Mid-Winter 2015 Anime Ranking

Let’s start the year off by highlighting some theme songs – just like last year. The best current OP/ED songs according to me are as follows:

1. Last Theater, by NoisyCell (Death Parade ED)
2. Akatsuki no Hana, by Cyntia (YONA OF THE DAWN OP2)
3. FOCUS, by Showtaro Morikubo (GARO ED2)

We’re watching less than usual this season, only 15 series, attributable to a shortage of free time and a shortage of patience. Nearly half of those 15 are continuing shows, so you’ll notice some repeat from the mid-autumn ranking. Five are sequels (more déjà vu); and we’ve picked up only 3 completely new series.

Unlike last winter, though, there’s actually a lot of good stuff this time around.


01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 13-21) – After a moving season opener, GARO proceeded to give us 3 episodes of filler. Well, the stories were still relevant to the theme of the show, but there just wasn’t enough of our 3 main characters in them. Fortunately, things are getting back on track now.

Twenty episodes in, we finally got the spotlight on Mendoza’s right-hand woman Octavia. Seeing what she’s been through and what she’s capable of, I can’t help but feel some respect for her. Of course, that doesn’t stop me from hating her too. Her cleverness and deceitfulness make her a dangerous adversary for our high-minded heroes. Regarding the whole Mendoza deal, though, I can’t say I understand at all why Watchdog Center would ever cooperate with him; it doesn’t seem to make any sense.

GARO is still the series that I look forward to the most each week. That’s why it’s here at the top, even though it could easily be argued that some of the anime below have been displaying even better plot progression of late. I continue to admire the mature writing in GARO and I genuinely care about what happens to Leon, Alfonso, and German.
(streaming at FUNimation)


02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 13-20) – The conflict is heating up as the humans begin to mount an offensive against the parasites. Innocent lives are lost with little consideration during the assault. The message seems overly simplistic maybe; but it resonates with me anyway. How do you defeat a monster without becoming one yourself? If there were easy answers to that, real-life monsters such as Islamic State militants would not still be terrorizing the world…
(streaming at Crunchyroll)


03. ALDNOAH.ZERO (ep. 13-20) – This second part of ALDNOAH.ZERO is shaping up to be even better than the first. The narrative turns have been riveting and unpredictable. Whereas season one focused on the Earth side, the current attention to the Vers forces and Slaine’s development is a welcome change.

It’s hard not to see this heading toward a tragedy, though.
(streaming at DAISUKI and Crunchyroll)


04. ASSASSINATION CLASSROOM (Ansatsu Kyoushitsu) (ep. 1-8) – The E Class of a prestigious school is given the task of killing their teacher, the tentacled and super-fast Koro Sensei, who has threatened to destroy the Earth at the end of the school year, should they fail to murder him first. Not only is he really hard to kill, though, he also happens to be a damn good teacher.

The episodes tend to be stand-alone stories, so there hasn’t been a lot of progress overall. Regardless, AssClass is very amusing in its absurdity and it consistently gives off a feel-good vibe.
(streaming at FUNimation)

05. Yowamushi Pedal GRANDE ROAD (ep. 13-19) – Still riding the Inter-high, though we’re on the last climb to the finish line now. Can’t wait to see what Onoda can pull off at this point. And I’m rooting for Imaizumi’s success even though it’s obvious that his early lead in and of itself is a flag that everything is not about to go so smoothly for him or Team Sohoku.
(streaming at Crunchyroll)


06. Akatsuki no Yona (YONA OF THE DAWN) (ep. 13-20) – Some viewers may have considered ep. 16 to be filler, but I really enjoyed the brief focus on Soo-won. I think he’s way more interesting than our heroine. Fortunately, Yona’s side of things is picking up with the introduction of the Green Dragon, Jae-ha. All the other Dragons are transfixed by Yona. It’s nice to see Hak getting some attention for a change!
(streaming at Crunchyroll and FUNimation)

07. JoJo’s Bizarre Adventure: STARDUST CRUSADERS Egypt Arc (ep. 25-32) – Our heroes have made it to Egypt, but there are still a bunch of baddies standing between them and Dio. The series continues to be crazy and dumb and funny, maybe funnier than it’s ever been, actually.
(streaming at Crunchyroll)


08. Death Parade (ep. 1-9) – Upon dying, people show up in pairs at Decim’s bar to play a game that will determine their fate in the afterlife. The stories are often rather unpleasant, and the fairness of the judging system is suspect. Where Death Parade succeeds is in how thought-provoking the scenarios can be. Long after the episode is over, you might still be thinking about the characters and wondering whether or not Decim and co. made the right decisions.
(streaming at FUNimation)

09. SHIROBAKO (ep. 12-20) – Even though I’m not that invested in the characters individually, this show has been really effective at portraying the process and challenges involved in delivering weekly episodes of an anime series. Not only that, but it manages to be entertaining and easy to follow too.
(streaming at Crunchyroll)

10. Ace of Diamond (Diamond no Ace) (ep. 64-71) – I was glad to learn there’s to be a second season for this. Because right now, things are going so badly for Sawamura that it’s actually been kind of painful to watch the show; and it’s not likely his problems will be completely resolved in just the few episodes we have left.
(streaming at Crunchyroll)


11. Cute High Earth Defense Club LOVE! (Binan Koukou Chikyuu Bouei-bu LOVE!) (ep. 1-8) – We’re all familiar with magical girl anime; how about a magical boy anime? Evil aliens are trying to take over the world and it’s up to 5 guys in a school club, along with their own alien mascot, to counter the menace – with love. Add to that a dash of Weekend at Bernie’s humour too.

Like JoJo’s, the material is pretty stupid, but the result is often funnier than it has any right to be.
(streaming at FUNimation and Crunchyroll)

12. Kamisama Kiss (Kamisama Hajimemashita) S2 (ep. 14-21) – I wasn’t that crazy about season one, but I didn’t not like it enough to avoid the sequel, so here I am. When all is said and done, I’m not that into the romance plotline. Otherwise, Kamisama Kiss is decent enough as a light distraction to enjoy after a hard day at work.
(streaming at FUNimation)


13. Kuroko’s Basketball S3 (ep. 51-59) – The special powers of the elite players are getting more and more ridiculous. I actually took issue with godlike Akashi, who caused opposing players to lose their footing and fall down in his presence. It wouldn’t be fun for any of them to play like that! And who would even want to watch such a game?

KuroBas can still be a fun show to watch, mind you, but you can’t take it seriously, at all.
(streaming at DAISUKI and Crunchyroll)

14. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 12-19) – I’m still having trouble buying that these kids are middle-schoolers and younger with the way they talk and act! Lots of suffering in this show.
(streaming at Crunchyroll)

15. Tokyo Ghoul √A (ep. 13-21) – Another sequel that I ultimately couldn’t not watch, although I did hesitate. As expected, this pretty much continues the ham-fisted storytelling of the first season. I will say that Root A has gradually been getting better recently, for whatever that’s worth.
(streaming at FUNimation)

Also planning to watch: DURARARA!! X2 Shou. But we’ve decided that it’s been too long and we really need to re-watch S1 first.

Mid-Autumn 2014 Anime Ranking

It’s more like a late-season review again. I took a break from work and anime for a couple of weeks early on, and it’s taken a while to get caught up, more or less. There are still a few shows on my watch list that I will not be covering here, since I have not seen enough of them to rank them.

It has been an exceptionally strong season, in my opinion. I’m really happy with just about everything in the top 10.


01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 1-10) – I’m new to the GARO franchise, so I didn’t really know what to expect going in. I started watching because it seemed like it was an adult-oriented, medieval-setting anime, which is right up my alley. Fortunately, they seem to be presenting a stand-alone story which doesn’t demand much prior knowledge of previous works.

The interactions between sullen Leon and his libido-charged dad, German, have been amusing to watch. It’s a believable relationship. I can see how teenaged Leon would constantly feel annoyed at his father’s behaviour, and also how German would be frustrated at his withdrawn and uptight son.

Even though he hasn’t had much screen time until recently, I’ve been impressed with how Prince Alfonso is depicted as being a lot more capable and worldly than your average runaway royal. It’s obvious the King’s money bought him a good education, as one would expect, and it’s clear he paid attention in class, too. Of course he’s going to be a bit uncomfortable as he attempts to navigate his new surroundings, and he is physically weak compared to all the other guys in the show, but he is never useless or completely defenceless, either. I’ll bet Princess Yona (from currently airing Akatsuki no Yona) wishes her overprotective father had had as much foresight as Alfonso’s parents did!

This show proves that it’s possible to have mature content, including sex and violence, without being cheap and exploitative.

My one real complaint is that the super-shiny CG battle suits are a bit jarring compared to the restrained colour scheme of the 2D animation. I definitely prefer the fight scenes when they are not suited up. The only plus is that the CG suits are easier to see in the dark.
(streaming at FUNimation)


02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 1-10) – A thriller in which alien beings take over human bodies and turn them into shape-shifting cannibals. Our hero, Shinichi, fortuitously prevents his parasite from reaching his brain when it attacks him in the middle of the night. However, it permanently ends up in his right arm and they are forced to work together in order to survive.

I almost gave Parasyte the number one spot, as it has been the most consistent in effective storytelling, but the musical score is sometimes incongruous to the events on-screen, and GARO is just closer to my heart at the moment.

The narrative unfolds at a well-measured pace. It kind of reminds me of Death Note, with how it starts with the focus on the personal dynamic between Shinichi and Migi, then gradually expands the view to more and more of the outside world as the story progresses.

Even though it’s understated, we get a good sense of Shinichi’s feelings of discomfort at what is happening to his body. It’s fascinating to see Migi’s development too.
(streaming at Crunchyroll)


03. Fate/stay night [Unlimited Blade Works] (ep. 0-9) – Easily the best-looking series of the season, Fate/stay night offers top-notch action animation and detailed characterization.

Because this is being re-made as a direct sequel to Fate/Zero, it comes with a layer of context that elevates the material possibly above what it actually is. As such, I was invested in many of these characters before the show even began. Really subtle things, such as the way Saber stared at Illya, when they first encountered her, just for a moment, before casting down her gaze, can make me wonder at their meaning. Was Saber remembering the young child Illya used to be? Did seeing her standing there remind her of Illya’s mother Irisveil? Did she possibly feel regret that Illya was now to be her enemy?

I’m hoping they will eventually delve into the past events which many of the current Grail War participants have limited knowledge of. Rin seems to remember Sakura. But it’s hard to read her actions. Sakura doesn’t seem to be aware of their previous relationship at all. I also think it’s interesting that Illya, Shirou, and Saber each seem to have vastly different impressions about the kind of person that Kiritsugu was.

Rin is a great character. I love her interactions with her Servant Archer and with Shirou.

This version of Fate/stay night has done an extraordinary job of making Shirou out to be a likeable guy. He’s naïve and idealistic, but it’s clear he has a lot of potential for becoming a stronger Master. So far, he has not displayed any of the chauvinistic behaviour toward Saber that really irked me in the original Fate/stay night. Fingers crossed that there will be no mid-war “date” episode this time around.
(streaming at Crunchyroll)


04. LAUGHING UNDER THE CLOUDS (Donten ni Warau) (ep. 1-10) – This one got off to a rocky start; it didn’t bode well for things when the main characters were running around in drag for no reason in the very first episode. Fortunately, the show took a more serious direction fairly quickly.

Tenka, the eldest Kumoh brother, reminds me of Headmaster Cross (from Vampire Knight) with the way he constantly puts on a goofball façade, while keeping his burdens to himself. I thought he took the act too far with his little brother, though, especially as it seemed obvious that Sora was mature enough to handle some reality. Gotta say, I was surprised and impressed by the gutsy yet logical conclusion to episode 6.

And then, the shocking twists in episode 9 left me reeling! I’m really enjoying Shirasu’s very nuanced portrayal. There’s a difficult scene between Soramaru and Shirasu in the latest episode, and I was blown away by the heartbreaking and compelling way in which it was handled.
(streaming at FUNimation)


05. Shirogane no Ishi: ARGEVOLLEN (ep. 13-22) – The story’s gotten really good. It’s now less a question of who is winning this war between Arandas and Ingelmia, and more about the disagreement within Arandas ranks on whether or not to stop fighting. The characters have become fleshed out and believable. The animation has been impressive as well, including the mecha fights. I’ll choose to forget the mostly off-model season opener episode 13; if anything positive came out of that, it’s that it made me appreciate how good the show usually looks!

And they really did stop with the random fanservice which marred the first half. Fanservice is now limited to the ED credits, and I, for one, am grateful the creators were able to use that to get it out of their systems so they can treat the actual show seriously.
(streaming at Crunchyroll)

06. Ace of Diamond (Diamond no Ace) (ep. 51-59) – It’s the final game leading to Nationals and our main character Sawamura finally gets the spotlight as he takes the mound for Seido in the last few innings.
(streaming at Crunchyroll)


07. Gugure! Kokkuri-san (ep. 1-10) – Emotionally-stunted Kohina inadvertently gets herself haunted by 3 spirits. It’s not as if she can easily get rid of them, so they sort of become her family. Long-suffering, vain fox spirit Kokkuri is remarkably endearing. And our cup-noodle-obsessed lead girl Kohina is no angel, but she is totally adorable.

I like how the show doesn’t feel obligated to produce a gag every minute. Some of the best episodes are the ones where the comedy takes a back seat for a while and allows the show to explore a more thoughtful storyline. The music used in these segments tends to be really pretty, too. Of course, the jokes and punchlines are never far behind.

Gugure! Kokkuri-san is silly and absurd and charming. It also has no qualms about making light of potentially touchy subjects such as suicide, stalking, or pedophilia, so sensitive viewers may wish to steer clear; but also know that you’ll be missing out if you do, because this is funny stuff.
(streaming at Crunchyroll)

08. Yowamushi Pedal: GRANDE ROAD (ep. 1-10) – Continues right where we left off before the break, in the middle of the Inter-high race. Yes, it is more of the same of what we’ve come to expect from YowaPeda, and it’s just as fun and exciting as ever.
(streaming at Crunchyroll)


09. Akatsuki no Yona (YONA OF THE DAWN) (ep. 1-10) – This was one of the series I was most looking forward to before the season began. For the most part, I’m pretty satisfied with the way it’s turned out. Many of the characters exhibit some depth, including the antagonists, and that’s a big draw for me. In fact, I’m eager to know more about traitor and pretender to the throne Soo-won; he’s a conflicted villain if I ever saw one.

I’m actually less excited about the current Dragon quest that Yona and Hak are on, but at least Yona is learning to be stronger and more independent in the process.
(streaming at Crunchyroll)


10. ORENCHI NO FURO JIJO (ep. 1-10) – A four-minute comedy short in which blond merman Wakasa takes up residence in the bathtub of a young man named Tatsumi. Wakasa’s friends get involved and hijinks ensue. Frequently, the characters appear in chibi form and it’s super-cute!

The ridiculously dark and angsty OP sequence featuring Matenrou Opera music serves as a perfect counterpoint to the lightweight content of the rest of the show.
(streaming at Crunchyroll)

11. PSYCHO-PASS 2 (ep. 1-9) – Maybe I had too-high expectations, but this sequel has proven to be a considerable disappointment to me thus far.

By the end of season one, we knew that Sibyl was flawed. I don’t recall Sibyl ever being so wilfully stupid or blatantly treacherous, though. Prisoners automatically get released the moment their crime coefficient goes down, no matter what they did to cause their incarceration? Is that even possible? A missing inspector, who is known to be acting suspiciously, is entitled to all her privileges as long as her psycho-pass is clear? I’m not saying they should fire her, but common sense says the MWPSB should have a way to prevent her from accessing police weapons until they can ascertain that she is safe and actually still on their side!

I’m not going to go so far as to call season 2 a train wreck, since they do seem to have a clear story in mind and they are telling it; and on its own, it’s probably fine. However, it’s difficult to ignore how the rules of the Sibyl System as established in the original series sometimes seem to be contradicted or changed to fit with the current production.
(streaming at FUNimation)

12. SHIROBAKO (ep. 1-9) – The overall story revolves around a group of friends beginning their careers in the animation industry. Most of the action (if you can call it that) is centered on Aoi’s experiences and the challenges she repeatedly faces in her role as production assistant for a company putting out a currently airing anime. Setbacks and deadlines abound and the fear of failure is sometimes palpable.

There is quite a bit of humour as well. I’m actually enjoying SHIROBAKO a lot; however, it’s just not the kind of show I find myself clamouring to watch each week.
(streaming at Crunchyroll)


13. Rage of Bahamut: GENESIS (Shingeki no Bahamut GENESIS) (ep. 1-9) – This had a really promising start: nice-looking animation, medieval fantasy adventure setting. The men are likeable if rather needlessly unattractive; and single-minded Amira is an interesting heroine. Okay, to be fair, she’s interested in 2 things: food, and getting to Helheim some way somehow.

Anyway, I wanted to like this show more than I do. I kind of wish it remained more grounded in the human world, as I find the parts about the angels’ and demons’ realms to be somehow overwhelming and boring at the same time.

The best part of the show remains the kick-ass opening credits, featuring “EXiSTENCE” by SiM. In case anyone’s wondering, there is no need to watch episode 6.5; it is 100% recap and doesn’t shed any new light on the proceedings.
(streaming at FUNimation)

14. Wolf Girl and Black Prince (Ookami Shoujo to Kuro Ouji) (ep. 1-10) – Erika gets caught in her lie about dating random hot guy Kyouya when he turns out to be a student at her school. To her surprise, he agrees to play her boyfriend; but only if she will be his dog. Yeah.

None of this is meant to be taken seriously, and honestly, the series is pretty fun and easy to watch. Still, I can’t help but have some reservations about the frankly abusive relationship at the core of this romance.
(streaming at Crunchyroll)


15. Lord Marksman and Vanadis (Madan no Ou to Vanadis) (ep. 1-10) – For something that bills itself as a fanservice show, the gratuitous content is actually pretty mild. Sure, the way all the girls’ bodies are covered in canker sores is a turnoff, and the gigantic breasts on some can get ridiculous at times, but importantly, characters of both sexes get to retain their self-respect here.

The initial arc started things off well, but as the series continued, the execution has taken a tumble. After the fourth episode or so, things started happening at breakneck speed: characters were introduced and killed off before we learned their significance, Tigre wandered off and made a pact with some mysterious being, battles were fought and won with little regard for the human side of the story. It just seems a lot less focused now and I’m losing interest because of that.

tl;dr: Way better than expected; still not that good.
(streaming at FUNimation)

16. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 1-9) – Former piano prodigy finds inspiration to take up his instrument again, and possibly romance, when a pretty and gifted violinist joins his group of friends. I find this stuff a tad melodramatic and, well, boring, but that’s just me. I would heartily recommend this anime to fans of Nodame Cantabile.
(streaming at Crunchyroll)

Notable Drop:

TERRA FORMARS (ep. 1-3) – The basic premise, with humanity possibly engineering its own demise when it attempts to terraform Mars by using cockroaches, sounds like a fascinating idea.

Problem is, the show is too obsessed with sensationalist violence. It’s just so hellbent on graphically depicting every beheading or dismemberment. Except you can’t show that stuff on TV, so at times up to 50% of the screen might be covered in black censor bars, making the show quite literally unwatchable.

It could have been so much better if they chose to suggest the gore artfully and if at least some clues as to what is going on on Mars were revealed earlier. If you’re looking for art or competent storytelling in a horror-thriller, best look elsewhere. Parasyte would be a good place to start.
(streaming at Crunchyroll)