Fate/stay night: Heaven’s Feel – I. presage flower & II. lost butterfly

Released 2017 and 2019, respectively

Prerequisite: Fate/stay night original series and/or Unlimited Blade Works or other familiarity with the franchise prologue.

Strongly recommended: Fate/Zero.

The Heaven’s Feel movies offer no recap of the events that start the story, including the initial attack and introduction of Saber, other than a brief montage in presage flower that’s more artistically evocative than explanatory. It is assumed that you have seen it all before, and will make no sense if you haven’t.

Heaven’s Feel is Sakura’s route. We had a glimpse of Sakura’s traumatic childhood in Fate/Zero, and her story definitely needed to be told. Unfortunately, Sakura’s quiet personality makes her kind of weak as a main character.

As expected, these films (parts I & II of a trilogy) are stunningly gorgeous, the best-looking rendition of Fate/stay night yet. While presage flower provides some set-up, lost butterfly features extended battle action scenes. By the end, a lot of troubling revelations come to light. I’m definitely looking forward to the final film, although I don’t really see how this can end well.

Mid-Winter 2019 Anime Ranking


01. THE PROMISED NEVERLAND (Yakusoku no Neverland) (ep. 1-10) – The kids at Grace Field House make the shocking discovery that their loving orphanage is in fact a farm for raising yummy children to serve as demon food. The clock is ticking as they try to find a way to escape, but with such insurmountable obstacles in their way, and no way to know what lies outside, the odds are against any of them making it out alive.

THE PROMISED NEVERLAND is as thrilling as it is artful. It’s great to see Emma, Norman, and Ray’s ingenuity and friendship. Their situation is looking dire, to say the least, but man am I rooting for them to succeed.

The OP by UVERworld is pretty awesome too. I’m personally not a huge fan of most of their works, but every once in a while, they will surprise me with something unique and hooky; and “Touch off” is one of those songs.
(streaming at Crunchyroll)


02. Mob Psycho 100 II (ep. 1-10) – Fans of sakuga are obviously loving this series. For me though, the real draw is its main characters, Mob and Reigen; they are so complex and well-written, and completely lovable in spite of their flaws.

Episode 7, which focused on Reigen’s humiliating downfall, was a clear highlight in storytelling. He is such an interesting person, first of all; plus the arc was ironically funny at times, and painful, and ultimately uplifting too.

The big battle arc, beginning in ep. 9, gets pretty complicated real quick, with multiple factions and too many characters in the mix. It’s still good, but I enjoyed the earlier character-driven episodes more.
(streaming at Crunchyroll)


03. The Rising of the SHIELD HERO (Tate no Yuusha no Nariagari) (ep. 1-10) – I don’t particularly consider myself a fan of the genre, but I will pick up an isekai-adventure series now and then. This is definitely one of the better ones that I have seen.

It’s interesting that even though this alternate world uses some obvious game mechanics, it is stressed that the effects of a person’s actions are real. Completing one task doesn’t mean all the work is done, as unintended consequences may occur, and economics come into play too.

Malty (Myne) and the Spear Hero are a little overplayed in their villainy and ignorance, respectively, but the main characters, Naofumi, Raphtalia, and Filo are sympathetic and likeable enough to sell the show.
(streaming at Crunchyroll)


04. Domestic Girlfriend (Domestic na Kanojo) (ep. 1-10) – A teenaged boy suddenly becomes step-siblings with both the teacher he has a crush on and the random girl he once had sex with. Such a trashy premise sounds like it would have to be a train wreck. However, Domestic Girlfriend plays things straight, and seriously considers the implications of its odd scenario on the lives of Natsuo and the sisters.

Unpopular opinion, but for the record, I’m Team Hina – because that’s who Natsuo really liked all along. Plus, they get along well and have some actual chemistry together. However, even if their being statutory siblings isn’t an issue (I think it shouldn’t be), their ongoing relationship as student-teacher is a huge red flag. By all indications, Hina is an excellent teacher; it would be a shame for her to put her career at risk. If they’re both serious, they really need to put the brakes on the romance until after he graduates.
(streaming at Crunchyroll)


05. Dororo (ep. 1-10) – This is a dark, but nice-looking show which combines historical realism and folklore. A young man named Hyakkimaru hunts demons in order to reclaim the parts of his body that were sacrificed at his birth.

The little kid who is the title character is sweet and precocious. I’m not that into the primarily monster-fighting episodes, but the ones that focus on Dororo, Hyakkimaru, and Daigo’s family are pretty good.


06. JoJo’s Bizarre Adventure: Golden Wind (JoJo no Kimyou na Bouken: Ougon no Kaze) (season 4) (ep. 13-22) – The stands have gotten so complicated by this point that I don’t even bother trying to comprehend them all. The guys however, being stand users themselves, are really good at catching on to stand abilities, even though they can be really dense when it comes to other things. Good thing the selective stupidity of JoJo’s characters is well-established! It’s fabulous and you gotta love it.

It’s strangely easy to forget that Giorno is the main character of the show when Bruno is so clearly the driving force and leader of the group.
(streaming at Crunchyroll)


07. My Roommate is a Cat (Doukyonin wa Hiza, Tokidoki, Atama no Ue) (ep. 1-10) – I’m not really the target audience for cute pet or slice of life shows. The gimmick here is that part of each episode is told from the point of view of Haru, the cat. Beyond that however, there’s an overall story showing how she sets off Subaru’s personal development and his coming to terms with the loss of his parents. It is surprisingly affecting.
(streaming at Crunchyroll)


08. KAGUYA-SAMA: LOVE IS WAR (Kaguya-sama wa Kokurasetai: Tensai-tachi no Renai Zunousen) (ep. 1-10) – Plenty of awkward romance shenanigans in this anime about a couple of over-achieving high schoolers who stubbornly refuse to reveal their romantic attraction to each other. The episodes typically play out in several short vignettes and they are often very funny. Sometimes though, I do want to just smack these two – they take their games so far that it’s never gonna work out for them, ever!
(streaming at Crunchyroll)


09. MEIJI TOKYO RENKA (ep. 1-10) – There’s very little real plot, mostly just lightweight content of the main girl’s interactions with the various male cast in this time-travel reverse harem anime. Just to give you an idea, the overarching storyline seems to be the search for a missing cat! Fortunately Mei is pretty likeable and charismatic for a heroine of this type of show and the episodes are moderately enjoyable.

Since we’re doing this, for the record, I’m Team Syunso. I really do not feel the attraction between Mei and leading man Ougai. It seems to me she clearly has better camaraderie with Syunso. Heck, I’d even ship her with the cross-dresser more easily than with Ougai!
(streaming at Crunchyroll)


10. B-Project: Zecchou*Emotion (season 2) (ep. 1-10) – Sometimes the real drama doesn’t happen until after the ending credits roll; that’s an indication of how (not) packed with plot this idol series is! Fortunately, Zecchou*Emotion is pretty good at presenting its characters, and it can be adequately entertaining just watching the guys interact with each other.
(streaming at Crunchyroll)


11. The Morose Mononokean II (ep. 1-8) – I was satisfied with the original series when it ended, but it’s the sequel, so we’re back. This time, it’s a little less yokai-of-the-week and a little more about the Underworld’s issues about Ashiya, the reasons of which are yet to be disclosed to the audience and to Ashiya himself.
(streaming at Crunchyroll)

Jacquie’s 2018 Year in Review – Anime

Looking back, I didn’t have incredibly strong feelings about any series I watched in this past year. So I considered the titles that I rated most highly at MyAnimeList, that is, the ones that scored an 8 or high-7, as I did not give any 9s or 10s last year. However, there were 2 notable series that did not get ratings at all because they were not anime: an American cartoon that was based on a Japanese video game, and a Japanese-Taiwanese co-production puppet show, both on their second seasons. And honestly, I think those were more flawless than the other titles on my short-list!

Things are certainly continuing to be weird here at Jacquieandbini. You may recall I selected a 3D CG short (Ikemen Sengoku: Bromances Across Time) as my Anime of the Year for 2017. For 2018, two non-anime series are dominating my year-end “anime” chart. I don’t think you’re likely see a Top 10 like this anywhere else!

I’m keeping it simple this time. Please follow the links if you wish to view the previous write-ups.

☆ Top 10 Anime or Anime-like Series:

#1. CASTLEVANIA Season 2 (8 episodes)

Aired Autumn 2018
(streaming: NETFLIX)

#2. Thunderbolt Fantasy: Sword Seekers (Touri-ken Yuuki) (season 2) (13 episodes)

Aired Autumn 2018
(streaming: Crunchyroll)

#3. The Legend of the Galactic Heroes: Die Neue These (Ginga Eiyuu Densetsu: Die Neue These – Kaikou) (12 episodes)

Aired Spring 2018
(streaming: Crunchyroll)

#4. SCHOOL BABYSITTERS (Gakuen Babysitters) (12 episodes)

Aired Winter 2018
(streaming: Crunchyroll)

#5. DOUBLE DECKER! Doug & Kirill (13 episodes)

Aired Autumn 2018
(streaming: Crunchyroll)

#6. MEGALO BOX (13 episodes)

Aired Spring 2018
(streaming: Crunchyroll)

#7. The Disastrous Life of Saiki K. 2 (Saiki Kusuo no Psi Nan 2) (24 episodes)

Aired Winter 2018 to Spring 2018

#8. How to keep a mummy (Miira no Kaikata) (12 episodes)

Aired Winter 2018
(streaming: Crunchyroll)

#9. Skull-face Bookseller Honda-san (Gaikotsu Shoten’in Honda-san) (12 episodes)

Aired Autumn 2018
(streaming: Crunchyroll)

#10. BANANA FISH (24 episodes)

Aired Summer 2018 to Autumn 2018

☆ The Biggest Slogs:
There were a few shows that seemed very promising in the beginning but ultimately felt like a chore to get through, with no real payoff at the end. The dubious honours in this category go to:

01. Angels of Death (aired Summer 2018, Crunchyroll)
02. SANRIO BOYS (aired Winter 2018, Crunchyroll)
03. Phantom in the Twilight (aired Summer 2018, Crunchyroll)

☆ Anime Songs TOP 10 COUNTDOWN:

10. INKYA IMPULSE, by Honda Hanako(cv:Kino Hina), Olivia(cv:Nagae Rika), Nomura Kasumi(cv:Kohara Konomi) feat. Ikepy & KSKN (ASOBI ASOBASE ED)

09. Heavenly Visitor, by TRIGGER (IDOLiSH7 ED3)

08. KISS OF DEATH, by Nakashima Mika (Produced by HYDE) (DARLING in the FRANXX OP)

07. Growth Arrow, by OLDCODEX (Butlers X Battlers OP)

06. One Side, by OLDCODEX (SERVAMP: Alice in the Garden Main Theme)

05. Treasure, by Narek (cv: Ishikawa Kaito) & Vino (cv: Umehara Yuuichirou) (Dame x Prince ANIME CARAVAN ED3)

04. The Perfect World, by Marty Friedman feat. Jean-Ken Johnny & KenKen (B: The Beginning ED)

03. His/Story, by Nishikawa Takanori (Thunderbolt Fantasy: Sword Seekers OP)

02. narrative, by SawanoHiroyuki[nZk]:LiSA (MOBILE SUIT GUNDAM NARRATIVE Main Theme)

01. Roll the Dice, by Nishikawa Takanori (Thunderbolt Fantasy: Sword Seekers ED)

Mid-Autumn 2018 Anime Ranking

Due to the demands of work and travel, I haven’t had much time for watching anime this season, never mind writing down my thoughts about what I have seen, which makes me sad. Unfortunately, that means this quarterly post might be a little bit more half-assed than usual.

Note: I am aware that two of the shows on my list are not technically anime, but whatever, it’s my blog, so I’ll put in whatever I want… even if it’s the top 3!


01. DOUBLE DECKER! Doug & Kirill (ep. 1-10) – So far, this show has simply been a lot of fun. DOUBLE DECKER! can be serious when it wants to be, but when it goes for funny, it hits the mark because it is always smart enough to recognize its own stupidity. It’s full of interesting and colourful characters; even the narrator has quite the personality! And more than any anime I’ve ever seen, DOUBLE DECKER! acknowledges the existence of things like workplace sexual harassment and LGBTQ issues while telling its greater story.
(streaming at Crunchyroll)


02. Thunderbolt Fantasy S2: Sword Seekers (Touri-ken Yuuki) (ep. 1-8) – It’s an incredible treat to get more of Urobuchi Gen’s Taiwanese puppet show! The writing is stellar and I just love these characters. The explanation as to why so many people have been crossing the Wasteland was so obvious in retrospect, I could have smacked my head. I fully expect that Sword Seekers will continue to surprise and impress me.

The music is always amazing in this series too. Well, it is Sawano Hiroyuki after all. The collaboration with Nishikawa Takanori for the OP and ED this time just takes it to the next level.
(streaming at Crunchyroll)


03. CASTLEVANIA Season 2 (ep. 1-8 complete) – Trevor kind of takes a back seat to his mates, Alucard and Sypha in this installment. And they all take a back seat to Dracula’s court, which is the main focus of this story. We’re introduced to Dracula’s crew, as they scheme and question the loyalties and competencies of their comrades. Meanwhile, our heroes prepare for battle by hunkering down to study with books…

The 4 episodes of CASTLEVANIA season one and these 8 episodes are hugely entertaining, slickly animated productions featuring dark, intelligent storytelling. I’m very glad there’s a third season on the way!
(streaming at NETFLIX)


04. Skull-face Bookseller Honda-san (Gaikotsu Shoten’in Honda-san) (ep. 1-8) – This is a hilarious short format anime. I think anyone who’s worked in retail or customer service can relate to Honda’s bookstore experiences. I love that the humour is in the situations and Honda’s reactions, and is not generally mean-spirited toward the customers that he encounters.

Saitou Souma is really great as the soft-spoken title character; and the frequent random English is funny as hell.
(streaming at Crunchyroll)


05. BANANA FISH (ep. 13-20) – I greatly enjoyed the thrilling hospital escape in ep. 16. But then I thought Ash seemed to give up too easily when Blanca came on scene. I would have expected him to maybe have some ideas on Blanca’s potential weaknesses, having known him and spent time together with him in the past.

I am also frustrated by Ash’s willingness to sacrifice himself for Eiji’s sake. He shouldn’t need to do that. It’s a little melodramatic, and if I were Eiji, I don’t think I would appreciate my own survival if it meant never being able to see my loved one again.


06. JoJo’s Bizarre Adventure: Golden Wind (JoJo no Kimyou na Bouken: Ougon no Kaze) (Season 4) (ep. 1-8) – Another season of JoJo’s brings with it another set of awesomely flamboyant characters. This represents Part 5 of the overall saga. I’m still getting to know the new cast, but JoJo’s is JoJo’s, and it’s as consistently entertaining as always.

The highlight so far was that impromptu torture dance on the ship. I have honestly never seen anything like that before! So good.
(streaming at Crunchyroll)


07. DAKAICHI –I’m being harassed by the sexiest man of the year- (Dakaretai Otoko 1-i ni Odosarete Imasu.) (ep. 1-8) – In an unlikely development, I’m watching two BL-themed series this season: BANANA FISH and DAKAICHI. Whereas BANANA FISH is a drama and its plot involves much more than the love story, DAKAICHI is basically a romantic comedy; and as such, it works well.

I was worried that there would be a lot of non-consensual shenanigans (just look at that title), but that hasn’t really been the case, at least not between the 2 leads. I am reasonably convinced that their relations are indeed fully consensual. Also, Takato (I love his snarky internal monologue) and Junta are great characters who have real chemistry together. DAKAICHI is a lot of fun and I actually find this relationship more interesting and compelling than the one in BANANA FISH!
(streaming at Crunchyroll)


08. GOBLIN SLAYER (ep. 1-10) – Through watching this controversial anime, I’ve discovered that this is my tolerance for objectionable content: brutal violence/rape (ep. 1) challenges my idea of entertainment, but is OK; gratuitous nudity (ep. 2) is eyeroll-inducing, but OK; insects – moving, up-close, with sound effects (ep.5) are NOT OK. I really wanted a lot more censorship in ep. 5!

Despite the fact that I have almost as many complaints about GOBLIN SLAYER as the next person, I actually sympathize enough with the characters that I would say I mostly like the show. In fact, if it were only the characters and the story, GOBLIN SLAYER might be vying for a spot in the top 5 right now. However, the distasteful aspects are significant enough that I would be hard-pressed to recommend this show; and even I, myself, would not relish the thought of enduring those difficult scenes a second time.

Of course, I am also watching because Umehara Yuuichirou is voicing the lead character, his first starring role since his return to work. He was in hospital for much of 2018 after being diagnosed with acute disseminated encephalomyelitis, and during that time it was uncertain whether he would be able to continue his career. So there was basically no way I was going to miss this!
(streaming at Crunchyroll)


09. Tsurune: Kazemai Koukou Kyuudou Bu (ep. 1-6) – Gorgeous KyoAni production about some high school kids in an archery club. What happens in it? Well not much actually; don’t ask me to describe the plot. Did I mention it looks great?
(streaming at Crunchyroll)

Also kinda sorta watching:

Boarding School Juliet (Kishuku Gakkou no Juliet)

IRODUKU (Irozuku Sekai no Ashita kara)

The iDOLM@STER SideM: Wakeatte Mini!
(streaming at Crunchyroll)

MY HERO ACADEMIA: TWO HEROES

Released 2018

3 stars (out of 4)

The recent North American theatrical run of the MY HERO ACADEMIA movie proved to be a resounding success. The original screenings in September were so popular, additional dates were added in early October, eventually earning more than $5.7 million US and ranking the film in the Top 10 of highest-grossing domestic anime films of all time!

So how was it? Well pretty good, actually. It was generally a lot of fun; familiar characters were true to their personalities without it feeling tired; the new girl was cool; and a nice plot twist kept the story from being as predictable and simplistic as it could have been.

The film might have had too much recap, though, enough to be a little tedious for someone who’s been following the anime series. But I can understand that they needed to make the movie accessible to uninitiated viewers, so that’s kind of unavoidable.

What did confound me was the totally unnecessary coincidence that practically all of Deku’s class was in attendance at I-Island for the I-Expo for various reasons and Deku didn’t know about it. It should have been common knowledge that the winner of the tournament was invited. And absolutely no one talked about their holiday plans? As far as I could tell, it had no bearing on the story whatsoever; if Deku had expected them, it would have all been the same. So I’m just scratching my head at that narrative choice.

I was also surprised at how the college-aged voice and middle-aged voice of All Might’s friend sounded completely different! It seems rather odd to hire 2 different seiyu to voice 2 adult versions of the same character. (The screening I attended was in Japanese with English subtitles. The English dub might not have this peculiarity.)

Mid-Summer 2018 Anime Ranking


01. Attack on Titan (Shingeki no Kyojin) Season 3 (ep. 38-44) – Our downtrodden group of protagonists is mostly fighting humans now, instead of titans. It’s a disturbing development and I’m glad the show aptly portrays how troubling this is for the cast. Unlike previous seasons, which were big on action spectacle but slow on answering questions, this one is more talky, but it’s rolling fast and furious with the revelations!
(streaming at Crunchyroll)


02. BANANA FISH (ep. 1-10) – My number 2 show happens to be another dark, violent production, in which the good guys are outnumbered and their prospects bleak.

The original BANANA FISH manga took place in 1980s New York, I believe. For the adaptation, the setting has been updated to present day, with mixed results. A lot of story elements, such as Chinatown gangs, mafia families, and overt military/government corruption, strongly suggest a less modern environment; and then a Prius will drive by and it’s jarring. Minor details aside, the plot and the characters are engaging and BANANA FISH is one of the shows I most look forward to every week.


03. Free! -Dive to the Future- (ep. 1-9) – Now that our main guys are scattered in several different locales and the cast has ballooned in size, the third Free! series has definitely been less enthralling to me than its predecessors. In particular, I was not that invested in Ikuya’s angst and gloom, which has been the primary focal point for most of the season. Also, even though I understand the appropriateness of referencing The Little Mermaid in a swimming anime, I couldn’t help but have trouble believing that teen-aged boys would be reading and talking about a children’s book!

It seems like we’re moving beyond that storyline finally. Episode 9 featured yet more character introductions, multiple food-porn images, as well as competitive swimming, and it was the best episode so far.
(streaming at Crunchyroll)


04. Planet With (ep. 1-9) – A strange anime with aliens, UFOs, teenagers, sentai rangers, and mecha battles, plus a dopey-faced giant purple cat voiced by Koyama Rikiya heading up the opposition against the faction led by Generalissimo, a white dog voiced by Wakamoto Norio!

In spite of the weirdness, the story is surprisingly not that hard to follow. It helps, of course, that the characters are well-written and likeable.
(streaming at Crunchyroll)


05. ASOBI ASOBASE – workshop of fun – (ep. 1-8) – A really crazy, crude, and absurdly funny series starring 3 charismatic schoolgirls.

Don’t be fooled by the sweet as honey OP (I almost dropped it after seeing that); it is decidedly not an accurate representation of the show’s content. On the other hand, the death metal ED, also performed by the same seiyuu, is totally f**kin’ awesome!
(streaming at Crunchyroll)


06. SWORD GAI: the Animation Part II (ep. 1-7) – I admit I’m curious to know what’s the deal with the Shoshidai organization, and that’s the reason I eventually continued with this second part of SWORD GAI. Part I was kind of messy, and the 2 characters I cared about, ahem, pretty much completed their storylines by the end of it, so I almost didn’t come back for the sequel.
(streaming at NETFLIX)


07. Phantom in the Twilight (ep. 1-8)
(streaming at Crunchyroll)


08. Angels of Death (Satsuriku no Tenshi) (ep. 1-9) – Really fun and interesting at first, in a black humour kind of way. But now that Zack is less active in the story and Rachel has to retrace her steps and endure some sort of existential hallucinations, it feels a bit more tedious.
(streaming at Crunchyroll)


09. Angolmois: Record of Mongol Invasion (Genkou Kassenki) (ep. 1-7)
(streaming at Crunchyroll)


10. 100 Sleeping Princes and the Kingdom of Dreams (Yume Oukoku to Nemureru 100 Nin no Ouji-sama) (ep. 1-7) – Given the choice of the 1000 Musketeers anime or the 100 Princes anime in the otome game adaptation category this season, I decided this one would be the less daunting of the two. Interestingly, it is the anime-original character Kihel who is the most fun to watch. After seeing how dull the other guys tend to be, I’m glad they put Kihel in as one of the lead roles.


11. Cells at Work! (Hataraku Saibou) (ep. 1-8) – This semi-educational anime depicting the workings of the human body is certainly creative and informative, but it’s actually a little too educational for my taste. I probably wouldn’t have watched it at all if my sister hadn’t been curious about it. Now that her interest is waning too, there’s not much to keep me here.
(streaming at Crunchyroll)

Mid-Spring 2018 Anime Ranking

There are a lot of good shows this season, including a handful of big-name sequels. Not necessarily great shows, mind you, but a whole slew of series that are too good to drop even though we kind of need to pare down our list. It’s frustrating, as we simply haven’t had the time to keep up with everything we had wanted to.


01. Legend of the Galactic Heroes: Die Neue These (Ginga Eiyuu Densetsu: Die Neue These – Kaikou) (ep. 1-10) – Some of the political stuff is maybe a little dry for a visual medium, but it is still fascinating, both in terms of plot development and as a statement to real-world events, past and present. It really makes you think, and it can make you cry, that the themes of this story are just as relevant now as they were 35 years ago when the novels were first written. And they will continue to be, probably forever.

If only people like Yang (and possibly Kircheis), who value human life and have their eyes on the future, were in charge, humanity could actually have a chance at lasting peace. However, these are just the types of guys who would not likely ever seek a position of power for themselves, and who would never win the support of the under-educated, self-interested masses anyway.

Actually, Yang is my hero. I agree with everything that he’s said and done and I really sympathize with the difficult situation he’s in, in terms of personally wanting out of the war, yet knowing that others will be worse off if he leaves.

Regarding the cast, it is an exceedingly rare treat to find all four of my favourite voice actors in just one show: On the side of the Galactic Empire, there’s Miyano Mamoru, Umehara Yuuichirou, and Suwabe Junichi; and then there’s Miki Shinichiro over on the Free Planets Alliance’s side – just an extra perk on an already impressive series.
(streaming at Crunchyroll)


02. WOTAKOI: Love is Hard for Otaku (Wotaku ni Koi wa Muzukashii) (ep. 1-9) – Relatable and funny workplace romance starring a group of otaku. Yes, the show pokes some fun at their geek tendencies, but mostly, it serves to illustrate the joy of like-minded adults spending time with each other. There is actually very little drama to the main romance, which is realistic, though a little anticlimactic.


03. MEGALO BOX (ep. 1-10) – The new boxing anime, created to celebrate the 50th anniversary of the Ashita no Joe manga, is a pretty slick production, featuring dynamic fights in the ring, cool music, and a multi-layered plot.
(streaming at Crunchyroll)


04. The Disastrous Life of Saiki K. 2 (Saiki Kusuo no Psi Nan 2) (ep. 13-20)


05. DEVILS’ LINE (ep. 1-10) – I expected this to be a trashy, pulpy romance about a stupid girl falling in love with a dangerous, angsty vampire. Well it is that, but it is surprisingly a lot more too. It’s also a decent crime drama that covers serial murders, discrimination, terrorist organizations, double agents, and that staple of anime storytelling: secret orphanages for “special” children. Plus, the main character actually expresses some self-awareness of her own folly.
(streaming at HIDIVE)


06. FULL METAL PANIC! Invisible Victory (ep. 1-8) – I like the time-skip storyline featuring Sousuke’s new group of colleagues. The underground mech battles have some similarity to the setting of MEGALO BOX, actually. I feel like I should be missing Chidori and Tessa more than I do…
(streaming at Crunchyroll)


07. Food Wars! The Third Plate (Shokugeki no Souma: San no Sara – Toutsuki Ressha-hen) (ep. 13-22)
(streaming at Crunchyroll)


08. Yowamushi Pedal: GLORY LINE (ep. 13-22) – Imaizumi is supposed to be Sohoku’s ace, but it seems like he never wins anything!
(streaming at Crunchyroll)


09. DARLING in the FRANXX (ep. 13-20) – We’ve finally gotten some big reveals now that the climax is near, but that isn’t as interesting to me as the more character driven stuff was.

On the romantic front, while things got serious for 2 couples, the other kids continued to face heartbreak. It’s an unpopular opinion, perhaps, but I actually liked the way the show dealt with Ikuno’s same-sex crush. Certainly she faces extra challenges from being gay in a straight world, but her friend did not judge her for being different; and the bottom line is that she was not rejected because of her sex, but because her crush simply did not reciprocate her feelings, which really is no different from what many of her straight teammates have gone through already.
(streaming at Crunchyroll)


10. Record of Grancrest War (Grancrest Senki) (ep. 13-21) – No joke about the fast pacing! I definitely did not imagine, back when Theo met Siluca in the forest at the start of the series, that he would end up accomplishing so much career-wise. And the show isn’t even over yet.
(streaming at Crunchyroll)


11. Rokuhoudou YOTSUiRO BiYORi (ep. 1-9) – Not much plot happens in this slice-of-life anime about four guys who run a trendy and classy café, and yet somehow, it manages to be consistently riveting to watch regardless! It has some things in common with last summer’s Restaurant to Another World, in that many of the stories are about the various customers that visit the café, although YOTSUiRO BiYORi is obviously more grounded in a real world setting. I personally prefer less fantasy, so this works for me.
(streaming at Crunchyroll)


12. Tada Never Falls in Love (Tada-kun wa Koi wo Shinai) (ep. 1-10) – This show is supposed to be a romance and a comedy, but it just isn’t terribly effective in either category. Most of the guys are obnoxious; and even the fact that two of them are voiced by a couple of my aforementioned favourite seiyuu (Mamo and Ume) does nothing to mitigate my annoyance with them. Unfortunately, the not-particularly-annoying characters, such as Tada and Teresa, in turn have no personality to speak of.

Alexandra is the type of character I would normally support, but I never found it in me to forgive her for the undeserved attack on Kaoru in the very first episode, which she didn’t even apologize for. Believe me, I get it, but being annoying is not a justification for assault!

You know what? The best guy is probably Charles, who, like Villar Constance in Grancrest Senki, appeared for a few episodes and stole the show. Both characters have long, fair-coloured hair, are super-cool dudes despite initially negative expectations, and speak with the velvety voice of Sakurai Takahiro. Also as with Villar, it’s pretty easy to ship Charles with the tall redhead that he can’t be with.
(streaming at HIDIVE)


13. SPACE BATTLESHIP TIRAMISU (Uchuu Senkan Tiramisu) (ep. 1-10) – A lot of the stuff that happens in this space opera parody anime is really crazy and out-there. At the same time, it’s not a completely absurd idea that spending a long time in space, frequently all alone in your cockpit, could make a person somewhat weird in the head. This is a pretty funny short, as long as you’re okay with gross-out humour.
(streaming at Crunchyroll)


14. LIBRA OF NIL ADMIRARI (Nil Admirari no Tenbin) (ep. 1-9) – There are too many characters in this cursed-book murder mystery! I thought I was doing fine for a while, but nope. Especially at times when they are referred to by name only, it can be a real struggle.

After seeing the uh, subtleness with which the romance was handled in Code:Realize, I do at least appreciate that the apparent main suitor in this series has made his attraction to Tsugumi obvious. Sadly, Tsugumi appears to have more chemistry with one or two of the other guys though!
(streaming at Crunchyroll)


15. Butlers X Battlers (Butlers ~Chitose Momotose Monogatari~) (ep. 1-9) – It’s kind of laughable that practically the whole cast has been revealed to be “Butlers” now, but the show plays it pretty straight. The odd little bits of humour do occasionally hit the mark too.

The main character’s goal, to save his sister, is a story device that’s strangely common in anime and often assumes that no explanation is needed. But I can’t muster any empathy without seeing what their relationship was like before she went missing, or what their shared experiences were.
(streaming at Crunchyroll)

For the record, here is the whopping list of shows we’ve fallen behind on, but have not formally dropped:

BORUTO: NARUTO NEXT GENERATIONS (Crunchyroll)

Cute High Earth Defense Club HAPPY KISS! (Binan Koukou Boueibu HAPPY KISS!) (Crunchyroll)

GOLDEN KAMUY (Crunchyroll)

HINAMATSURI (Crunchyroll)

LAST HOPE (Juushinki PANDORA) (maybe we’ll try again when it comes to NETFLIX)

MAGICAL GIRL ORE (Mahou Shoujo Ore) (Crunchyroll)

MY HERO ACADEMIA (Boku no Hero Academia) Season 3 (Crunchyroll)

My Sweet Tyrant (Akkun to Kanojo) (Crunchyroll)

Ninja Girl & Samurai Master S3 (Nobunaga no Shinobi: Anegawa Ishiyama-hen) (Crunchyroll)

Steins:Gate 0 (Crunchyroll)

Haikara-San: Here Comes Miss Modern (Part One)

Released 2017

3 stars (out of 4)

Benio is a teenaged girl living in 1920s Japan. Contrary to the expectations of her family and school, she is more interested, and has more skill, in kendo than in housekeeping. She is also very much against the idea of arranged marriages, which turns out to be a problem when her father reveals that she has long been betrothed to a young army lieutenant, and understandably, there was never a good time for him to tell her!

The film starts out moderately paced, with good time for development of the characters and the setting. Benio and her fiancé Shinobu both prove to be likeable people. I also appreciate that Shinobu’s grandfather’s discomfort at the whole marriage arrangement gets addressed on multiple levels.

However, a few scenes in the second half feel strangely truncated, including the part where Shinobu fights to earn the respect of his charges in the army, the parting of Benio and Ranmaru, and Benio’s seemingly ill-informed response to the riot during her first assignment as a journalist.

I have to stress that this movie is only the first half of the Haikara-San story, and so, it ends on a bit of a cliffhanger. Other than that though, it is a funny, enjoyable, and well-animated adaptation of a classic shoujo manga.

INITIAL D Legend film trilogy

INITIAL D Legend 1: AWAKENING (Released 2014)

INITIAL D Legend 2: RACER (Released 2015)

INITIAL D Legend 3: DREAM (Released 2016)

3 stars (out of 4)

A reboot of the classic car racing anime series, the INITIAL D Legend movies play out pretty much as expected plot-wise. Main character gets challenged by various tough opponents, which he reluctantly takes on, all the while developing an appreciation for the sport.

I never saw the original series, but I’m sure the updated animation added to the excitement here, including impressive camera work that would zoom in on the driving inside the cars, and then seamlessly transition out as the vehicles maneuvered down the mountain course. I also had no complaints about the voice cast, which included Miyano Mamoru, Ono Daisuke, Nakamura Yuuichi, and Suwabe Junichi in major roles.

Mogi, the girlfriend, existed only as a plot device and to provide fan service in the first 2 films. Fortunately, she was redeemed a little bit in Legend 3, as she was given more lines and seemed like more of a friend and confidante for Takumi.

That relationship didn’t work as well for me as the one between the Takahashi brothers, though. It was realistic how they both shared a passion for racing; and I loved seeing their easy rapport and mutual respect for each other.

I was not quite convinced that Takumi’s dad would have told him nothing about cars and racing while he was growing up, considering the dad’s past and the racing culture of his hometown. A valid reason would’ve been that he didn’t want his son to get involved in racing – that I would understand; but that didn’t seem to be the case. Regardless, it did make for good comedy that the fastest guy on Mt. Akina had no interest in racing and didn’t know jack about cars!

Mid-Winter 2018 Anime Ranking

I haven’t started with one of these in some years, but there are actually a few decent theme songs currently, so let’s kick things off with my choices for best OP/ED songs this season:

1. The Perfect World, by Marty Friedman feat. Jean-Ken Johnny & KenKen (B: The Beginning ED)
2. KISS OF DEATH, by Nakashima Mika (Produced by HYDE) (DARLING in the FRANXX OP)
3. Treasure, by Narek (cv: Ishikawa Kaito) & Vino (cv: Umehara Yuuichirou) (Dame x Prince ANIME CARAVAN ED3)
4. Heavenly Visitor, by TRIGGER (IDOLiSH7 ED)
5. Ref:rain, by Aimer (After the Rain ED)

It’s the season of Sanrio and ramen. Sanrio, the company behind Hello Kitty and My Melody, not only has their own anime airing right now, they also have product placement and tie-ins with the other 2 “cute” shows on my list, How to keep a mummy and SCHOOL BABYSITTERS! Meanwhile, ramen is featured in the titles and content of 2 (very different) shows.

To tell the truth, I’ve been procrastinating about making this ranking. The reason is that there are so many really good series this winter that it’s kind of a pain deciding which show is better than which! Anyway, I’ll do my best.


01. DARLING in the FRANXX (ep. 1-9) – Depending on how I feel about each episode week by week, any of the shows in my top 5 could easily be my favourite of the season. Ultimately I’m going with DARLING in the FRANXX because I’m most invested in the characters of this show. The ways they relate to one another are compelling and I’m curious to know more about their world, even if I’m not expecting to be blown away by originality.

The early episodes of this mecha anime presented the cockpit scenes as one elaborate, extended sex joke. I think it turned some people off. I, however, thought it was really funny! Well, I also liked Aquarion EVOL and STAR DRIVER, so apparently I’m not one to be easily offended by this type of material. (On the other hand, I do find a tad offensive the way we always see Futoshi eating something. You can always count on good ol’ anime to fat-shame the chubby kid whenever there’s an opportunity to do so.)

Since then, the focus has turned more toward developing each of the characters, and I’m enjoying that aspect too, since I really do care about these kids… Well, except for Mitsuru; I have a feeling even he might become sympathetic eventually, but for now I just feel really sorry for Ikuno, who has to partner with him.
(streaming at Crunchyroll)


02. SCHOOL BABYSITTERS (Gakuen Babysitters) (ep. 1-10) – I love my sisters more than anything in the world, so I’m a super easy target for heartwarming stories like this that emphasize the bonds between siblings. Additionally, there is a big age gap between myself and my youngest sibling, just like Ryuuichi and Kotarou, so this brings back memories of when my baby sister was, well, actually a baby.

Ryuuichi and Kotarou are on their own in this world after suffering the loss of their parents. Naturally, they are very attached to each other. They get taken in by the Chairwoman of a private school, and Ryuuichi uses his experience in raising his brother to help out at the school’s daycare.

The anime is not as sombre as I’m making it sound. Most of the time, it’s lighthearted and sweet and funny. I laugh a lot while watching; and then afterward, I’m left thinking about the characters’ personalities and how different the various sibling relationships are.

Personally, I would never leave my child at a daycare staffed by guys, especially not if the adult in charge were someone like Usaida – he is disturbingly irresponsible! I think I enjoyed it too much when Kamitani whacked him on the head that time. Then again, I always enjoy it when Kamitani whacks people. Is that bad? – I absolutely do not condone hitting people (especially children) in real life!
(streaming at Crunchyroll)


03. HAKATA TONKOTSU RAMENS (ep. 1-9) – This show depicts Hakata as a city teeming with killers-for-hire. It has a huge ensemble cast, and it’s really hard to keep track of who’s who and who is whose associate, but I can follow it enough to enjoy it a lot. All the double-crossing and personality quirks are a blast to watch, although I’m also glad we are finally getting some background on Lin.
(streaming at Crunchyroll)

04. The Disastrous Life of Saiki K. 2 (Saiki Kusuo no Psi Nan 2) (ep. 1-9) – More Saiki K. goodness. It’s great to have Saiki and his friends and family back; their personalities and the situations they get themselves into are always hilarious. If you liked the first season, you will also enjoy this.

The current OP, “Psilent Prisoner,” by Psychic Lover featuring lead vocals by Kaidou (cv: Shimazaki Nobunaga), is very chuunibyou and kind of amazing. I wonder if I should have included it in my song list up top?


05. How to keep a mummy (Miira no Kaikata) (ep. 1-9) – So freakin’ cute. That’s pretty much all you need to know. This show, about a boy and his mini mummy, and his friends and their fantastical pets, takes the cuteness of something like SCHOOL BABYSITTERS and dials it to eleven. There’s no deep meaning, no complicated plot to follow; just sit back, relax, and let the warmth wash over you.
(streaming at Crunchyroll)


06. B: The Beginning (ep. 1-6) – A mature investigative crime drama along the lines of PSYCHO-PASS and Terror in Resonance. Uploaded by NETFLIX in its entirety early in March, we haven’t had time to marathon it, but we did check out the first 6 episodes over 2 sittings and I’m intrigued by what we’ve seen.

In some ways, Lily, the female protagonist, kind of sticks out like a sore thumb. She has a more cartoony appearance than the other cast members and it’s obvious she’s there largely for comic relief. But I like her. B: The Beginning is dark, violent, and frequently disturbing. When Lily shows up though, it lightens the mood and makes things feel less horrifying.
(streaming on NETFLIX in its entirety)

07. Yowamushi Pedal: GLORY LINE (ep. 1-10) – We’re in the middle of the Inter-High and GLORY LINE (YowaPeda season 4) is once again as exciting and funny as the first 2 seasons. It’s nice to see the Sohoku boys back in the spotlight. Their team banter is always fun too, especially Naruko and Imaizumi. Now all we need is for Onoda to strut his stuff!
(streaming at Crunchyroll)


08. Dame x Prince ANIME CARAVAN (ep. 1-10) – This show is pretty dumb, but damn if it isn’t really funny too! It basically functions as a parody of reverse harem stories. The guys of DamePri are handsome to look at, I guess, but every one of them is a certifiable weirdo. Part of the joke is that our lead, Princess Ani, wouldn’t be caught dead dating any of them. Her reactions to the shenanigans are hilarious.

All along, there were hints that something shady was going on behind the scenes, but the anime has been fluffy and comedic for the vast majority of its run. Until now, that is; the tone suddenly shifted in ep. 10, and it seems like things will be a little more serious in the final stretch.

Funniest character: Prince Narek. He’s so ridiculously, obliviously full of himself that sometimes he only needs to show up and I already feel like giggling. Least-funny: Gurimaru. Mascot characters just don’t work for me.
(streaming at HIDIVE)


09. After the Rain (Koi wa ameagari no You ni) (ep. 1-10) – After the Rain is about a teenaged girl with a crush on her 40-something boss. As such, it tiptoes on some potentially problematic material. To its credit, the anime is sensitive and believable and not really weird at all, in no small part because Kondo, the boss, is a decent guy who doesn’t take Akira’s advances too seriously.

10. GARO -VANISHING LINE- (ep. 13-21) – Even though Sword and Sophie are the real main characters, it’s the episodes focused Luke that I’ve enjoyed the most. Also, ep. 16, a mostly stand-alone story about a chance acquaintance, proved to be a highlight. It was written well enough to make me care about this random guy. And it was refreshing to see that not everything has to be because of Horrors.

As previously stated, the action is great; and in particular, I am satisfied with the musical accompaniment during those scenes. A show like this is just crying to have some metal in its soundtrack; GARO gets it.
(streaming at Crunchyroll)


11. VIOLET EVERGARDEN (ep. 1-10) – The animation looks absolutely stunning in this much-hyped KyoAni production. VIOLET EVERGARDEN tells the story of a former-soldier doll who starts a new life after the war as a letter-writer, while coming to terms with her past.

Disappointingly, the quality of the visuals far out-classed the rather unsophisticated narrative in the early stages. But then the anime apparently started following the source material more closely around the fifth episode and it was a huge improvement. My enthusiasm for the show increased dramatically.

Basically, VIOLET EVERGARDEN has taken the opposite trajectory of SANRIO BOYS (see below) in my rankings.
(streaming on NETFLIX weekly)

12. Record of Grancrest War (Grancrest Senki) (ep. 1-10) – This reminds me a bit of Lord Marksman and Vanadis (2014). Both have a political/fantasy setting, extremely fast pacing, and strong female warriors. Grancrest Senki is the less fanservicey and more respectable of the two.

The pace really is fast. There’s a war going on and there can be five or ten different things happening at the same time, with very little explanation. It is possible to enjoy it just from following the gist of it, though.

The series can also be terribly violent at times, but I feel the violence tends to be presented in ways that are more artistic than gratuitous. I also like that even doomed extras sometimes get decently animated fights before getting killed off. However, it’s kind of a shame that frequently, named characters with interesting personalities or backgrounds also just get killed off soon after their introduction.
(streaming at Crunchyroll)

13. IDOLiSH7 (ep. 3-12) – The male idol anime of this season is fairly competent, though I don’t feel it particularly stands out among other shows of its genre. It’s realistic that IDOLiSH7 does not become successful immediately, and that in fact a couple of the members rise in popularity ahead of the others.

I kind of wish there was more focus on the rival group, TRIGGER. Two of the 3 guys have somewhat abrasive and rebellious personalities. They clearly have their own agendas, and I am genuinely interested in learning what their motives are. Plus, TRIGGER’s music is better; which isn’t actually difficult since the IDOLiSH7 songs are all terrible.
(streaming at Crunchyroll)


14. Ms Koizumi loves ramen noodles (Ramen Daisuki Koizumi-san) (ep. 1-10) – While this is a cute and pleasant show, it really has no plot. Gluttony is the name of the game for ramen-addicted Koizumi and her friends. We usually make sure to get some ramen in us before watching, or at least have food in hand, because man, all that ramen on display looks sinfully good. It’s definitely given us ideas on where we want to eat when we next go to Japan!

It can be argued that both this and last season’s Love Rice are pro-carb propaganda vehicles, and I’m not sure I can really support that message. While I do happen to be staunchly pro-carbs myself, it’s more of a personal preference and not because I have any delusions that this kind of diet is balanced or healthy. Having ramen every day, several times a day may sound heavenly, but it can’t possibly be good for you!
(streaming at Crunchyroll)

15. BORUTO: NARUTO NEXT GENERATIONS (ep. 40-47) – The Byakuya Gang arc was actually not bad, in that it was fairly enjoyable to watch. I didn’t see the grey in the criminals’ ideology, though. They were trying to gain public favour by robbing from the rich and giving to the poor, but I think Boruto summed it up pretty nicely right from the start, that “stealing is stealing!”
(streaming at Crunchyroll)

16. Osomatsu-san 2 (Mr. Osomatsu 2) (ep. 14-23) – A clear improvement over the first cour, even if it still isn’t quite measuring up to the creative genius of season one.
(streaming at Crunchyroll)


17. SANRIO BOYS (ep. 1-9) – SANRIO BOYS had a very promising start. The message of the first few episodes, that it’s okay to be yourself, even if you like Sanrio mascots and you’re a boy, was relevant and easily applicable to anyone who might feel they don’t fit in with the crowd for any reason.

Then, the show veered off into worshipping-Hello-Kitty-as-a-deity territory and they lost me. In ep. 7, the boys had a transcendent experience visiting the Sanrio Puroland theme park. I didn’t get it at all. I’m grateful I got to see it in this anime, though; now I know I don’t ever need to go there myself!

Now the new friends are putting all their resources into making a musical, even though it’s obvious none of them has any expertise in that sort of thing. It’s just not believable. All in all, SANRIO BOYS could have been so much better if it had continued to play out as a parable for the challenges of learning to accept yourself and to accept others who are different from you. What a missed opportunity.
(streaming at Crunchyroll)