Mid-Winter 2018 Anime Ranking

Posted on March 18, 2018 by Joanna

I haven’t started with one of these in some years, but there are actually a few decent theme songs currently, so let’s kick things off with my choices for best OP/ED songs this season:

1. The Perfect World, by Marty Friedman feat. Jean-Ken Johnny & KenKen (B: The Beginning ED)
2. KISS OF DEATH, by Nakashima Mika (Produced by HYDE) (DARLING in the FRANXX OP)
3. Treasure, by Narek (cv: Ishikawa Kaito) & Vino (cv: Umehara Yuuichirou) (Dame x Prince ANIME CARAVAN ED3)
4. Heavenly Visitor, by TRIGGER (IDOLiSH7 ED)
5. Ref:rain, by Aimer (After the Rain ED)

It’s the season of Sanrio and ramen. Sanrio, the company behind Hello Kitty and My Melody, not only has their own anime airing right now, they also have product placement and tie-ins with the other 2 “cute” shows on my list, How to keep a mummy and SCHOOL BABYSITTERS! Meanwhile, ramen is featured in the titles and content of 2 (very different) shows.

To tell the truth, I’ve been procrastinating about making this ranking. The reason is that there are so many really good series this winter that it’s kind of a pain deciding which show is better than which! Anyway, I’ll do my best.

01. DARLING in the FRANXX (ep. 1-9) – Depending on how I feel about each episode week by week, any of the shows in my top 5 could easily be my favourite of the season. Ultimately I’m going with DARLING in the FRANXX because I’m most invested in the characters of this show. The ways they relate to one another are compelling and I’m curious to know more about their world, even if I’m not expecting to be blown away by originality.

The early episodes of this mecha anime presented the cockpit scenes as one elaborate, extended sex joke. I think it turned some people off. I, however, thought it was really funny! Well, I also liked Aquarion EVOL and STAR DRIVER, so apparently I’m not one to be easily offended by this type of material. (On the other hand, I do find a tad offensive the way we always see Futoshi eating something. You can always count on good ol’ anime to fat-shame the chubby kid whenever there’s an opportunity to do so.)

Since then, the focus has turned more toward developing each of the characters, and I’m enjoying that aspect too, since I really do care about these kids… Well, except for Mitsuru; I have a feeling even he might become sympathetic eventually, but for now I just feel really sorry for Ikuno, who has to partner with him.
(streaming at Crunchyroll)

02. SCHOOL BABYSITTERS (Gakuen Babysitters) (ep. 1-10) – I love my sisters more than anything in the world, so I’m a super easy target for heartwarming stories like this that emphasize the bonds between siblings. Additionally, there is a big age gap between myself and my youngest sibling, just like Ryuuichi and Kotarou, so this brings back memories of when my baby sister was, well, actually a baby.

Ryuuichi and Kotarou are on their own in this world after suffering the loss of their parents. Naturally, they are very attached to each other. They get taken in by the Chairwoman of a private school, and Ryuuichi uses his experience in raising his brother to help out at the school’s daycare.

The anime is not as sombre as I’m making it sound. Most of the time, it’s lighthearted and sweet and funny. I laugh a lot while watching; and then afterward, I’m left thinking about the characters’ personalities and how different the various sibling relationships are.

Personally, I would never leave my child at a daycare staffed by guys, especially not if the adult in charge were someone like Usaida – he is disturbingly irresponsible! I think I enjoyed it too much when Kamitani whacked him on the head that time. Then again, I always enjoy it when Kamitani whacks people. Is that bad? – I absolutely do not condone hitting people (especially children) in real life!
(streaming at Crunchyroll)

03. HAKATA TONKOTSU RAMENS (ep. 1-9) – This show depicts Hakata as a city teeming with killers-for-hire. It has a huge ensemble cast, and it’s really hard to keep track of who’s who and who is whose associate, but I can follow it enough to enjoy it a lot. All the double-crossing and personality quirks are a blast to watch, although I’m also glad we are finally getting some background on Lin.
(streaming at Crunchyroll)

04. The Disastrous Life of Saiki K. 2 (Saiki Kusuo no Psi Nan 2) (ep. 1-9) – More Saiki K. goodness. It’s great to have Saiki and his friends and family back; their personalities and the situations they get themselves into are always hilarious. If you liked the first season, you will also enjoy this.

The current OP, “Psilent Prisoner,” by Psychic Lover featuring lead vocals by Kaidou (cv: Shimazaki Nobunaga), is very chuunibyou and kind of amazing. I wonder if I should have included it in my song list up top?

05. How to keep a mummy (Miira no Kaikata) (ep. 1-9) – So freakin’ cute. That’s pretty much all you need to know. This show, about a boy and his mini mummy, and his friends and their fantastical pets, takes the cuteness of something like SCHOOL BABYSITTERS and dials it to eleven. There’s no deep meaning, no complicated plot to follow; just sit back, relax, and let the warmth wash over you.
(streaming at Crunchyroll)

06. B: The Beginning (ep. 1-6) – A mature investigative crime drama along the lines of PSYCHO-PASS and Terror in Resonance. Uploaded by NETFLIX in its entirety early in March, we haven’t had time to marathon it, but we did check out the first 6 episodes over 2 sittings and I’m intrigued by what we’ve seen.

In some ways, Lily, the female protagonist, kind of sticks out like a sore thumb. She has a more cartoony appearance than the other cast members and it’s obvious she’s there largely for comic relief. But I like her. B: The Beginning is dark, violent, and frequently disturbing. When Lily shows up though, it lightens the mood and makes things feel less horrifying.
(streaming on NETFLIX in its entirety)

07. Yowamushi Pedal: GLORY LINE (ep. 1-10) – We’re in the middle of the Inter-High and GLORY LINE (YowaPeda season 4) is once again as exciting and funny as the first 2 seasons. It’s nice to see the Sohoku boys back in the spotlight. Their team banter is always fun too, especially Naruko and Imaizumi. Now all we need is for Onoda to strut his stuff!
(streaming at Crunchyroll)

08. Dame x Prince ANIME CARAVAN (ep. 1-10) – This show is pretty dumb, but damn if it isn’t really funny too! It basically functions as a parody of reverse harem stories. The guys of DamePri are handsome to look at, I guess, but every one of them is a certifiable weirdo. Part of the joke is that our lead, Princess Ani, wouldn’t be caught dead dating any of them. Her reactions to the shenanigans are hilarious.

All along, there were hints that something shady was going on behind the scenes, but the anime has been fluffy and comedic for the vast majority of its run. Until now, that is; the tone suddenly shifted in ep. 10, and it seems like things will be a little more serious in the final stretch.

Funniest character: Prince Narek. He’s so ridiculously, obliviously full of himself that sometimes he only needs to show up and I already feel like giggling. Least-funny: Gurimaru. Mascot characters just don’t work for me.
(streaming at HIDIVE)

09. After the Rain (Koi wa ameagari no You ni) (ep. 1-10) – After the Rain is about a teenaged girl with a crush on her 40-something boss. As such, it tiptoes on some potentially problematic material. To its credit, the anime is sensitive and believable and not really weird at all, in no small part because Kondo, the boss, is a decent guy who doesn’t take Akira’s advances too seriously.

10. GARO -VANISHING LINE- (ep. 13-21) – Even though Sword and Sophie are the real main characters, it’s the episodes focused Luke that I’ve enjoyed the most. Also, ep. 16, a mostly stand-alone story about a chance acquaintance, proved to be a highlight. It was written well enough to make me care about this random guy. And it was refreshing to see that not everything has to be because of Horrors.

As previously stated, the action is great; and in particular, I am satisfied with the musical accompaniment during those scenes. A show like this is just crying to have some metal in its soundtrack; GARO gets it.
(streaming at Crunchyroll)

11. VIOLET EVERGARDEN (ep. 1-10) – The animation looks absolutely stunning in this much-hyped KyoAni production. VIOLET EVERGARDEN tells the story of a former-soldier doll who starts a new life after the war as a letter-writer, while coming to terms with her past.

Disappointingly, the quality of the visuals far out-classed the rather unsophisticated narrative in the early stages. But then the anime apparently started following the source material more closely around the fifth episode and it was a huge improvement. My enthusiasm for the show increased dramatically.

Basically, VIOLET EVERGARDEN has taken the opposite trajectory of SANRIO BOYS (see below) in my rankings.
(streaming on NETFLIX weekly)

12. Record of Grancrest War (Grancrest Senki) (ep. 1-10) – This reminds me a bit of Lord Marksman and Vanadis (2014). Both have a political/fantasy setting, extremely fast pacing, and strong female warriors. Grancrest Senki is the less fanservicey and more respectable of the two.

The pace really is fast. There’s a war going on and there can be five or ten different things happening at the same time, with very little explanation. It is possible to enjoy it just from following the gist of it, though.

The series can also be terribly violent at times, but I feel the violence tends to be presented in ways that are more artistic than gratuitous. I also like that even doomed extras sometimes get decently animated fights before getting killed off. However, it’s kind of a shame that frequently, named characters with interesting personalities or backgrounds also just get killed off soon after their introduction.
(streaming at Crunchyroll)

13. IDOLiSH7 (ep. 3-12) – The male idol anime of this season is fairly competent, though I don’t feel it particularly stands out among other shows of its genre. It’s realistic that IDOLiSH7 does not become successful immediately, and that in fact a couple of the members rise in popularity ahead of the others.

I kind of wish there was more focus on the rival group, TRIGGER. Two of the 3 guys have somewhat abrasive and rebellious personalities. They clearly have their own agendas, and I am genuinely interested in learning what their motives are. Plus, TRIGGER’s music is better; which isn’t actually difficult since the IDOLiSH7 songs are all terrible.
(streaming at Crunchyroll)

14. Ms Koizumi loves ramen noodles (Ramen Daisuki Koizumi-san) (ep. 1-10) – While this is a cute and pleasant show, it really has no plot. Gluttony is the name of the game for ramen-addicted Koizumi and her friends. We usually make sure to get some ramen in us before watching, or at least have food in hand, because man, all that ramen on display looks sinfully good. It’s definitely given us ideas on where we want to eat when we next go to Japan!

It can be argued that both this and last season’s Love Rice are pro-carb propaganda vehicles, and I’m not sure I can really support that message. While I do happen to be staunchly pro-carbs myself, it’s more of a personal preference and not because I have any delusions that this kind of diet is balanced or healthy. Having ramen every day, several times a day may sound heavenly, but it can’t possibly be good for you!
(streaming at Crunchyroll)

15. BORUTO: NARUTO NEXT GENERATIONS (ep. 40-47) – The Byakuya Gang arc was actually not bad, in that it was fairly enjoyable to watch. I didn’t see the grey in the criminals’ ideology, though. They were trying to gain public favour by robbing from the rich and giving to the poor, but I think Boruto summed it up pretty nicely right from the start, that “stealing is stealing!”
(streaming at Crunchyroll)

16. Osomatsu-san 2 (Mr. Osomatsu 2) (ep. 14-23) – A clear improvement over the first cour, even if it still isn’t quite measuring up to the creative genius of season one.
(streaming at Crunchyroll)

17. SANRIO BOYS (ep. 1-9) – SANRIO BOYS had a very promising start. The message of the first few episodes, that it’s okay to be yourself, even if you like Sanrio mascots and you’re a boy, was relevant and easily applicable to anyone who might feel they don’t fit in with the crowd for any reason.

Then, the show veered off into worshipping-Hello-Kitty-as-a-deity territory and they lost me. In ep. 7, the boys had a transcendent experience visiting the Sanrio Puroland theme park. I didn’t get it at all. I’m grateful I got to see it in this anime, though; now I know I don’t ever need to go there myself!

Now the new friends are putting all their resources into making a musical, even though it’s obvious none of them has any expertise in that sort of thing. It’s just not believable. All in all, SANRIO BOYS could have been so much better if it had continued to play out as a parable for the challenges of learning to accept yourself and to accept others who are different from you. What a missed opportunity.
(streaming at Crunchyroll)

Mid-Autumn 2017 Anime Ranking

Posted on December 13, 2017 by Joanna

01. RECOVERY OF AN MMO JUNKIE (Netojuu no Susume) (ep. 1-10 complete) – 30-year-old Moriko reacquaints herself with the world of online gaming after leaving her job. She soon becomes very attached to Fruits de Mer and her in-game friends. Little does she know that real life and fantasy are about to collide in unexpected ways.

This is such a cute and sweet show. The characters are sympathetic, likeable, and funny. Moriko’s reactions are especially great.

On a personal level, I’ve never been much of a gamer myself, but I have recently developed an attachment to an online game for the first time in my entire life (note: see previous post). Even though it’s not an MMO, the experience nevertheless gives me an extra level of intimate familiarity with some of the themes of this anime. Yes, I can attest it is absolutely believable that a grown professional woman could carry on like a middle-school girl because of a game.

Unlike Moriko though, I did not quit my day job and become an Elite NEET. Not yet anyway!
(streaming at Crunchyroll)

02. INUYASHIKI LAST HERO (ep. 1-9) – Ichirou, a middle-aged man who appears older than his years, and Hiro, a high school boy, are both killed when a flying saucer crash-lands into them. The hit-and-run aliens proceed to hastily reconstruct the victims’ bodies using machinery in an effort to cover up the accident. Thus, our 2 main characters unwittingly become cyborgs at the start of this action/sci-fi drama.

INUYASHIKI examines how Ichirou and Hiro each handle their newfound bodies and super-human abilities in vastly different ways. The consequences that result are fascinating, often tragic, and thought-provoking.

03. JUNI TAISEN: ZODIAC WAR (ep. 1-10) – Warriors representing the 12 animals of the Zodiac are recruited to take part in an epic battle royale. It’s a fight to the death where the last survivor is the victor.

JUNI TAISEN spends a lot of time setting up elaborate back stories for the various participants. The stories are good, but it’s weird that the characters are often killed off quickly and unceremoniously afterward without really getting to demonstrate their skills in a proper fight.
(streaming at Crunchyroll)

04. DREAM FESTIVAL! R (ep. 7-12 complete) – Depending on how you count them, there are as many as 6 male-idol series this season. (Note that I am not even counting the female-idol shows!) TSUKIPRO, THE iDOLM@STER SideM, DYNAMIC CHORD, and Love Rice 2 are fully part of the Autumn cour. IDOLISH7 doesn’t officially start until January, however 2 advance episodes have been broadcast already. That brings me to DREAM FESTIVAL! R, which began airing mid-August and thus already had 6 episodes under its belt before the current season began.

Of the many idol franchises, DREAM FES is probably one of the least hyped of the bunch. It happens to also be one of the best of its genre. Well, STARMYU is probably more crazy-fun overall, but that show is also way cheesier and more fantastical, whereas DREAM FES is a little more grounded in depicting the hard work and challenges faced by the performers.

I still dislike the CG stage work and transformations, which can’t be helped, but the narrative parts are really good! The characterizations are detailed, and the expressions and interactions show that the creators put a lot of effort into making each of the guys seem like real people with their own goals and perspectives. It helps too, that there are only 2 main units, consisting of 7 guys total, a manageable number.

KUROFUNE received a bit more of the spotlight this time around, which suited me just fine. I thought Keigo and Yuto’s development in the first half was believable. I totally didn’t expect that we’d be seeing Keigo’s schoolyard bullies again too, but I loved that even that relationship got revisited.
(streaming at Crunchyroll)

05. Food Wars! The Third Plate (Shokugeki no Souma: San no Sara) (ep. 1-10) – The first 5 episodes covered Totsuki’s Moon Festival, in which Souma was cast as the underdog (again) against one of the Elite Ten. Then things took a sudden dark turn as Erina’s creepy father returned from exile to engineer a hostile takeover of the school, putting everyone and everything at the whim of his unbending beliefs of culinary right and wrong. Souma and company quickly find themselves at odds with this new dictatorship; but of course our hero has never been one to back down when it comes to taking on the establishment.

Souma’s cool confidence is always fun to watch; and as usual, the dishes featured in the show look scrumptious.
(streaming at Crunchyroll)

06. THE IDOLM@STER SideM (ep. 0-9) – The idols of 315 Productions number 19 in this guy-version of the iDOLM@STER franchise. I absolutely do have trouble recognizing all the characters and placing them in their respective groups.

It’s an interesting gimmick that the agency specifically recruits talent from outside the entertainment field, however some cases are not as convincing as others. It’s hard to buy a doctor and lawyer putting aside their hard-earned and expensive educations to become idols (when they haven’t even been barred from practising their professions), for instance.

I do appreciate that the performances are beautifully animated and not all CGI, truly a rarity nowadays for an idol show. I also love the realistic depictions of various locales, some of which are familiar to me in real life, including Haneda airport and some of the livehouses where the units perform.
(streaming at Crunchyroll)

07. GARO -VANISHING LINE- (ep. 1-10) – The latest GARO anime takes place in the fictional location of Russell City, USA, a dark and gritty urban jungle. Once again, there’s a whole new set of characters to accompany the new setting.

So what’s good about this GARO? Well the animation and fight scenes are intense and packed with motion. Frankly, it’s a bit much for my poor little computer to handle sometimes! Also, the show features a lot of racial diversity among the characters without making a big deal of it. And from Gina to Sister to Luke’s mom Adelaide, I can’t think of many series with such an impressive collection of seriously cool and kick-ass ladies.

How does it compare to the 2 previous GARO anime series so far? I think it’s not quite as good as GARO THE ANIMATION; I still liked that one more, and more consistently. However, VANISHING LINE is way, way, way better than CRIMSON MOON.
(streaming at Crunchyroll)

08. Children of the Whales (Kujira no Kora wa Sajou ni Utau) (ep. 1-9) – The first episode was intriguing and beautiful, probably the best premiere of the season. However, it didn’t really set the tone for the rest of the series, which went on to take several sudden left turns in the following weeks.

Cerebrally, I liked seeing the differing approaches taken by Suou and Ouni when their people were attacked. I personally agree with Suou’s high-minded tactics more, but I can appreciate that sometimes it’s only the person who’s willing to get his hands dirty (and bloody) who can get favourable results when your opponent is not so high-minded.

The more fantastical content, related to the Nous at the heart of the ship, is weird and not explained that well, so I don’t enjoy that stuff as much as the character drama.
(to stream at NETFLIX eventually)

09. TSUKIPRO THE ANIMATION (ep. 1-10) – Another slice-of-life idol anime where it’s a weekly challenge to identify the characters and match them with the units they each belong to. Just to complicate things, people from TSUKIUTA. also make cameo appearances occasionally.

The highlight of the series was ep. 5, which might have been one of the best things I’ve seen this season. Basically, the 4 guys of SolidS went on a drive around the city in a borrowed car. TSUKIPRO is not exactly a plot-driven show anyway, so this was the perfect way to get us familiar with these idols as they experienced something mundane, yet funny and very relatable.
(streaming at Crunchyroll)

10. Welcome to the Ballroom (Ballroom e Youkoso) (ep. 13-23) – Recent episodes have been more focused on the characters than the dancing, which is a welcome change, in my opinion. And when there is dancing, it’s often actually animated, not just still frames.

The sexism and occasional body-shaming still crop up, but I’ve gotten past that in this show. By now, I can just ignore that stuff and try to make the most of the positives.

11. King’s Game The Animation (Ou-sama Game The Animation) (ep. 1-9) – For the second time in his young life, high school student Nobuaki is targeted to participate in the King’s Game, in which he and his classmates receive mysterious text messages ordering them to do perverted and cruel things or else suffer a gruesome death. Nobuaki was the sole survivor of the earlier game.

The anime takes the unusual, and probably unwise, tactic of trying to cover the events of both King’s Games at once. In general, it is ridiculous and stupid and trashy. That said, it tends to not be boring either.

The main reason I came to this show was for coldrain’s OP “FEED THE FIRE”, a truly awesome song which really deserves to be in a better anime than this!
(streaming at Crunchyroll)

12. Just Because! (ep. 1-9) – Eita reunites with his middle school friends when he returns to his hometown during his final year of high school. It is a difficult time for them, as they prepare to make the transition to the next stage of their lives, education-wise and career-wise, and in terms of romance.

The show utilizes a subtle style of storytelling. It’s so understated that it look me quite a while to figure out who is crushing on whom and what the coordinates of the love triangles are. Honestly, the languid pacing bored me for most of the first half. I’m following it a bit better now, though obviously, this isn’t really my kind of show.

13. Osomatsu-san 2 (Mr. Osomatsu 2) (ep. 1-10) – The first episode felt like a great comeback effort, but subsequent offerings haven’t really measured up to the levels of fun of the first season. In particular, I really don’t get most of the Cave-matsu skits. I enjoy them even less than the Girly-matsu stuff. If only we could get the pretty boys back instead.
(streaming at Crunchyroll)

14. Code:Realize ~Guardian of Rebirth~ (~Sousei no Himegimi~) (ep. 1-9) – Protagonist Cardia is a walking weapon whose skin is poison to anything it touches. She ends up being taken in by Lupin and his colleagues. They are also investigating her father’s work, likely the cause of her affliction.

Code:Realize is based on an otome game, so I think we’re supposed to like at least some of the guys. Unfortunately, their personalities and the main romance (with Lupin?) are sorely underdeveloped. The story is also pretty weak, Finis’ motives especially (he’s evil).

The show looks reasonably good though. The character art and the steampunk Victorian London setting are nice.
(streaming at Crunchyroll)

15. BORUTO: NARUTO NEXT GENERATIONS (ep. 27-34) – Boruto and his classmates’ excursion to the Hidden Mist Village turned out to be pretty tedious and boring. I was so glad to see the kids back at home finally, only to discover that it means we have to sit through a bunch more filler episodes before they actually get around to the graduation exams.
(streaming at Crunchyroll)

16. SENGOKU NIGHT BLOOD (ep. 1-8) – Didn’t I say, only last season, that “Warring States Era time-slip stories are a dime a dozen”? Well, here’s another one already. Just like in Ikemen Sengoku (game version), a modern day girl is magically transported back in time to an alternate reality 1500s Japan. Only in this case, the Sengoku warlords happen to be vampires and werewolves.

It’s hard to get into the story when they’re trying to incorporate so many characters in a short time, and basically not doing a very good job of it. Therefore, the events seem to unfold without proper build-up. It also bothers me that Yuzuki constantly looks out of place in her modern dress. Is it supposed to be a joke that she can’t get a change of clothes?

Stupidly, the best parts of the show are the closing credits. Almost every episode features a new song sung by a different warlord, with new visuals. My sister dropped the anime long ago, but she continues to check out the EDs. This might as well have been another idol show rather than the low-rent otome fantasy that it is.
(streaming at Crunchyroll)

17. DYNAMIC CHORD (ep. 1-6) – “Dynamic” does not describe this anime at all. Not much of anything happens in it. All that the guys seem to do is brood and look up to the sky, accompanied by random sound effects and maybe a moody piano or clarinet piece. Sometimes though, they brood to rock music, and then it’s slightly better. I’m not even kidding.

There’s something to be said for plot subtlety, but this is ridiculous. These guys really need to learn to say what they think instead of cryptically running away and hiding every time. How many missing band/musician story arcs can one show have?

Some of the performance animation, if you can even call it that, is so cringingly bad, I think they would have been better off using still images. It’s perplexing that they bothered to air this in a season so overflowing with higher-budget boy-idol shows. But then again, I’m sort of still watching it. At least the music isn’t bad.

Also watching:

Love Rice 2 (Love Kome –We Love Rice- 2nd Season) (ep. 1-10) – It’s the rice idols vs. the bread idols once again, but oh no, this time ramen is also a contender. Disappointingly, the cooking feature did not make a return in this sequel.
(streaming at Crunchyroll)

Notable drop:

The Ancient Magus’ Bride (Mahoutsukai no Yome) (ep. 1-5) – The most hyped and probably highest-rated show of the season… didn’t really do anything for me! After the initial 2 episodes, I didn’t particularly like Elias, the mage of the title. I kind of expected that we would get some good interactions between him and Chise that would endear them both to the audience, but that hasn’t been the case at all. Instead, the following story arcs were more on the arty, philosophical, and dry side. The pacing was slow enough to rival the underachieving DYNAMIC CHORD and there was basically no humour.

It seems to be a high budget production, so the imagery is pretty, but this type of fantasy anime just doesn’t appeal to my plebeian tastes. I have a feeling that fans of Mushishi or Natsume’s Book of Friends (both of which I also eventually dropped) would have a better appreciation for this sort of show.
(streaming at Crunchyroll)

Jacquie’s 2016 Year in Review – Anime

Posted on January 15, 2017 by Joanna

As I sat down to contemplate the series that I felt were the best of 2016, at first I thought I might be looking at a 3-way tie, maybe even 5-way. Only after checking my scoring on MyAnimeList did it become apparent that one series received a higher grade than everything else. The other shows settled in behind it then. The top shows were really close, though; and it doesn’t help that they were all so different in terms of setting, genre, tone, and subject matter.

In the end, the top 4 were basically my highest ranking picks from each season. I’m not actually going to rave about these series again right now; please follow the links if you wish to see the previous write-ups.

☆ Top 10 Anime:

#1. 91 Days (12 episodes)

Aired Summer 2016
(streaming: Crunchyroll)

#2. Yuri!!! on ICE (12 episodes)

Aired Autumn 2016
(streaming: Crunchyroll)

#3. Shouwa Genroku Rakugo Shinjuu (13 episodes)

Aired Winter 2016
(streaming: Crunchyroll)

#4. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) SECOND/FINAL SEASON (25 episodes)

Aired Winter 2016 and Spring 2016
(First season of 22 episodes aired Winter 2015 and Spring 2015)
(streaming: FUNimation)

#5. AJIN (26 episodes)

Aired Winter 2016 and Autumn 2016
(streaming: NETFLIX)

#6. The Disastrous Life of Saiki K. (Saiki Kusuo no Psi-nan) (24 full-length episodes)

Aired Summer 2016 and Autumn 2016
(streaming: FUNimation and DAISUKI)

#7. KABANERI OF THE IRON FORTRESS (Koutetsujou no Kabaneri) (12 episodes)

Aired Spring 2016

#8. Thunderbolt Fantasy (13 episodes)

Aired Summer 2016
(streaming: Crunchyroll)

#9. ERASED (Boku dake ga Inai Machi) (12 episodes)

Aired Winter 2016
(streaming: Crunchyroll and DAISUKI)

#10. Cute High Earth Defense Club LOVE! LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE! LOVE!) (12 episodes)

Aired Summer 2016
(streaming: Crunchyroll)

☆ Favourite Guilty Pleasure Anime:

Scar-red Rider XechS (12 episodes)

Aired Summer 2016

I watch most of my anime with my sister. Scar-red Rider XechS was bad or boring enough after 3 episodes that she dropped it. I persevered however; and before long, I found myself looking forward to each new episode with an enthusiasm that was out of proportion with my generally low opinion of the production’s quality.

One of the reasons was that I started to love the characters. Yosuke and Takt (more on him later) in particular were well-written and well-acted, but the rest of the cast were also entertaining and endearing in weird ways.

The other reason was my gradual belief that the absurd plot developments and dialogue were intended to be comedy, and weren’t just bad writing. Just as how The Lost Village didn’t make it clear to its audience if the plot was supposed to be funny or not, SRX sometimes presented a similar predicament. Well, I like my personal interpretation of these shows; after all, I seem to have found a lot more enjoyment from both of them than most viewers did!

Anyway, I will always remember the “western-style restaurant” conversation of ep. 5. It literally had me giggling for days, maybe weeks, afterward whenever it came to mind.
(streaming: FUNimation and DAISUKI)

☆ Sequels that significantly outperformed their predecessors:

Active Raid 2nd – With all the goofing around they did in the first cour, and much of the second too, who would have imagined that Active Raid was in actuality laying down the groundwork for a serious, even thought-provoking, storyline all along? But that was what we got! The payoff was a whole lot better than I expected, infinitely better, since I don’t think I ever considered that a show like this would arrive at such a coherent, meaningful outcome.
(streaming: Crunchyroll)

BUNGO STRAY DOGS 2 – Even those of us who were not won over by the meandering first cour of BUNGO STRAY DOGS had to sit up and take notice when this second season started. Suddenly we had a brand new protagonist and a mature, plot-heavy flashback tale. I, for one, was in no hurry to return to the present timeline. When we did, it was predictably a bit of a disappointment, but by then the show had secured my interest and my goodwill.
(streaming: Crunchyroll)

☆ Biggest Regrets:

Dimension W and KIZNAIVER. These shows had some potential, but managed to squander it completely and go in the opposite direction. I ended up hating them.

BATTERY the Animation similarly went completely off the rails and turned into a huge disappointment. However, it didn’t incite the contempt that those two shows did.

Other shows that were simply a waste of time: GARO: CRIMSON MOON, Bloodivores, Utawarerumono: The False Faces, OZMAFIA!!, and Sekkou Boys. It was my own damn fault for continuing to watch most of them, though.

☆ Favourite Characters:

#1. Kirisawa Takt (cv. Miyano Mamoru), Scar-red Rider XechS

Obviously, the leader of LAG’s 6th combat unit and frontman of Odd I’s is pretty and has a nice voice. And it’s easy to sympathize with him as the straight man in a show full of eccentrics.

Beyond that, I like him partially because I can relate to him on a personal level. That sort of thing doesn’t happen often for me, but as a fellow skinny, height-challenged, long-haired idealist with a discerning taste for rock music and a preference for black platform boots as everyday footwear, I guess this anime character and I have a few things in common! Naturally, I also share Takt’s opinion on the topic of shiitake mushrooms as an ingredient for food preparation.

#2. Oda Sakunosuke (cv. Suwabe Junichi), BUNGO STRAY DOGS 2

He was only in 4 episodes, but those 4 episodes, which told a dark, tragic prequel story, were so good! I loved Odasaku in the lead role; he was badass, principled, and extremely sympathetic.

As mentioned, that early segment of season 2 totally blew me away and changed my opinion of the whole series up till that point.

#3. Kimishita Atsushi (cv. Ono Daisuke), DAYS

Abrasively bossy characters with a habit of pointing out other people’s faults because they themselves are so smart and/or skilled are certainly not everyone’s cup of tea. I seem to have a soft spot for these types, though. MACROSS DELTA’s Messer had this kind of personality as well, albeit with less anger than Kimishita, and I liked him a lot too.

There are the rare occasions where Kimishita reveals that he is actually a nice guy. However, those moments of kindness could also be interpreted as a backhanded way of expressing his impatience at others’ incompetence, whereas normally he is just way more upfront about it.

It is entirely thanks to Kimishita and the other senpai, especially Ooshiba and Mizuki (ie., not the main characters), that I made it through all of DAYS and ultimately gave the show a somewhat decent score. I even intend to return for the sequel.

☆ Best (Funniest) Single Episode:

Osomatsu-san episode 16: “Matsuno Matsunan / The Ichimatsu Incident.” As if the “Mad Max” parody featuring F6 wasn’t gratuitously over-the-top enough, it was then followed up by an incest sketch!
(streaming: Crunchyroll)

☆ Best Finale:

TSUKIUTA. THE ANIMATION – I can’t actually recommend most of this idol anime. But if you’re inclined to watch, make sure you continue to the end, because the last part of that concert-themed final episode was the most stunning and feel-good finish of any series that I watched in 2016.
(streaming: FUNimation and DAISUKI)

As far as shows I do recommend go, I applaud ASSASSINATION CLASSROOM for its emotional yet heartwarming and hopeful ending.

I was also very satisfied with 91 Days’ ending, including the way it left some things open to interpretation.

☆ Best OP/ED Sequence (music & visuals):

BUNGO STRAY DOGS season 2 OP: “Reason Living” by SCREEN mode, version 2, which appeared in the middle of the third episode (or overall ep. 15). It occurred once only, but we may have watched it more times than we do most regularly occurring OPs. Unfortunately, I couldn’t find a link to share here; if you’re interested, you can find it at 11:52 to 13:22 of ep. 15.

Honourable mentions: Yuri!!! on ICE ED “You Only Live Once” by Hatano Wataru, and 91 Days OP “Signal” by TK from Ling Tosite Sigure.

☆ Anime Songs Top 20 Countdown:

As with last year, this is a list of the best anime songs of 2016 according to me. The songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs, not the TV-size versions, that are being considered.

20. old revelation, by Mutsuki Hijiri (cv.KENN) (Scar-red Rider XechS ED)

19. RUSH, by GALAXY STANDARD (cv: Miyano Mamoru, Toyonaga Toshiyuki, Hirakawa Daisuke, Eguchi Takuya, Suzuki Tatsuhisa, Ono Yuuki) (PRINCE OF STRIDE: ALTERNATIVE insert song)

18. Shounen no Hate, by GRANRODEO (Mobile Suit GUNDAM: IRON-BLOODED ORPHANS 2 ED)

17. The Experience, by OLDCODEX (Kuroko’s Basketball Winter Cup Soushuu-hen: Namida no Saki e Main Theme)

16. Kaze wa Yokoku Naku Fuku, by WALKURE (MACROSS Δ ED8)

15. Reason Living, by SCREEN mode (BUNGO STRAY DOGS 2 OP)

14. Be My Steady, by GALAXY STANDARD (PRINCE OF STRIDE: ALTERNATIVE ED)

13. Kokoro no Arika, by Heshikiri Hasebe(cv:Shingaki Tarusuke), Souza Samonji(cv:Tai Yuuki) & Yagen Toushirou(cv:Yamashita Seiichirou) (Touken Ranbu -Hanamaru- ED2)

12. ninelie, by Aimer with chelly(EGOIST) (KABANERI OF THE IRON FORTRESS ED)

11. You’re My Courage, by GALAXY STANDARD (PRINCE OF STRIDE: ALTERNATIVE insert song)

10. Through My Blood ＜AM＞, by Aimer (KABANERI OF THE IRON FORTRESS insert song)

09. Scribble, and Beyond, by OLDCODEX (Kuroko’s Basketball Winter Cup Highlights -Shadow and Light- Main Theme)

08. Yoru Ha Nemurerukai?, by flumpool (AJIN OP1)

07. Ao to Aka no Forzato, by Komae Christoph Yosuke (cv.Suzuki Tatsuhisa), Kirisawa Takt (cv.Miyano Mamoru) (Scar-red Rider XechS OP)

06. HOW CLOSE YOU ARE, by Miyano Mamoru (AJIN ED1)

05. The Birth, by Miyano Mamoru (AJIN: Shougeki Main Theme)

04. Signal, by TK from Ling Tosite Sigure (91 Days OP)

03. Hikari aru Basho e, by May’n (Izetta, The Last Witch ED)

02. Warcry, by Sawano Hiroyuki feat. mpi (KABANERI OF THE IRON FORTRESS insert song)

01. Deal with, by OLDCODEX (SERVAMP OP)

☆ In closing, some Notable Quotes:

“If you look even half-decent, you’re considered hot.” – Choromatsu, considering the voice acting profession, in Osomatsu-san ep. 20.

“Your stupidity can’t be cured even by your death. So you might as well live.” – Julieta to suicidal Iok, in Mobile Suit GUNDAM: IRON-BLOODED ORPHANS ep. 37.

“Well don’t lose heart. Girls are as plentiful as stars in the night sky… and just as unreachable for you.” – Saiki to freshly rejected Toritsuka, in The Disastrous Life of Saiki K. spec. ep. 50, or full ep. 10.

“There’s only one carbonara!” – Yosuke to dumbfounded Takt, in Scar-red Rider XechS ep. 5.

Mid-Winter 2016 Anime Ranking

Posted on March 16, 2016 by Joanna

01. Shouwa Genroku Rakugo Shinjuu (ep. 1-10) – Definitely not your typical anime production, Shouwa Genroku plays out more like a live-action period drama. The rakugo at the heart of the story is a traditional style one-man stage play, where the pieces are classics and what sets the performers apart is their delivery.

After the stunning double-length first episode, Shouwa Genroku flashes back to Yakumo (Kikuhiko) and Sukeroku’s youth. It’s a slow burning character study; and we know there’s going to be tragedy on the horizon, although how things will end up that way is a mystery.

The setting is immersive and the characters seem like real people, each full of charm and flaws. Kudos to the voice actors in this show, who must convincingly portray their characters performing Rakugo; and especially Ishida Akira in the lead role, who plays his character as an awkward young man, all through his evolution to becoming an elderly Rakugo master.
(streaming at Crunchyroll)

02. ERASED (Boku dake ga Inai Machi) (ep. 1-10) – A well-written time-travel murder mystery. Like Shouwa Genroku Rakugo Shinjuu, the show’s premiere revealed a fatalistic present, only to go decades back in time from the second episode on. It’s been a tense and thrilling ride so far.

It doesn’t seem like Satoru’s efforts to prevent each victim’s murder will accomplish much, as long as the killer’s identity remains unknown. But wait, we might be further along than I thought.
(streaming at Crunchyroll, DAISUKI, and FUNimation)

03. AJIN (ep. 1-8) – The way Kei’s personality is sometimes very cold and clinical, but other times emotional and impassioned is very interesting. I’m eager to learn more about ajin and what it is that turns people into them. So far the show has been great with its pacing and with how it reveals tantalizing morsels of information a little at a time.

It’s hard to believe that almost all the humans are heartless money-grubbers, though. I can see there’s a message here that the normals are maybe less human than the ajin. Well, the problem is, how can you not see it? It’s pretty heavy-handed.

The CGI may be a barrier for some viewers. At times the movements can look really good, however, just as often, they look stiff and unnatural. The quality is similar SIDONIA, and not as polished as in BBK/BRNK, for instance. Also, as I was searching for a screenshot, I became acutely aware that the colouring is all grey; so yeah, definitely not a great-looking show. Good thing the story is strong enough that it makes up for the visual flaws.

This season has been above average for decent theme songs. For two of the best, in my opinion, you need look no further than AJIN’s OP and ED. I did a double-take when I saw flumpool’s name in the opening credits; I never knew they could sound this good! And Miyano Mamoru’s “HOW CLOSE YOU ARE,” a heartbreaking acoustic ballad full of longing and regret, is also quite the departure from his usual upbeat dance music.
(to stream on NETFLIX in future)

04. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 23-32, or SECOND SEASON ep. 1-10) – AssClass has been so much fun to watch! The season premiere episode was great, and it’s continued strong each week, even while varying between lighter and darker story arcs. It’s nice to see the students and staff getting some character development too, especially Nagisa and Irina.
(streaming at FUNimation)

05. Snow White with the Red Hair (Akagami no Shirayuki-hime) (ep. 13-21) – I wasn’t sure what to expect from this second half of the series, as things on the romantic front seemed pretty resolved by the end of the first cour.

I’ve enjoyed seeing Prince Raj’s personal growth and how he’s been inspired to better himself. He’s become an unexpectedly sympathetic character. And Obi, as Shirayuki’s bodyguard, has had many opportunities to shine lately. I like him a lot.
(streaming at FUNimation)

06. GRIMGAR OF FANTASY AND ASH (Hai to Gensou no Grimgar) (ep. 1-9) – GRIMGAR’s team of volunteer soldiers are tasked with killing goblins in order to earn a living. But more than battling the goblins, which seem to be intelligent and social creatures, they are hunting them. It is intentionally disturbing, and I like that.

The kids spend a lot of time sitting around, talking, maybe too much time, but I find that it’s preferable to the opposite situation. By comparison, currently airing series “BBK/BRNK” also features a ragtag group of juveniles forming team in a fantasy setting. BBK/BRNK has no shortage of action scenes, but after 3 episodes (which is all I watched before dropping), I couldn’t get a grasp on why the characters were working together, and I didn’t care about any of them.

Although GRIMGAR takes its time developing its characters, it had my attention even after just one episode. But it really does move at an excruciatingly slow pace.

Did I mention how pretty it is? Regardless of content, this anime might just be worth watching for the breathtaking watercolour artwork alone. It is that gorgeous.
(streaming at FUNimation)

07. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 14-22) – After some unexpected conflict at the Dort Colonies, Tekkadan make it to Earth with Kudelia. Things won’t be easy from here on out. Kudelia’s work is just beginning and there’s no telling if the Tekkadan members will even be able to go home.

Whenever IBO’s writers raise a death flag on a character, they pretty much will follow through on it without fail. Not necessarily saying that is a good or bad thing, but I certainly didn’t expect that the title of the first OP, “Raise Your Flag,” could have had that kind of meaning!
(streaming at DAISUKI, Crunchyroll, and FUNimation)

08. Mr. Osomatsu (Osomatsu-san) (ep. 13-22) – A runaway hit in Japan, Osomatsu-san continues to provide irreverent and random comedic goodness. I like it best when the Matsuno brothers look like themselves or appear as their bishounen versions. I have to admit I don’t really get the Girlymatsu stuff.

My favourite episode so far is definitely ep. 16, featuring that outrageously inspired Mad Max parody.
(streaming at Crunchyroll)

09. PRINCE OF STRIDE: ALTERNATIVE (ep. 1-10) – The whole sport of Stride, which requires the closing of city streets and the cooperation of many people for a few minutes of parkour/foot racing, strikes me as impossible, or at least highly impractical. But to dwell on that would be missing the point. PRINCE OF STRIDE is not asking to be taken seriously. This is a show that has been known to check off anime tropes onscreen! And yes, one of the teams happens to be an idol group and another team spends time modelling fashion in photo shoots. I had to reset my expectation bar to a slightly lower setting after the second episode, but I’ve been enjoying it just fine since.
(streaming at FUNimation and DAISUKI)

10. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 39-48) – Even though I don’t especially think I look forward to Ace of Diamond every week, once I start watching, it’s always riveting. I take for granted that this show will always be there for me with a weekly dose of Seido baseball. The thought that it will be ending soon, for real this time, does leave me anticipating a bit of withdrawal.
(streaming at Crunchyroll)

11. Haikyuu!! Second Season (ep. 14-23) – After the stretch of intense training, the Karasuno boys are facing some of their toughest matchups to date. It’s good to see them making use of their improved skills; and I like how the players’ personalities are having an impact on gameplay.
(streaming at Crunchyroll)

12. KONOSUBA –God’s Blessing on this wonderful world! (Kono Subarashii Sekai ni Shukufuku wo!) (ep. 1-9) – Amazingly, there were 3 series this season in which a boy dies after being hit by a motor vehicle and subsequently receives a new life of some sort in the first episode. That would be ERASED, AJIN, and this show, KONOSUBA.

I had been kind of off of the trapped in game/fantasy world genre for a good while, but this season I’ve ended up following 2 such shows. GRIMGAR is the dark, serious take on the theme, where the adventurers need to think about cooking, cleaning, and making a living; and a mistake can mean death.

By contrast, KONOSUBA plays the scenario for laughs, in much the same way as IXION SAGA DT did. I’m happy to report that it isn’t even close to as offensive as I’d feared, although it maybe isn’t quite as funny as I’d hoped, either. Overall, it’s still been pretty enjoyable, low-intensity entertainment.
(streaming at Crunchyroll)

13. DURARARA!! X2 Ketsu (The Third Arc) (ep. 25-34) – All the pieces are in play and getting ready for the grand finale. However, the preparation is taking a while. There really are too many characters! After all this time, it’s pretty hard keeping track of how everyone is related to each other and what their individual objectives are.
(streaming at Crunchyroll, DAISUKI, and FUNimation)

14. GATE: Jieitai Kanochi nite, Kaku Tatakaeri (ep. 13-21) – Fortunately, the main focus has been on power struggles and politics and dragon hunting in the Special Region. The show has yet to descend to full-on fantasy harem, and for that, I’m grateful.
(streaming at Crunchyroll)

15. Active Raid (ep. 1-10) – This series about an armoured police force tries to be both funny and serious, but unfortunately, it isn’t terribly successful at either comedy or drama. The attention that’s given to police protocol is impressive; and even though the characters are pretty one dimensional, they are sometimes amusing to watch. Overall, though, the show’s not that good.
(streaming at Crunchyroll)

16. Utawarerumono: The False Faces (Itsuwari no Kamen) (ep. 13-23) – This show’s been all over the board. There’s been a big war that kind of fizzled out, some big reveals, a plot-twisting death, some power-struggle scheming, and some nothing episodes. At least the girls all seem to have something useful to do lately, and they’re not just sitting around looking at and drawing yaoi; and all that time that Haku spent cleaning gutters might finally be paying off.
(streaming at Crunchyroll)

17. RAINBOW DAYS (Nijiiro Days) (ep. 1-9) – Pretty forgettable show about the daily lives and romantic exploits of 4 high school friends. It’s a half-length program only. The other half, “club RAINBOW,” is live-action, and it features the 4 male seiyuu who play the leads doing random activities. Club RAINBOW is totally trivial, but it actually leaves a much greater impression than the actual anime itself.
(streaming at FUNimation)

18. Dimension W (ep. 1-9) – Normally, this type of dark and gritty science fiction would be right up my alley, but Dimension W really lost me with the ghost story in eps. 4 and 5 and never regained my interest again. There are too many unimportant characters, and not nearly enough development for the leads to make us care about them.

It kind of feels like we’re in the middle of the second season of DRRR!!, with how convoluted it is and how difficult it is to keep track of the characters. Except we’re only at 9 episodes of a single cour of Dimension W, as opposed to 50+ episodes of DRRR!! over 7 years!

Also, what kind of idiot (main character) brings a sports car to navigate across a torn-up terrain?
(streaming at FUNimation)

19. GARO: CRIMSON MOON (Guren no Tsuki) (ep. 12-19) – Every once in a while an episode will impress us by being not bad, such as the one involving the other brothers (ep.16), but at this point, I’m mainly watching because now that I’ve come this far, I may as well continue for completion’s sake. I have long since discarded any hope I had for this series.
(streaming at FUNimation)

20. Sekkou Boys (ep. 1-10) – About a group of idols who are literally plaster busts, and the long-suffering manager girl who has to look after them. The Sekkou Boys talk, but they do not move, not even their lips. I’m sure there’s some social commentary in there somewhere, but the only reason I can make myself watch this is that each episode is less than 8 minutes long, and it’s usually over before it becomes excessively tiresome.
(streaming at Crunchyroll)

Jacquie’s 2015 Year in Review – Anime

Posted on January 17, 2016 by Joanna

There were about 50 or so series that I watched in entirety which finished airing in 2015. Those are the titles being considered in this Best of 2015 section.

Looking back on the anime series that I really enjoyed during the past year, I realized that while they all had various strengths, most of them were considerably flawed in one way or another.

If I were to think about the shows I most looked forward to watching each week, there would be GARO THE ANIMATION or GANGSTA.. However, both of those had issues in the later parts and I wasn’t that happy with the way either of them ended. And good endings are important to me.

On the other hand, if we’re talking about great endings, Cute High Earth Defense Club LOVE! might have actually had the best one all year. But that’s a show that didn’t even crack my top 10 as it aired during the winter season.

Meanwhile, there were anime series that were thoroughly unique and well-written, such as SHIROBAKO and SCHOOL LIVE!. Unfortunately, the characters in those shows didn’t click with me personally, for whatever reason.

There was ultimately only one truly enjoyable series that did not have any problematic issues for me.

I think it was our last pick-up of the summer season and it might not be what you expect. Certainly I, myself, did not have very high expectations when I decided to start watching this fanservice-laden jailbreak comedy.

Anime of the Year:

PRISON SCHOOL (12 episodes) – Five male students in an otherwise all-female high school are imprisoned on school grounds by the Underground Student Council for the crime of attempted peeping. They are forced to perform hard labour, endure indignities, and complete their studies in jail. They could just get themselves expelled and walk away, but somehow these guys view expulsion (and having to explain to their parents the reason) as a far worse outcome than their current situation.

PRISON SCHOOL is riotously funny, thrilling, and well-paced throughout. And it presents a satisfying conclusion even as it sets up a possible storyline for a sequel.

The main drawback is that I can’t exactly recommend it to polite company. PRISON SCHOOL is a gross-out comedy, after all, so there is implied nudity, sexual deviancy, uncontrolled bodily functions, forcible confinement; the list goes on. But in the show’s defence, almost all of it is plot-relevant! I’d also say the more gratuitous fanservice stuff is just totally over-the-top rather than titillating in nature.

In spite of all the absurd and uncomfortable situations that they find themselves in, the characters are generally viewed sympathetically. As I’ve said before, PRISON SCHOOL is not particularly mean-spirited, and that goes a long way in making the crude content tolerable and in helping the humour to really succeed.
(streaming: FUNimation)

And that’s it! No seriously, it’s too hard to do a proper anime ranking this year, so I give up. Instead, I’ll just highlight some of the shows that stood out for me and say a little bit about them. Maybe next year I’ll go back to the Top 10 format.

My Favourites, with Flaws:

GARO THE ANIMATION (GARO: Honoo no Kokuin) (24 episodes) – This anime started its first episode with the burning-at-the-stake execution of the main character’s pregnant mother. Yup, that immediately set the stage for what kind of dark, mature-content production this was going to be.

Throughout most of its run, GARO excelled in its depiction of its complex, flawed characters. It was evident from the animation, story, and dialogue that the people who worked on this action-drama anime really loved and respected these characters. And because they gave a damn, that made me give a damn too. I particularly enjoyed the father-son dynamic between German and Leon and the refreshingly cooperative relationship between the two young Makai Knights.

Unfortunately, the final story arc proved to be rather nonsensical and disappointing. That ultimately had a negative effect on my overall enthusiasm for the show.
(streaming: FUNimation)

GANGSTA. (12 episodes) – Amazing series, except there’s one major problem.
When I think of previous anime that made no attempt to wrap up any plot threads, the first to come to mind is “Deadman Wonderland.” With that show though, I didn’t particularly like or care about the characters at all.

At least with GANGSTA., I was primarily invested in the characters. I was interested in how their relationships were informed by their past and present situations. Even relatively minor roles were fleshed out and sympathetic. Because of this, I think I really got something out of each episode, even the final one, in spite of the obvious fact that it failed spectacularly in delivering any kind of conclusion whatsoever.

I suppose if there really was no good way to end it, this kind of “advertisement for the manga” ending was still preferable to an anime-original one that didn’t make sense or that would be problematic in the off-chance that a sequel should ever happen. However, as it stands, I could never recommend this show without also warning the potential viewer about the unsatisfying non-ending.
(streaming: FUNimation, DAISUKI)

Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (24 episodes) – Another show with an interesting storyline and characters who were full of personality. The facial movements and expressions were frequently exceptionally well-animated. The quality of the action sequences was inconsistent, but the show was enjoyable overall.

No concrete ending here, and likely won’t be for a long time, as the anime is apparently caught up with the source manga already.
(streaming: FUNimation)

Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (24 episodes) – The smaller-scale story of Shinichi and Migi learning to live with each other and developing an understanding for the other’s perspective was thought-provoking and often humorous. For me, the show lost some of its momentum as the view expanded to the rest of the outside world.
(streaming: Crunchyroll)

THE HEROIC LEGEND OF ARSLAN (Arslan Senki) (25 episodes) – The epic tale of Prince Arslan after the fall of his nation offered balanced viewpoints from all sides of the conflict. I really appreciated that aspect of the show. The second half was more about Arslan’s group working to assemble their allies in order to retake Pars and that was not quite as riveting for me. No real conclusion here either, as they don’t make it all the way back to Pars by series end.
(streaming: FUNimation)

Great Fun:

ONE PUNCH MAN (12 episodes) – The action scenes were often creative and really well done, however, what I loved best about the show were the characters and their interactions, especially the dynamic between Saitama and Genos. Sonic was great too; and I think Mumen Rider had me at hello!
(streaming: DAISUKI)

ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (22 episodes) – This story of a class of misfits who must kill their tentacled teacher, Koro-sensei, before he destroys the planet turned out to be not only humorous, but also surprisingly heartwarming.
(streaming: FUNimation)

STARMYU High School Star Musical (12 episodes) – Let me just state that we were not impressed by the first episode of STARMYU. The many characters each got only brief appearances and we didn’t get a sense of who they were at all. But the real kicker was the abominable introductory song by the elite Kao Council, in which they basically told the student body, “We’re better than you.”

My sister, who is now a devoted fan, was so turned off, we almost didn’t continue with the show! For some reason, I insisted that we had to keep watching; maybe it was morbid curiosity.

We ended up loving STARMYU! It’s not about much, but the characters turned out to be really likeable and had good chemistry with each other. And I was actually moved by the flashback storyline which explained the difficult relationship between two of the Kao Council members.

It was weird when the guys broke out in song, and the pop tunes were generally not to my taste, but the music was competently produced and the songs sounded polished. One of them even found its way onto my best of 2015 list (see below).
(streaming: FUNimation, DAISUKI)

Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (12 episodes) – There was a significant mid-cour slump, such that I lost a lot of enthusiasm for the show for a while. But then the final episodes came along, and they were so inspired and insanely funny! That incredibly strong finale made me really glad that I watched this crazy stupid magical-boy anime!
(streaming: Crunchyroll)

Ace of Diamond (Diamond no Ace) (75 episodes) – This baseball anime was consistently enjoyable and deserves a mention here as a technicality. The stopping point was kind of arbitrary and SECOND SEASON started immediately after the first one ended, so it really doesn’t feel like it’s over at all.
(streaming: Crunchyroll)

Sequels Made with Love:

Yowamushi Pedal GRANDE ROAD (24 episodes) – The previous season ended right in the middle of the Inter- high. GRANDE ROAD brought the race to a proper conclusion with all of the show’s usual charm intact.
(streaming: Crunchyroll)

NORAGAMI ARAGOTO (13 episodes) – This sequel took the concepts from the first series and really ran with them. ARAGOTO played out in two main arcs, the first featuring Bishamon and the second focused on Ebisu, and in turn, Yato. Both arcs ended up being thought-provoking and touching, with self-sacrifice vs self-preservation being a major theme.
(streaming: FUNimation)

K: RETURN OF KINGS (13 episodes) – After the first season, I wasn’t that sold on K’s setting or colour-coded Kings mythology. So much so, that I was actually reluctant to watch the subsequent movie and this sequel.

It seemed like too much style over substance. The K franchise is nothing if not stylish. The visuals were colourful and vibrant, and the constantly moving camera made for some stunningly dynamic action sequences (and also some uncomfortable fanservice).

Impressively, this had an ending that actually made some sense. It seemed obvious to me that the creators really cared about the story they were telling and the roles of the players involved. The characters were consistently true to their motivations and personalities, and the outcome made sense based on the setting and events prior. Maybe it also helped that I was not particularly fond of the Silver Clan, who were the primary focus originally, and therefore totally didn’t mind that they had much less screen time this season.

The Worst Ones:

I suppose it’s a good thing that I had to actually think about this. These are the shows that had some potential, but managed to disappoint despite already meagre expectations.

Tokyo Ghoul √A (12 episodes) – This continuation of the conflict between humans and ghouls inexplicably introduced a ton of new characters and featured even more clumsy storytelling than its predecessor. In the end, lots of people died, yet nothing of consequence happened.

Uta no Prince-sama Magi LOVE Revolutions (13 episodes) – My introduction to UtaPri was in 2011, when the first season was streaming on Niconico. I had heard that it was hilarious to watch with the scrolling user comments on. Indeed, that was good advice. The second season came along 2 years later, and it was actually respectable. I counted myself a fan.

Magi LOVE Revolutions… would have been better with scrolling user comments. Most of the dialogue and story arcs were pretty lame. Not only that, this third season did something even the previous ones didn’t: it actually ended on a cliffhanger.

Subete ga F ni Naru: The Perfect Insider (11 episodes) – A murder mystery which cannot be comprehended by a normal human being.

Your lie in April (Shigatsu wa Kimi no Uso) (22 episodes) – Cloyingly manipulative tearjerker about middle school-aged musicians in love probably did right by its target audience. However, I was not that target audience, not by a long shot. We weren’t supposed to hate the girl at the end, were we?

________________________________________________________________

Here’s some more random retrospective stuff. This section includes anything that came out in 2015, not just the completed shows.

Memorable Quotes:

– We recently saw the GARO: CRIMSON MOON special episode. In one of the segments, the voice cast showcased their favourite lines from the show so far. That reminded me ~~that there were not many notable lines in CRIMSON MOON~~ of one quote that I did enjoy.

In many love stories, one partner has to make a great sacrifice for love and it’s beautiful and inspiring. It played out a little differently in ep.5. When Yasusuke told his ex-thief love interest Kosode that he intended to relinquish his name and status in order to be with her, she had this to say: “You want to step down from the good life you were born to? Who wants to be with a fool that doesn’t know the meaning of his actions!”

Well, the rest of the episode went to crap, but that one line was memorable for me.

– The quote that I think made me laugh the most last year came from ASSASSINATION CLASSROOM ep. 8. In response to his colleague apologizing for asking a prying question about his past, Koro-sensei said, “You’re a wise man, Karasuma-sensei. Even while traveling, it’s crude to ask after the number of one’s appendages.”

Favourite Seiyuu of 2015:

That’s right: Suwabe Junichi. The above is a sampling of the roles performed by Suwabe-san last year. So many memorable characters. In at least two instances, his characters appeared mid-season and proceeded to steal the show; I’m thinking of Jae-ha, the Green Dragon in YONA OF THE DAWN, and Terence T. D’Arby in JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc. He was also perfectly cast as Worick Arcangelo in GANGSTA. and as Ootori Itsuki, the charismatic mentor and muse in STARMYU.

Anime Songs Countdown:

And finally, in advance of the music retrospective post, which will go up next, I now present a list of the best anime songs of 2015 according to me. The songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs that are being considered – that’s especially relevant to my top 2 picks, both of which have so much more to offer than what can be heard in their TV-size versions. Here we go.

15. Lantana, by OLDCODEX (Kuroko’s Basketball S3 ED3)

14. One Light, by Kalafina (THE HEROIC LEGEND OF ARSLAN ED2)

13. Black Swallowtail, by UROBOROS (Rokka –Braves of the Six Flowers- OP2)

12. Feed A, by OLDCODEX (GOD EATER OP)

11. Aching Horns, OLDCODEX (High Speed! -Free! Starting Days- Main Theme)

10. Renegade, by STEREO DIVE FOUNDATION (GANGSTA. OP)

09. FOCUS, by Showtaro Morikubo (GARO THE ANIMATION ED2)

08. Yoru no Kuni, by Annabel (GANGSTA. ED)

07. Brave Shine, by Aimer (Fate/stay night [Unlimited Blade Works] S2 OP)

06. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)

05. Limited sky, by Tsukigami Kaito (CV: Lounsbery, Arthur) (STARMYU insert song)

04. X.U., by SawanoHiroyuki[nZk]:Gemie (Seraph of the End OP1)

03. scaPEGoat, by SawanoHiroyuki[nZk]:Yosh (Seraph of the End ED1)

02. Last Theater, by NoisyCell (Death Parade ED)

01. physical, by OLDCODEX (Q Transformers: Kaettekita Convoy no Nazo OP1)

That was really long! Thank you for reading.

Mid-Autumn 2015 Anime Ranking

Posted on December 14, 2015 by Joanna

01. ONE PUNCH MAN (ep. 1-10) – Well, I don’t know where to start. This super hero anime is simply really good. The humour is great, the action is great. I love Saitama and Genos and their interactions with each other. There are lots of great characters with distinct and amusing personalities.

If you want, it’s possible to read into the material some social commentary about work culture, the way institutions evaluate individuals, and what it means to be a hero. But you don’t have to think about any of that stuff. Above all else, OPM is just super fun to watch.
(streaming at DAISUKI)

02. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (ep. 1-10) – As expected from GUNDAM, the newest series features a complex narrative which develops on multiple levels. The pacing is good and there is some nice mecha action, of course. Beyond that, what I really appreciate is how well the characters are written. Even minor supporting players have clearly defined personalities and the antagonists are not simple villain types, either.

Recently, we’ve started to see some of Orga’s insecurities and vulnerabilities, whereas previously, he seemed so smart and confident in his role as leader of Tekkadan. It really brings home just how young he and his gang all are.
(streaming at DAISUKI, Crunchyroll, and FUNimation!)

03. Seraph of the End: VAMPIRE REIGN (Owari no Seraph) (ep. 13-21, or BATTLE IN NAGOYA ep. 1-9) – This second season started off a bit slow, but the momentum is definitely building up now. Things are getting complicated; it’s still a mystery how Guren, Kureto, Ferid, and Krul figure into the plot and what their motives are.

Previously, I criticized the poor action animation of the first season. Let me just say I have no complaints this time around. Episode 21 in particular was stunning! I do think it would have been easier for Mika (and Seraph’s animators) if he had decided to attack the Demon Army group from behind; but if he had done that, we would have missed out on a spectacular fight sequence!
(streaming at FUNimation)

04. NORAGAMI (ep. 13-22, or ARAGOTO ep. 1-10) – I am one of those people who wasn’t really a huge fan of NORAGAMI when it first aired in 2014. But, I’ve been pretty impressed with this sequel.

The principles that were laid down in the first season explaining the complicated relationship between Yato, a god, and his human regalia, Yukine come to fruition here. In this installment, those same ideas are applied to a very different god, Bishamon, in a way that thoughtfully explores the complexity of her situation and the consequences of her actions. Along the way, we also learn the source of her conflict with Yato. Bishamon’s arc is terrific.

The second half of the cour is taking another dark turn, with Yato regressing to his toxic roots with Nora. It’s still good, but ultimately, I think I was more interested in Bishamon than in the Yato/Ebisu story and Yato/Hiyori’s relationship.
(streaming at FUNimation)

05. STARMYU High School Star Musical (ep. 1-10) – Well, there’s no shortage of otome trash titles this season, and God help us, we’re watching all of them! The best of the bunch is STARMYU, about a group of cute boys enrolled in a musical academy. It has been likened to Uta-Pri, except with fewer (haha) female characters.

At first the cast seemed pretty unlikeable, but gradually their personalities have gotten fleshed out and their rapport with each other is good. And yes, this is actually a musical, so there are performances and the guys will regularly just break out in song, which is awesome.
(streaming at FUNimation and DAISUKI)

06. Mr. Osomatsu (Osomatsu-san) (ep. 1-9) – A new gag anime based on the Osomatsu-kun manga from the 60s, which last had an anime adaptation more than 25 years ago. The identical sextuplets are under-employed adults in this iteration, with A-list seiyuu providing their voices. Honestly, I still have trouble telling the brothers apart, but that doesn’t keep me from enjoying the random, subversive humour of the show.

You might expect Osomatsu-san to be old-school and innocent, but it has turned out to be the most scandalous show of the year. The first episode has been removed and will be completely remade for the home video release as a result of making unauthorized references to various other anime. Episode 3 also caused a stir (and necessitated revision) over a particularly vulgar parody of Anpanman. Who knows what trouble they’ll get into next? Watch it while you can!
(streaming at Crunchyroll)

07. Ace of Diamond (Diamond no Ace) SECOND SEASON (ep. 26-35) – Not much new to say at this point. If you’ve been enjoying Ace of Diamond so far, as I have, you won’t be disappointed by the current offering.

Seido is facing Seiko in the current arc. Their strange but talented relief pitcher, who sometimes sings the Anpanman song while on the mound, is putting the brakes on Seido’s offence. Meanwhile, Furuya and Sawamura are feeling the heat from Seiko’s powerful batters.
(streaming at Crunchyroll)

08. K: RETURN OF KINGS (ep. 1-11) – It’s rewarding the way RETURN OF KINGS has built upon the ideas presented in the first season and in the “MISSING KINGS” movie. Because of that, I’m enjoying this sequel even though I was not a big fan of the original series.

My biggest complaint overall is that there are really only 3 female characters among the rather large cast; and the 2 of them who aren’t children seem to exist almost solely for fanservice, with boobs and butts randomly plastered in front of the camera at every opportunity. Fortunately, this isn’t all the time, since they are so vastly outnumbered by the guys.

For me, the highlight so far was ep. 9. I loved seeing Awashima and Kusanagi all dressed up. Okay, so I like this kind of fanservice; it’s nice to see regular characters wearing clothes and hairstyles so different from their usual. Plus, there was plot development, foreshadowing, and get this: a break dance/gunfight in an elevator! Colour me impressed.

09. Haikyuu!! Second Season (ep. 1-9) – The Karasuno guys are finding that they can learn new things by practising with other teams.

The production quality remains high with this sequel. Manager trainee Yachi is a great addition to the cast. I only wish Asahi would stop wearing his hairband like that; it’s weird and doesn’t look comfortable at all. He should take a hint from his coach – there’s a guy right in front of him who knows how to rock a hairband!
(streaming at Crunchyroll)

10. Dance with Devils (ep. 1-10) – The second of 3 shows in our Otome Trash lineup, Dance with Devils is yet another musical. Ritsuka, who is surprisingly smart and strong-willed for a protagonist in this type of anime, finds herself targeted by vampires and devils (in the Student Council) because of her family’s connection to the coveted Grimoire.

While the first episode greatly exceeded my expectations, the characters’ songs since then have been laughable for the most part. Not to be missed: the Pomeranian gets his turn to sing in ep. 7; and in the latest episode, the Student Council members collaborate to accuse their President of being an “Emo Liar”!

Just so we’re clear, I’m not saying the show isn’t good. On the contrary, I think it’s pretty fabulous.
(streaming at FUNimation and DAISUKI)

11. Attack on Titan: Junior High (Shingeki! Kyojin Chuugakkou) (ep. 1-8) – If you go into this expecting new insight on the Attack on Titan story, you will be disappointed. This half-length spin-off is basically a self-parody of the series. The setting is completely changed, but the jokes are all just exaggerated takes on the original material, and they’re not even that funny. The main thing that sells this? Cuteness. The characters appear in chibi form and they are ridiculously cute.

Unfortunately, I will be putting this on hold as of now since the content seems to have veered into possible spoiler territory for the main series.
(streaming at FUNimation)

12. Subete ga F ni Naru: The Perfect Insider (ep. 1-9) – A murder takes place in a research facility on a remote island. Nishinosono and her mentor Saikawa happen to be visiting when it occurs.

This is a dark, locked-door mystery, but sometimes I have trouble taking it seriously. Everyone seems to just take things in stride and come and go as they please even though there’s been murder! And the killer is almost certainly on the premises! No one’s suspicious of our protagonists, either, despite the fact that they just happened to show up on the night of the crime.

It’s kind of unfortunate that other shows this season have inadvertently served as parodies of this particular story; Osomatsu-san especially (the “Calming Detective” segment of ep. 8 was hilarious), and also some parts of Beautiful Bones (the uncanny parallels between the 6th episodes of each series).
(streaming at Crunchyroll)

13. Chivalry of a Failed Knight (Rakudai Kishi no Cavalry) (ep. 1-10) – The basic premise of this anime sounds like any number of other magic school shows where the hero is branded as weak but in actuality is very strong, and all the girls desire him. Think: Mahouka (The irregular at magic high school). Fortunately, this show seems to be a bit more self-aware and operates with a modicum of restraint.

It helps that even though there is obviously a harem set-up, the romance is mainly with just one girl. And that girl isn’t the protagonist’s sister! Of course, that doesn’t mean Ikki’s sister isn’t in love with him; naturally a show like this has to have an incestuously-inclined little sister. Naturally. Even I have to admit that it is somewhat amusing as satire. Nevertheless, the brocon stuff is still not actually very funny.

There are times when I’ll be rolling my eyes at the fanservice and contrivances, but then the anime will just as often turn things around and show its good sense. For instance, I had started to feel apprehensive of the misunderstanding between Ikki and Stella in ep. 5, but to my surprise, the two of them actually hashed things out honestly and resolved the issue by episode’s end! That’s pretty unprecedented!
(streaming at Viewster)

14. GARO: CRIMSON MOON (Guren no Tsuki) (ep. 1-9) – This is the second anime of the GARO franchise and it has virtually nothing in common with the first series. Here we have a whole new set of characters and a new Heian-era Japanese setting, which I thought was a unique idea. Unfortunately, CRIMSON MOON is also a whole new beast in terms of depth of character, narrative flow, and maturity in subject matter; those elements do not measure up to GARO THE ANIMATION at all.

The storytelling is rather slow and strangely episodic; it’s taken a long time to reveal the overall plot. I can appreciate what they were trying to do in re-imagining classic tales from the Heian period and tying them in to the Garo world. Unfortunately, the way these stories get connected to the main characters is kind of amateurish and contrived.

Seimei is actually an interesting and eccentric person and I’m relieved that we are finally getting to see some of her story. I’m glad that both of her companions will call her out on her questionable behaviour at times as well.

One thing I still like about this production is the eclectic musical choices, which I also mentioned in my (unrelated) review of “Miss Hokusai” earlier. The artwork is often quite pretty too.
(streaming at FUNimation)

15. Beautiful Bones –Sakurako’s Investigation- (Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru) (ep. 1-9) – Another show featuring a beautiful and eccentric leading lady with a taste for bizarre collectibles. This one has a young male sidekick too. The topic here is modern day mysteries, with a leaning toward forensics.

It bothers me how much this series relies on contrived coincidences to connect the main characters to the cases and often to solve the mysteries too. Sakurako is somehow more knowledgeable than police detectives, microbiologists, and physicians. I can be convinced that she might be well-studied and have an amazing memory, but there’s no way she can know absolutely everything – even what people she doesn’t know were thinking!

Objectively, Beautiful Bones looks great and it’s not a terrible show, not worse than GARO: CRIMSON MOON, anyway. But more and more I’m feeling bored and cynical toward it, while at the same time GARO has been trending up a bit at last.
(streaming at Crunchyroll)

16. Utawarerumono: The False Faces (Itsuwari no Kamen) (ep. 1-9) – The show got off to a decent start by introducing the 2 main characters and having their community face the truly terrifying threat of giant centipedes and super-giant centipedes (shudder). As the cast expanded, though, I found myself losing interest fast. Episodes 5-7 felt like a slog. It’s true I have not seen the first series, but I suspect that wouldn’t have made much difference aside from recognizing a few recurring characters who appear in ep. 6.

All the females in this anime look the same to me! And there are so many of them now. I’m sitting here staring at the screen thinking, “Who are these girls again? Please let there not be a test!”
(streaming at Crunchyroll)

17. DIABOLIK LOVERS II: MORE,BLOOD (ep. 1-9) – I’ll never understand what’s so good about this rapey piece of trash anime, the final and definitive title in our Otome Trash lineup. But somehow, the franchise has been successful enough to warrant a second anime season, and furthermore, I’m watching it! What the heck.

There is another family, consisting of 4 brothers, that takes Yui captive this time around. They have been added to the cast in order to further torment our brainless heroine. I think I harboured a tiny shred of hope that at least one of them would turn out to not be another abusive asshole. Ah, what was I smoking?
(streaming at Crunchyroll)

Mid-Winter 2015 Anime Ranking

Posted on March 9, 2015 by Joanna

Let’s start the year off by highlighting some theme songs – just like last year. The best current OP/ED songs according to me are as follows:

1. Last Theater, by NoisyCell (Death Parade ED)
2. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)
3. FOCUS, by Showtaro Morikubo (GARO ED2)

We’re watching less than usual this season, only 15 series, attributable to a shortage of free time and a shortage of patience. Nearly half of those 15 are continuing shows, so you’ll notice some repeat from the mid-autumn ranking. Five are sequels (more déjà vu); and we’ve picked up only 3 completely new series.

Unlike last winter, though, there’s actually a lot of good stuff this time around.

01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 13-21) – After a moving season opener, GARO proceeded to give us 3 episodes of filler. Well, the stories were still relevant to the theme of the show, but there just wasn’t enough of our 3 main characters in them. Fortunately, things are getting back on track now.

Twenty episodes in, we finally got the spotlight on Mendoza’s right-hand woman Octavia. Seeing what she’s been through and what she’s capable of, I can’t help but feel some respect for her. Of course, that doesn’t stop me from hating her too. Her cleverness and deceitfulness make her a dangerous adversary for our high-minded heroes. Regarding the whole Mendoza deal, though, I can’t say I understand at all why Watchdog Center would ever cooperate with him; it doesn’t seem to make any sense.

GARO is still the series that I look forward to the most each week. That’s why it’s here at the top, even though it could easily be argued that some of the anime below have been displaying even better plot progression of late. I continue to admire the mature writing in GARO and I genuinely care about what happens to Leon, Alfonso, and German.
(streaming at FUNimation)

02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 13-20) – The conflict is heating up as the humans begin to mount an offensive against the parasites. Innocent lives are lost with little consideration during the assault. The message seems overly simplistic maybe; but it resonates with me anyway. How do you defeat a monster without becoming one yourself? If there were easy answers to that, real-life monsters such as Islamic State militants would not still be terrorizing the world…
(streaming at Crunchyroll)

03. ALDNOAH.ZERO (ep. 13-20) – This second part of ALDNOAH.ZERO is shaping up to be even better than the first. The narrative turns have been riveting and unpredictable. Whereas season one focused on the Earth side, the current attention to the Vers forces and Slaine’s development is a welcome change.

It’s hard not to see this heading toward a tragedy, though.
(streaming at DAISUKI and Crunchyroll)

04. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 1-8) – The E Class of a prestigious school is given the task of killing their teacher, the tentacled and super-fast Koro Sensei, who has threatened to destroy the Earth at the end of the school year, should they fail to murder him first. Not only is he really hard to kill, though, he also happens to be a damn good teacher.

The episodes tend to be stand-alone stories, so there hasn’t been a lot of progress overall. Regardless, AssClass is very amusing in its absurdity and it consistently gives off a feel-good vibe.
(streaming at FUNimation)

05. Yowamushi Pedal GRANDE ROAD (ep. 13-19) – Still riding the Inter-high, though we’re on the last climb to the finish line now. Can’t wait to see what Onoda can pull off at this point. And I’m rooting for Imaizumi’s success even though it’s obvious that his early lead in and of itself is a flag that everything is not about to go so smoothly for him or Team Sohoku.
(streaming at Crunchyroll)

06. Akatsuki no Yona (YONA OF THE DAWN) (ep. 13-20) – Some viewers may have considered ep. 16 to be filler, but I really enjoyed the brief focus on Soo-won. I think he’s way more interesting than our heroine. Fortunately, Yona’s side of things is picking up with the introduction of the Green Dragon, Jae-ha. All the other Dragons are transfixed by Yona. It’s nice to see Hak getting some attention for a change!
(streaming at Crunchyroll and FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 25-32) – Our heroes have made it to Egypt, but there are still a bunch of baddies standing between them and Dio. The series continues to be crazy and dumb and funny, maybe funnier than it’s ever been, actually.
(streaming at Crunchyroll)

08. Death Parade (ep. 1-9) – Upon dying, people show up in pairs at Decim’s bar to play a game that will determine their fate in the afterlife. The stories are often rather unpleasant, and the fairness of the judging system is suspect. Where Death Parade succeeds is in how thought-provoking the scenarios can be. Long after the episode is over, you might still be thinking about the characters and wondering whether or not Decim and co. made the right decisions.
(streaming at FUNimation)

09. SHIROBAKO (ep. 12-20) – Even though I’m not that invested in the characters individually, this show has been really effective at portraying the process and challenges involved in delivering weekly episodes of an anime series. Not only that, but it manages to be entertaining and easy to follow too.
(streaming at Crunchyroll)

10. Ace of Diamond (Diamond no Ace) (ep. 64-71) – I was glad to learn there’s to be a second season for this. Because right now, things are going so badly for Sawamura that it’s actually been kind of painful to watch the show; and it’s not likely his problems will be completely resolved in just the few episodes we have left.
(streaming at Crunchyroll)

11. Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (ep. 1-8) – We’re all familiar with magical girl anime; how about a magical boy anime? Evil aliens are trying to take over the world and it’s up to 5 guys in a school club, along with their own alien mascot, to counter the menace – with love. Add to that a dash of Weekend at Bernie’s humour too.

Like JoJo’s, the material is pretty stupid, but the result is often funnier than it has any right to be.
(streaming at FUNimation and Crunchyroll)

12. Kamisama Kiss (Kamisama Hajimemashita) S2 (ep. 14-21) – I wasn’t that crazy about season one, but I didn’t not like it enough to avoid the sequel, so here I am. When all is said and done, I’m not that into the romance plotline. Otherwise, Kamisama Kiss is decent enough as a light distraction to enjoy after a hard day at work.
(streaming at FUNimation)

13. Kuroko’s Basketball S3 (ep. 51-59) – The special powers of the elite players are getting more and more ridiculous. I actually took issue with godlike Akashi, who caused opposing players to lose their footing and fall down in his presence. It wouldn’t be fun for any of them to play like that! And who would even want to watch such a game?

KuroBas can still be a fun show to watch, mind you, but you can’t take it seriously, at all.
(streaming at DAISUKI and Crunchyroll)

14. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 12-19) – I’m still having trouble buying that these kids are middle-schoolers and younger with the way they talk and act! Lots of suffering in this show.
(streaming at Crunchyroll)

15. Tokyo Ghoul √A (ep. 13-21) – Another sequel that I ultimately couldn’t not watch, although I did hesitate. As expected, this pretty much continues the ham-fisted storytelling of the first season. I will say that Root A has gradually been getting better recently, for whatever that’s worth.
(streaming at FUNimation)

Also planning to watch: DURARARA!! X2 Shou. But we’ve decided that it’s been too long and we really need to re-watch S1 first.

Mid-Autumn 2014 Anime Ranking

Posted on December 12, 2014 by Joanna

It’s more like a late-season review again. I took a break from work and anime for a couple of weeks early on, and it’s taken a while to get caught up, more or less. There are still a few shows on my watch list that I will not be covering here, since I have not seen enough of them to rank them.

It has been an exceptionally strong season, in my opinion. I’m really happy with just about everything in the top 10.

01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 1-10) – I’m new to the GARO franchise, so I didn’t really know what to expect going in. I started watching because it seemed like it was an adult-oriented, medieval-setting anime, which is right up my alley. Fortunately, they seem to be presenting a stand-alone story which doesn’t demand much prior knowledge of previous works.

The interactions between sullen Leon and his libido-charged dad, German, have been amusing to watch. It’s a believable relationship. I can see how teenaged Leon would constantly feel annoyed at his father’s behaviour, and also how German would be frustrated at his withdrawn and uptight son.

Even though he hasn’t had much screen time until recently, I’ve been impressed with how Prince Alfonso is depicted as being a lot more capable and worldly than your average runaway royal. It’s obvious the King’s money bought him a good education, as one would expect, and it’s clear he paid attention in class, too. Of course he’s going to be a bit uncomfortable as he attempts to navigate his new surroundings, and he is physically weak compared to all the other guys in the show, but he is never useless or completely defenceless, either. I’ll bet Princess Yona (from currently airing Akatsuki no Yona) wishes her overprotective father had had as much foresight as Alfonso’s parents did!

This show proves that it’s possible to have mature content, including sex and violence, without being cheap and exploitative.

My one real complaint is that the super-shiny CG battle suits are a bit jarring compared to the restrained colour scheme of the 2D animation. I definitely prefer the fight scenes when they are not suited up. The only plus is that the CG suits are easier to see in the dark.
(streaming at FUNimation)

02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 1-10) – A thriller in which alien beings take over human bodies and turn them into shape-shifting cannibals. Our hero, Shinichi, fortuitously prevents his parasite from reaching his brain when it attacks him in the middle of the night. However, it permanently ends up in his right arm and they are forced to work together in order to survive.

I almost gave Parasyte the number one spot, as it has been the most consistent in effective storytelling, but the musical score is sometimes incongruous to the events on-screen, and GARO is just closer to my heart at the moment.

The narrative unfolds at a well-measured pace. It kind of reminds me of Death Note, with how it starts with the focus on the personal dynamic between Shinichi and Migi, then gradually expands the view to more and more of the outside world as the story progresses.

Even though it’s understated, we get a good sense of Shinichi’s feelings of discomfort at what is happening to his body. It’s fascinating to see Migi’s development too.
(streaming at Crunchyroll)

03. Fate/stay night [Unlimited Blade Works] (ep. 0-9) – Easily the best-looking series of the season, Fate/stay night offers top-notch action animation and detailed characterization.

Because this is being re-made as a direct sequel to Fate/Zero, it comes with a layer of context that elevates the material possibly above what it actually is. As such, I was invested in many of these characters before the show even began. Really subtle things, such as the way Saber stared at Illya, when they first encountered her, just for a moment, before casting down her gaze, can make me wonder at their meaning. Was Saber remembering the young child Illya used to be? Did seeing her standing there remind her of Illya’s mother Irisveil? Did she possibly feel regret that Illya was now to be her enemy?

I’m hoping they will eventually delve into the past events which many of the current Grail War participants have limited knowledge of. Rin seems to remember Sakura. But it’s hard to read her actions. Sakura doesn’t seem to be aware of their previous relationship at all. I also think it’s interesting that Illya, Shirou, and Saber each seem to have vastly different impressions about the kind of person that Kiritsugu was.

Rin is a great character. I love her interactions with her Servant Archer and with Shirou.

This version of Fate/stay night has done an extraordinary job of making Shirou out to be a likeable guy. He’s naïve and idealistic, but it’s clear he has a lot of potential for becoming a stronger Master. So far, he has not displayed any of the chauvinistic behaviour toward Saber that really irked me in the original Fate/stay night. Fingers crossed that there will be no mid-war “date” episode this time around.
(streaming at Crunchyroll)

04. LAUGHING UNDER THE CLOUDS (Donten ni Warau) (ep. 1-10) – This one got off to a rocky start; it didn’t bode well for things when the main characters were running around in drag for no reason in the very first episode. Fortunately, the show took a more serious direction fairly quickly.

Tenka, the eldest Kumoh brother, reminds me of Headmaster Cross (from Vampire Knight) with the way he constantly puts on a goofball façade, while keeping his burdens to himself. I thought he took the act too far with his little brother, though, especially as it seemed obvious that Sora was mature enough to handle some reality. Gotta say, I was surprised and impressed by the gutsy yet logical conclusion to episode 6.

And then, the shocking twists in episode 9 left me reeling! I’m really enjoying Shirasu’s very nuanced portrayal. There’s a difficult scene between Soramaru and Shirasu in the latest episode, and I was blown away by the heartbreaking and compelling way in which it was handled.
(streaming at FUNimation)

05. Shirogane no Ishi: ARGEVOLLEN (ep. 13-22) – The story’s gotten really good. It’s now less a question of who is winning this war between Arandas and Ingelmia, and more about the disagreement within Arandas ranks on whether or not to stop fighting. The characters have become fleshed out and believable. The animation has been impressive as well, including the mecha fights. I’ll choose to forget the mostly off-model season opener episode 13; if anything positive came out of that, it’s that it made me appreciate how good the show usually looks!

And they really did stop with the random fanservice which marred the first half. Fanservice is now limited to the ED credits, and I, for one, am grateful the creators were able to use that to get it out of their systems so they can treat the actual show seriously.
(streaming at Crunchyroll)

06. Ace of Diamond (Diamond no Ace) (ep. 51-59) – It’s the final game leading to Nationals and our main character Sawamura finally gets the spotlight as he takes the mound for Seido in the last few innings.
(streaming at Crunchyroll)

07. Gugure! Kokkuri-san (ep. 1-10) – Emotionally-stunted Kohina inadvertently gets herself haunted by 3 spirits. It’s not as if she can easily get rid of them, so they sort of become her family. Long-suffering, vain fox spirit Kokkuri is remarkably endearing. And our cup-noodle-obsessed lead girl Kohina is no angel, but she is totally adorable.

I like how the show doesn’t feel obligated to produce a gag every minute. Some of the best episodes are the ones where the comedy takes a back seat for a while and allows the show to explore a more thoughtful storyline. The music used in these segments tends to be really pretty, too. Of course, the jokes and punchlines are never far behind.

Gugure! Kokkuri-san is silly and absurd and charming. It also has no qualms about making light of potentially touchy subjects such as suicide, stalking, or pedophilia, so sensitive viewers may wish to steer clear; but also know that you’ll be missing out if you do, because this is funny stuff.
(streaming at Crunchyroll)

08. Yowamushi Pedal: GRANDE ROAD (ep. 1-10) – Continues right where we left off before the break, in the middle of the Inter-high race. Yes, it is more of the same of what we’ve come to expect from YowaPeda, and it’s just as fun and exciting as ever.
(streaming at Crunchyroll)

09. Akatsuki no Yona (YONA OF THE DAWN) (ep. 1-10) – This was one of the series I was most looking forward to before the season began. For the most part, I’m pretty satisfied with the way it’s turned out. Many of the characters exhibit some depth, including the antagonists, and that’s a big draw for me. In fact, I’m eager to know more about traitor and pretender to the throne Soo-won; he’s a conflicted villain if I ever saw one.

I’m actually less excited about the current Dragon quest that Yona and Hak are on, but at least Yona is learning to be stronger and more independent in the process.
(streaming at Crunchyroll)

10. ORENCHI NO FURO JIJO (ep. 1-10) – A four-minute comedy short in which blond merman Wakasa takes up residence in the bathtub of a young man named Tatsumi. Wakasa’s friends get involved and hijinks ensue. Frequently, the characters appear in chibi form and it’s super-cute!

The ridiculously dark and angsty OP sequence featuring Matenrou Opera music serves as a perfect counterpoint to the lightweight content of the rest of the show.
(streaming at Crunchyroll)

11. PSYCHO-PASS 2 (ep. 1-9) – Maybe I had too-high expectations, but this sequel has proven to be a considerable disappointment to me thus far.

By the end of season one, we knew that Sibyl was flawed. I don’t recall Sibyl ever being so wilfully stupid or blatantly treacherous, though. Prisoners automatically get released the moment their crime coefficient goes down, no matter what they did to cause their incarceration? Is that even possible? A missing inspector, who is known to be acting suspiciously, is entitled to all her privileges as long as her psycho-pass is clear? I’m not saying they should fire her, but common sense says the MWPSB should have a way to prevent her from accessing police weapons until they can ascertain that she is safe and actually still on their side!

I’m not going to go so far as to call season 2 a train wreck, since they do seem to have a clear story in mind and they are telling it; and on its own, it’s probably fine. However, it’s difficult to ignore how the rules of the Sibyl System as established in the original series sometimes seem to be contradicted or changed to fit with the current production.
(streaming at FUNimation)

12. SHIROBAKO (ep. 1-9) – The overall story revolves around a group of friends beginning their careers in the animation industry. Most of the action (if you can call it that) is centered on Aoi’s experiences and the challenges she repeatedly faces in her role as production assistant for a company putting out a currently airing anime. Setbacks and deadlines abound and the fear of failure is sometimes palpable.

There is quite a bit of humour as well. I’m actually enjoying SHIROBAKO a lot; however, it’s just not the kind of show I find myself clamouring to watch each week.
(streaming at Crunchyroll)

13. Rage of Bahamut: GENESIS (Shingeki no Bahamut GENESIS) (ep. 1-9) – This had a really promising start: nice-looking animation, medieval fantasy adventure setting. The men are likeable if rather needlessly unattractive; and single-minded Amira is an interesting heroine. Okay, to be fair, she’s interested in 2 things: food, and getting to Helheim some way somehow.

Anyway, I wanted to like this show more than I do. I kind of wish it remained more grounded in the human world, as I find the parts about the angels’ and demons’ realms to be somehow overwhelming and boring at the same time.

The best part of the show remains the kick-ass opening credits, featuring “EXiSTENCE” by SiM. In case anyone’s wondering, there is no need to watch episode 6.5; it is 100% recap and doesn’t shed any new light on the proceedings.
(streaming at FUNimation)

14. Wolf Girl and Black Prince (Ookami Shoujo to Kuro Ouji) (ep. 1-10) – Erika gets caught in her lie about dating random hot guy Kyouya when he turns out to be a student at her school. To her surprise, he agrees to play her boyfriend; but only if she will be his dog. Yeah.

None of this is meant to be taken seriously, and honestly, the series is pretty fun and easy to watch. Still, I can’t help but have some reservations about the frankly abusive relationship at the core of this romance.
(streaming at Crunchyroll)

15. Lord Marksman and Vanadis (Madan no Ou to Vanadis) (ep. 1-10) – For something that bills itself as a fanservice show, the gratuitous content is actually pretty mild. Sure, the way all the girls’ bodies are covered in canker sores is a turnoff, and the gigantic breasts on some can get ridiculous at times, but importantly, characters of both sexes get to retain their self-respect here.

The initial arc started things off well, but as the series continued, the execution has taken a tumble. After the fourth episode or so, things started happening at breakneck speed: characters were introduced and killed off before we learned their significance, Tigre wandered off and made a pact with some mysterious being, battles were fought and won with little regard for the human side of the story. It just seems a lot less focused now and I’m losing interest because of that.

tl;dr: Way better than expected; still not that good.
(streaming at FUNimation)

16. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 1-9) – Former piano prodigy finds inspiration to take up his instrument again, and possibly romance, when a pretty and gifted violinist joins his group of friends. I find this stuff a tad melodramatic and, well, boring, but that’s just me. I would heartily recommend this anime to fans of Nodame Cantabile.
(streaming at Crunchyroll)

Notable Drop:

TERRA FORMARS (ep. 1-3) – The basic premise, with humanity possibly engineering its own demise when it attempts to terraform Mars by using cockroaches, sounds like a fascinating idea.

Problem is, the show is too obsessed with sensationalist violence. It’s just so hellbent on graphically depicting every beheading or dismemberment. Except you can’t show that stuff on TV, so at times up to 50% of the screen might be covered in black censor bars, making the show quite literally unwatchable.

It could have been so much better if they chose to suggest the gore artfully and if at least some clues as to what is going on on Mars were revealed earlier. If you’re looking for art or competent storytelling in a horror-thriller, best look elsewhere. Parasyte would be a good place to start.
(streaming at Crunchyroll)

Jacquie and Bini

The online ramblings of Jacquie and Bini Bunny

Tag Archives: GARO