about the characters at all.

At least with GANGSTA., I was primarily invested in the characters. I was interested in how their relationships were informed by their past and present situations. Even relatively minor roles were fleshed out and sympathetic. Because of this, I think I really got something out of each episode, even the final one, in spite of the obvious fact that it failed spectacularly in delivering any kind of conclusion whatsoever.

I suppose if there really was no good way to end it, this kind of “advertisement for the manga” ending was still preferable to an anime-original one that didn’t make sense or that would be problematic in the off-chance that a sequel should ever happen.  However, as it stands, I could never recommend this show without also warning the potential viewer about the unsatisfying non-ending.
(streaming: FUNimation, DAISUKI)

Seraph of the end
Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (24 episodes) – Another show with an interesting storyline and characters who were full of personality. The facial movements and expressions were frequently exceptionally well-animated. The quality of the action sequences was inconsistent, but the show was enjoyable overall.

No concrete ending here, and likely won’t be for a long time, as the anime is apparently caught up with the source manga already.
(streaming: FUNimation)

PARASYTE the maxim
Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (24 episodes) – The smaller-scale story of Shinichi and Migi learning to live with each other and developing an understanding for the other’s perspective was thought-provoking and often humorous. For me, the show lost some of its momentum as the view expanded to the rest of the outside world.
(streaming: Crunchyroll)

Arslan Senki
THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (25 episodes) – The epic tale of Prince Arslan after the fall of his nation offered balanced viewpoints from all sides of the conflict. I really appreciated that aspect of the show. The second half was more about Arslan’s group working to assemble their allies in order to retake Pars and that was not quite as riveting for me. No real conclusion here either, as they don’t make it all the way back to Pars by series end.
(streaming: FUNimation)

Great Fun:

one-punch man
ONE PUNCH MAN (12 episodes) – The action scenes were often creative and really well done, however, what I loved best about the show were the characters and their interactions, especially the dynamic between Saitama and Genos. Sonic was great too; and I think Mumen Rider had me at hello!
(streaming: DAISUKI)

Assassination Classroom
ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (22 episodes) – This story of a class of misfits who must kill their tentacled teacher, Koro-sensei, before he destroys the planet turned out to be not only humorous, but also surprisingly heartwarming.
(streaming: FUNimation)

Starmyu
STARMYU High School Star Musical (12 episodes) – Let me just state that we were not impressed by the first episode of STARMYU. The many characters each got only brief appearances and we didn’t get a sense of who they were at all. But the real kicker was the abominable introductory song by the elite Kao Council, in which they basically told the student body, “We’re better than you.”

My sister, who is now a devoted fan, was so turned off, we almost didn’t continue with the show! For some reason, I insisted that we had to keep watching; maybe it was morbid curiosity.

We ended up loving STARMYU! It’s not about much, but the characters turned out to be really likeable and had good chemistry with each other. And I was actually moved by the flashback storyline which explained the difficult relationship between two of the Kao Council members.

It was weird when the guys broke out in song, and the pop tunes were generally not to my taste, but the music was competently produced and the songs sounded polished. One of them even found its way onto my best of 2015 list (see below).
(streaming: FUNimation, DAISUKI)

Cute high earth defense club love
Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (12 episodes) – There was a significant mid-cour slump, such that I lost a lot of enthusiasm for the show for a while. But then the final episodes came along, and they were so inspired and insanely funny! That incredibly strong finale made me really glad that I watched this crazy stupid magical-boy anime!
(streaming: Crunchyroll)

Ace-of-Diamond-anime
Ace of Diamond (Diamond no Ace) (75 episodes) – This baseball anime was consistently enjoyable and deserves a mention here as a technicality.  The stopping point was kind of arbitrary and SECOND SEASON started immediately after the first one ended, so it really doesn’t feel like it’s over at all.
(streaming: Crunchyroll)

Sequels Made with Love:

yowamushi pedal grande road
Yowamushi Pedal GRANDE ROAD (24 episodes) – The previous season ended right in the middle of the Inter- high. GRANDE ROAD brought the race to a proper conclusion with all of the show’s usual charm intact.
(streaming: Crunchyroll)

noragami aragoto
NORAGAMI ARAGOTO (13 episodes) – This sequel took the concepts from the first series and really ran with them. ARAGOTO played out in two main arcs, the first featuring Bishamon and the second focused on Ebisu, and in turn, Yato. Both arcs ended up being thought-provoking and touching, with self-sacrifice vs self-preservation being a major theme.
(streaming: FUNimation)

K RETURN OF KINGS
K: RETURN OF KINGS (13 episodes) – After the first season, I wasn’t that sold on K’s setting or colour-coded Kings mythology. So much so, that I was actually reluctant to watch the subsequent movie and this sequel.

It seemed like too much style over substance. The K franchise is nothing if not stylish. The visuals were colourful and vibrant, and the constantly moving camera made for some stunningly dynamic action sequences (and also some uncomfortable fanservice).

Impressively, this had an ending that actually made some sense. It seemed obvious to me that the creators really cared about the story they were telling and the roles of the players involved. The characters were consistently true to their motivations and personalities, and the outcome made sense based on the setting and events prior. Maybe it also helped that I was not particularly fond of the Silver Clan, who were the primary focus originally, and therefore totally didn’t mind that they had much less screen time this season.

The Worst Ones:

I suppose it’s a good thing that I had to actually think about this. These are the shows that had some potential, but managed to disappoint despite already meagre expectations.

Tokyo Ghoul √A (12 episodes) – This continuation of the conflict between humans and ghouls inexplicably introduced a ton of new characters and featured even more clumsy storytelling than its predecessor. In the end, lots of people died, yet nothing of consequence happened.

Uta no Prince-sama Magi LOVE Revolutions (13 episodes) – My introduction to UtaPri was in 2011, when the first season was streaming on Niconico. I had heard that it was hilarious to watch with the scrolling user comments on. Indeed, that was good advice. The second season came along 2 years later, and it was actually respectable. I counted myself a fan.

Magi LOVE Revolutions… would have been better with scrolling user comments. Most of the dialogue and story arcs were pretty lame. Not only that, this third season did something even the previous ones didn’t: it actually ended on a cliffhanger.

Subete ga F ni Naru: The Perfect Insider (11 episodes) – A murder mystery which cannot be comprehended by a normal human being.

Your lie in April (Shigatsu wa Kimi no Uso) (22 episodes) – Cloyingly manipulative tearjerker about middle school-aged musicians in love probably did right by its target audience. However, I was not that target audience, not by a long shot. We weren’t supposed to hate the girl at the end, were we?

________________________________________________________________

Here’s some more random retrospective stuff. This section includes anything that came out in 2015, not just the completed shows.

Memorable Quotes:

– We recently saw the GARO: CRIMSON MOON special episode. In one of the segments, the voice cast showcased their favourite lines from the show so far. That reminded me that there were not many notable lines in CRIMSON MOON of one quote that I did enjoy.

In many love stories, one partner has to make a great sacrifice for love and it’s beautiful and inspiring. It played out a little differently in ep.5. When Yasusuke told his ex-thief love interest Kosode that he intended to relinquish his name and status in order to be with her, she had this to say: “You want to step down from the good life you were born to? Who wants to be with a fool that doesn’t know the meaning of his actions!”

Well, the rest of the episode went to crap, but that one line was memorable for me.

– The quote that I think made me laugh the most last year came from ASSASSINATION CLASSROOM ep. 8. In response to his colleague apologizing for asking a prying question about his past, Koro-sensei said, “You’re a wise man, Karasuma-sensei. Even while traveling, it’s crude to ask after the number of one’s appendages.”

Favourite Seiyuu of 2015:
Akatsuki Jaeha 17 2015 Kuroko no Basuke 3 Suwabe 2015 Kamisamahjimemashita 2015 Fsn UBW Suwabe 2015 JoJo 2015 uta no prince sama revolutions Suwabe 2015 Food Wars 2015 Gangsta 2015 Gate 2015 Starmyu
That’s right: Suwabe Junichi. The above is a sampling of the roles performed by Suwabe-san last year. So many memorable characters. In at least two instances, his characters appeared mid-season and proceeded to steal the show; I’m thinking of Jae-ha, the Green Dragon in YONA OF THE DAWN, and Terence T. D’Arby in JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc.  He was also perfectly cast as Worick Arcangelo in GANGSTA. and as Ootori Itsuki, the charismatic mentor and muse in STARMYU.

Anime Songs Countdown:

And finally, in advance of the music retrospective post, which will go up next, I now present a list of the best anime songs of 2015 according to me. The songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs that are being considered – that’s especially relevant to my top 2 picks, both of which have so much more to offer than what can be heard in their TV-size versions. Here we go.

15. Lantana, by OLDCODEX (Kuroko’s Basketball S3 ED3)

14. One Light, by Kalafina (THE HEROIC LEGEND OF ARSLAN ED2)

13. Black Swallowtail, by UROBOROS (Rokka –Braves of the Six Flowers- OP2)

12. Feed A, by OLDCODEX (GOD EATER OP)

11. Aching Horns, OLDCODEX (High Speed! -Free! Starting Days- Main Theme)

10. Renegade, by STEREO DIVE FOUNDATION (GANGSTA. OP)

09. FOCUS, by Showtaro Morikubo (GARO THE ANIMATION ED2)

08. Yoru no Kuni, by Annabel (GANGSTA. ED)

07. Brave Shine, by Aimer (Fate/stay night [Unlimited Blade Works] S2 OP)

06. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)

05. Limited sky, by Tsukigami Kaito (CV: Lounsbery, Arthur) (STARMYU insert song)

04. X.U., by SawanoHiroyuki[nZk]:Gemie (Seraph of the End OP1)

03. scaPEGoat, by SawanoHiroyuki[nZk]:Yosh (Seraph of the End ED1)

02. Last Theater, by NoisyCell (Death Parade ED)

01. physical, by OLDCODEX (Q Transformers: Kaettekita Convoy no Nazo OP1)

That was really long! Thank you for reading.

Mid-Winter 2015 Anime Ranking

Let’s start the year off by highlighting some theme songs – just like last year. The best current OP/ED songs according to me are as follows:

1. Last Theater, by NoisyCell (Death Parade ED)
2. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)
3. FOCUS, by Showtaro Morikubo (GARO ED2)

We’re watching less than usual this season, only 15 series, attributable to a shortage of free time and a shortage of patience. Nearly half of those 15 are continuing shows, so you’ll notice some repeat from the mid-autumn ranking. Five are sequels (more déjà vu); and we’ve picked up only 3 completely new series.

Unlike last winter, though, there’s actually a lot of good stuff this time around.


01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 13-21) – After a moving season opener, GARO proceeded to give us 3 episodes of filler. Well, the stories were still relevant to the theme of the show, but there just wasn’t enough of our 3 main characters in them. Fortunately, things are getting back on track now.

Twenty episodes in, we finally got the spotlight on Mendoza’s right-hand woman Octavia. Seeing what she’s been through and what she’s capable of, I can’t help but feel some respect for her. Of course, that doesn’t stop me from hating her too. Her cleverness and deceitfulness make her a dangerous adversary for our high-minded heroes. Regarding the whole Mendoza deal, though, I can’t say I understand at all why Watchdog Center would ever cooperate with him; it doesn’t seem to make any sense.

GARO is still the series that I look forward to the most each week. That’s why it’s here at the top, even though it could easily be argued that some of the anime below have been displaying even better plot progression of late. I continue to admire the mature writing in GARO and I genuinely care about what happens to Leon, Alfonso, and German.
(streaming at FUNimation)


02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 13-20) – The conflict is heating up as the humans begin to mount an offensive against the parasites. Innocent lives are lost with little consideration during the assault. The message seems overly simplistic maybe; but it resonates with me anyway. How do you defeat a monster without becoming one yourself? If there were easy answers to that, real-life monsters such as Islamic State militants would not still be terrorizing the world…
(streaming at Crunchyroll)


03. ALDNOAH.ZERO (ep. 13-20) – This second part of ALDNOAH.ZERO is shaping up to be even better than the first. The narrative turns have been riveting and unpredictable. Whereas season one focused on the Earth side, the current attention to the Vers forces and Slaine’s development is a welcome change.

It’s hard not to see this heading toward a tragedy, though.
(streaming at DAISUKI and Crunchyroll)


04. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 1-8) – The E Class of a prestigious school is given the task of killing their teacher, the tentacled and super-fast Koro Sensei, who has threatened to destroy the Earth at the end of the school year, should they fail to murder him first. Not only is he really hard to kill, though, he also happens to be a damn good teacher.

The episodes tend to be stand-alone stories, so there hasn’t been a lot of progress overall. Regardless, AssClass is very amusing in its absurdity and it consistently gives off a feel-good vibe.
(streaming at FUNimation)

05. Yowamushi Pedal GRANDE ROAD (ep. 13-19) – Still riding the Inter-high, though we’re on the last climb to the finish line now. Can’t wait to see what Onoda can pull off at this point. And I’m rooting for Imaizumi’s success even though it’s obvious that his early lead in and of itself is a flag that everything is not about to go so smoothly for him or Team Sohoku.
(streaming at Crunchyroll)


06. Akatsuki no Yona (YONA OF THE DAWN) (ep. 13-20) – Some viewers may have considered ep. 16 to be filler, but I really enjoyed the brief focus on Soo-won. I think he’s way more interesting than our heroine. Fortunately, Yona’s side of things is picking up with the introduction of the Green Dragon, Jae-ha. All the other Dragons are transfixed by Yona. It’s nice to see Hak getting some attention for a change!
(streaming at Crunchyroll and FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 25-32) – Our heroes have made it to Egypt, but there are still a bunch of baddies standing between them and Dio. The series continues to be crazy and dumb and funny, maybe funnier than it’s ever been, actually.
(streaming at Crunchyroll)


08. Death Parade (ep. 1-9) – Upon dying, people show up in pairs at Decim’s bar to play a game that will determine their fate in the afterlife. The stories are often rather unpleasant, and the fairness of the judging system is suspect. Where Death Parade succeeds is in how thought-provoking the scenarios can be. Long after the episode is over, you might still be thinking about the characters and wondering whether or not Decim and co. made the right decisions.
(streaming at FUNimation)

09. SHIROBAKO (ep. 12-20) – Even though I’m not that invested in the characters individually, this show has been really effective at portraying the process and challenges involved in delivering weekly episodes of an anime series. Not only that, but it manages to be entertaining and easy to follow too.
(streaming at Crunchyroll)

10. Ace of Diamond (Diamond no Ace) (ep. 64-71) – I was glad to learn there’s to be a second season for this. Because right now, things are going so badly for Sawamura that it’s actually been kind of painful to watch the show; and it’s not likely his problems will be completely resolved in just the few episodes we have left.
(streaming at Crunchyroll)


11. Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (ep. 1-8) – We’re all familiar with magical girl anime; how about a magical boy anime? Evil aliens are trying to take over the world and it’s up to 5 guys in a school club, along with their own alien mascot, to counter the menace – with love. Add to that a dash of Weekend at Bernie’s humour too.

Like JoJo’s, the material is pretty stupid, but the result is often funnier than it has any right to be.
(streaming at FUNimation and Crunchyroll)

12. Kamisama Kiss (Kamisama Hajimemashita) S2 (ep. 14-21) – I wasn’t that crazy about season one, but I didn’t not like it enough to avoid the sequel, so here I am. When all is said and done, I’m not that into the romance plotline. Otherwise, Kamisama Kiss is decent enough as a light distraction to enjoy after a hard day at work.
(streaming at FUNimation)


13. Kuroko’s Basketball S3 (ep. 51-59) – The special powers of the elite players are getting more and more ridiculous. I actually took issue with godlike Akashi, who caused opposing players to lose their footing and fall down in his presence. It wouldn’t be fun for any of them to play like that! And who would even want to watch such a game?

KuroBas can still be a fun show to watch, mind you, but you can’t take it seriously, at all.
(streaming at DAISUKI and Crunchyroll)

14. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 12-19) – I’m still having trouble buying that these kids are middle-schoolers and younger with the way they talk and act! Lots of suffering in this show.
(streaming at Crunchyroll)

15. Tokyo Ghoul √A (ep. 13-21) – Another sequel that I ultimately couldn’t not watch, although I did hesitate. As expected, this pretty much continues the ham-fisted storytelling of the first season. I will say that Root A has gradually been getting better recently, for whatever that’s worth.
(streaming at FUNimation)

Also planning to watch: DURARARA!! X2 Shou. But we’ve decided that it’s been too long and we really need to re-watch S1 first.

Mid-Summer 2014 Anime Ranking

The trend this season seems to be… restrooms! Just kidding. But there have been a surprising number of shows that have had scenes set in a washroom or had one featured prominently in the background, which is weird, and funny.


01. Free! Eternal Summer (ep. 1-8) – If you didn’t enjoy the first season, there’s probably no reason to watch this sequel. However, if you connected with the characters as I did, Eternal Summer does not disappoint. So far it has delivered in spades to its established audience in terms of humour, character development, and thrilling swimming races.

Sousuke and Momotarou are welcome additions to the Samezuka swim team. Even though in some ways I can’t stand the guy, there’s no denying that Momotarou has been a great source of laughs for the show. Also, I love seeing how Makoto and Rin are developing as captains of their respective teams despite both of them having been reluctant to take on the leadership role initially.

It seems to me this season has been a bit more suggestive of BL compared to its predecessor. It’s never overt, though. More like the creators are aware of the fujoshi segment of the audience and are having fun with the material, but it’s all in line with the overall plot.

Maybe we’re a bit crazy, but we typically watch every episode two or three times in order to appreciate all the little details that make the series so much fun.
(streaming at Crunchyroll and FUNimation)


02. TERROR IN RESONANCE (Zankyou no Terror) (ep. 1-6) – Deliberate and intellectual. It’s like watching a chess match unfold between the terrorists and the disillusioned police detective.
(streaming at FUNimation)


03. ALDNOAH.ZERO (ep. 1-8) – Stunning start to this series about Martian humans waging war on Earth humans. Since the 5th episode, it’s tapered off a bit, but I’m still enjoying it a great deal.

My heart wasn’t really ready for the brutal interrogation scene in ep. 8, though. Poor Slaine must be the most hard-luck hero of the season. Despite his best efforts, the guy just can’t catch a break!

ALDNOAH.ZERO boasts another powerful soundtrack by the venerable Hiroyuki Sawano.
(streaming at Crunchyroll)


04. Ace of Diamond (ep. 38-45) – Great ensemble cast for this baseball anime. It’s often not obvious that Sawamura is the main character. But it’s all good.
(streaming at Crunchyroll)


05. NOBUNAGA CONCERTO (ep. 1-6) – The latest rendition of the modern-day kid finds himself time-slipped into the middle of the Warring States period storyline. Saburo encounters Oda Nobunaga upon arrival and when they realize that they are dead ringers for each other, Nobunaga asks him to take his place. Considering the premise, the show takes things a lot more seriously than I expected. Obviously, there’s going to be some culture shock humour. But mostly Saburo does his best to fulfill Nobunaga’s role in unifying Japan, while trying to preserve history, which proves to be a bit challenging since he sucked at History class. And wow, that plot twist in episode 6!

Biggest challenge for the viewer is the CGI. It is definitely not at the level of Sidonia no Kishi. The character movements and facial expressions are stiff and video-gamey. On the plus side, some of the background art is absolutely gorgeous, though.
(streaming at Crunchyroll)

06. JoJo’s Bizarre Adventure: Stardust Crusaders (ep. 14-21) – Squalid toilets, a recurring source of torment for poor Polnareff as the Joestar group treks through Southeast Asia on their way to Egypt.

This show is a terrible offender when it comes to cruelty to animals – to the point where it’s pretty safe to fear for the life of any animal that has the misfortune to show up. They seem to draw the line at killing babies at least…

That aside, the characters continue to be amusing and the situations they end up in are frequently laugh-out-loud funny.
(streaming at Crunchyroll)


07. Tokyo Ghoul (ep. 1-7) – In the conflict between humans and ghouls, it’s sometimes hard to tell which side is more inhuman. The most fascinating characters so far have been mild-mannered but scary-looking mask-maker Uta and flamboyantly creepy gourmet Tsukiyama.

Love the great atmospheric ED theme: “Seijatachi” by People In The Box.
(streaming at FUNimation)

08. Baby Steps (ep. 14-20) – Ei-chan’s hard work is starting to pay off as he racks up some wins on the tennis court. He considers taking things to the next level. Solidly entertaining, as always.
(streaming at Crunchyroll)

09. Haikyuu!! (ep. 14-20) – Still enjoying the volleyball anime. At times the sport melodrama is laid on pretty thick…
(streaming at Crunchyroll)

10. LOVE STAGE!! (ep. 1-7) – Usually I can’t tolerate yaoi anime because I can’t stand the non-consensual sexual stuff. LOVE STAGE!! does have some non-con content, but it helps that the offender is aware of how his actions are inappropriate and shameful. I also like that Izumi is warming up to Ryouma because he appreciates how thoughtful the other boy can be, and not because he’s secretly turned on by the unwanted advances.

Most importantly, the show is actually very funny.
(streaming at Crunchyroll)


11. Sengoku BASARA Judge End (ep. 1-7) – I have seen the previous releases in this franchise and this installment provides more of the same goodness. It’s a nicely balanced mix of serious historical material and ridiculous stuff.
(streaming at FUNimation)

12. SPACE DANDY 2 (ep. 14-19) – The continuing charismatic adventures of Dandy and his crew. Much of the content this season has been so random, and yet somehow smart at the same time. I actually suspect many of the references go right over my head. But it’s funny anyway, for the most part. There have been some duds; the Ghibli-influenced fishing episode #18, for example; but maybe that’s just a problem with me and my lack of interest in fishing stories.
(streaming at FUNimation)

13. Shirogane no Ishi ARGEVOLLEN (ep. 1-8) – This show is best when it’s focused on the war story plot. And I am interested in the characters, what their motives are, and how they might be connected in the past. Otherwise, the pacing is a bit slow, but the major strike against ARGEVOLLEN is the sexual fanservice. Fortunately, it is only sporadic, but it’s really out of place when it occurs and serves only to cheapen the show. They should really stick to the military/mecha stuff.
(streaming at Crunchyroll)


14. Monthly Girls’ Nozaki-kun (GEKKAN SHOJO NOZAKI KUN) (ep. 1-7) – Somehow, I don’t feel I connect with the characters in this comedy series as much as I should. Episodes 1 and 6 were lots of fun; the rest I found just mildly amusing.
(streaming at Crunchyroll)

15. Captain Earth (ep. 14-21) – I’m grateful that the designer-child of the week episodes are over and that we don’t have to sit through that damn expansion sequence every time Daichi and/or Teppei deploy anymore. However, after 20-odd episodes of this, I still don’t feel I truly understand what each of the three main factions is trying to achieve. Planetary Gears’ attacks are increasing in frequency and the Midsummer’s Knights always manage to hold them off, but what is everyone’s endgame and what does it really mean if they fail? Lots of people will die, I suppose. I don’t know. The show just doesn’t make me feel the gravity of the possible outcomes.
(streaming at Crunchyroll)

16. Samurai Jam – Bakumatsu Rock (ep. 1-8) – Nonsensical, but fun to watch as something that won’t tax your brain cells. Strangely, the government-sanctioned Heaven’s Songs are almost indistinguishable stylistically from the rebels’ rock music. At least they all had the right reaction to that girl group’s autotuned atrocity in ep. 8!
(streaming at Crunchyroll)

17. AO HARU RIDE (Blue Spring Ride) (ep. 1-7) – Well, I don’t dislike male lead Ko as much as I hated Yamato from Say “I Love You”, but that’s not saying much. Ko isn’t all bad; he’s nice to people sometimes. When it suits him. The way he treats his brother is what ticks me off the most. I don’t think I can be satisfied with this show if he doesn’t eventually get his comeuppance or at least a good whack to the head. Yeah, he’s supposed to have his issues, but seriously, any guy who would show so little respect to such a thoughtful and patient brother cannot be a good catch romantically.
(streaming at Crunchyroll)

18. The irregular at magic high school (Mahouka Koukou no Rettousei) (ep. 14-20) – The boring-ass Nine Schools Competition is over at long last. Now Tatsuya is enlisted to help with the Thesis Competition. Fortunately, the topic is something he’s really interested in: the technical feasibility of a Gravity Control-type Magic thermonuclear fusion reactor. This show.
(streaming at Crunchyroll)


19. GLASSLIP (ep. 1-8) – Pretty much nothing happens in this. The visions of the future conceit is barely touched upon and poorly explained. The animation looks very sharp mostly; however, every episode includes random still scenes which are ostensibly for artistic effect but come off looking like cost-cutting. The characters often engage in inane dialogue. Why am I watching this?
(streaming at Crunchyroll)

Also watching, as part of our Grimdark Funimation Thursdays lineup (along with TERROR IN RESONANCE and Tokyo Ghoul): PSYCHO-PASS new edit, a re-broadcast of last year’s series, cut into double-length episodes with a bit of new footage incorporated. Honestly, I wasn’t that keen on re-experiencing PSYCHO-PASS, as I really did find some of the material to be disturbing and even traumatizing. If perhaps I don’t feel as shocked the second time around, that’s balanced out by the dread I now feel at knowing what’s going to happen.

The new scenes do add a bit to the story, I think. Or maybe I just have a better grasp of what’s going on now. Regardless, the series really is well-written and this new edit is good preparation for PSYCHO-PASS season 2 this fall, especially for those who missed the original broadcast.
(streaming at FUNimation)

I’ll just leave you with this:

ALDNOAH.ZERO’s main character, Inaho, planning some strategy in his “office”.