Mid-Spring 2017 Anime Ranking

It’s sequels galore this spring, including some very highly anticipated and long-awaited ones. The Eccentric Family and My Hero Academia make their return; and need I mention the blockbuster Attack on Titan? Fully half of the shows we’re following this season are sequels and spin-offs, with many of them taking up residence in my top 10! One of those is the surprising title currently at the number one spot.

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01. Rage of Bahamut: VIRGIN SOUL (Shingeki no Bahamut: VIRGIN SOUL) (ep. 1-10) – Well, well. I knew this sequel was coming, but it was not even on my plan-to-watch list at the start of the season, since I was not exactly a fan of the first series, Rage of Bahamut: GENESIS. Back in the fall of 2014, I partially described GENESIS as “overwhelming and boring at the same time” and I griped that the males were “needlessly unattractive.”

My how things have changed in this new series, which takes place 10 years later! The guys are smokin’ hot now, and it’s actually relevant to the story! Interestingly, it’s not that Azazel and Kaisar, for example, superficially look that much different from before; I think it’s more a matter of dignity.

The new heroine, Nina, is also great. She’s physically strong, but she has to hide her weakness (to hot guys), since she doesn’t want to turn into a dragon and destroy everything. It’s relatable incredibly, and really funny.

So far, the setting has been almost entirely in the human world, which is another thing that I wanted. The reason for it is rather dark, though, and sets up the central conflict at the heart of the narrative.

Episode 6 was a blast! Gorgeously animated, it kind of reminded me of Aladdin, only the incognito royal love interest wasn’t a beautiful wide-eyed princess, but rather a handsome genocidal king! Okay, it’s kind of twisted and you just know it won’t end well, but that’s part of what makes it thrilling. It also added a shocking softness to Charioce’s persona, who had already been pretty well-fleshed out as a formidable enemy.

The animation is such that you can frequently tell what the characters are thinking just from small changes to their eyes and facial expressions.

Additionally, the story provides enough hints to make it fairly easy to figure some things out on your own (such as the identities of the Rag Demon and the drifter), which adds to the anticipation of what’s to come. I also like how events relating to one subplot will have repercussions on a different subplot later on; it really shows how much thought the writers have put into crafting a consistent and cohesive story.

Oh, and once again, there is an awesome OP with music by SiM. Basically, I have no shortage of good things to say about VIRGIN SOUL thus far. I only wish there were a legal way to stream it where I live.

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02. STARMYU High School Star Musical Season 2 (ep. 1-10) – Yes, STARMYU – there’s no mistake! Plot-wise, there isn’t that much. The students are just competing for roles in a high profile school play. But what I want from a sequel like this is ridiculous musical numbers and personality-infused character interactions; and above all, I want to have fun. In that regard, STARMYU 2 delivers in spades.

I love Hoshitani’s banter with lovably self-important Tengenji. The guy is fiercely loyal to his teammates even while insulting them to their faces! And Kuga’s sudden, unwanted harem is pretty funny too. Next time he’ll probably think twice before unleashing that level of coolness in public!

Poor Ageha chose the wrong guy to look up to. I’m sure Haruto is immensely talented as a performer, but as a mentor and instructor, his skills seem to be somewhat lacking.

Ootori and Hiiragi are much more deserving of respect and admiration, in my opinion. They are genuinely encouraging and helpful toward their juniors. Speaking of those two, one of the highlights from the first season was learning the basis for the strained relationship between them. I find it really heartwarming to see them hanging out together and being comfortable in each other’s presence since the start of this season.

What could be better? Sometimes Haruto and his team go a teensy bit overboard with their BL-suggestive wording when they talk amongst themselves. It gets to the point where I barely know what they’re actually talking about sometimes.
(streaming at Crunchyroll)

Attack on Titan 31 Reiner-Eren
03. Attack on Titan (Shingeki no Kyojin) Season 2 (ep. 26-35) – So far, this season has nailed the feeling of terror and creepy foreboding. The animation has improved too. Development-wise, the pace is slow though, and the story does not seem to be in a hurry to provide answers to the many ongoing mysteries. That’s not to say there are no revelations, of course. Personally, I loved the super-casual way in which the major plot bomb was dropped in ep. 31. That was so creative and so funny.

I have enjoyed the greater focus on the supporting cast, but ultimately I’m of the camp that wants to see more of Eren, Mikasa, and Armin.

No matter how grim the situation may be most of the time, Attack on Titan always finds room for at least a little bit of humour in every episode. That’s one of the things I really like about this show.
(streaming at Crunchyroll)

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04. The Eccentric Family 2 (Uchouten Kazoku 2) (ep. 1-9) – Yasaburou and his tanuki family are back for another season, and it’s as charming and quirky and cute as ever.

Although I don’t feel confident that I can explain most of what happens in this unusual series, I strangely don’t feel lost either. The characters are so distinct and the narrative is so compelling, that just being along for the ride is fanciful and fun.
(streaming at Crunchyroll)

Kenka Banchou Otome 5
05. Kenka Banchou Otome -GIRL BEATS BOYS- (ep. 1-9) – Hinako is coerced into taking her brother Hikaru’s place at a boys school full of delinquents, where there’s more fighting than studying. Fortunately, she can totally hold her own and quickly rises up the ranks of the social ladder. All the characters are colourful and likeable. The delinquent school premise hasn’t gotten old either; it was funny in BEELZEBUB and Cromartie High School, and it’s funny here.

I always look forward to the OP, since it usually incorporates part of the episode’s action. I even like the mock documentary sessions where the cast members soberly reflect on the current events as if from the future. It’s so absurd.

Each episode is only 8 minutes long so it’s often over way too soon. Kenka Banchou Otome is ridiculous and over-dramatic, and it’s a lot of fun!
(streaming at Crunchyroll)

06. KADO: The Right Answer (Seikaisuru Kado) (ep. 0-9) – In this mostly 3D-animated sci-fi drama, an alien being from the anisotropic drops his huge impenetrable cube (Kado) down at Haneda Airport, then proceeds to gift humanity with extra-dimensional devices.

The early reactions of the humans tasked with investigating Kado were presented in great, realistic detail. Then the pace kind of slowed down in the middle. It seemed to me the production was putzing around during the relocation of Kado, the repeated explanations of Sansa, and of course the recap episode (which I didn’t watch).

We’re building up momentum again, and it looks like things are going to get weirder from here. From a storytelling standpoint, I think that’s probably a good thing. If they try to keep it too realistic, I just don’t see how it would work.
(streaming at Crunchyroll)

Royal Tutor Heine
07. The Royal Tutor (Oushitsu Kyoushi Heine) (ep. 1-10) – Heine, a diminutive man with a mysterious past, becomes the latest in a long line of tutors for Grannzreich Kingdom’s four difficult young princes. Predictably, the early parts involve him getting to know his students and earning their respect.

Now, it seems there’s a conspiracy afoot and it might not be easy for Heine to keep his past hidden for too much longer.

One of the best segments so far was ep. 6, in which His Royal Highness himself decided to take a hands-on approach in evaluating Prince Licht’s extracurricular activities.

Incidentally, King Viktor seems to have a perpetually youthful appearance and is at least as handsome as any of his sons. If you’ve ever lamented that there just weren’t enough hot kings in your anime, well then between The Royal Tutor and Rage of Bahamut, this spring season has got you covered!
(streaming at Crunchyroll)

08. My Hero Academia (Boku no Hero Academia) Season 2 (ep. 14-23) – When I first realized that this second season would be all tournament-based, I was honestly not very enthusiastic at the prospect. Now that we’re well into it however, I have to admit the show is really good and seems to be getting better by the week. The match-ups are exciting and the soundtrack has been phenomenal too.
(streaming at Crunchyroll)

09. Yowamushi Pedal NEW GENERATION (ep. 13-21) – It’s time for the Inter-High again. Currently, Teshima seems to be paying the price for not warning Onoda sooner that the number one tag on his back would make him a target for the other riders.

I thought Midosuji was creepy, but his teammate Komori is even more gross. I literally felt violated when he groped Onoda and Imaizumi previously. Kyoto Fushimi High has been notably absent from the screen since the race began. I shudder to think what they might be up to.
(streaming at Crunchyroll)

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10. KABUKIBU! (ep. 1-9) – A kabuki-loving teenager starts an amateur performance club at his school. Following some issues with recruitment, the group begins to perform. But that comes with a whole new set of challenges.

I have to say, I really don’t get kabuki. I appreciate that the show makes the effort to educate its viewers on the art form, but so far, it has just reinforced my opinion that kabuki is weird and hard to understand. The characters themselves are likeable enough, though, which makes KABUKIBU! easy to watch.

11. BORUTO: NARUTO NEXT GENERATIONS (ep. 1-10) – I was really enjoying this Naruto spinoff at the outset. Boruto is smart and full of personality, and he’s a much more charismatic protagonist than his old man was.

I’ve lost some of that enthusiasm now that the show seems to be stuck in a disgruntled-person-of-the-week-gets-possessed cycle that has already been pre-emptively parodied in 2 seasons of Cute High Earth Defense Club LOVE!. It would be okay if each episode revealed more of the mystery behind the shadow or why Boruto is the only one who can see it, but there’s typically very little progress.

I also have an issue with the way that overweight characters are portrayed as always eating junk food. I’m trying not to let that get in the way of enjoying an otherwise decent production, but there it is.
(streaming at Crunchyroll)

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12. Tsukigakirei (as the moon, so beautiful.) (ep. 1-9) – This is a pretty understated, realistic take on first love that foregoes most of the usual tropes of the genre. Kotarou and Akane are sweet kids each with their own interests and goals. As they tentatively develop their newfound relationship with each other, they also encounter awkwardness in their dealings with family and friends.

If Tsukigakirei is relatively low on my ranking, it’s only because romance is not my preferred genre. If you like gentle love stories without a lot of manufactured drama, then you won’t go wrong with this series.
(streaming at Crunchyroll)

13. Re:CREATORS (ep. 1-9) – The first 4 or so episodes were way too heavy on talky exposition by Meteora. But then, the mecha pilot and his creator showed up, and they were fun and interesting. I also liked that when the government stepped in, they were highly efficient and already knowledgeable about the situation. I’m happy to see Kirihara Kikuchihara, in charge of the investigation.

Ultimately, though, I think there are just too many characters; and while the whole concept of fictional creations being transported to the real world is a fascinating idea, the execution seems a little clumsy and unfocused.

14. Ninja Girl & Samurai Master S2 (Nobunaga no Shinobi: Ise Kanegasaki-hen) (ep. 27-35) – This short series chronicling the history of Oda Nobunaga and his trusty little ninja continues without much of a break, but it’s officially season 2 now.

In ep. 30, I commiserated with Mitsuhide, as I was going through a similar work experience of having to deal with someone unpleasant for longer than I could tolerate. I also laughed out loud when the ugly Daimyo of Mino from the first season showed up again suddenly looking hot; it reminded me of a certain other show I happen to be watching that I can’t seem to stop talking about…
(streaming at Crunchyroll)

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15. THE ANONYMOUS NOISE (Fukumenkei Noise) (ep. 1-9) – Singer girl Nino/Alice crosses paths again with the boy she traumatically parted ways with in childhood when she enters high school. Subsequently, she also reunites with the other boy she even more traumatically parted ways with even earlier in childhood. Yes. There is a rock band and then there is another rock band.

The show is really emo about the stupidest things. If from now on I always cringe at the sound of “Twinkle, Twinkle Little Star” or giggle at the sight of a pedestrian crossing button, it’ll be because of this overly-sincere, angsty anime.

16. WorldEnd: What do you do at the end of the world? Are you busy? Will you save us? (Shuumatsu Nani Shitemasu ka? Isogashii desu ka? Sukutte Moratte Ii desu ka?) (SukaSuka) (ep. 1-9) – My sister and I are both watching SukaSuka, though neither of us is really that into it. Personally, I dislike that all the characters are walking around with dead-looking eyes. There’s a reason for it, as none of them are normal humans at this point, but nevertheless it does get in the way of my connecting with any of them emotionally.

Strangely, maybe because we are not engrossed in the story itself, we find ourselves noticing technical things about the production – my sister especially. She can understand a lot of the Japanese in this show, and every once in a while she will interject that Crunchyroll’s translator made a good choice in wording and such. In particular, we had a good laugh at the use of “defenestrated” in ep. 8. It is a wonderfully descriptive term all on its own, but because it is often applied in a military context, it also happened to be very appropriate to the character who spoke the line.

She has also pointed out, with dismay, that one of the music pieces in the soundtrack seems to be recycled note-for-note from the Free! anime, which had the same composer.
(streaming at Crunchyroll)

17. Love Rice (Love Kome –We Love Rice-) (ep. 1-10) – At first I didn’t really get the rice jokes. Well actually I still don’t get them; and the puns go right over my head most of the time. However, I began to see the humour in the absurd way that Love Rice sends up the usual tropes of the idol anime genre.

At the end of every 4-minute episode, there’s a quickie live-action cooking segment showcasing the preparation of various rice dishes.
(streaming at Crunchyroll)

Mid-Autumn 2014 Anime Ranking

It’s more like a late-season review again. I took a break from work and anime for a couple of weeks early on, and it’s taken a while to get caught up, more or less. There are still a few shows on my watch list that I will not be covering here, since I have not seen enough of them to rank them.

It has been an exceptionally strong season, in my opinion. I’m really happy with just about everything in the top 10.


01. GARO THE ANIMATION (GARO: Honoo no Kokuin) (ep. 1-10) – I’m new to the GARO franchise, so I didn’t really know what to expect going in. I started watching because it seemed like it was an adult-oriented, medieval-setting anime, which is right up my alley. Fortunately, they seem to be presenting a stand-alone story which doesn’t demand much prior knowledge of previous works.

The interactions between sullen Leon and his libido-charged dad, German, have been amusing to watch. It’s a believable relationship. I can see how teenaged Leon would constantly feel annoyed at his father’s behaviour, and also how German would be frustrated at his withdrawn and uptight son.

Even though he hasn’t had much screen time until recently, I’ve been impressed with how Prince Alfonso is depicted as being a lot more capable and worldly than your average runaway royal. It’s obvious the King’s money bought him a good education, as one would expect, and it’s clear he paid attention in class, too. Of course he’s going to be a bit uncomfortable as he attempts to navigate his new surroundings, and he is physically weak compared to all the other guys in the show, but he is never useless or completely defenceless, either. I’ll bet Princess Yona (from currently airing Akatsuki no Yona) wishes her overprotective father had had as much foresight as Alfonso’s parents did!

This show proves that it’s possible to have mature content, including sex and violence, without being cheap and exploitative.

My one real complaint is that the super-shiny CG battle suits are a bit jarring compared to the restrained colour scheme of the 2D animation. I definitely prefer the fight scenes when they are not suited up. The only plus is that the CG suits are easier to see in the dark.
(streaming at FUNimation)


02. Parasyte –the maxim- (Kiseijuu: Sei no Kakuritsu) (ep. 1-10) – A thriller in which alien beings take over human bodies and turn them into shape-shifting cannibals. Our hero, Shinichi, fortuitously prevents his parasite from reaching his brain when it attacks him in the middle of the night. However, it permanently ends up in his right arm and they are forced to work together in order to survive.

I almost gave Parasyte the number one spot, as it has been the most consistent in effective storytelling, but the musical score is sometimes incongruous to the events on-screen, and GARO is just closer to my heart at the moment.

The narrative unfolds at a well-measured pace. It kind of reminds me of Death Note, with how it starts with the focus on the personal dynamic between Shinichi and Migi, then gradually expands the view to more and more of the outside world as the story progresses.

Even though it’s understated, we get a good sense of Shinichi’s feelings of discomfort at what is happening to his body. It’s fascinating to see Migi’s development too.
(streaming at Crunchyroll)


03. Fate/stay night [Unlimited Blade Works] (ep. 0-9) – Easily the best-looking series of the season, Fate/stay night offers top-notch action animation and detailed characterization.

Because this is being re-made as a direct sequel to Fate/Zero, it comes with a layer of context that elevates the material possibly above what it actually is. As such, I was invested in many of these characters before the show even began. Really subtle things, such as the way Saber stared at Illya, when they first encountered her, just for a moment, before casting down her gaze, can make me wonder at their meaning. Was Saber remembering the young child Illya used to be? Did seeing her standing there remind her of Illya’s mother Irisveil? Did she possibly feel regret that Illya was now to be her enemy?

I’m hoping they will eventually delve into the past events which many of the current Grail War participants have limited knowledge of. Rin seems to remember Sakura. But it’s hard to read her actions. Sakura doesn’t seem to be aware of their previous relationship at all. I also think it’s interesting that Illya, Shirou, and Saber each seem to have vastly different impressions about the kind of person that Kiritsugu was.

Rin is a great character. I love her interactions with her Servant Archer and with Shirou.

This version of Fate/stay night has done an extraordinary job of making Shirou out to be a likeable guy. He’s naïve and idealistic, but it’s clear he has a lot of potential for becoming a stronger Master. So far, he has not displayed any of the chauvinistic behaviour toward Saber that really irked me in the original Fate/stay night. Fingers crossed that there will be no mid-war “date” episode this time around.
(streaming at Crunchyroll)


04. LAUGHING UNDER THE CLOUDS (Donten ni Warau) (ep. 1-10) – This one got off to a rocky start; it didn’t bode well for things when the main characters were running around in drag for no reason in the very first episode. Fortunately, the show took a more serious direction fairly quickly.

Tenka, the eldest Kumoh brother, reminds me of Headmaster Cross (from Vampire Knight) with the way he constantly puts on a goofball façade, while keeping his burdens to himself. I thought he took the act too far with his little brother, though, especially as it seemed obvious that Sora was mature enough to handle some reality. Gotta say, I was surprised and impressed by the gutsy yet logical conclusion to episode 6.

And then, the shocking twists in episode 9 left me reeling! I’m really enjoying Shirasu’s very nuanced portrayal. There’s a difficult scene between Soramaru and Shirasu in the latest episode, and I was blown away by the heartbreaking and compelling way in which it was handled.
(streaming at FUNimation)


05. Shirogane no Ishi: ARGEVOLLEN (ep. 13-22) – The story’s gotten really good. It’s now less a question of who is winning this war between Arandas and Ingelmia, and more about the disagreement within Arandas ranks on whether or not to stop fighting. The characters have become fleshed out and believable. The animation has been impressive as well, including the mecha fights. I’ll choose to forget the mostly off-model season opener episode 13; if anything positive came out of that, it’s that it made me appreciate how good the show usually looks!

And they really did stop with the random fanservice which marred the first half. Fanservice is now limited to the ED credits, and I, for one, am grateful the creators were able to use that to get it out of their systems so they can treat the actual show seriously.
(streaming at Crunchyroll)

06. Ace of Diamond (Diamond no Ace) (ep. 51-59) – It’s the final game leading to Nationals and our main character Sawamura finally gets the spotlight as he takes the mound for Seido in the last few innings.
(streaming at Crunchyroll)


07. Gugure! Kokkuri-san (ep. 1-10) – Emotionally-stunted Kohina inadvertently gets herself haunted by 3 spirits. It’s not as if she can easily get rid of them, so they sort of become her family. Long-suffering, vain fox spirit Kokkuri is remarkably endearing. And our cup-noodle-obsessed lead girl Kohina is no angel, but she is totally adorable.

I like how the show doesn’t feel obligated to produce a gag every minute. Some of the best episodes are the ones where the comedy takes a back seat for a while and allows the show to explore a more thoughtful storyline. The music used in these segments tends to be really pretty, too. Of course, the jokes and punchlines are never far behind.

Gugure! Kokkuri-san is silly and absurd and charming. It also has no qualms about making light of potentially touchy subjects such as suicide, stalking, or pedophilia, so sensitive viewers may wish to steer clear; but also know that you’ll be missing out if you do, because this is funny stuff.
(streaming at Crunchyroll)

08. Yowamushi Pedal: GRANDE ROAD (ep. 1-10) – Continues right where we left off before the break, in the middle of the Inter-high race. Yes, it is more of the same of what we’ve come to expect from YowaPeda, and it’s just as fun and exciting as ever.
(streaming at Crunchyroll)


09. Akatsuki no Yona (YONA OF THE DAWN) (ep. 1-10) – This was one of the series I was most looking forward to before the season began. For the most part, I’m pretty satisfied with the way it’s turned out. Many of the characters exhibit some depth, including the antagonists, and that’s a big draw for me. In fact, I’m eager to know more about traitor and pretender to the throne Soo-won; he’s a conflicted villain if I ever saw one.

I’m actually less excited about the current Dragon quest that Yona and Hak are on, but at least Yona is learning to be stronger and more independent in the process.
(streaming at Crunchyroll)


10. ORENCHI NO FURO JIJO (ep. 1-10) – A four-minute comedy short in which blond merman Wakasa takes up residence in the bathtub of a young man named Tatsumi. Wakasa’s friends get involved and hijinks ensue. Frequently, the characters appear in chibi form and it’s super-cute!

The ridiculously dark and angsty OP sequence featuring Matenrou Opera music serves as a perfect counterpoint to the lightweight content of the rest of the show.
(streaming at Crunchyroll)

11. PSYCHO-PASS 2 (ep. 1-9) – Maybe I had too-high expectations, but this sequel has proven to be a considerable disappointment to me thus far.

By the end of season one, we knew that Sibyl was flawed. I don’t recall Sibyl ever being so wilfully stupid or blatantly treacherous, though. Prisoners automatically get released the moment their crime coefficient goes down, no matter what they did to cause their incarceration? Is that even possible? A missing inspector, who is known to be acting suspiciously, is entitled to all her privileges as long as her psycho-pass is clear? I’m not saying they should fire her, but common sense says the MWPSB should have a way to prevent her from accessing police weapons until they can ascertain that she is safe and actually still on their side!

I’m not going to go so far as to call season 2 a train wreck, since they do seem to have a clear story in mind and they are telling it; and on its own, it’s probably fine. However, it’s difficult to ignore how the rules of the Sibyl System as established in the original series sometimes seem to be contradicted or changed to fit with the current production.
(streaming at FUNimation)

12. SHIROBAKO (ep. 1-9) – The overall story revolves around a group of friends beginning their careers in the animation industry. Most of the action (if you can call it that) is centered on Aoi’s experiences and the challenges she repeatedly faces in her role as production assistant for a company putting out a currently airing anime. Setbacks and deadlines abound and the fear of failure is sometimes palpable.

There is quite a bit of humour as well. I’m actually enjoying SHIROBAKO a lot; however, it’s just not the kind of show I find myself clamouring to watch each week.
(streaming at Crunchyroll)


13. Rage of Bahamut: GENESIS (Shingeki no Bahamut GENESIS) (ep. 1-9) – This had a really promising start: nice-looking animation, medieval fantasy adventure setting. The men are likeable if rather needlessly unattractive; and single-minded Amira is an interesting heroine. Okay, to be fair, she’s interested in 2 things: food, and getting to Helheim some way somehow.

Anyway, I wanted to like this show more than I do. I kind of wish it remained more grounded in the human world, as I find the parts about the angels’ and demons’ realms to be somehow overwhelming and boring at the same time.

The best part of the show remains the kick-ass opening credits, featuring “EXiSTENCE” by SiM. In case anyone’s wondering, there is no need to watch episode 6.5; it is 100% recap and doesn’t shed any new light on the proceedings.
(streaming at FUNimation)

14. Wolf Girl and Black Prince (Ookami Shoujo to Kuro Ouji) (ep. 1-10) – Erika gets caught in her lie about dating random hot guy Kyouya when he turns out to be a student at her school. To her surprise, he agrees to play her boyfriend; but only if she will be his dog. Yeah.

None of this is meant to be taken seriously, and honestly, the series is pretty fun and easy to watch. Still, I can’t help but have some reservations about the frankly abusive relationship at the core of this romance.
(streaming at Crunchyroll)


15. Lord Marksman and Vanadis (Madan no Ou to Vanadis) (ep. 1-10) – For something that bills itself as a fanservice show, the gratuitous content is actually pretty mild. Sure, the way all the girls’ bodies are covered in canker sores is a turnoff, and the gigantic breasts on some can get ridiculous at times, but importantly, characters of both sexes get to retain their self-respect here.

The initial arc started things off well, but as the series continued, the execution has taken a tumble. After the fourth episode or so, things started happening at breakneck speed: characters were introduced and killed off before we learned their significance, Tigre wandered off and made a pact with some mysterious being, battles were fought and won with little regard for the human side of the story. It just seems a lot less focused now and I’m losing interest because of that.

tl;dr: Way better than expected; still not that good.
(streaming at FUNimation)

16. Your lie in April (Shigatsu wa Kimi no Uso) (ep. 1-9) – Former piano prodigy finds inspiration to take up his instrument again, and possibly romance, when a pretty and gifted violinist joins his group of friends. I find this stuff a tad melodramatic and, well, boring, but that’s just me. I would heartily recommend this anime to fans of Nodame Cantabile.
(streaming at Crunchyroll)

Notable Drop:

TERRA FORMARS (ep. 1-3) – The basic premise, with humanity possibly engineering its own demise when it attempts to terraform Mars by using cockroaches, sounds like a fascinating idea.

Problem is, the show is too obsessed with sensationalist violence. It’s just so hellbent on graphically depicting every beheading or dismemberment. Except you can’t show that stuff on TV, so at times up to 50% of the screen might be covered in black censor bars, making the show quite literally unwatchable.

It could have been so much better if they chose to suggest the gore artfully and if at least some clues as to what is going on on Mars were revealed earlier. If you’re looking for art or competent storytelling in a horror-thriller, best look elsewhere. Parasyte would be a good place to start.
(streaming at Crunchyroll)