Tag Archives: Rurouni Kenshin

Mid-Autumn 2024 Anime Ranking

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It’s a season of blue-coded anime, apparently. I am watching Blue Box, BLUE LOCK, and Blue Miburo. If I was still following it, I could have been watching Blue Exorcist as well!

01. Orb: On the Movements of the Earth (Chi. Chikyuu no Undou ni Tsuite) (Ep. 1-12) – A fictionalized account of the perils faced by astronomers who realized the truth of heliocentrism during a time when the powers that be (ie, the Church) were politically and murderously committed to geocentrism.

The concepts raised here are surprisingly timeless. We might expect that we no longer have our heads in the sand when it comes to scientific progress, but clearly it has been shown time and time again that misinformation and mistrust are prevalent in any century.

(Streaming at Netflix)

02. Rurouni Kenshin -Meiji Kenkaku Romantan- Kyoto Disturbance (Kyoto Douran) (Ep. 25-35) – The Kyoto arc, unabridged. What more needs to be said?

(Streaming at Crunchyroll)

03. BLEACH: Thousand-Year Blood War – The Conflict (Sennen Kessen-hen -Soukoku-tan-) (S3 Ep. 1-10, Overall Ep. 27-36) – This third instalment of TYBW has been my favourite yet. Lots of major revelations and developments for the Soul Society Squad Captains and really nice animation to boot.

The OP is also remarkably gorgeous; I never skip it.

(Streaming at Hulu and Disney+)

04. Blue Box (Ao no Hako) (Ep. 1-11)

(Streaming at Netflix)

05. Nina the Starry Bride (Hoshifuru Oukoku no Nina) (Ep. 1-10)

(Streaming at Crunchyroll)

06. DAN DA DAN (Ep.1-11)

(Streaming at Crunchyroll and Netflix)

07. Blue Miburo (Ao no Miburo) (Ep. 1-8) – I’m no stranger to historical dramas about the Shinsengumi. This is right up my alley.

(Streaming at Crunchyroll)

08. BLUE LOCK 2nd Season (BLUE LOCK VS. U-20 JAPAN) (Ep. 25-34) – The Blue Lock project is put to the test in a pivotal game against the U-20 Team. It’s a shame that the animation quality is so very lacking this season, but the soccer is still as tense and over-the-top as always.

(Streaming at Crunchyroll)

09. Yakuza Fiancé: Raise wa Tanin ga Ii (Ep. 1-10) – Right off the bat, I found Kirishima to be a toxic and off-putting love interest, and I nearly dropped the show because of him. However, I did like Yoshino’s tough yet vulnerable personality. And maybe I was a little morbidly curious at how things would go.

Yakuza Fiancé is certainly an unconventional romance, to say the least. However, I did warm up to the characters and their relationships, even if I still had difficulty supporting the main romantic pairing.

(Streaming at Crunchyroll)

10. NEGATIVE POSITIVE ANGLER (NegaPosi Angler) (Ep. 1-11) – This one would normally be off my radar, but the word of mouth was good and plus, one of my sister’s oshis, Hirose Yuuya, has a role in it.

I don’t know, there’s something about fishing stories, they always put me to sleep. So the only way I can pay attention is if I’m multi-tasking, such as having dinner, at the same time. My sister, on the other hand, cannot eat while watching anything gross and slimy, so it has been interesting fitting this show into our schedule!

(Streaming at Crunchyroll)

11. The Healer Who Was Banished From His Party, Is, in Fact, the Strongest (Party kara Tsuihou sareta Sono Chiyushi, Jitsu wa Saikyou ni Tsuki) (Ep. 1-9) – Okay, out of the dozens of fantasy/isekai series on offer this season (and every season,) I selected this one to check out because of the voice talent. Specifically, Umehara Yuuichirou plays a supporting role. I wouldn’t say it’s bad, but it is pretty forgettable, and the animation quality is about on level with BLUE LOCK 2nd Season.

(Streaming at Crunchyroll)

Mid-Autumn 2023 Anime Ranking

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It was very difficult to do a ranking this time.  All the shows we are watching are good enough to keep us coming back every week, but none of them stand out as something we can’t wait to watch.

01. My New Boss is Goofy (Atarashii Joushi wa Do Tennen) (Ep. 1-10) – Momose starts to heal from the workplace abuse that he suffered at his previous company with the help of his kind new supervisor.

My New Boss is Goofy is practically the spiritual successor to Play It Cool, Guys, right down to Umehara Yuuichirou voicing the airheaded ad exec. While I’m not in love with the show, it is consistently sweet, and silly, and it makes me smile.

(Streaming at Crunchyroll)

02. The Yuzuki Family’s Four Sons (Yuzuki-san Chi no Yonkyoudai.) (Ep. 1-11) – The Yuzuki boys are really endearing, especially Gaku, who is the youngest in age, but acts the most serious and mature.

There’s a lot of content here that I personally relate to, being from a family of 3 sisters, with a big age gap, and now orphaned too.

(Streaming at Crunchyroll)

03. Rurouni Kenshin: Meiji Kenkaku Romantan (2023) (Ep. 14-24)

(Streaming at Crunchyroll)

04. FRIEREN: Beyond Journey’s End (Sousou no Frieren) (Ep. 1-12)

(Streaming at Crunchyroll)

05. The Apothecary Diaries (Kusuriya no Hitorigoto) (Ep. 1-11)

(Streaming at Crunchyroll)

06. Paradox Live THE ANIMATION (Ep. 1-10) – Out of the 3 music-themed anime we’re watching, this one has the best music and the most compelling and dramatic story line.

(Streaming at Crunchyroll)

07. Firefighter Daigo: Rescuer in Orange (Megumi no Daigo: Kyuukoku no Orange) (Ep. 1-11) – Very realistic firefighter stories, but it’s kind of slow-moving; and the amount of recap at the start of each episode is ridiculous. It’s almost like the storytelling is so realistic that it happens in real time, which is totally unnecessary. Otherwise, Firefighter Daigo can be pretty exciting and suspenseful.

(Streaming at Crunchyroll)

08. JUJUTSU KAISEN -SEASON 2- (Ep. 35-45) – The Shibuya battle rages on, in all its destructive glory. I don’t know what to say. Two of our favourite characters bit the dust in 2 consecutive episodes. When another of our favourites entered the fray the next week, we were like, ‘no – what are you doing??’

(Streaming at Crunchyroll)

09. The Saint’s Magic Power is Omnipotent (Seijo no Maryoku wa Bannou desu) Season 2 (Ep. 1-11) – Now that her Holy Saint duties are winding down, the kingdom wants to see Sei settled down. Of course, Sei has always been more interested in her research than in romance, so Albert understandably hasn’t pressured her; but if he doesn’t make his move soon, he might miss his chance.

Well it’s still good, but somehow less magical than the first season. Even the romance/chemistry between Sei and Albert feels kind of lacklustre.

Actually, you know who the cutest couple is? The king and his attendant! Just from one brief scene, it’s obvious how much they enjoy each other’s company and that they have a rich shared history together.

(Streaming at Crunchyroll)

10. GOBLIN SLAYER II (Ep. 1-10) – Less action and gore compared to season one, but still entertaining, as somehow, Goblin Slayer’s fixation on goblins never gets old.

I’m appreciating Lizardman a lot lately. He’s getting to be as into the goblin slaying as Goblin Slayer! And the subtle jabs he sometimes takes at their leader are so funny.

I also really like the makeover for Farm Girl. Previously, I was weirded out by that vacant look in her eyes, but now she seems bright and cute.

(Streaming at Crunchyroll)

11. SPY x FAMILY Season 2 (Ep. 26-35) – At first it seemed like this cour was going to be more episodic filler, but we finally entered a long arc with Yor’s mission on the cruise liner, and that was a huge improvement for the show.

(Streaming at Crunchyroll)

12. HYPNOSISMIC -Division Rap Battle- Rhyme Anima+ (Season 2 Ep. 1-10) – I was never particularly enamoured of any of the HYPMIC guys, but you know, there’s just something cute about the way Samatoki is always irritable and so angry; to the point that even his closest comrades can’t tell if he is under someone’s influence, or suffering nicotine withdrawal, or just being his normal self!

(Streaming at Crunchyroll)

13. B-PROJECT: Passion*Love Call (B-PROJECT Netsuretsu*Love Call) (Season 3 Ep. 1-11) – Tsubasa’s workload increases as Gandara signs up a streaming platform duo called Ultras. There’s a learning curve since the company is not accustomed to representing this type of talent, and Ultras are not accustomed to being represented.

Unfortunately, the English subtitles for this show are frequently problematic. It’s obvious the translator wasn’t given any background information or just can’t be bothered about getting any of the names right. Gandara Music is misspelled every time with an extra ‘h’ inserted randomly; the group names are often preceded by ‘The’ and are pluralized, as if they can’t conceive that music group names do not always follow that format. This, despite the fact that the correct typeset sometimes appears right on the screen.

(Streaming at Crunchyroll)

14. BEYBLADE X (Ep. 1-9) – The best opening theme of the season (of the shows we are following) is “PROVE” by ONE OK ROCK! That is in fact the primary reason we are watching BEYBLADE X. I have never touched a bey, nor have I watched any previous Beyblade anime. Also, Saito Sōma voices one of the main characters, so that never hurts!

ALSO WATCHED:

Onimusha (Ep. 1-8) (Netflix)

Mid-Summer 2023 Anime Ranking

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It’s more of an end-of-season ranking this time, partly because many of the series ended earlier than usual, and partly because I’m compiling it later than usual.

01. Ōoku: The Inner Chambers (Ep. 1-10) – Ōoku re-imagines what Japanese history might have been like if a virulent plague had wiped out the majority of the male population. Ironically, the story is still mostly about men, specifically the kept men who serve the female Shogun.

Even though Ōoku was already available in its entirety immediately at the start of the season, we made a conscious decision to watch week by week (along with My Happy Marriage, a weekly-release Netflix show.) I’m glad I experienced it this way, because it allowed me to really give thought to the story, and the characters, and especially to Arikoto’s plight.

(Streaming at Netflix)

02. Rurouni Kenshin: Meiji Kenkaku Romantan (2023) (Ep. 1-13) – Unfortunately, having previously watched the 1990s anime series, watched the live action movies, and read the manga, this new anime doesn’t quite deliver the wow factor for me that a new experience might have. That said, I definitely did have some complaints about the old series, and especially about the films, so I do love that this new iteration hews very closely to the best version of the story, the original manga.

Well of course, we wouldn’t miss anything that stars Saito Sōma, and I stand by my initial opinion upon learning of the casting, that he really is perfect for the role of Kenshin.

(Streaming at Crunchyroll)

03. AYAKA: A STORY OF BONDS AND WOUNDS (Ep. 1-12) – We went into this expecting it to be generic fantasy fluff, but right off, it was clear that AYAKA was a cut above. Something about the characters and the way they got along with each other, and the world-building, grabbed our attention.

The show left me contemplating how all of Yanagi’s disciples had internalized his ideals of self-sacrifice, whether he had expressly intended to teach them to be like that or not. The unfortunate corollary of bearing such a martyr mindset was that they didn’t know how to handle being the one who got protected, and that messed up their psyche.

True, parts of the story were predictable – I know some viewers anticipated Yukito’s true nature from the start – but the reveal played out really nicely in the final stretch, which was funny and heart-breaking and heartwarming.

(Streaming at Crunchyroll)

04. UNDEAD MURDER FARCE (Undead Girl Murder Farce) (Ep. 1-13)

(Streaming at Crunchyroll)

05. JUJUTSU KAISEN -SEASON 2- (Ep. 25-34) – The sudden flashback story line was a bit disorienting at first, but once things got going, this cour served as a powerful explanation of how Getou became so disillusioned.

I did learn something very important though. Apparently, “revealing information about your ability increases its fundamental strength.” That one nugget of wisdom did so much to enhance my appreciation/tolerance for shows such as BLEACH, for example, in which the characters are constantly explaining their abilities out loud. Naruhodo!

(Streaming at Crunchyroll)

06. Sugar Apple Fairy Tale (Ep. 13-24)

(Streaming at Crunchyroll)

07. My Happy Marriage (Watashi no Shiawase na Kekkon) (Ep. 1-12) – The setting and scenery are totally gorgeous, and sure, it’s effortless to root for Miyo against the abuse she’s had to put up with. But in my opinion, the characters lack nuance. Miyo is just a blob of soft-spoken, innocent goodness; Kudou is a protective hero she happens to get matched up with; while her evil stepmother and evil sister are evil. It’s kind of like Cinderella in a lush, historical Japanese setting, with supernatural abilities. The only character that makes me feel anything is Miyo’s friend Kouji; he’s a decent guy who definitely gets the short end of the stick.

(Streaming at Netflix)

08. The Most Heretical Last Boss Queen: From Villainess to Savior (Higeki no Genkyou to Naru Saikyou Gedou Last Boss Joou wa Tami no Tame ni Tsukushimasu.) (Ep. 1-12) – It’s another entry in the villainess isekai genre, and by now I have completely lost track of how many there have been. Anyway, I had a good early impression of this series. I was impressed with the way Princess Pride handled the ambush crisis, and especially the subsequent meeting with the knights. But it lost its momentum after that.

(Streaming at Crunchyroll)

09. Horimiya -the missing pieces- (Horimya -piece-) (Ep. 1-13) – I get how Horimiya fans would be thrilled to see previously cut content fully animated like this, and some of it is suitably amusing. But let’s face it, many of the clips are basically filler, and it seems obvious why those scenes were passed over in the first place.

(Streaming at Crunchyroll)

10. BLEACH: Thousand-Year Blood War – The Separation (Sennen Kessen-hen – Ketsubetsu-tan) (S2 Ep. 1-11) – This was kind of interesting at the start, with the reveal of the internal workings of the Quincy group and their second assault on Seireitei. But then it all devolved into fight-of-the-week shenanigans between random opponents that didn’t add much to their character development or the overall plot development. In fact, I think the part I liked best was the quiet showdown of Shunsui and Nanao against Jugram as the three of them seemingly just stood and watched the invasion at Seireitei headquarters.

RUROUNI KENSHIN: Kyoto Inferno / The Legend Ends

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Both: 3 stars (out of 4)

Both: Released 2014 (in Japan)

These represent the second and third films in the trilogy and cover the Kyoto Arc. The first film came out in 2012.

Compared to the source manga, the narrative is much compressed and rearranged, as with the first Kenshin film. It works okay as a movie, but once again, some transitions don’t completely make sense if you think about them.

Most of the individual fights between various characters have been cut; a necessity, as the intricacies and meanings would have been difficult to convey in this medium. I do regret we didn’t get to properly see the battle at Aoi-ya, in which 2 or 3 of Shishio’s Juppongatana were defeated by “women and children,” namely Kaoru, Misao, and Yahiko.

That brings me to my primary complaint, which is still the weak characterization of Kaoru. My image of her is of an open-minded young lady who is also bossy, strong-willed, and courageous. She lives by her progressive ideals of forgiveness and protecting life, but it’s not to say that she is a childishly naïve pacifist, either. From the manga (and anime), I could understand how she would be a source of strength and inspiration for Kenshin, but here she seems like just a nice girl with a pretty face.

Sadly, Yahiko, and Shishio’s woman, Yumi also lost a good chunk of their personality in the transition to film.

Soujirou was so good, though. Ryunosuke Kamiki really got his character’s scary-polite killer-child nature down. Soujirou represents an extreme version of what Kenshin used to be, and I’m glad his scenes were well-depicted in the films.

The many action and sword-fighting scenes throughout were absolutely gorgeous and thrilling; honestly, those alone are enough to make these movies worth seeing. There’s a whole lot to like in this adaptation of Rurouni Kenshin and I’m happy I got to experience these live-action films on the big screen at long last.

RUROUNI KENSHIN

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3.5 stars (out of 4)

Released 2012 (in Japan)

Himura Kenshin was once a feared assassin during the Meiji restoration period of the 1860s. A decade later, he now carries a reversed-edge sword to prevent himself from killing again. In Edo, he meets Kamiya Kaoru, the impassioned head of a kenjutsu school which teaches swordsmanship for saving lives, rather than for taking them. The school’s idealistic philosophy appeals to Kenshin, who has vowed to atone for his previous sins by protecting others. However, it won’t be easy for Kenshin to just live a peaceful life. He has many enemies from his violent past, and they all want a piece of him!

Thanks to the Toronto Japanese Film Festival, I was finally able to see this live action adaptation of my all-time favourite manga series. Going in, I tried to keep my expectations low; 2-hour film adaptations of long-running series necessarily have to cut a ton of material, and often, the end result is an empty shell of the original story. Also, the trailers we had seen left us questioning whether Takei Emi had the acting ability to portray Kaoru properly.

Happily, I found the film to be very enjoyable; the many action sequences were spectacular and the important themes were left intact. In the end, I was fairly satisfied with Takei Emi’s performance as well, considering the material that she was given to work with, Kaoru’s role having been significantly underwritten for this adaptation.

There was never any doubt, on the other hand, that Sato Takeru was perfectly cast. True to expectation, he turned in a flawless performance in the lead role, capturing Kenshin’s strength, when forced to fight, and more restrained gentleness at other times.

The movie deconstructs about 4 of the early story arcs and combines parts of them back together into a mostly coherent plot. It worked well for me since I was already very familiar with the original manga and seeing the story told this way felt fresh.

Of course there are casualties: lots of good stuff was cut, not the least of which was that Kaoru and Yahiko didn’t get any chance to show their talents and both of them came off looking rather weak. And as a result of the narrative cutting and pasting, some parts of the movie don’t completely make sense if you stop to think about it. Fortunately, there’s so much going on and the action scenes are so intense, that you’re not really given an opportunity to dwell on the minor details.

Another quibble: I found the scenes with Kanryu and his gang to be a bit jarring compared to the rest of the film. They tended to be more goofball and play-like and the accompanying music was too exaggerated.

I think the director and screenwriter made the correct choices in what must have been a daunting task to create this film. I might sound like I’m unhappy with the ruthless edits that have been made, but that’s what the manga is for! All told, the movie succeeds at being entertaining the way it is and I would love to see it again. I believe it is a worthy addition to the franchise. So yes, despite my complaints, I am giving it 3.5 stars!