2014 was unusual for me in that I didn’t listen to many singles during the year, to the extent that I will not be choosing a best single this time around, due to the lack of genuine contenders. There were, however, 3 albums that I really paid attention to. Here they are in order of release date:
A Silent, within The Roar, OLDCODEX
OLDCODEX released the strongest album of their career with “A Silent, within The Roar”, a very pleasant surprise as I found their previous albums to be disappointing, especially the last one, “CONTRAST SILVER” from 2012.
“A Silent, within The Roar” includes all their recently preceding anime themes, “Rage on” from Free!, “The Misfit Go” from Arata Kangatari, “WALK” from Kuroko’s Basketball S2, plus great new tracks which incorporate varied styles of music, such as metal, techno, and punk. Of course “CONTRAST SILVER” was creative and experimental too, but the songs from that record were much less accessible than these ones are.
My favourite song from all of 2014 is one of those album tracks: “wire choir”. I love the guitars and bass. And I love how the second set of verse and pre-chorus is different from the first set, and it’s so organic that you notice the change in feeling before you register the change in melody. It’s complex and heavy and melodic in the best way.
Compared to the OLDCODEX CD, “GALLOWS” by Nagoya-based lynch. is more heavy, more metal, but equally melodic. The individual songs don’t stand out as much from one another, but that also means there’s more consistency throughout the album. Like with OLDCODEX, I wasn’t expecting a lot going in, since I wasn’t that impressed with lynch.’s previous release either. Their “EXODUS” EP from 2013 had its moments, but I can’t say there was any track I really enjoyed all the way through. “GALLOWS” surprised me with how consistently good it is.
The best track, and my 2nd favourite song of 2014: “OBLIVION”. During the year, a few people might have gotten exposed to “GALLOWS” as a result of proximity to me or my car. To my surprise, just about everyone in that situation voluntarily expressed a favourable impression of “OBLIVION”. It’s that compelling.
The Revelation, coldrain
Early in 2014, coldrain, also hailing from Nagoya, signed on with an American music label, Hopeless Records. “The Revelation” is the resulting international debut release for the band.
This international edition, available on iTunes, has all the best songs from the 2013 Japanese album of the same name plus 5 additional tracks which were issued separately in their home country as part of the “UNTIL THE END” mini-album.
As with “GALLOWS”, there’s plenty of heaviness, screaming, and melody on display; and both records have a nice range of songs with varying tempo. But whereas lynch. tend more toward a visual j-rock sound, coldrain have a more western-style alt-metal sensibility.
“The Revelation” is a very well-rounded album, full of powerful, hooky melodies. Masato’s lyrics, which are all in English, are well-written, often featuring dark and angry themes, but at times reflecting hopefulness too.
It is actually difficult to select favourite tracks, since they are all so strong. It’s simply a great listen from start to finish!