Mid-Spring 2014 Anime Ranking


01. KNIGHTS OF SIDONIA (Sidonia no Kishi) (ep. 1-8) – Really loving this show! Far and away my favourite of the season so far. This frequently brutal and thrilling space opera, about humanity’s struggle for survival thousands of years after aliens, called Gauna, destroyed the Earth, had me hooked by the 3rd episode.

One of the biggest initial challenges was that everyone kind of looks the same. I’m sure it’s completely intentional given the amount of genetic engineering that has occurred, but man, did it ever make it hard to keep track of who’s who, especially in the beginning. The monochromatic colour palette was no help either.

I’m normally not a fan of computer animation, but I have to say it actually works pretty well here. The movements do look a bit stiff occasionally, but really, the narrative is so immersive that none of that bothers me; there’s just no opportunity to dwell on it. I’m really glad I didn’t dismiss this one just because of the CGI.

Anime storylines featuring a boy who shows up and mysteriously has the ability to operate a special mecha are a dime a dozen (eg. Captain Earth, DAIMIDALER, and Dai-Shogun from just this season alone). This show had maybe the most plausible explanation I’ve ever seen – Nagate was raised apart from the population but he practised extensively on a VR simulator all his life. It’s looking like there might be more to it than that, too.

At the close of ep. 8, a Gauna sample has been brought onto Sidonia. I would have done the same thing. Not just because of its familiar appearance, but also because it’s important to study the enemy if you ever hope to understand or defeat them. On the other hand, after all their efforts to keep the Gauna from making physical contact with Sidonia ever again, they now have one on board…

Incidentally, SIDONIA also gets my vote for best OP/ED of the season with its closer “掌 -show-” by Kitamura Eri.
Edit: (streaming on Netflix starting in July)


02. YowaPeda (Yowamushi Pedal) (ep. 26-33) – Onoda has spent the series training and learning about cycling from his peers and his sempai. It’s finally come full circle in ep. 33, as Onoda gets a chance to help Tadokoro by showing him his own special riding technique – and we finally get to hear the Hime Hime song in its entirety!
(streaming at Crunchyroll)


03. Ace of Diamond (ep. 26-34) – In the current arc, Seido is facing off against Yakushi, a formidable opponent, and it’s coming down to a battle of wits between Miyuki and Yakushi’s coach. Furuya, too, is called upon to rise to the challenge. Episode 34 had no shortage of awesome plays. We actually went back and watched several of the scenes over again so we could appreciate them fully!
(streaming at Crunchyroll)


04. Blade & Soul (ep. 1-9) – This show seems to be under the radar for most viewers. Is anyone else watching this?

All the powerful characters in this action-fantasy, be they gang leaders, village chiefs, bosses, good guys or bad, are all female. And why not? Sure, they are all busty and barely dressed, but that doesn’t matter to me, because they are shown to be genuinely strong.

I have nothing against shows with predominantly male characters – check out all the sausagefests in the rest of the top 6 right here – that’s just the way fiction comes. But there’s no denying how refreshing it is to see something with this many strong females in it. Ironically, this program was not made by women, for women. If anything, I think it might be the opposite. Regardless, the creators’ respect for women is very evident in the production.

Maybe that’s part of the reason why this show struggles to find an audience, though. Female viewers see the revealing outfits and assume it’s a show for guys. Meanwhile, many guys have little interest in a show full of warrior women with not even one male for them to fawn over.

Blade & Soul is perhaps also not well-suited for viewers who expect major characters to be overtly expressive. Alka, the lead, is like a killing machine and shows no emotion. As someone who has previously sympathized with strong, silent types in anime, I can personally tolerate Alka just fine; and I’m enjoying the series so far.

Actually, if there’s one thing I could really do without, that would be Karen’s dancing, in the show and in the appalling ED sequence. Now that is some really horrid-looking CGI.
(streaming at Crunchyroll)

05. Haikyuu!! (ep. 1-9) – I seem to be enjoying quite a few sports anime recently. This one’s about volleyball. It took a while for me to warm up to the 2 main guys. Good thing their sempai were so likeable from the start. Especially Tanaka; he’s the best.
(streaming at Crunchyroll)


06. JoJo’s Bizarre Adventure: Stardust Crusaders (ep. 1-9) – Between the elder and the younger JoJo, it’s hard to tell who is the bigger asshole. One is kind of a racist, the other is quite the misogynist, and yet, incredibly, they both manage to come across as funny and endearing!

I never had much interest in the fight sequences (that’s just the way I’m hardwired), so the best part for me is how these creatively over-the–top characters interact with each other. And that’s enough to keep me looking forward to JoJo’s week after week.
(streaming at Crunchyroll)

07. Chaika – The Coffin Princess (Hitsugi no Chaika) (ep. 1-8) – I was really impressed with the first 2 episodes. It seemed like a lot of thought went into the action and the fights. Plus, there was that exploding unicorn, which is definitely not something you see every day, even in anime!

After that, the show has settled into more of a routine action fantasy thing. The execution is still above average, but I find the characters, especially Toru, to be a bit wanting in the personality department.
(streaming at Crunchyroll)


08. The World is Still Beautiful (Soredemo Sekai wa Utsukushii) (ep. 1-8) – Princess Nike of the Principality of Rain moves to the Sun Kingdom for an arranged marriage to young King Livius. Naturally the two butt heads in the beginning, but soon find a common understanding.

I thought the recent episodes involving romantic rivals were a bit tiresome; fortunately they moved on from that fairly quickly.

The series has been a generally pleasant experience, with a couple of notable exceptions. I’m sure I’m not the only one who thinks Nike’s rain-summoning song is horrendously cringe-worthy. And I don’t even remember what the ED sounds like because we skip the sequence every time. It’s too awkward to ogle images of the boy king sleeping in the buff. That just feels wrong.
(streaming at Crunchyroll)

09. Baby Steps (ep 1-9) – The tennis anime. Eiichirou is new to the sport and he approaches it in a highly technical and mathematical manner. It’s rewarding to see his gradual progress.

The drawback: the character designs are ugly. The way Ei-chan’s hair sticks out like a mohawk in the middle of his bangs is really weird. And “pretty girl” Natsu’s super wide eyes sometimes look empty and crazed. It’s kind of scary.
(streaming at Crunchyroll)


10. NO GAME NO LIFE (ep. 1-8) – Legendary brother and sister gamers Sora and Shiro try to take over an alternate world in order to save humanity. This wildly colourful show has its share of pandering and overpowered protagonists, but it frequently succeeds at being imaginative and fun.
(streaming at Crunchyroll)

11. Captain Earth (ep. 1-9) – Insofar as being another anime about a young man and giant mecha, this one is fairly competently made, though far from engaging.

I’d say it’s not in the same league as Star Driver or Eureka Seven, although it is definitely a cut above last season’s Buddy Complex.
(streaming at Crunchyroll)


12. The irregular at magic high school (Mahouka Koukou no Rettousei) (ep. 1-9) – I enjoy reading other people’s (disparaging) post-episode commentaries of this terrible anime so much that there’s no way I’m going to drop it.

It was recently put to me that I followed GUILTY CROWN to the end for the same reason; and that’s a pretty apt comparison, actually. In both cases, the art, character designs, and other superficial aspects are attractive. However, both have unappealing protagonists who expound questionable, rather off-putting social messages. And both series can be entertaining if you’re watching for the unintentional laughs, but otherwise, are quite painful if taken seriously.
(streaming at Crunchyroll)

13. riddle story of devil (Akuma no Riddle) (ep. 1-8) – Unlike last season, in which many series took a while to hit their stride, several shows this time around hit the ground running. Riddle story is one example of a show that started out much better than expected.

However, it has since devolved into a fight of the week scenario. The ending is always the same, too, with the loser just conveniently disappearing. And unfortunately, that seems to be the trend this season, where series might start out strong but then utterly fail to keep up the momentum.

I suppose there will be some big reveal at the end after all the fights are over, but getting there could be a bit tedious. At least the main character is likeable; she’s also of the strong, silent variety, which I apparently admire.
(streaming at FUNimation)


14. ONE WEEK FRIENDS (Isshuukan Friends.) (ep. 1-9) – Hase is determined to be friends with his classmate Fujimiya even though she suffers from a memory disorder. It’s sweet and touching and the kids are cute. I think this anime deserves the praise that it frequently gets; it’s just that I personally find it to be a tiny bit dull. It’s the kind of show that I might forget to watch if I didn’t have it written down on my list.
(streaming at Crunchyroll)

15. NOBUNAGA THE FOOL (ep. 13-21) – Well, if you enjoyed the first half, this cour continues to deliver more of the same. Da Vinci is still playing with his Tarot cards, Mitsuhide still gets an opportunity to flick his hair in practically every episode, and Jeanne continues to be useless and needlessly sexualized.

The OP and ED themes are decidedly not as good this time around, though.
(streaming at Crunchyroll)

16. La corda d’oro -Blue Sky- (Kiniro no Corda: Blue Sky) (ep. 1-9) – Not sure why I’m watching this show. I didn’t even watch the first series. All I can say is it’s harmless and inoffensive. I find it somewhat amusing that they are music students taking part in a musical competition, but they use terminology usually heard in sports anime or war stories. Oh yeah: the best part is the Yokohama scenery.
(streaming at Crunchyroll)


17. BLACK BULLET (ep. 1-9) – This has been pretty consistently mediocre. The visuals are nice, but the pointless monologues and out-of-place boob jokes betray the show’s lack of substance.

The showdown between Rentaro and Tina in ep. 7 was actually thrilling and well-animated. Too bad the resolution was so hokey. Well, it was obvious that Tina would eventually switch allegiances, but still. At one point Rentaro even thanked her for “saving” Enju’s life. Um, she shot her full of bullets and stopped just short of killing her; “spared” her life, I could see, but “saved” is preposterously generous. So in the end, Rentaro, Kisara and Enju, all of them targets of Tina’s prior assassination attempts, welcomed her with open arms. Meanwhile, Tina acted like she was completely guiltless; not even a, “I’m sorry I tried to kill you. It seemed like a good idea at the time.” I guess this is what you can get away with if you’re cute enough. Oh, anime.
(streaming at Crunchyroll)

18. BRYNHILDR IN THE DARKNESS (Gokukoku no Brynhildr) (ep. 1-9) – The initial premise sounded interesting, but when I realized that all the secondary characters were girls, I thought it might be bad. So going in, I expected this show to be haremy and fanservicey. I was pleasantly surprised when I saw that the first 2 episodes were fairly restrained and respectably plot-driven.

However, it’s just gone down from there, to the point where it seemed like 50% of ep 5 was juvenile, unfunny sexual pandering. And that, regrettably, seems to be the pattern that the show has settled into since then.

On the plus side, the other 50% is still decent, which is why I haven’t dropped it yet. And the anime boasts a surprisingly classy intrumental OP. I can’t recommend this show to anyone, though. Some of those icky parts actually make me cringe.
(streaming at Crunchyroll)


19. The Kawai Complex Guide to Manors and Hostel Behavior (Bokura wa Minna Kawaisou) (ep. 1-9) – I came close to dropping this head-scratchingly-titled anime several times. Pretty much nothing happens in it. There are a few funny moments here and there, but I could easily stop watching and not miss it at all, I think.
(streaming at Crunchyroll)

Notable Drop:

MEKAKUCITY ACTORS (ep. 1-4) – Clearly I am not the target audience for this series. I have virtually no prior familiarity with the Kagerou Project’s Niconico music videos. On top of that, I frequently have a very negative visceral reaction to SHAFT aesthetics and animation style.

If I wasn’t watching with my sister, who has a passing interest in Kagerou Project, I would never have made it through 4 whole episodes! I just couldn’t take it anymore after that.
(streaming at Crunchyroll)

SWORD ART ONLINE (Ep. 1-9)

Instead of SWORD ART ONLINE, I’d rather be watching…

DARKER THAN BLACK. While the basic premises of the two series are completely different, they do share some similarities, which I’ll elaborate on.

First of all, I’ll state that I’m one of those complainers who has no experience with MMOs. So I admit that I have difficulty comprehending things like why a player would need to have the option to level-up their cooking skills in an action game, but I guess that’s just how it is. Point being: I am not the target audience for SWORD ART ONLINE.

SWORD ART ONLINE and DARKER THAN BLACK each feature an incredibly powerful male protagonist who has dark hair and likes to wear a long black coat. Both guys inadvertently accumulate a harem as they move through their respective shows, since the girls they encounter can’t help falling for them, even though they themselves seem to have no interest in romance.

So why does it work for Hei in DTB and not for SAO’s Kirito? Personally, I appreciate that Hei is an adult. His maturity, skill, and intelligence are portrayed in a convincing manner. And unlike Kirito, Hei actually has faults. His gluttony is played for laughs; and his comrades find him peculiar because he doesn’t always behave in the logical way that a contractor is expected to. Kirito, on the other hand, is just perfect and all-powerful. Supposedly, he’s battling bosses on the front lines in his spare time, but we never see it.

Both series progress in a meandering fashion, where the things that happen in most of the episodes have little bearing on the overall plot. This doesn’t have to be a bad thing. If handled effectively, the mini story arcs can accomplish world-building, show character development and be thought-provoking. Needless to say, DARKER THAN BLACK does it right, in my opinion, while SWORD ART ONLINE fails.

Instead of SWORD ART ONLINE, I’d rather be watching…

La storia della Arcana Famiglia. Like SAO, Arcana Famiglia is another currently-airing anime series on CrunchyRoll. Both start with a promising first episode before heading directly to filler-like material in episode two. Both are finally starting to maybe address their original storyline now, in episode 9.

The difference? I have very low expectations of Arcana. The animation is low- budget and it looks like some crappy reverse-haremy anime about an Italian family whose members are contracted to tarot cards. SAO is the opposite: slick and high-budget with promises of action and adventure. However, it is SAO that manages to offend. Female lead Asuna is supposed to be one of the strongest players in the game, and yet she needs a bodyguard? Wouldn’t she be protecting him? It would be more believable to me if the two characters had simply made a pact to watch each other’s backs instead. And then, she allows two guys to fight over her. At least in Arcana, the heroine intends to fight for herself!

Instead of SWORD ART ONLINE, I’d rather be watching…

GUILTY CROWN. Okay, no I wouldn’t. Nothing’s gonna make me want to watch that piece of crap show over again. But certainly SAO is becoming this season’s GUILTY CROWN for me. It’s nice to look at, but the story is deeply disappointing and the random fanservice shots are always gratuitous and inappropriate.

I’m in too deep to stop now, so I’ll keep watching. As with GUILTY CROWN, I will be hoping that the show will redeem itself somehow, even if I fully expect a train wreck. At least SAO is an adaptation, not an anime-original story, so there’s some reason to hope, right??