TIFF – Saturday Fiction

Released 2019

2 stars (out of 4)

This movie, set in 1941 Shanghai during the Japanese occupation, was too… advanced for me.

There were very many characters, each with their own allegiances, motivations, and secrets. Four languages were spoken prominently in the film (Chinese, Japanese, French, English); at least I had the benefit of recognizing each of them when I heard them, otherwise it would have been even harder to keep track of who was whom. In general, it was challenging to discern what was truth and what was a lie when the characters interacted with each other. That applied to the main character too. Great that she was a badass film star/undercover agent, but she remained as much of an enigma to the viewer as to her allies and enemies.

Additionally, there was a “play within a play” (the film shares the name Saturday Fiction with the play) which seemed to blend in to reality.

Based on the title, this blurring of fact and fiction might have been the whole intent, but for me, I could not tell what the movie was trying to say then.

The film was all in black and white, shot with hand-held cameras closely following the characters. With a period piece like this, I would have liked to have seen some historical scenery images, but there was not much to be found here beyond the inside of the buildings.