Mid-Winter 2021 Anime Ranking

Going into this season, aside from the obvious sequels, there were very few new anime that caught our attention based on description. Therefore, voice talent became a major deciding factor for the shows we checked out. That’s how we ended up watching almost everything that Umehara Yūichirō and Saitō Sōma, my current favourite and my sister’s favourite seiyuu, respectively, have roles in.

I had to bail on EX-ARM (starring Sōma) after 3 episodes, however. I never had any delusions that it might be good. More like I had hoped it might be so bad it’s good. But it was just bad.

Also because of Sōma, we picked up The Quintessential Quintuplets (Go-Toubun no Hanayome) in the middle of its second season, without bothering with season one. So yes, we are now following both the sextuplet-brothers anime and the quintuplet-sisters anime.

We started HIGH-RISE INVASION as well (Ume plays Sniper Mask), also with the expectation that it might be so bad it’s good. So far, that’s panning out fine. We’ve seen only 4 episodes, so it’s not included in the ranking below. Of course The Quintessential Quintuplets∬ isn’t included either because we started on episode 9.


01. JUJUTSU KAISEN (ep. 14-22) – Last cour, we fell in love with Nanami. This cour, Tōdō has stolen our hearts with his instant bromance with Itadori.

I really did not expect to like Tōdō so much when he was first introduced. It turns out he is incredibly talented, strong, smart, stupid, and funny. When he’s being serious, his thoughts are impressively organized. Like any good eccentric genius though, he’s got his quirks. Not only is he a zealous otaku who lives for his waifu, he also happens to have a hilariously over-active imagination. That whole elaborate shared history he spontaneously fabricates for himself and Itadori is priceless!
(streaming at Crunchyroll)


02. Attack on Titan (Shingeki no Kyojin) Final Season (overall ep. 60-72) – This is a very different show from when it all started. The setting has expanded; the characters’ understanding of their world has completely been altered; and the character art has changed too – I’m not personally a big fan of the new art.

Because we felt a bit lost after the radical developments at the end of season 3, we weren’t as keen for this final season when it started airing in December as we should have been. We actually put off watching until mid-January. But once we started, it was very hard to stop.
(streaming at Crunchyroll and Funimation)


03. SK∞ (SK8 the Infinity) (ep. 1-9) – Langa grew up snowboarding in Canada, so when he takes up the skateboard in Japan, that experience informs his style and natural talent. As he rapidly gains attention in the underground “S” racing circuit, how will that affect his relationship with his newfound skateboard buddy, Reki?

All of the characters are likeable, fun, and attractive. Well, I’m not sure I can say I ‘like’ ADAM that much, but he certainly makes an impression! Langa and Reki have a genuinely sweet friendship. And for some reason, I really like Cherry, including how his distinctly masculine voice is somewhat at odds with his very feminine appearance. Long, pink-haired effeminate dudes are not uncommon in anime. I’m serious: check out Mochizuki from Skate-Leading ☆ Stars and Kokoro from I★CHU from this list alone. However, I don’t think I’ve ever come across one as elegant and manly as Cherry.

SK8 is helmed by Utsumi Hiroko, director of Free! and Banana Fish. If you loved the heart and artistry of Free!, this gorgeous anime is definitely one I recommend.
(streaming at Funimation)


04. Dr. STONE: STONE WARS (ep. 1-9)
(streaming at Crunchyroll)


05. Horimiya (ep. 1-10) – I’m really particular about my romance anime. I find the usual tropes and melodrama tiring. Fortunately, Horimiya mostly hits the right notes for me. The characters seem like good, well-adjusted kids. I like that when the main characters get confronted by classmates about their dating status, the response is “Yeah, so?” instead of denials and lies.

That said, I do find Hori’s recent kink development to be problematic on multiple levels. It would not be an issue if they kept it very occasional and very private. Acting like that in public, however, can give their teachers and classmates the wrong idea and get them in real trouble.

Also, abusive behaviour could easily become real, as Miyamura has to change his mindset in order to act so differently from his usual nature.

Worst, their play-abuse normalizes that type of interaction for people who see them and makes light of those who may genuinely be victimized. So yeah, I know it’s not meant to be taken seriously, but I could do without that aspect of the show.
(streaming at Funimation)


06. 2.43: Seiin High School Boys Volleyball Team (Seiin Koukou Danshi Volley Bu) (ep. 1-10) – The early time skip was confusing to me. It wasn’t obvious how much time had passed and what went down in the meantime. Some of the characters seemed to be dealing with some past trauma, but that wasn’t very clear. And are Haijima and Kuroba actually close friends?

At least the Seiin team senpai, Aoki and Oda, are more likeable. Especially Aoki (Ume’s character); I love how bossy, manipulative, and clever he is.

Well, then the Fukuho team made their debut mid-series, and almost immediately, I was wondering, ‘Oh no, these are the rivals right? How come it feels so much like they are the protagonists of this story? I haven’t even warmed up to the home team this much yet!’
(streaming at Funimation)


07. Skate-Leading ☆ Stars (ep. 1-11) – This is a sports anime featuring skate-leading, a fictional group-ice-skating sport that’s part dance and part synchronized figure skating. Competitions have a short program and a long program like other figure skating divisions.

Ep. 6 kind of confused me. First Maeshima was criticized for being too sloppy, but then as soon as he tightened his performance, he got blamed for playing it too safe. I’m surprised he didn’t seem as frustrated as we felt watching it.

Sōma and Ume both have supporting roles, and both of them play to type here. Ume turns in another Non-expressive Dude, while Sōma continues to make Radiant Golden Boy his personal specialty. Kuonji (Sōma’s character) is actually a highlight of the anime. Because he apparently spent time in Canada, he regularly peppers his dialogue with (well-pronounced!) English phrases. Kuonji is just so obnoxious and in-your-face, he kind of bulldozes over the rest of the cast and steals the show. It’s awesome.
(streaming at Funimation)


08. Hortensia SAGA (ep. 1-10) – A fairly generic fantasy-adventure anime starring an extremely generic-looking male lead, with some pretty generically evil villains. Surely Marius/Marielle could do a better job at pretending to be a man. Anyone who didn’t already know she was supposed to be a guy would take just one look and assume she’s female!

Anyway, the king of Hortensia has been murdered and the church has taken control. It’s up to the hidden princess and her trusted companions to defeat the evil forces and save her kingdom.

But wait. Let’s put aside the evil pope and the war for a moment. Adelheid, ruler and military commander of the Principality of Olivier, ‘noticed’ Deflotte! Could it be? Here I assumed his romantic advances were only meant to be a clownish character flaw. Could it be he actually has a chance with her?

Not saying anything about the rest of the show, but in general, I like how they’ve portrayed this (Ume’s) character. For all that he’s made out to be a girl-crazy flirt, I have to respect that Deflotte had no eyes whatsoever for the likes of the pretty pop-idol princess-pretender who charmed dozens of male admirers, and instead set his sights way, way above his station! He also gets to speak up and complain whenever they have to do anything unpleasant, though that never stops him from doing his duty faithfully.
(streaming at Funimation)


09. Osomatsu-san (Mr. Osomatsu) 3rd Season (ep. 13-22)
(streaming at Crunchyroll)


10. THE PROMISED NEVERLAND (Yakusoku no Neverland) Season 2 (ep. 1-9) – I had high expectations for this, based on how good the first season was, but it’s been pretty disappointing.
(streaming at Funimation)


11. I★CHU: Halfway Through the Idol (ep. 1-10) – It’s a common complaint of mine when it comes to these idol shows: too many characters. Even in their groups, I have trouble recognizing each guy. Once they are separated from their units? Forget it.

One of the groups consists of members from 5 different nationalities. I would think that would afford them the unique liberty of being able to incorporate a wide variety of styles into their music without worry of triggering cultural appropriation accusations; but they seem to play it safe. Of course, this is a show that has a walking, talking bear as a school principal, so never mind.

Credit where it’s due, the I★CHU performance segments appear to be more hand-drawn than CG, and they look good!
(streaming at Crunchyroll)


12. WAVE!! -Let’s go surfing!!- (WAVE!!: Surfing Yappe!!) (ep. 1-9) – A dumb kid suddenly develops a passion for surfing. Then tragedy strikes (in a rather dumb way.) Then life goes on.

The CG surfing animation is not amazing, but I think it’s passable enough to service the story. The story itself is the real problem; I am pretty surprised at how it’s basically gone nowhere.

Right, and don’t get me started on that annoying synthesized soundtrack.
(streaming at Crunchyroll)

(EX-ARM, The Quintessential Quintuplets∬ are on Crunchyroll; HIGH-RISE INVASION is on Netflix)

Mid-Autumn 2018 Anime Ranking

Due to the demands of work and travel, I haven’t had much time for watching anime this season, never mind writing down my thoughts about what I have seen, which makes me sad. Unfortunately, that means this quarterly post might be a little bit more half-assed than usual.

Note: I am aware that two of the shows on my list are not technically anime, but whatever, it’s my blog, so I’ll put in whatever I want… even if it’s the top 3!


01. DOUBLE DECKER! Doug & Kirill (ep. 1-10) – So far, this show has simply been a lot of fun. DOUBLE DECKER! can be serious when it wants to be, but when it goes for funny, it hits the mark because it is always smart enough to recognize its own stupidity. It’s full of interesting and colourful characters; even the narrator has quite the personality! And more than any anime I’ve ever seen, DOUBLE DECKER! acknowledges the existence of things like workplace sexual harassment and LGBTQ issues while telling its greater story.
(streaming at Crunchyroll)


02. Thunderbolt Fantasy S2: Sword Seekers (Touri-ken Yuuki) (ep. 1-8) – It’s an incredible treat to get more of Urobuchi Gen’s Taiwanese puppet show! The writing is stellar and I just love these characters. The explanation as to why so many people have been crossing the Wasteland was so obvious in retrospect, I could have smacked my head. I fully expect that Sword Seekers will continue to surprise and impress me.

The music is always amazing in this series too. Well, it is Sawano Hiroyuki after all. The collaboration with Nishikawa Takanori for the OP and ED this time just takes it to the next level.
(streaming at Crunchyroll)


03. CASTLEVANIA Season 2 (ep. 1-8 complete) – Trevor kind of takes a back seat to his mates, Alucard and Sypha in this installment. And they all take a back seat to Dracula’s court, which is the main focus of this story. We’re introduced to Dracula’s crew, as they scheme and question the loyalties and competencies of their comrades. Meanwhile, our heroes prepare for battle by hunkering down to study with books…

The 4 episodes of CASTLEVANIA season one and these 8 episodes are hugely entertaining, slickly animated productions featuring dark, intelligent storytelling. I’m very glad there’s a third season on the way!
(streaming at NETFLIX)


04. Skull-face Bookseller Honda-san (Gaikotsu Shoten’in Honda-san) (ep. 1-8) – This is a hilarious short format anime. I think anyone who’s worked in retail or customer service can relate to Honda’s bookstore experiences. I love that the humour is in the situations and Honda’s reactions, and is not generally mean-spirited toward the customers that he encounters.

Saitou Souma is really great as the soft-spoken title character; and the frequent random English is funny as hell.
(streaming at Crunchyroll)


05. BANANA FISH (ep. 13-20) – I greatly enjoyed the thrilling hospital escape in ep. 16. But then I thought Ash seemed to give up too easily when Blanca came on scene. I would have expected him to maybe have some ideas on Blanca’s potential weaknesses, having known him and spent time together with him in the past.

I am also frustrated by Ash’s willingness to sacrifice himself for Eiji’s sake. He shouldn’t need to do that. It’s a little melodramatic, and if I were Eiji, I don’t think I would appreciate my own survival if it meant never being able to see my loved one again.


06. JoJo’s Bizarre Adventure: Golden Wind (JoJo no Kimyou na Bouken: Ougon no Kaze) (Season 4) (ep. 1-8) – Another season of JoJo’s brings with it another set of awesomely flamboyant characters. This represents Part 5 of the overall saga. I’m still getting to know the new cast, but JoJo’s is JoJo’s, and it’s as consistently entertaining as always.

The highlight so far was that impromptu torture dance on the ship. I have honestly never seen anything like that before! So good.
(streaming at Crunchyroll)


07. DAKAICHI –I’m being harassed by the sexiest man of the year- (Dakaretai Otoko 1-i ni Odosarete Imasu.) (ep. 1-8) – In an unlikely development, I’m watching two BL-themed series this season: BANANA FISH and DAKAICHI. Whereas BANANA FISH is a drama and its plot involves much more than the love story, DAKAICHI is basically a romantic comedy; and as such, it works well.

I was worried that there would be a lot of non-consensual shenanigans (just look at that title), but that hasn’t really been the case, at least not between the 2 leads. I am reasonably convinced that their relations are indeed fully consensual. Also, Takato (I love his snarky internal monologue) and Junta are great characters who have real chemistry together. DAKAICHI is a lot of fun and I actually find this relationship more interesting and compelling than the one in BANANA FISH!
(streaming at Crunchyroll)


08. GOBLIN SLAYER (ep. 1-10) – Through watching this controversial anime, I’ve discovered that this is my tolerance for objectionable content: brutal violence/rape (ep. 1) challenges my idea of entertainment, but is OK; gratuitous nudity (ep. 2) is eyeroll-inducing, but OK; insects – moving, up-close, with sound effects (ep.5) are NOT OK. I really wanted a lot more censorship in ep. 5!

Despite the fact that I have almost as many complaints about GOBLIN SLAYER as the next person, I actually sympathize enough with the characters that I would say I mostly like the show. In fact, if it were only the characters and the story, GOBLIN SLAYER might be vying for a spot in the top 5 right now. However, the distasteful aspects are significant enough that I would be hard-pressed to recommend this show; and even I, myself, would not relish the thought of enduring those difficult scenes a second time.

Of course, I am also watching because Umehara Yuuichirou is voicing the lead character, his first starring role since his return to work. He was in hospital for much of 2018 after being diagnosed with acute disseminated encephalomyelitis, and during that time it was uncertain whether he would be able to continue his career. So there was basically no way I was going to miss this!
(streaming at Crunchyroll)


09. Tsurune: Kazemai Koukou Kyuudou Bu (ep. 1-6) – Gorgeous KyoAni production about some high school kids in an archery club. What happens in it? Well not much actually; don’t ask me to describe the plot. Did I mention it looks great?
(streaming at Crunchyroll)

Also kinda sorta watching:

Boarding School Juliet (Kishuku Gakkou no Juliet)

IRODUKU (Irozuku Sekai no Ashita kara)

The iDOLM@STER SideM: Wakeatte Mini!
(streaming at Crunchyroll)

Jacquie’s 2017 Year in Review – Anime

Year-end best-of lists are highly subjective things. Let me just state that upfront as I suspect my list is going to look nothing like pretty much anyone else’s top 10 for 2017!

As usual, titles that finished airing (or finished airing for the foreseeable future) in 2017 were eligible for consideration. Click on the links below to view the previous seasonal write-ups for each show.

☆ TOP 10 ANIME:

#1. Ikemen Sengoku: Bromances Across Time (Ikemen Sengoku: Toki wo Kakeru ga Koi wa Hajimaranai) (12 episodes)

Aired Summer 2017

This is pretty surprising even to me. Yes this is reality; my chosen anime of the year is a short. And not just any short, but a full-on CGI one! Previously, I never would have imagined that a short format series could be a contender for my yearly top 10. Then I saw Ikemen Sengoku, which made impeccably good use of its limited runtime. It was the most entertaining Sengoku-period time slip story I have ever seen. It was also the best anime featuring Oda Nobunaga that I’ve seen, and there have been many.

The computer graphics were not especially high tech, but they were creatively used and all the tiny details in the warlords’ clothing, movements, and expressions were a delight to behold.

The show conveyed the guys’ personalities very succinctly and efficiently. The voice actors did an amazing job too. No matter the ridiculousness of the body proportions or absurdity of the situations, the seiyuu played it completely straight all the time.

My sister and I were both captivated by Ikemen Sengoku. We watched and rewatched and watched again. We laughed at the cuteness and the gags; we bonded over our shared experiences, including catching the latest episode at the airport once right before a Wednesday flight in August; and we argued over which end card was the most lewd. (For the record, I said Masamune’s, based on the English text; she asserted that Shingen’s was worst, based on the spoken Japanese.)

The craziness didn’t even stop there. The whole intent of this type of anime is to sell the related game and goods – and I was completely sold on the franchise. My sister and I collectively spent over a hundred dollars on IkeSen café drinks while we were in Tokyo. We each also downloaded the mobile game (something I’ve never been inclined to do before, in spite of all the game-adaptation anime I’ve seen over the years) and enjoyed it so much that we started throwing money at it. I have no regrets.
(streaming: Crunchyroll)

#2. Rage of Bahamut: VIRGIN SOUL (Shingeki no Bahamut: VIRGIN SOUL) (24 episodes)

Aired Spring 2017 to Summer 2017

Rage of Bahamut 2 dominated my rankings for almost half the year. So how did it end up ceding the top spot to IkeSen? The answer is that endings are important to me, and I felt that BahaSOUL sadly dropped the ball in its final stretch. Specifically, it was the meaningless deaths of 2 prominent and well-loved characters that troubled me the most. Well that, and the implication that everyone’s efforts and sacrifices were maybe all for nothing in the end.

Because it was so wildly enjoyable otherwise, though, it still manages to hang on to the number 2 spot against ACCA.

#3. ACCA: 13-Territory Inspection Dept (13-ku Kansatsu-ka) (12 episodes)

Aired Winter 2017

ACCA was ultimately more satisfying than BahaSOUL, but it was also more of a slow burn. Underlying the mundane absurdity of this political mystery anime, there was actually a lot of heart. ACCA ended up as my favourite series of the winter season, and also the show on this list that I would most recommend to a general audience, even those who may not share my eccentric taste in anime.
(streaming: Crunchyroll)

#4. RECOVERY OF AN MMO JUNKIE (Netojuu no Susume) (10 episodes + OVA)

Aired Autumn 2017

This was already finished airing when I wrote about it recently. The additional OVA episode presented a couple of comedic side stories. They were sweet and fun, even if they didn’t add much to the main story.
(streaming: Crunchyroll)

#5. STARMYU High School Star Musical Season 2 (12 episodes)

Aired Spring 2017

STARMYU 2 was an excellent follow-up to the first season. It was funny and entertaining, and it delivered on expectations and then some.

The weakest part was the ending. It is admirable to take heroic measures because “the show must go on,” but I believe there should be a limit to that, especially when physical injury (and the potential for long-term complications) is involved. (This actually applies to DREAM FESTIVAL! R as well.) So I have mixed feelings about its final message, but overall, it was pretty great.
(streaming: Crunchyroll)

#6. MADE IN ABYSS (13 episodes)

Aired Summer 2017

Unfortunately, I was somewhat bored during the middle section of MADE IN ABYSS. Also, the show occasionally made some uncomfortable choices that I had to struggle to not see as fetishistic fanservice; and obviously the story is not really over yet.

The things that worked, though, were phenomenally effective. Character-wise, I really felt for Nanachi and her plight; and I’ve already gone on at length about my fondness for Reg. Plot-wise, the last story arc was outstanding. It was sensitively-written, chillingly horrifying, and heart-wrenching. It broke me, but I’m glad I watched.

#7. Mobile Suit GUNDAM: IRON-BLOODED ORPHANS (Tekketsu no Orphans) (50 episodes)

Aired Autumn 2015 to Winter 2016, then Autumn 2016 to Winter 2017

The word-building and character-writing were really great. I appreciated the realistic, bittersweet ending too. Sure, the show had its ups and downs for me, but ultimately I would count it among my favourite GUNDAM series.

It was an added bonus that part of it was set in Canada. It’s also remarkable that one of the main characters became a paraplegic in the middle of the story. And never before had I ever had the occasion to think, “This man deserves a harem” until I met Naze!
(streaming: Crunchyroll)

#8. Descending Stories: Shouwa Genroku Rakugo Shinjuu (Sukeroku Futatabi-hen) (12 episodes)

Aired Winter 2017

Shouwa Genroku Rakugo Shinjuu‘s first season was the lead up to a foretold tragic event. The second season covered the aftermath of that tragedy, perfectly balancing the despairing feelings of the cast with interactions that showed love and forgiveness. Yotarou, with his endless generosity and open-heartedness, served as the physical embodiment of those values. I really enjoyed being immersed in their world and following the lives of these well-written characters.

That final episode twist, unfortunately, was too much for me. We already knew this was going to be a bittersweet story, and that characters we loved were going to die. It wasn’t necessary to sugarcoat the ending, especially not in such an awkward way. Usually, when a show has a crappy ending, it doesn’t cancel out the goodness of what came before it. This ending actually did, because its misguided reveal tainted the preceding events and forced you to see them in a new light.

By rights, Shouwa Genroku Rakugo Shinjuu 2 should have been much higher on this list. Instead, I was so turned off of the whole thing after seeing the last episode, that it is with reluctance that I’m placing it even at number 8.
(streaming: Crunchyroll)

#9. DREAM FESTIVAL! R (12 episodes)

Aired mid-Summer to mid-Autumn 2017

I thought DREAM FESTIVAL! was one of the lesser known idol franchises, so it was a bit of a surprise to see the anime get a sequel. You know, I didn’t realize how much I liked and missed these guys until I saw them again. I especially enjoyed the first half, with its extended focus on Yuuto and Keigo of KUROFUNE. The portrayal of Keigo’s personal insecurities, in spite of his flashy good looks and flamboyant stage presence, felt very real to me.
(streaming: Crunchyroll)

#10. INUYASHIKI LAST HERO (11 episodes)

Aired Autumn 2017

Although there was ultimately no real message to INUYASHIKI, it did provide an interesting and thought-provoking look at the (mostly) irresponsible use of great power and what consequences it would have on society and on the ones wielding that power.

**********************************************************************************************

☆ Best Recap Episode:


Re:CREATORS ep.13. As was usual for this anime, Meteora talked and talked. But this time, there was added snark to her deadpan exposition. She even pinpointed some of the show’s and characters’ flaws and made fun of them! In her narration, she humorously played up her own character, while resorting to nicknames for people that she couldn’t be bothered to remember the names of. It was really funny and I enjoyed it a lot more than any part of the actual show itself. Best recap episode ever.

☆ Favourite Seiyuu:

Umehara Yuuichirou

I enjoyed so many of his roles in 2017, most notably: Charioce XVII, the smokin’ hot evil sovereign from Rage of Bahamut: VIRGIN SOUL; Eugene Sevenstark, Orga’s loyal and outspoken deputy in GUNDAM: IRON BLOODED ORPHANS; and of course, my favourite chibi warlord from my number one anime of the year, Takeda Shingen.

Umehara was responsible for breathing some life into a whole bunch of stoic, expressionless dudes during the fall season: Ushii from JUNI TAISEN, Ouni from Children of the Whales, TSUKIPRO‘s Dai, DYNAMIC CHORD‘s Shinobu, THE iDOLM@STER SideM‘s Kyouji, and SENGOKU NIGHT BLOOD’s Date Masamune. In general, though, it was probably more fun to hear him voicing impassioned characters like hard-luck Shinsengumi member Nagakura Shinpachi in Chiruran ½ from earlier in the year.

Umehara has a great voice, I like his performance style, and I also tend to like the types of characters he gets to play, so I will definitely be paying attention to any shows I see his name in from now on.

☆ Anime Songs Top 9 Countdown:

It’s a tiny list for me this year! As usual, the songs are evaluated primarily on the music, not the accompanying visuals of the shows they’re associated with. And it’s the full songs, not the TV-size versions, that are being considered.

09. Kakuran Romantist, by Date Masamune(cv:Umehara Yuuichirou) (SENGOKU NIGHT BLOOD ep.7 ED)

08. sh0ut, by SawanoHiroyuki[nZk]:Tielle&Gemie (Re:CREATORS OP2)

07. Hoshi no furu machi, by Numakura Manami (Fuuka insert song)

06. Yes / No, by STAR☆CONCERTO (Ikemen Sengoku: Bromances Across Time OP)

05. Masayoshi-ron, by Uesugi Kenshin(cv:Toriumi Kousuke) (SENGOKU NIGHT BLOOD ep.6 ED)

04. SunSunSunrise, by 9nine (THE REFLECTION ED)

03. gravityWall, by SawanoHiroyuki[nZk]:Tielle&Gemie (Re:CREATORS OP1)

02. LET iT END, by SiM (Rage of Bahamut: VIRGIN SOUL OP1)

01. FEED THE FIRE, by coldrain (King’s Game The Animation OP)